Virtuoso Standards COLVPEMION 0JOE PASS Orrtuoso Standards Transcribed by ROLAND LEONE Project Manager: Aaron Stang ‘Music Ector: Colgan Bryan. Book Design: Ken Ronm. G ARV BRog,pUBLIATIONS -THE GLOBAL LEADER N PRE map 91998 WARNER BROS. PUBLICATIONS ‘Al Rights Reserved ‘Any duplication, adaptation or arrangement of the compositions contained in this collection requires the watten consent of he Publisher. No part of this book may be photocopied or reproduced in any way without permission, Unauthorized uses are an intingement of the US: Copyright Act and are punishable by law.PREFACE The works contained herein with the exception of “Your Own Sweet Way,” which was taken from the recording “Chops,” were transcribed from the renowned Joe Pass “Virtuoso” (Pablo) Albums. These transcriptions capture Joe at the pinnacle of his career as his masterful solo guitar is so eloquently demonstrated throughout his majestic performances of these beautiful standards! Many thanks to Aaron Stang and the staff at Warmer Bros. Publications for the opportunity to arrange and transcribe these masterpieces. | enjoyed working on them enormously, and feel that you will proudly enjoy playing these quintessential Pass performances This project is dedicated to the spirit and incredible talent of Joe Pass. May the joy of Joe Pass’s eternal musical vision live on through these interpretations, as you enjoy and reproduce his wonderful sounds and talent that will live forever. Thank you for the opportunity to work on this project. | hope that you can appreciate my love and input for the introduction. Best regards, Roland LeoneC ON TENT S HAVE YOU MET MISS JONES ...4 ICANT GET STARTED...14 IN YOUR OWN SWEET WAY... 21. THE MAN ILOVE...52 ON GREEN DOLPHIN STREET . . . 43 “ROUND MIDNIGHT ...65 © SWEET LORRAINE... 72HAVE YOU MET MISS JONES ‘Words by LORENZ HART Music by RICHARD RODGERS Freely Fai? Bb7 Am? Bb7 Am? DIH9) ABT) Gm? 3 a Im bs) CO CIS. BI3— BHI ATES) Dm? GI3 cu ™ 3 a IS PI i (C7alt) Fimaj7 Bb7 Am? Ebmajl3 pb AbTGL1) Gm 7 Am7 Bbmaj7 Bm7(#5) C13 FHS. Fmaj13 Em7 A785) D7 Have You Met Miss Jones— 10-1 © 1957 CHAPPELL & CO. Renewed) 088 Rights forthe Fxtoaded Repewal Term ithe United Stas ‘Controted by THE ESTATE OF LORENZ HART and WILLIAMSON MUSIC Rights oa sit of THE ESTATE OF LORENZ HART Aginisteed by WB MUSIC CORP. “Ths Aringerien © 1997 WB MUSIC CORP. ad