Scales 12-Bar Blues Oz Noy

Master Class Oz Noy YouTube

Dominant
12-Bar I-IV-V Blues in G

||: G7 | C7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | D7 :||

Choruses
Sound Dominant

Mixolydian G Mixolydian
G7, C Mixolydian C7 D Mixolydian
D7 Chorus


1. Mixolydian: 1 2 3 4 5 6 b7
2. Minor Pentatonic: 1 b3 4 5 b7
3. Major Pentatonic: 1 2 3 5 6
4. Whole Tone: 1 2 3 b5 #5 b7
5. Diminished ( Half-Whole): 1 b2 b3 3 b5 5 6 b7
6. Altered: 1 b2 b3 3 b5 #5 b7
3
Inside Friction
) Whole
(
Tone, Diminished Altered Scales Outside

Notes Sound

Oz Noy
Musical Way


6:46

Half Step Single Note Movement in Major II V I.

Chord Alteration

Chord Quality Harmonic Function

Chord Alterations



Major 7th Major 7th #5 (
Resolved Major 7th Major 6th )

Major 7th DimMaj7 ( Resolved

Back Major 7th )
 Minor 7th Minor 6th, Minor 7b5, Minor
Major 7th, Dim Major7th

Minor 7b5 Dim Major 7

Dominant 7th Dom7sus, Dom7susb9 13,

Dom 7 sus altered

Octave Displacement Triad Arpeggios

F# Minor Octave Displacement

Techniques Triad Line
Triads Pairs E Major Triad
( ??) F# Minor

Wide Intervals

Harmonic Major Scale

Harmonic Major Scale Major b6
Numerical Form (Relative to the Major Scale)
1 2 3 4 5 b6 7
Modes of Harmonic Major

1. Ionian b6
2. Dorian b5
3. Phrygian b4
4. Lydian b3
5. Mixolydian b2
6. Aeolian b1
7. Locrian b6 bb7.

Mick Goodrick Column

Guitar Player 1 2 Modes Mick

Goodrick

Phrygian Version Phrygian b4 Mick Goodrick

Against

7#9 b13 7 b9 b13

Mick Goodrick
Lydian b 3
Flat 3rd Minor ?
Lydian
Jazz Melodic Minor Scale with a Raised 4th

C Harmonic Major C D E F G Ab B
Progressions Fm Cmaj7 (IVm Imaj7), Abmaj7
Cmaj7 (bVImaj7 Cmaj7) G7(b9) C maj7 (V7(b9) I maj7)

Options ( Subdominant Minor)

Mode of Harmonic Major
Lydian b3
Mick Goodrick Aeolian b1




Characteristic



Mode of Harmonic Major

Ionian b6 Maj7(9 11 b13)
Dorian b5 m7(b5) (9 11 13)
Phrygian b4 7(b9 #9 b13)
Lydian-Minor mMaj7(9 #11 13)
Mixolydian b2 7(b9 11 13)
Lydian-Augmented #2 +Maj7(#9 #11 13)
Locrian-Diminished dim7(b9 11 b13)

Harmonic
Major Sound IIm7 V7 Imaj7

Dm7:
D Dorian Dm7(9 11 13)

G7:
G Mixolydian b2 (5th Mode C Harmonic Major)
G7(b9 11 13), G Phrygian b4 (3rd Mode Eb Harmonic
Major) G7(b9 #9 b13)

Cmaj7:
Ionian b6 C Harmonic Major Cmaj7(9 11 b13)
C Lydian-Augmented #2 C+Maj7(#9 #11 13)

:
Minor/Major7:
Lydian Minor mMaj7(9 #11 13) Sound Root

Half-Diminished:

Dorian b5 m7(b5)(9 11 13) Sound Root