Professional Documents
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Brochure Menu Bar Final
Brochure Menu Bar Final
Pack your stitchin bags! The Tip of Texas Chapter looks forward to welcoming you to Sugar Land,
Texas for the Gone Stitchin SCR Seminar 2017. This is the first time our chapter is hosting a
seminar on our own, and we're doing it from a distance of 350 miles to the seminar location.
The seminar is returning to the fantastic Marriott Sugar Land Town Square! There's lots of room for
our seminar plus easy access to shopping and local restaurants, all within walking distance.
Our seminar kicks off with Region Day on Wednesday afternoon with an educational presentation by
Dr. Tricia Wilson Nguyen, an MIT graduate with degrees in material science and engineering, and
who is the founder of the Thistle Threads. She is currently working in a field called Electronic Textiles
and is teaching the online course, Cabinet of Curiosities, throughout 2016. She will be speaking to us
about 17th Century Casket Boxes. These boxes were designed and stitched by young women to
demonstrate their mastery of needlework. After Tricia's presentation, you may choose from several
mini classes, which are listed on the Registration Form. And later we will have Merchandise Night,
where you can see (and purchase!) the different vendors' stitching wares.
Our classes start on Thursday and will run through Saturday. We are offering 3-day, 2-day and 1-day
opportunities for you to learn new techniques or perfect old ones. On Friday night we will be hosting
the Seminar Banquet where we will be celebrating another successful SCR seminar with our EGA
stitching family.
Mark your calendar now, start making your plans, and pack your bags to join us at the Gone Stitchin
SCR Seminar 2017.
Tami Cowen
SCR Seminar 2017 Chair
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REGISTRATION INFORMATION PLEASE READ CAREFULLY
(Click HERE to print the Registration Form)
REGISTRATION ON LINE: Print out both pages of the form, fill them in, scan them and email them to
the registrar.
REGISTRATION BY MAIL: You may mail your registration form to the registrar. If you wish to have
your class assignment sent to you by mail please include a stamped self-addressed envelope.
EARLY REGISTRATION: All registrations postmarked before July 15, 2016 will be considered First
Day registrations.
CLASS ASSIGNMENTS: Every effort will be made to place registrants in their choice of classes.
Class assignments will be mailed by October 1, 2016 and will include billing for any remaining
registration fees, kit fees, and adjustments. All fees will be due no later than February 1, 2017. Failure
to pay by this date will result in cancellation of class assignments.
CLASS CHANGES: All change requests must be submitted to the registrar in writing/email. Changes
requested after April 1, 2017 will incur a $50.00 administrative fee. No fee will be assessed for adding
classes or meal tickets. All changes are subject to availability and must be completed by May 1,
2017.
MEALS: Meal tickets may be purchased for guests and/or volunteers to attend lunches and the
banquet. Favors will be distributed at meals upon submission of a meal ticket. Favors for those not
attending a meal may be picked up at the information desk after the meal, upon presentation of a
meal ticket. Favors will not be mailed.
REGION DAY FREE LECTURE: Dont miss Tricia Nguyens lecture on Wednesday afternoon from
1:00-3:00. In order to ensure adequate seating, please indicate on the Registration Form whether you
plan to attend.
MERCHANDISE NIGHT: Tables are $60.00 for this event. See information in the brochure and sign
up on the registration form.
TEACHERS SHOWCASE: This event is open to all teachers who wish to display their work. Sign up
on the registration form.
CLASS SELECTION AND PROFICIENCY LEVELS: To help you select a class, please be familiar
with the following EGA proficiency-level definitions:
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REGISTRATION FEES:
$60.00 DUE WITH REGISTRATION FOR ALL ATTENDEES (EGA AND NON-EGA MEMBERS)
AND NONREFUNDABLE.
$65.00 ADDITIONAL FEE FOR NON-EGA MEMBERS DUE WITH REGISTRATION AND
NONREFUNDABLE. This can be applied to a one-year membership in the Tip of Texas Chapter
EGA.
FACILITIES FEE: Required for attendees not staying at the hotel. $100.00
CLASS FEES for 3 FULL DAYS Each of these 4 options include lunch on Thursday, Friday, and
Saturday, and the banquet on Friday night:
FEE FOR ONE DAY OF CLASS: $230.00 includes lunch the day of class only. If you wish to
attend other meals you may purchase additional tickets.