WILLIAMSON MUSIC ‘I Righs ReservedG13 cu (min DIE CoE Abe OF FB F139) Bbmsi9__Bb6 Bbmaj7 Abma 57169) 3 — + Ghmajl3— Gbs AT ALB EbT(H9), = pmai9,, Abit abmo Db13 m Fina? 3 — eae Gbmaj7 Frnaj7 Gbmaj7 Gm Git Gm9(maj7VF# Gomaj7iF C769) Have You Mot Mise Jones — 10-2 2088Fm? BBT Am? DIG9)——_—_ABTIbS) Gm, — mia PA pei Das) Co BHI and, IB DIBA Gm9 E513 D145). DS7(#S) CIB 7069) ATES) m3 79) a3 dbo Gmil 13069) my OP, — | | | | ‘A Tempo (d = app. 120) Fmaj?_Bb7 Am7 79) Gm? cB BbI3 Have You Met Mis Jones ~ 10-3 7088F6 AT Dm? Dmt = Ab? GT. Gmil (cra) Fong? BOI) Am7 Dr9) Gm7 Dds) (CT) FS Em7 A745) Dmil cm7 FB Bbmaj13 Abm6 7) wo eel (tC eC ee (eC PT eo (Ghai) Fm? Em? as Dina 1,f272 Have You Met Miss Jones 10-4 07088emt Db7b9)——(Gbmaj7) Gm C769) BbT Am7 D7(H9) Abm? Gm7 13 ‘m7 pee Gm7 c13(b9) Fo? BIS BbIS E9 Eb9 AbIS DBI D (Gomaj7) (Eb79)) (abr) (Db) (bm) (E789) af = ; | | Have You Met Mis Joncs 10-5 ossAbm7 bso Gm © Emaj7 Fingj7 (Bb7) (an?) 7) (Gm) 13) FS Em _A7(H5) Do Chil Cm cmi1 FI3 BbS Bb9 AD. BO Am7 Abm7 (b7) Have You Met Mis Jones = 10-6 nous16 (a7alt) Dmajo Abmit Db7(b9) Gomaj7 Gmit C1369 Fmaj7 BbI3 AnGH5) D(H) Abdim Gm9 (c13) Freely ATS) D7(3) G13. Db9_ C13 C1369) Fmaj7 Bb7 Am? Bb7 Am7(85) D7(b9) Ab7IT) Twa oie | | | | | Have You Met Mits Jones 10-7 zouu Gan? Dbx#S) 5 cli) , Frmaj6 Em? (AT) Z Dm? Dmlt Gm Go 3 Abm7 DbI3. cb oo Bbmt Eb7H9) AT a a a 3 3 I Abm7 Db13 Db7sus — Gbmaj6_—«Bb7(85)_-Ebm7 Bb 3 | | | | Have You Met Miss Jones ~ 10-8 02088A Tempo (J = app. 120) (Gm) (cis) FI3 F139) Bbmaj9 Bb6 Abm Dbl Gbmaj9 Ebm9 Em AIS Ns Dmaj9 Abmit oa Gbmaj7 3 Freely Gm9—GbIF_ CT Finaj7 Bo AmT Dis) Gm7 D789) Ma pe mI I rf J A Jo JzgL oe J5a) efsuk DbxBS) CT crs) Fmaji3 Dm9 D945) Gm ca —3I—- —I— og J by Have You Met Mis Jones ~ 10-9 70688Cadenza: 5769) AUS) puts) G7 Gmgic eps Gb749) we ob7049) Fimajl3 mir Have You Mot Miss Jones ~ 10-10 ons14 I CAN’T GET STARTED Words by IRA GERSHWIN Music by VERNON DUKE Cmaj7 AIS ATalt Dmti Ab7ES) GI Bm75)__E7(b) Am7 b7 Du Db13 Cmaj7 Cmaj9 Am? AIS ATa Dmit_ G13(b9) GIL BbOEII) —— — can't Gat Sured 7-1 '© 1935 (Renewed 1963) IRA GERSHWIN MUSIC and CHAPPELL & CO. 7088 “This Anangemest © 1997 IRA GERSHWIN MUSIC and CRAPPELL & CO. Al Rights on behalf af IRA GERSHWIN MUSIC Administered by WH MUSIC CORP. IRA GERSHWIN" isa alemack of Gerstin Eseries A Rights Reserved15 D3 Gra Cmaj7_——Cmaj) Am7_—Am9_—_AT(HS) A719) a 3 2 Jun Dm11 Em? Fmaj7 Ci GT Bm7b5) —-B7(H9) Am7 DAG) (69) AmI1(bS) 3 = b, DB AbTg5) GIB Cmaj$ FS EmIl A7(9) 3 Dmil AbI3.