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Poetry Essay
Poetry Essay
09/17/17
Eng.102
What is poetry? Words, emotion, passion? Poetry to most is literature with a deeper
meaning to understand. Is this meaning relevant? How so? Is it applicable to ones life? Possible,
and yet not. Such questions are presented to readers of poetry. What is the deeper message poets
are hoping to translate to readers? Take for instance, The Flea penned by John Donne.
Although, some might say this piece has a heavy overtone of sexual content. I would argue that
The Flea tells the story of a broken, cheated man. Through use of figurative language,
Firstly, the poem is presented to us in an Iambic beat pattern. This case makes the
preceding beat weaker leading to a strong syllable. With regard to the beat, there is also rhymical
aspects in which lines in each stanza switch between Octo/Decameter. As such the rhythm can be
split into divisions of twos, and can be read differently which reflects the emotionality as well as
placing stress on certain words that outline my basis for considering my interpretation of The
Flea. For example, A sin, nor shame, nor loss of maidenhead, (line 6). By placing the stress
on every other word such as sin, shame, loss, etc. What the speaker is emphasizing is pain,
deceit, and longing for what has since been taken from him after the collapse of his marriage.
Second, with every rhythm there is a sound. To me The Flea has two sounds, Assonance and
Rhyme. First stanza, lines three-four end in the vowel sounds of E this same occurrence also
happens in lines sixteen-eighteen in the next stanza, leading to lines nineteen-twenty-two, of the
final stanza all while ending in the sound of E. Coincidentally, each of the aforementioned
lines create the second sound of this piece, Rhyme. Respectively, It sucked me first, and now
sucks thee, / And in this flea our two bloods mingled be; (3-4), thee and be have the ending
singular vowel sound E while also being part of a rhyming verse. As does, Though use make
you apt to kill me / Let not to that, self-murder added be, / And sacrilege, three sins in killing
To my ear when reading these lines, there is a sound of loss. As the E sound phonetically does
not have an end per se. Which leads to the type of piece this poem is. With respect to my
interpretation this feels lyrical in a sense that there is emotion behind each ending E sound.
Anger and sadness come to mind, take for instance line three It sucked me first, and now sucks
thee. The Flea in this case has drained the speaker once before but has since moved on
signaling some form of break-up or falling out. Same can be said for its following line, And in
this flea our two bloods mingled be, again signaling there is and was a connection on an
intimate level.
Therefore, I believe the flea in this poem to be a symbol of the speakers marriage. As is
personified with line twelve, This flea is you and I. If the flea is symbolic of both the speaker
and his mate, then it can be assumed that the flea has also done as fleas would naturally. To suck
the blood of the speakers marriage, not in the literal sense however but with regard to marriages.
They are usually met with trouble, hardships, anger, happiness and are ultimately stable, until
they fall as it has for the speaker in The Flea. So, if the flea/marriage is sucking the blood of
two it then confirms that the marriage is unstable and has/will fall.
With regards to the social/historical understanding of this poem, Donne was born and
lived through the Elizabethan era. Widely known for being very conservative when it came to
sex. During his time Donne secretly married Anne More, the seventeen-year-old niece of Lady
Egerton. Annes father, Sir George More, had Donne imprisoned (McManus). This experience I
believe provided Donne with a motif, being that he was imprisoned by his father-in-law he may
have re-evaluated his marriage to Anne More. This correlates well to my interpretation of the
speaker being broken in The Flea, due to raw emotion such as hate and depression. According
to McManus, The early years of Donnes marriage were characterized by frequent moves and
unsuccessful requests for employment. This is relevant today as most whom have been
imprisoned usually suffer from this side-effect. However, in regards to The Flea, Donne could
have also taken this experience and subtly put the blame on his wife as she could be the
reasoning for why the speaker expresses a sense of being cheated. For instance, It sucked me
first, and now sucks thee, (Line 3) brings both experiences together as to say it wasnt the
speakers fault that the marriage failed and it was the due to imprisonment and unemployment
that came from marriage. Lastly, as A.J. Smith points out, Donne's reluctance to become a
priest, as he was several times urged to do, does not argue a lack of faith. (Smith) This being the
later part of his life, and was possibly the only recourse he had for employment, for a man of
faith to be writing about sex would scrutinize his credibility as such. This also plays into the
symbolism that comes to mind as the poem talks of blood, being that he was a man of God this
references the blood of Christ as well as the bringing of life to the speakers marriage.
With this such evidence, as how Donne was in the middle part to later part of his
marriage I can strongly assert my interpretation as valid. In the case of formalism figure of
speech, unexpressed emotion and symbolism; Donne had set out to lay his own experiences out
for others to read. As such the common interpretation was born due to the time period The Flea
was written, which is reflected in its diction if read word for word. However, as words change
with feeling and rhythm as explained earlier the carry a deeper connotation than that of sexual
overtone. Poetry is feeling, it is expression, its experiences that draw readers to it not how its
written. The Flea is an excellent poem for its accepted interpretation, but also should be
applauded for its true intention to show the speaker through a small lens. A pinnacle point of
their life, the point where life, love and marriage turned a holy man, broken and cheated.
Works Cited
Smith, A. J. "John Donne." Seventeenth-Century British Nondramatic Poets: First Series, edited by
M. Thomas Hester, Gale, 1992. Dictionary of Literary Biography Vol. 121. Literature Resource
Center,
EBSCOhost,