FEE FOR TWO DAYS OF CLASSES: $280.00 includes lunches on both days of class only. If you
wish to attend other meals you may purchase additional tickets.
MINI CLASSES WEDNESDAY: $25.00 includes kit fee. (Does not include any meals).
CLASS FEES DO NOT INCLUDE KIT FEES. After your registration is confirmed, initial registration
fees are paid and classes are assigned, you will be notified of kit fees and how to pay them. Failure
to pay kit fees by the due date will result in your registration being cancelled.
PAYMENT OPTIONS:
You may pay any and all fees by check made out to SCR Seminar 2017.
If you wish to pay by credit card, we will have a terminal available at the 2016 SCR Seminar. You
may also include your credit card information on your registration form, please show your name the
way it is written on your credit card.
Marilyn White
Registrar: EGA SCR Seminar 2017
1404 Mulberry Lane,
Brownsville, TX 78520
registrar@scr2017semianr.org
Phone: 956-371-1077
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EGA SOUTH CENTRAL REGION SEMINAR 2017
GONE STITCHIN
June 7 10, 2017
Address_______________________________________________________________________
I release the Embroiderers Guild of America, Inc. (EGA), the South Central Region (SCR), and the Tip of Texas
Chapter (TOT EGA) from any liability for theft, property damage or personal injury while participating in or
attending any or all functions and meetings of EGA SCR Seminar 2017.
Signature:_______________________________________________ Date:_________________
(The Registration Form can be scanned and emailed, or it can be sent by U.S. mail)
CLASS SELECTION:
Thursday & Friday Choose a 3-day class, 2-day class, Studio Time or None
Thurs/Fri Class # Class Title Teacher
First Choice
Second Choice
Third Choice
Saturday Choose either the last day of 3-day class, 1 day class, Studio Time or None
Saturday Class# Class Title Teacher
First Choice
Second Choice
Third Choice
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EGA-SCR SEMINAR 2017
REGISTRATION FORM PAGE TWO (Please Print)
Name____________________________________________________________ Date___________
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Pack your bags and runaway to Sugar Land for the
"Gone Stitchin' SCR Seminar 2017!
Enjoy outstanding classes and teachers, delicious food, shopping,
and a big Texas WELCOME!
Located in the heart of the vibrant Sugar Land Town Square, the Marriott Town Square
http://www.marriott.com/hotels/travel/housl-sugar-land-marriott-town-square/
is within walking distance to over 300 stores and 50 restaurants.
Local attractions include:
Rate is $153.00 per night. (Hotel room rates are quoted per room per night and are
subject to applicable state and local taxes at time of check in.)
METHOD OF RESERVATIONS
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Class Number 301
Kit Contents: Line drawn congress cloth, all threads including Soie Cristale & Waterlilies silks,
Bijoux metallic, bead soup, and needles.
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Class Number 302
Class goals:
Students will practice the stitches on a practice
piece before working on the actual project.
Students will experiment with a large variety of
stitches and techniques: crocheted cord, needle
felting, needle lace, beading, padding.
Stitches: Wheat Ear, Chain, Back, Stem, French knot, Beading, Couching and
Canvas stitches: Smyrna cross stitch, One way couching, Diagonal and Oblong, Mirror
Satin, Chevron.
Kit Contents: Instructions, pattern already transferred on Congress cloth, handmade cord, DMC
Cebelia threads size 20, a variety of DMC embroidery floss, memory wire, rove for needle felting,
beads, sequins, metallic gold and copper, Madeira threads, padding material, golden copper leather,
needles and a practice design and crocheted cord to practice the technique and the stitches.
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Class Number 303
Come and learn to create a wonderfully soft bear using wool roving and a specialized
needle. With the completion of the bear, it is time to do what embroidery artisans love to
do embellish it. We will be using silk ribbons with a variety of stitches to create a floral
display covering the body of the bear. A few of the stitches will include: French knots,
straight stitch, twisted straight stitch, extended fly stitch, and ribbon stitch. This will be a
loved bear to be displayed, for all to enjoy.
Technique: Felting, Silk Ribbon Embroidery Design Area: 10" - 11" bear
Proficiency Level: Basic Intermediate Kit Cost: $ 85.00
Pre-Work: None
Kit Contents: Wool roving, felting needle, silk ribbon, buttons, needles, written instructions, and
pictures.