— GIL G7 B79) (cmaj6) 3 Jton eas (se ee se Can't Get Stand -7 2 0108859 Bb7IAS) ANS) AD (Omaj9) as 79) 3 = Dmaj9 Bs 06 Dm? Dmd Ab7S) GI3(HS) Am Eb9(B5) DIT. D13%49) ~ 3 1 3 ae ais AID be D b, 6-4 cs AI3AT(45) AT(b9) Dm G3. Bm7(b5) E73) Am7 BST 2 - Dis G7al | | | | | 1 can't Get Sted 7-3 noe7 inaj7 Cmaj9 Am7 AXS ATS) Dm7 Amt) DI3 D9HS)-GI3._GT Interlude: Cm? Bdim Cm? Ddim Cm9 Cm7 Cm9 Cm7 Bbm Bbm7 Bbm9 Eb9 y b 2 Am7 Am9 D9 —Abm7 — AbmI|_— Abm9.Db9. Gbmaj§— A1(b5) | insti lo | (Abms) bmi bi Db. Fmi(b)Bb7 EbmiL AbD DIH9) G13 Db7149)——Gbmaj7_——=CH9KHS) BHIL_—_AT(OS) can't Gat Sane 7-4 080Abmil pb7() Ghmaj7_ Bmaj6 Emaj7 AmajI3. Dmaj7_ Cmaj7_ Gb7 b, Fmaj13 E79) AIS D9 a a 3 2 A Tempo (¢ = app. 66) Cmaj7 AL ATalt Dmit Dm? Ab7 G13 Bdim — E7(f) Am? Eb7 3 Dia GT(#5) G13 G7() Ebm9 Emo Cmaj7 Am? Al3 ATS) —-A7(9) 3 by b E | | | Dmit 613069) Dbmaj7(#5) G7b9) C6 can't Get Sued 7-5 02088EmIVA Codi) BO Bb9GHS) ADDS D6 ATADTGT G13 GI3/GE Dmaj Eb6 D6 3 3 3 a Freely Dm7 Du Ab7S) G7 Coals Do Dis —=s 3 : Can't Get Sited 7-6 02083Cmaj7 Cinaj9 Am? 413 AT(RS) Dmit Bm7(bs) E1Kb9) Am? T(E) £ Se Gaim Am7 Tale Dmit Dra oo 613169) e Cadenza: ch (Bb) (ab) 10 | | | | | Can't Get Sted 7-7 2088IN YOUR OWN SWEET WAY By DAVE BRUBECK A Tempo (¢ pp. 88) Am1\(b5) _D7(b9) Gm7 («cy Cm? FT BOIS 2 985) Ebmajl3 Abm7 DbI3 Ghmaj7_—— Chmaj7 FTA) E749) FTG) (Bbmaj7) _— (Am7b5)) ratty (Gan) In Your Own Sweet Way— = 1 oa (© 1955, 1956 DERRY MUSIC COMPANY ‘Copyright Renewed [Ad/Righis Rererval Used by Permission(cm?) ou) (Bbmaj7) Ebmaj7) (Ab) (7) Gbmaj7 Chaj7 comes) FTG9)) (Bbmaj9(411)) Em? aT) Dmaj9 BTalt cers) (Aralty (Dmaj7) Dm? Dmli Dm? G7 {Your Own Sweet Way = 11-2 ‘noe23 (Crmaj7) (Finaj7) AbIS Dm? AmII(b5) Eb7 D7 Dxb9) Gm7_Gm9 Gm7 mit FI3 GbI3 FIZ BbG —Ebmajo Abm?— AbmiL. BIS. «G7 G7 Comal) FT9) by 2 (Bbmajz411)) (Am765)) (769) (G7) (Cm) (F7E9)) (Bhmaj7) (ebmaj7) | | | | | In Your Own Swest Way —11=3 2088(Abm9) (Db13) (Ghmajry (Chmaj7) b (cms) er) (Bbmaj7 (am7b5)) (Dray) (Gm «cn m7) (F769) (Bbmaj7) (Bbmaj7) (ab?) (Db7) | | | | (Ghmaj7) (Chmaj7) (cms) (Tal) 1k Your Own Swost Way— 11-4 x08(Bbmaj7) (m7) an (Dmaj9) (Dm) (0G) IG) by (Cmaj7) (Fmaj7) (Ab 13) a on — =r To eetlC( (Dray ay (GH (Cm9%mnaj7) cml (ity DTN Ab7G7 (Gray (cms) cra (m7) (Bd9) (BoA) (Eb) Ebm7 B75) Bbm7 