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Im Confess in That I Love You
Im Confess in That I Love You
_Q
#
FMaj7 C7+
44
3
3 8
& b b n_ b_
3
Q _ _QQE bQ
1 2
44 E b
Arpeggio followed by chromatic descent .....
? E #
_3_ _
# E nQ
FMaj7 C7+ FMaj7 Bb7#11
n
3
b n #
3 3 3
3
_ _
_ _
3
_
nt ..... 3 to 3rd of FMaj7 on downbeat
bQ _
_QQ
Ascending C aug triad arpeggio 4
Q
_
_QQQQ bQ_Q
qq q Q QQ
RH line is broken C Maj triad
b n
A7alt D7 G13
# E b
7
b e_
_ _ #_
3
q _qq
5
n_
Q _QQ
_
6
_
QQ
_
Q Q #QQ Q nQ Q Q
F blues scale lick
Q E
3
#
Db7#11 C9 Bb9 A7alt D7#9
b
3
bq_e e
_ _ n _ #_
3 3 3 3
q
_
q q _
b Q bQ n_Q _QQQ
_
7 8
bEQ QE Q #Q
nQ
Q bQ q
b b #
3
bbn_
q_qqq
qq
3
_ _ e
_
_QQQ _ b _
_EQ
E Q
9 10
e
Q e
3 3
q _
_
E _ b n
FMaj7 C7 FMaj7 Bb7#11
qqq... b e
3 3
q. e
3
_ _
Q
_
_QQQ _
_ _ _
_ _ b_ _
_ _ n_E _Q b E
11 3
12
QQ Q E b E
3
##e
3
_ _ b n #_.
6 3
_ _.q
_Q QQ
13 14
E #E Q Q Q
Q
3
_
Gm9 C7b9 Eb69 E69
e _e _
5
b_ _
b_ _qqq
3
bb_ #q
#_ _ nn_
_
3
_ _ _ _ _
b #
15 Falling off the 9th (A), then 16
n Q be q
Delaying the arrival of the tonic chord
chromatically down to the b7th (F)
n
5 3 3
e_
3
_q b_ _ n_ _ _
F69
QQ QQ qq
Gb9 F7sus Gb7
b
F13
bQ_ _Q E
E Q bqqq bb E nQ
3
q
bQ_
_
_E _Q _Q bQ_
_ __
_ _QQQ
_
17 18
bq q
b q
F13_
_6b_
_
_ _
__
_ _ b_
bb n
BbMaj7 F7+
# b n
3
bbn b bnn e n b
8
n
8 7
3 3
_ _
_
q
b__
_Q
Q
__ #Q_
Fairly easy to manage Tatum-ish RH run
Q Q QQ
19 20
qq q Q
G(5),Eb(3),C(2) ,A(1),Ab(3),G(1)Gb(3),F(2),E(1),Eb(3), etc.
Q bQ q
b_ _ n b_ b
Bb13 A13 Ab13
b QQ
BbMaj7 G13
b n q
3
b ne q
3 3
nQ
3 3
q
_
_ bb_
_ _ _
__Q _
bQ _Q _ _ n_QQ n E _ n
21 22
bQ
3
Q E
'I'm Confessin' That I Love You' - Page 2
Dm9 G13 C13 G7+
q #q_e #_
e b E Q e
_q _ _ _ b_
n_ _qq
n_E b_QQ _QQ #QnQ_ _Q
23 24
#e Q Q
Enclosing Dm chord with neighbouring dim chords
# n _
3
_
_
Db7 C7 C7alt FMaj7 C7+
#ne bqb n qq
3
bh_hh # q
3 3
__ b_
25
b_
_
26
_QQ Q nbE_
_Q
b q
3
be
3
_
be Q
FMaj7 C7+ FMaj7 Bb7#11
3
e
3
_ #_ _qq
3
_ q
_
_ _qq_
_ _
_
_qq bq_ _
_qq
Q _QQQ bQ
27 28
E Q be n
Peterson-like crush on chord root
Q #q bq
3 3
bE Q
Am9 D7b9 G13
b n
3 3
#_ qq
3
_qqq
_ _
_
_
_QQQ _QQ
_ _QQ
n Q
29 30
#Q Q Q
e _
3
_
_q
Db7#11 C9 (F) Dbmaj7 DMaj7 EbMaj7 EMaj7 FMaj7
bqe qq n
bb_
be q nq_ _ nn_
3
_ _
_e
_
_e #_
_
3
b _ _ _
_ _
_ _q _
Q
31 32
bE b n _ be e ne q
3 Another way to delay the arrival of the tonic chord.
bqbq_
nn_
6 3
_ b_ _ n_ _
_
_ _
_ _ _
_ __ _
_Q
_ _ _ _ _
F69
_ _
_ _
_ _ _ _
_ _
_ _ _
_ _
_ _
_Q
_
Q
FMaj7
Q
3
_
_Q
_Q _
Q
33 34
chord.
3