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Class Number 304
This class combines two charming pieces that can be used separately or together as a pair. Both
traditional and surface stitching will be the focus while student uses a variety of flosses and silk
threads to create color and texture used in the flower stems and spines (pleats). Student will select
batik fabrics for both pieces.
Desert Honey
The night-blooming flowers in silk ribbon and beads invite the desert visitors daily as the bees enjoy
the sweet nectar and pollinate the desert tree. Student will pad the cactus trunk and cover it with
batik fabric. Stitching will be done on top to enhance the spiny columnar structure of the stem. The
ruby red fruit is stitched with Splendor.
Desert Visitor
A large, beautiful bloom in silk ribbon, organza and netting, brings the Prickly Pear cactus to life. The
Monarch butterfly is done in tent stitch, over one canvas thread. Student will pad the cactus trunks
and cover with batik fabric. Pads are enhanced with light stitching for the spiny thorns. The ruby red
fruits are stitched with silk Splendor.
Kit Contents: Instructions with color photos, 24 count Congress Cloth, a variety of overdyed cottons
and silk threads, rayon thread, perle cotton.
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Class Number 305
Kit Contents: Written instructions and color photography, patterns & placement guide, freezer paper,
clear acetate, black felted wool, Weeks Dye Works felted wool colors, Tirico hand-dyed felted wool
colors, Weeks Dye Works threads, Rainbow wool thread by Tirico, Silk Lame` Braid, black pearl
cotton #8, DMC floss, seed beads, and needles.
We have made every effort to describe each class accurately. Please rely on the class description as
your primary guide in choosing your class(es), paying particular attention to the techniques used,
materials and level of difficulty. If a student registers for a class that is beyond the student's
proficiency level, we are not responsible for the student's success in the class.
To help you select a class, please be familiar with the following EGA proficiency-level definitions:
INTERMEDIATE: Knowledge of basic stitches, materials, and their use in the technique being taught
is required.
ADVANCED: Ability to execute simple and difficult stitches in the technique is required. The student
also should have knowledge of color design that will allow exploration and creativity.
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Class Number 201
Kit Contents: 28 count linen, DMC perle cotton size 8 and 12, needles, chart and instructions.
Class Number 202
Kit Contents: 18 count canvas, Au Ver a Soie silk, Kreinik braids and ribbons, needles, instructions,
color photo and postage for mailing pre-work to student.
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Class Number 203
Chrysanthemums in Autumn is a collaborative creation between painter, Elsie DiCassio and Marcia
Brown. The beautiful hand-painted oval box was inspired by a unique scrimshaw box on exhibit at
the Boston Society Museum in Boston. It features a graceful chrysanthemum garland trailing around
the box exterior which Elsie recreated in paint for us. The painted lid depicts a colonial settlement in
Autumn over a spray of chrysanthemums. The box interior features a reproduction of the painted
design in needleart on 32-ct. antique white linen using rich Autumn-toned silks and flosses by
Gloriana and Weeks Dye Works. These chrysanthemums sit atop the lids of two constructed inner
compartments on either side of a handsome scissor channel. Luscious checked and coordinated
check/stripe silks are used for the linings and scissor channel.
Technique: Surface Embroidery, Finishing Design Area: Box, 9" x 5" x 4"
Proficiency Level: Basic Intermediate Kit Cost: $230.00
Pre-Work: None
Kit Contents: 32 ct. Belfast linen, Gloriana and Weeks Dye Works threads, Skirtex, silk lining, other
supplies needed, color photocopies, charts, instructions, hand-painted oval box
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Class Number 204
Kit Contents: Trigger cloth with design preprinted in wash-out blue ink, threads, needles, grabbers
and instructions. All 26 letters of the alphabet and a color photograph are provided.
Class Number 205
Kit Contents: Silk Shantung and cotton fabric; Au Ver a Soie and Gloriana stranded silk, and Anchor
cotton floss; felt, wire and needles.
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Class Number 206
Kit Contents: 18 ct. canvas, DMC Variations overdyed floss, gold-plated charms, seed bead mix,
pressed Czech glass beads, bead-stringing wire, crimps, gold-plated findings, and goods to help
control loose beads (felt pad & triangular tray), needles, instructions, & color images.