rs . “The Man Love — ons39 BOIS) Bbm7 Gm 1(b5) peso Dbs Gm7b5) C7 Db bem <= a 7 rds) B13 BbI3 B13 Bb13 DbIsb9) > a 4 by $ A £6 - realy Interiude: Bb130) ebm bmw? ims Bhat a (Bb7alt) The Man Love = 11-8 ons40 Bm7(b5) EIS A D7 GIs. C13 cms) — B78) Bb7(hs) anh) Ab7() on) Cmaj7 oI cm 5 (nay | | | | | ‘The Man Love 11-9 oesal Gm? Pdim Gm7_ dim Gm? Gm ATCGHS) 3 mobs) aa Bb7411) ANS) bo ais maj? Cm? Dm? Ebmaj7 Cm9 F13 Cm hi a | Gm7 Gg BbIS ANH) ATb9) 3 for Dm7(b5) G13 AbI3 G13 GI3(9)_—F#m7(b5)_Fm7 ‘The Mon Lave 11-10 708842 Em7(#5) A7(#5) Dm? Ebm6— Em7(#5) ATES) Dm? Db9(BS)C13 Gb7G11) FS FD 3 3 5 3 > E189). Amajg Amd 3 Em 3 RATES) Bm7(b5) (Dm9) Bm7(b5) E13 B19) £1569) Amaj? n ya -P | i | | Amit 19) Gmaj7 Cmaj7 Fmaj7 Bbmaj7 Amaj7 j ‘The Man {Love =I 705ON GREEN DOLPHIN STREET ‘Music by BRONISLAU KAPER Lyries by NED WASHINGTON cs (Cm) bs pbs Cmaj7_ Fmaj7 Bbmaj? Ebmaj7 Abmaj? Dbmaj?— Cmaj7 +749) A7()) | | Dm! 3 G1369) Galt Cmajp (On Green Dolphin Street 22-1 208 1 1047 (Renewed 1975) METRO-GOLDWYN-MAYERINC. Al Rights Controled by EM EIST CATALOG INC. (Publishing) ‘nd WARNER BROS. PUBLICATIONS US INC. (Pat) “A Rights Reserved(mit) Edim Fm? Bb13(b9) B13, by | FF ik a eee 4 2 —— ‘On Green Dolphin Suest—22-2 0208845 D9 AmM%maj7VGE AMT Abu Aba? Abmlt —Abmd D¥9 ina} Y es Cimaj7 Fmaj7 Bhmaj7 Ebmaj7 Dbmej7 Abmaj? Gmaj? Db7H9) Cmaj7 (a?) a Dm? E Emp) Baim Am? D13(b9) A Tempo (¢ = app. 120) Emil Gmaj7/A_ a(t) ATES) Dm G13(b9) (iG) (Em7) (E67) (Dm) (S711) B48) 63 (On Green opin Srxt = 02088(cmaj7) «cm7y (D9) (9) © (Aral) (Dm?) (Gray © cn bef (Fm?) (Bb7) (ebmaj7) (On Green Dolphin Suost -22 4 208847 (m7) (ara) (Om7) (Dm7C) Bm7b5) E69) cam?) (Adimy (m7) (AD (Om) Gn =z. (Em7) (ay (Dm?) «Gn c§ ob Two ea l(. Cmaj7 | | | | Cm9 Chm9 Cm9 CmIl Chmil Cmit Cm9 Chm> m9 Cm co bo » b (On Geeen Dolphin Srest 22-6 0208849 bs. ch (Atal) (Dm) m/c) BmIb5)) (eral (am) «Caim) (em?) (at) m7 on > (Coaj7) C769) Fm (Bb7) Ebmaj7 fs | | | OnGreee Dolphin Stet 22-7 moose,Interlude: E13 9 B13 B9 Bb$ (Gm?) (C7alt | : (Fo) (Boral 6) (Ebmaj7)——(Db7)——Ghmaj7) FIGS) — (Em) (067) Ghmaj7)_—(Ebm7) | . (Fn) (b7) (Eb maj?) (Ebm9) cabia) 749) BICR9) Bb7(49) (On Green Dolphin Susst—22 8 onoSt 5m?) (abi) bo CHD) Fm? m6) neo) cm? cm9Cm7—Cdim DS EDS DS BS C7alt Fmt (Bb) (€bmaj7) (m7) (an) (mjd) (ms) aN do Jta, ek (te ee (te eC E7alt Ams) Ds (B9) —p (On Green Dolphin Stret 22-9 nen(Em?) (a3) ©) Gm? C13) ®) Em? (ary DS E7149) E749) ATalt ‘Green Dolphin Stet 22 —10 708833 oH (G13) (Fim7) (B7) (Em7) (Emi) (C#m(b5)) (E¢7alt) (Bm7) (Bdim) (Fm) (B7) (Em7) (AZ) mt) (Fm7) yp Bos) A7 ATI) DS cH DS cas DS Dm? mil oe a Bm? 7 Bbm7 bo ‘OnGreen Dolphin Suet ~ 22-11 7088Dmaj9 G7 GbT FT rg D7gt9) Gm7 2 (cia) (cTalt) (Emaj7) (m7) (an (Domai (m9) on &) (E69) (tm7) en ‘Go Green Dolphin Stet —22— 12 78s55 em) ETD (CHm7(b5)) FATES) C7 (Bmit) E1369) Deity D9 BTalt Emil an (749) CATO) DIED) ABT. G7 Bo co bo bo. fo) 2 ‘On Green Dolphin Set 2213, 208856 | | | | (atalty (Dm?) (Gra) (C3) (Gm) «cn Fn?) (Bb13) EbI3 (Dm765)) (Gra) b (Cmaj7) m7 mit Cm? Cm CII Cm9 Db9 D9 Db9 De co bo G7att cy «ay be (On Grsen Dolphin Street = 22 14 0708837 Freely (Omi) 13069) E7(5) Baim Am7 Amo (Caimy m7 A7( DIG) Galt) Tarte be be be Em?) HID) B7(t) Em7(b5) ETUISYA 7 Jou etl ( _ int * 7 + a - ~ = He ee eC “Round Midnipht—7—1 7080 (© 1945 WARNER BROS, INC. and THELONIOUS MUSIC (Renewed) ‘This Anangement © 1997 WARNER BROS. INC. ad THELONIOUS MUSIC ‘AIIRighis Reserved66 Dralt Gm7 De13 C13 Ftmaj? Fmaj7 Em76b5) Arle) DIES) G13 Bm7b5) Bb7GL) AT EbIA 2 Dm ; 2 Bm(b5) FB Bbmaj? (B87) 5 5 2 ‘Round Midnight 7-2 nose67 Eml1(b5) ATalt Dm 4 AbIBIAD) G13 + BbT7 AT pT AbD Dm? GH G13 Gm7 om D Db13—— C13 Fkmaj7 Fmaj7 Em7(bS) A7| 3 Bm7bs) ET All mia | | | | "Round Midnight -7—3 7088BmG5) 57 AT ATalt Dm B13 aT Emo/A Jao eeC(CP a eC D169) Gmr > 9 CHdim AT Dm Chim aes ‘s ‘Round Midnight 7-4 7088Din? Em7 Dm? Bmil E13 AT (ey DT or cr Bb7 E749) (Aran), somite ‘ ant), Bb7b5) E1165) Em7(b5) ATalt Em11(b5)A7_— Dm. AbIS(#9) G13 i a | : E | ‘Round Midnight 7-5 7088(Bbm9) (e9) Amt Dralt ADT) Gm7 Db13 C13 FAmaj7 Fmaj7 Em? A7 (fs) A7(HS) GH13 G13 Db7LE) Bn7(b5) 87 All A7(b9) Dm J —— oo i ‘Round Midnight 7-6 08871 Bms75) 6 Fm? C7(b9) Fm Fm7 Bm7(45)— Abmaj7/Ab 3 Bbm9 Bb? bs ATalt y Dm? Db7R) C13. Fa BbI3 E513 AT(H5) cHD “Round Midnight =7 7 070882 SWEET LORRAINE Music by CLIFF BURWELL Words by MITCHELL PARISH Gmaj7 FI3--B9ET() Am? Fifmy(bS) BT(b9) oR 3 3 Em7 Eb7 DmIl Ebm7Dm7 G13 GIS) C9_C7(HLL) Fm7(b5) BI(b13) E7sus ET BT (Ab7) 3 J 3 - 3 a a a Ss ba a AT 3m AMS) Eb9 DIL Eb7(#9) D9 DI3(b9) G5 Fe Sweet Loraine 8-1 © 1928 Renewed 1958) EMI MILLS MUSIC, INC. 02088 ‘AIIRights Contoled by EME MILLS MUSIC, INC. (Pubishing) 1nd WARNER BROS, PUBLICATIONS LS. INC. (Pin), ‘Al Righs Resveg3 a By ET(A9) AmT _G#dim