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Class Number 207
Technique: Beading
Design Area: Bag: 1 1/2" x 5 1/2" w/tassel; Necklace: 34", adjustable
Proficiency Level: Intermediate Kit Cost: $ 95.00
Pre-Work: None
Kit Contents: Delica and seed beads, Swarovski crystals, embroidery scissors, Fireline beading
thread, beading needles, workbook, instructions for finishing.
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Class Number 208
Kit Contents: White silk Dupioni over muslin, several styles of gold bullion, Swarovski crystals in
several shapes, various types of beads, wardrobe of Needles, couching threads, beeswax, and other
items, bound color booklet.
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Class Number 209
Kit Contents: Congress cloth, all threads/materials needed, including Waterlilies & Soie d'Alger silk
floss, Kreink metallics, Accentuate, beads.
Class Number 210
Kit Contents: Congress cloth, all materials necessary to complete the design.
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Class Number 211
Kit Contents: 32-count fabric, practice fabric, needles, silk & cotton flosses, color copies, directions,
charts, & diagrams.
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Class Number 212
Kit Contents: Line drawn canvas (#18 white mono canvas) with printed stitching instructions. All
threads and silk ribbons for stitching the piece, embellishments and needles.
CLASS SELECTION AND PROFICIENCY LEVELS
We have made every effort to describe each class accurately. Please rely on the class description as
your primary guide in choosing your class(es), paying particular attention to the techniques used,
materials and level of difficulty. If a student registers for a class that is beyond the student's
proficiency level, we are not responsible for the student's success in the class.
To help you select a class, please be familiar with the following EGA proficiency-level definitions:
INTERMEDIATE: Knowledge of basic stitches, materials, and their use in the technique being taught
is required.
ADVANCED: Ability to execute simple and difficult stitches in the technique is required. The student
also should have knowledge of color design that will allow exploration and creativity.
20
Class Number 101
Kit Contents: 28 count linen, DMC pearl cotton size 8 & 12, needles, charts and instructions.
Class Number 102
Kit Contents: For both slippers: 18 count canvas, all threads for stitching, needles and instructions,
finishing instructions, and color cover photo.
21
Class Number 103
Kit Contents: Pre-printed glossy sample cards for each activity, fibers,
lining and interlining samples, silk ribbon, box lining fabric and foam, 8x8 glossy box, ribbon for box
embellishment, EGA sticker.
Class Number 104
Have you often seen houses with window boxes filled with
wonderful flowers and ferns? Wouldnt you like to have
them but dont have the right house for them? Well, now
you can have a window box and the best part is it lasts all
year long with no effort. We will fill our window box with
Sedum, succulent ferns, Caraway flowers, Mask flowers,
and Morning Glories.
This simple but beautiful design is a delight to stitch and will
be a wonderful addition to your home. We will complete
this design using stem stitch, outline stitch, French or
colonial knots, cast-on stitch, bullions and more. The rayon threads will give this piece sheen and
luster and the dimensionality of the flowers will add interest. An explanation of the various threads
used will be provided as well as the proper preparation and storing of them. A brief explanation of
Brazilian embroidery will also be provided.
Kit Contents: Design preprinted on the fabric in wash-out blue ink, threads, needles, grabbers,
instructions and color photograph.
22
Class Number 105
This class is aimed at both beginning students and experienced students who wish to refresh their
skills. Students will learn and practice making wired slips, padded slips, and needle lace that are
used in traditional and contemporary Stumpwork. The focus of the class will be on learning and
improving technique. Students will create a notebook with text, photos, and stitched samples. Each
lesson will answer five basic questions about a technique (What, When, Where, Why and How) and
will show the students how to use the shape from the lesson to produce a small design. Finished
product will be an instructional notebook with instructional text, photos, and stitched samples.
Kit Contents: Notebook/journal, fabric, threads, beads, felt, ultra suede, needles and wire.
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Class Number 106
Kit Contents: Seed bead mix, beading thread, needles, pin/pendant finding, embroidery hoop, fleece
pad & triangular tray for controlling loose beads.
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Class Number 107
Kit Contents: Delica and seed beads, Swarovski pearls, crystals, rondelles and findings, Fireline
beading thread, beading needles, workbook.