Am? F¥m7(H5) B7 B1Cb9) 3 3 —— Em? Ebmi1 m7 Em7 Fmaj7 D9 Gi3sus__GI3G69 CMH) FAmIT B75) nd “ 3 Joo wetC( iC Esus B7(HI1) AT EIB Dia Eb7G9) DIL—_DI3(b9) GIS Ab9CHS) G9 3 bi mao eee cA Bo = cB Gr Eom? Dm7, GIGS) fac) C13 Cmaj7 Bm ET Am? Abmil Gm? Db13 C13. FHIS Fangj7 en 3 3 5 fag [e ;74 Bmll E7(69) Amt Ahm? Gm GmI1 3 poe FE BID B AIS Eb9GHI1) DIB Ami Am9D9 FI 3 3 3 3 BiG) 9 Al ATHS) 7) AbT(bS) 2 GT FIs 9 Exp) BbI3 Amd Fim7(b5) 3 B7 B79) ” 3 EUS Sweet Loman —8—3 208815 Em? ant) Dt GB Bb DB EB GB by co C7411) Pam B7(H5) Bsus, BTL). «ATA Am7 Amd oy 3 3 Fo £9 Bb9 D9 Eb7 D7 Eb7 D7 G7 bee = oo Th. cent) Jean ek ee (eC Ct (A139) (am) Sweet Lorioe = 84 ossA Tempo (¢ = app. 72) wry (Eb7) (D7) E47) D7) G3 Gb7 FOBT E79) bi i 2 Am? D9-B7 Em? ANB ATES) Dm9 GLH) C9 FETCH) B71b13) 4 el co 37 oon a5 Tous Bb7(#11)A7 E13. Am Am?_DI3-_D7b9) CTH) Bm7 E7(#9) E7169) a 3 dn a mea. d m5 ee : = eae a Atal Amo D769) 7 PET FB e785) E789) ToS yp Amt Fhmit B7 Em7 bm! Dm? G13 G79) C711) C9 Fm B75) —a— Fin ; ria 34 To A, =H yo ten ae Sweet Loraine 8-5 7088E7sus BbT(bS) AT Eb13 pu Ami1 may os Gn «args) —_ (Cmaj7) Esus BT Ant Ab? Gm (C7alt) 3 (Fmaj7) BmilBb7(¢L1) Am? Abm7.-s Gm? Gm FI3 F9(#5) F9—Bb7(R2) Ey) 3 Ta eC OP ee i Oe AI3—- EOS) DP ci F397) AIS BBO. “I ms Sweet Losing 8-6 ‘8 Freely rain) Ab7 = Gmaj7 B7HS) 9 Ent) Amo Fam7(bS) B7_Ditdim Fédin 2 3 — Em? Ebm1 Dm? Em? Fai? (1 GIs GTS) C9 cot) Fmt B7(HS) 2 el 5 3 4 E7sus BOTHELL) Amo Bo a A | | | | D9 Amit Diss) G13 3 cs IS Sweet Loraine 8-7 ‘oan.9 BbI3 EbI3 AbIS Dbis Gb13 Bo co) 3 3 3 3 by by > er), ANT Amo Am? Ano B13 DIS PIS FAI3b69) G7 © 3 3 Gc PIS FH309) G13 3 yn sek CO eee eee ADI GI3 3a 2 4 Sweet Loraine 8-8 oesThe Howard Morgen Fingerstyle Jazz Series ett ari cre ‘An Evening with Jos Pass On Guitar (Resaa5] viceo (REHBKC Jazz Lines. Joe Pass: 5 sd Set (REHO12} Viceo (ReHaS0) vdeo “This isa great product... oir es indispensable” [jp i)%4/|mmaamas rie ADRIAN INGRAM’S Cool Blues Guitar Method & Hot Jazz Guitar (5208A) 3 > eu! ee Learn: * Dominant 7th-Chord Forme and Substitutions *The Jazz/Blues Progressions *"kinorizing” the Dominant * Single-Line Seloing * Jazz Phrases + Scale and Arpegglo SubstitutlonsAlso Available: Paty Aa & fl cH HAVE YOU MET MISS JONES Ee a IN YOU OWN SWEET WAY THE MAN I LOVE Ua MUA SN Bia UAV a MLO os Foe VipEo| |\@REH VIDEO i My - ox; re .S tae) ENS) Joe Pas: (REH843) precaentsy Coty)