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Class Number 108
Kit Contents: 18 ct. canvas, Neon Rays Plus, gold wired embellishment braid, Swarovski foil backed
rose aurora borealis crystals, Czech aurora borealis pressed glass leaves, 24 carat gold plated Delica
beads, Beading thread, Beeswax, wardrobe of needles, bound color book.
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Class Number 109
Kit Contents: Congress cloth, DMC floss, overdyed floss, instructions, all materials to complete the
design.
Class Number 110
Kit Contents: All materials necessary to complete the design except the working frame
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Class Number 111
This small sewing book measures 4 wide by 3 high when folded shut. The front cover is
an interpretation of an antique sampler in the teachers possession & is stitched on 32-
count linen in shades of blue, salmon, green, & brown. The back cover is stitched with
personalization. The books binding & lining are green silk. When opened, the book
reveals a needle page, a small pincushion, & a scissors sheath. There is a scissors fob to
finish off the accessories. Stitches used are Petit Point, Cross-Stitch Over One, Stem
Stitch, Nuns Stitch, & a Knotted Edge Stitch.
Kit Contents: 32 ct. linen, silk fabric, silk threads, linen needle page, skirtex, iron-on interfacings,
wool batting, Ultrasuede, silk ribbon, mother-of-pearl buttons, charts, directions, color copy, &
vintage-style scissors.
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Class Number 112
Kit Contents: Line drawn canvas, mini-stretcher bars, tacks, masking tape, needles, cotton floss,
Black Ultra-fine tip Sharpie Pen, color picture, and instructions.
We have made every effort to describe each class accurately. Please rely on the class description as
your primary guide in choosing your class(es), paying particular attention to the techniques used,
materials and level of difficulty. If a student registers for a class that is beyond the student's
proficiency level, we are not responsible for the student's success in the class.
To help you select a class, please be familiar with the following EGA proficiency-level definitions:
INTERMEDIATE: Knowledge of basic stitches, materials, and their use in the technique being taught
is required.
ADVANCED: Ability to execute simple and difficult stitches in the technique is required. The student
also should have knowledge of color design that will allow exploration and creativity.
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Mini Class Number 1
Kit Contents: Complete kit includes everything you need to make this lovely accessory: Swarovski
pearls, silk thread for the tassel, FireLine beading thread, beading needle and bead mat.
Stitchers will need to bring scissors. You may also want magnification and a light.
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Mini Class Number 2
Stitchers will need to bring tapestry needles, scissors, & usual stitching tools. Canvas is small
enough to hold in hand.
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Mini Class Number 3
Kit Contents: 18 count mono canvas, threads, ribbon and hardware for two projects. Assorted kit
color combinations will be available. First come, first serve.
Stitchers will need to bring tapestry needles, scissors, and usual stitching
tools. Optional: stretchers bars: 6-inch, 2 pairs needed; 12-inch, 1 pair needed. This project is small
enough it can be worked in hand.
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CLASS SELECTION AND PROFICIENCY LEVELS
We have made every effort to describe each class accurately. Please rely on the class description as
your primary guide in choosing your class(es), paying particular attention to the techniques used,
materials and level of difficulty. If a student registers for a class that is beyond the student's
proficiency level, we are not responsible for the student's success in the class.
To help you select a class, please be familiar with the following EGA proficiency-level definitions:
INTERMEDIATE: Knowledge of basic stitches, materials, and their use in the technique being taught
is required.
ADVANCED: Ability to execute simple and difficult stitches in the technique is required. The student
also should have knowledge of color design that will allow exploration and creativity.
33
Tuesday, June 6, 2017
1:00 pm to 5:00 pm SCR Executive Committee Meeting
3:00 pm to 5:00 pm Registration/Information Desk
7:00 pm to 9:00 pm Chapter Get Together
Stitched name tag kit includes: chart, instructions, "brown handle" and "luggage tags". Kit cost $15.
Beaded name tag kit includes: chart, instructions, all beads, thread, needle, "handle" and "luggage
tags". Kit cost $45.
As no two pieces of luggage are "exactly" alike, feel free to make changes in fabric, threads, etc. to
make your "luggage" name tag you own!
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Our expected 200+ Seminar participants thoroughly enjoy shopping and love to find
those special and unusual needlework items! This event is open to the public as well
as to seminar participants. Merchandise Night is for commercial/professional vendors.
Merchandise Night: This is an outstanding opportunity for vendors to display and sell
merchandise related to needlework: patterns, kits, fabrics, threads, beads, tools,
books, all types of accessories, and stitching supplies. Vendors will be listed in the
Seminar Handbook. Use the Registration Form to sign up to sell at this event. If
power is required, please inquire about availability.
Tables: $60.00 for one table (you may rent multiple tables). Each table measures 6
feet by 30 inches and each table will be draped. Two chairs per table will be provided
Diane Busse
Merchandise Night Chair
Diane.Busse@yahoo.com
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Terri Bay Deanna Powell
Margaret Bendig Judith Prukop
Joyce Boothe Jeanette Rees
Marcia Brown Michele Roberts
Mendie Cannon Gail Carolyn Sirna
Celeste Chalasani Kay Stanis
Toni Gerdes Catherine C. Theron
Ruthmarie Hofmann Deborah Gale Tirico
Sylvia Murariu Linda Tomelloso
Beth Myrer John Waddell
Terri Bay has never met a needlework technique she didnt like. Like so many others she began with
cross stitch and progressed into Hardanger, Pulled/Drawn work, Blackwork, Ukrainian Whitework,
Romanian Point Lace, and many others. Her designing business was born out of frustration over the
very small amount of printed works on Ukrainian Embroidery. Terri has a degree in Music Education
from Indiana State University and has taught music and needlework in many forms. She has taught
for many years at various shops, retreats, EGA chapter workshops, and EGA seminars. She
currently lives in South Carolina with her husband, three daughters who flitter in and out of the house
on occasion, and specialty fiber donor Taz. See more at www.terribayneedleworkdesigns.com
Margaret Bendig has taught needlework for guilds throughout the country, in shops in California and
Arizona, as well as for EGA Regional Seminars and ANG National Seminars. Although she loves all
needlework, her focus is on counted thread techniques and counted canvas designs. Her designs
have been featured as programs and workshops for many EGA and ANG chapters, as well as in
Needlepoint Now and Needlepointers magazines. Margaret has had the opportunity to teach online
classes through ANG and is currently teaching an online class for EGA. She began designing and
teaching over 25 years ago and is an enthusiastic teacher who is very willing to share her
knowledge. She is always looking for an opportunity to use a skill or method in a new way. Margaret
believes that we are never finished with our education and should pursue new ideas daily. She
resides in Santa Ana, California.
Joyce Boothe has been a member of EGA and the chapters Tip of Texas and Rio Grande Valley
NeedleArts (retired chapter) for over 20 years. She has held the office of president, served on
various committees including the education committee for many years. She has taught many classes
for both chapters, as well at the LNS, Judy's Stitchery Nook. She has attended several regional and
national seminars.
Marcia Brown has been serving the needle art industry since 1979 providing finishing services for
retailers throughout the United States and other countries as well as for private clients, students and
designers. With an average of 500-700 pieces completed each year, the opportunity to work on a
wide variety of needle art, both canvas and linen has generated the development of easy finishing
techniques that offer professional results.
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Mendie Cannon has been stitching for over 40 years. She discovered Brazilian Embroidery in 1995
and the Brazilian Embroidery Guild in 2005. Mendie received her teacher certification from the Guild
in 2007 and has been teaching classes ever since. Mendie has been a member of the Ft Worth
Chapter of EGA since 1995 and has held a variety of offices.
Celeste Chalasani is a designer and teacher specializing in Stumpwork. She first learned
embroidery, sewing and crochet as a young child from her grandmother. Her passion for Stumpwork
was sparked when she joined EGA in 1999. A life-long learner, she completed the City & Guilds
Level 1 and 2 Certificate in Design and Craft Stumpwork distance courses under the tutelage of Chris
Hammacott. Celeste holds a BS in Business Administration. She is a member of NETA, NAN and a
Life Member of EGA.
Toni Gerdes holds Level II Teachers' certification from the National Academy of Needlearts,
specializing in canvas embroidery. She currently serves on the Board of NAN as the Director of
Education after serving 5 years as Assistant Director of Teachers' Certification, and on the Board of
Directors for Mile High ANG chapter as President. She is currently the President of NETA. She has
received numerous awards for her designs. Toni has taught for NAN, EGA, and ANG, as well as
guilds & shops. She has been published in Needlepointers, Needlepoint Now, and in NeedleArts as
the Artist Across America. She enjoys all types of stitching and especially sharing her knowledge
with others. She currently resides in Colorado. See pictures of her work at www.tonigerdes.com
Ruthmarie Hofmann has been a designer and teacher of needlearts for over 30 years in central
California, with an educational background in art history and art education. She has taught at
national, regional, and local levels of ANG and EGA as well as at fiber arts and quilt events. Her
multi-layered past has included designing needlework kits for commercial companies as well as her
own line of hand-painted canvases, plus a short foray in co-authoring childrens craft sets in beads.
Her teaching predilection is encouraging creative endeavor in color and design with beads, form
manipulation, mixed media including upcycled materials, and combined needleart genres with fabric
or canvas.
Sylvia Murariu was brought up in Romania, where she learned the Point Lace technique when she
was ten years old. She has over 50 years of experience in stitching and designing. She is a teacher,
designer and has authored 3 books (self-published) about Romanian Point Lace, a DVD, a video tape
and countless lace designs, beading designs, and traditional Brazilian Embroidery designs. She is
very enthusiastic in sharing her knowledge in a form of art which is not very well known in the U.S.
and Canada. Sylvia started teaching in 1990 in the United States. Her work has been in several
magazines: International Lace, Piece Works, and NeedleArts. She is a member of Portland Lace
Society in Portland, Oregon, EGA, BDEIG, NAN, ANG. She has taught at national and region EGA
seminars, Brazilian Embroidery national seminars, IOLI conventions, meetings, and workshops. She
also gives lectures about Romanian Point Lace.
Beth Myrer began exploration with textiles as a child while sewing shorts for summer, and
progressed from there. She taught herself to knit and crochet, and progressed on to embroidery and
lace making. In the 1990's she was able to take a weaving class, and learned the art of creating
cloth. Weaving exposed Beth to spinning and felt making. Beth has taught at EGA Rocky Mountain
Regional Seminar, as well as local guilds and venues.
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Deanna Powell has exhibited, lectured, and taught needle arts for over thirty-five years. In recent
years, beads have become an integral part of her clothing and jewelry designs. She is an EGA
certified teacher, certified graduate teacher, and past national president of EGA. To share her
knowledge, Deanna has contributed to numerous publications.
Judith Prukop, a retired science teacher, has been an EGA member for over 23 years. She is a
founding member of her local EGA chapter, Tip of Texas, serving in various officer positions and
committee chairs, and has taught both needle-art and beading classes at the local level. Judi has
taught a variety of beading techniques in the Rio Grande Valley Area of South Texas.
Jeanette Rees has been teaching canvas work and linen work since 1992, has owned a needlework
shop, and currently teaches at National, Regional and EGA and ANG chapters at local
levels. Classes include dimensional embroidery on canvas, canvaswork, hardanger, and mixed
media. She has published designs in both cross stitch and canvas pieces.
Michele Roberts has Senior Certification from ANG and EGA, plus Royal School of Needlework
Certification with Distinction and U.K. Embroiderers Guild Cities and Guilds Stumpwork certification.
A juried Fiber Forum member, she has received the NAN Lifetime Achievement Award. She has
taught and lectured for EGA, ANG, NAN, NAGA, Callaway, and art museums.
Gail Carolyn Sirna is a longtime embroiderer, needlework teacher and judge, and author of In Praise
of the Needlewoman. She received her teacher certification in 1982 & judge certification in 1990
from the National Academy of Needlearts. She has taught extensively for over 30 years in the USA
and Canada for the National Academy of Needleart, the American Needlepoint Guild, the
Embroiderers Guild of America, and the Embroiderers Association of Canada. She has also judged
numerous exhibits, and has exhibited widely across the country, winning many ribbons. In 2004 she
received the Lifetime Achievement Award from the National Academy of Needlearts.
Kay Stanis is an internationally known teacher, fiber artist, designer, Master Craftsman, Certified and
Graduate Certified Teacher of EGA and Kurenai Kai Traditional Japanese Embroidery. She has
taught in Australia, Canada, England, New Zealand, and the United States for: ANG, Callaway
School of Needlearts, EGA, JEC, Koala Conventions, South Australian Embroiderers Guild,
Embroidery 2000 (NZ), and many independent groups.
Catherine C. Theron is a graduate of Cornell University, studying English, history, and design. She
resides in Central Pennsylvania. She is a self-taught designer and stitcher, and has concentrated on
counted thread techniques, especially samplers, for the past 25 years. Catherine has taught for EGA
and ANG chapters, sampler guilds, shops, private groups, museums, and wholesale trade
shows. She was a founding member of the thread company, The Gentle Art.
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Deborah Gale Tirico is an avid needle artist, designer, instructor and author. She has studied
appliqu with national and international teachers and continues to study historical appliqu quilts and
coverlets. Her area of specialization is the creation of a sculptural look to felted wool appliqu by
using needle tilting techniques and the layering and stuffing of wool pieces. She is an active member
of the EGA, EAC, NETA, PA quilters and Loundon Sampler Guild and enjoys teaching at guilds,
chapter meetings, regional, national and international seminars. Her first book, Gorgeous Wool
Appliqu: A visual guide on adding dimension and unique embroidery was released in October 2015
and she is currently working on her next book which translates traditional Baltimore Album blocks into
her own felted wool style. Examples of Deborahs work can be found on her website at
http://deborahtirico.com
Linda Tomelloso has been a member of EGA chapter Tip of Texas for many years. She has held the
office of secretary, as well as served on the education committee for many years. She has taught
many classes for the chapter, as well as teaches at the LNS, Judy's Stitchery Nook.
John Waddell has taught for over 40 years and belongs to EGA, NETA and ANG. He teaches
weekly classes in Houston and numerous assignments with EGA, TNNA, Callaway and ANG locally
and nationally. He has been elected to serve as the President of the National Embroidery Teachers
Association (NETA) twice, and is a current member of EGA Fiber Forum.
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SCR Seminar 2017 kicks off with Region Day on Wednesday
afternoon with an educational presentation by Dr. Tricia Wilson
Nguyen, an MIT graduate with degrees in material science and
engineering, and who is the founder of the Thistle Threads. She
is currently working in a field called Electronic Textiles and is
teaching the online course, Cabinet of Curiosities, throughout
2016. She will be speaking to us about 17th Century Casket
Boxes. These boxes were designed and stitched by young
women to demonstrate their mastery of needlework.
The Workers behind the Work: 17th Century Caskets and the People who Made Them
Embroidered Cabinets are magical objects which capture your imagination from their three-
dimensional stories on the outside to the secret drawers on the inside. While the pieces rarely have
the rich biographical information on them that samplers do, making them relatively anonymous, they
hold other clues to their origin and manufacture. Samplers required just the embroiderer and her
teacher, but caskets needed a large number of merchants, artists, and workers to take the
embroidery and fabricate it into a three-dimensional object. While these workers are still nameless,
this survey of the genre will show that there was a tight network of designers, draftspersons,
teachers, cabinet makers, bottle makers, and others who fed the craze for these enigmatic cabinets
between 1650-1700. Lessons from mass-producing these cabinets again will be contrasted with the
evidence seen on the originals to draw conclusions about the way in which the process worked in the
17th century.
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Once again all SCR chapters will have the "opportunity" to raise funds by submitting a
basket of goodies for your fellow stitchers to win. Tickets are purchased by the stitcher
and placed into the container at the desired basket. All the money collected goes back
to the participating Chapter. The drawing will be held at the closing banquet, Friday
night, June 9, 2017, and items must be picked up that same evening. You do not need
to be present to win (but a friend must pick up the item for you).
So, Chapters, gather those items that any stitcher would love to have, and create your
basket, and earn some money for your chapter!
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Upcoming Dates
Registration
How do I register?
You may register through the US Postal Services by mailing a Registration Form with your $60
credit card, check or money order made payable to SCR 2017 Seminar.
Meals
Registration for the full seminar (any combination of three day classes) includes lunch on
Thursday, Friday and Saturday and the banquet.
Registration for a two day class included Thursday and Friday lunch but no banquet.
Registration for a one day class includes Saturday lunch but no banquet.
Banquet tickets may be purchased separately by selecting this option on the Registration
Form.
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Classes
What if the class I selected does not fill and needs to be cancelled?
Classes may be cancelled in the event of insufficient enrollment, teacher illness, or any other
emergency as may be determined by the Seminar 2017 committee. In the event the class must
be cancelled, every effort will be made to place the student in their next choice. Any travel cost
or other commitments incurred by the student will be the sole responsibility of the student.
Miscellaneous
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