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Knodlerbunte 1975
Knodlerbunte 1975
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The ProletarianPublic Sphereand
PoliticalOrganization:An Analysisof
OskarNegtand AlexanderKluge's
The PublicSphereand Experience
byEberhardKn6dler-Bunte
1. The ProletarianPublic Sphere
Oskar Negt and AlexanderKluge's The Public Sphere and Experience
attemptsto providea conceptualframework for the centralpolitical and
theoreticalproblemsconfronting the contemporarysituation.The trans-
formationof the capitalistproductionprocess,withits far-reaching impli-
cationsthatpenetrateto themostbasic levelsof humanexperience,cannot
be adequatelyunderstoodand acted upon witha conceptual and political
frameworkinheritedfroman earlier stage of historicaldevelopment,or
from circumstancesfundamentallydifferentfrom those of advanced
capitalistsociety.The inabilityof the categoriesderived from previous
political formulationsand debates to grasp the contemporarysituationis
part of the continuingcrisisof Marxismthat has persistedsince the 1920s
and 1930s.With theirbook Negt and Kluge attemptto lay the groundwork
for an analysisthat will break this impasse.
Negt and Kluge'scontribution has been to develop a middle level theory
whichconfrontsthe qualitativetransformation of capitalistsocial relation-
shipsfromboth the standpointof new formsof productionas well as from
thestandpointofchangesin everyday experiencein society.In thiswaythey
provide a framework that historicizesand definespreviouslyindeterminate
notionssuch as "consciousness"and "subjectivefactor,"while at the same
timeanalyzingthetransformation of thecapitalistproductiveprocessand its
impact on concretehuman experienceand psychicstructure.The central
of
category Negt and Kluge's workis the "public sphere"which organizes
human experience,mediatingbetween the changing formsof capitalist
productionon the one hand and the cultural organizationof human
experience on the other. Differentiating between the bourgeois public
sphere, increasinglypart of the capitalist productionprocess, and the
concept of a proletarianpublicsphere,Negt and Kluge arguethat the latter
could potentiallyoppose the organized interestsof the bourgeoispublic
sphere through its organizationof human needs and interests.The
increasingculturalsocializationof human needs and qualitiesin an indus-
trializedpublic sphere--forexample the consciousnessindustry--sets in
motiona potentialoppositionwhichunderexistingconditionscan onlyresist
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52 NEW GERMAN CRITIQUE
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THE PROLETARIAN PUBLIC SPHERE AND POLITICAL ORGANIZATION 53
Habermas,Strukturwandel
2. Jikrgen (Neuwiedand Berlin,1962), p. 8
der Oeffentlichkeit
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54 NEW GERMAN CRITIQUE
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THE PROLETARIAN PUBLIC SPHERE AND POLITICAL ORGANIZATION 55
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56 VEW GERMAN CRITIQUE
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THE PROLETARIANPUBLIC SPHEREAND POLITICAL ORGANIZATION 57
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58 NEW GERMAN CRITIQUE
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THE PROLETARIAN PUBLIC SPHERE AND POLITICAL ORGANIZATION 59
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60 NEW GERMAN CRITIQUE
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THE PROLETARIAN PUBLIC SPHERE AND POLITICAL ORGANIZATION 61
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62 NEW GERMAN CRITIQUE
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THE PROLETARIAN PUBLIC SPHERE AND POLITICAL ORGANIZATION 63
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64 NEW GERMAN CRITIQUE
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THE PROLETARIAN PUBLIC SPHERE AND POLITICAL ORGANIZATION 65
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66 NEW GERMAN CRITIQUE
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THE PROLETARIAN PUBLIC SPHERE AND POLITICAL ORGANIZATION 67
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68 NEW GERMAN CRITIQUE
a) Government-regulated television
Negt and Kluge describe government-regulated television as an
"institution characteristicof a transitionalphase..., in whichthe essential
needs of communicationare no longerentrustedto an exclusively capitalist
mechanism,but in whicheffective new formsof public controldo not yet
exist" (p. 217). Television is situated in a contradictoryintermediate
positionbetweenthe bourgeoispublic sphereand the new public spheresof
production.Furthermore, televisionis separatedfromthe bourgeoispublic
sphere and itsmedia by the totalindustrializationof itsproductionstructure
and by its completeintegration of the basic conditionsof life,as evidenced
by the totalityof itsprogramofferings. Televisionis distinguishedfromthe
newpublic spheresof production,forexamplemedia concentration, by the
institutionalizationof its governmental regulation.Governmentregulation
preventstelevision'scompletedominationby individualcapitalistinterests 12
and applies normsin the formof programmaticobligations,requiringthat
programmingbe "in the public interest" --thus preventingthe direct
satisfactionof the concrete needs of various social groups. Formally,
televisionstandsin the traditionof the bourgeoispublic sphere.Itspublic
regulationis designedto preventthe dominationof the mediumby special
social interests.Yet the controlof televisionby "relevant"social groups,
whichguaranteethatprogramsare balanced and thattheyservethe"public
well-being,"reallyonly createsan unstableequilibriumof social interests
incapable of achievingconsensus,permittingonly an abstracttrade-offof
the values of the bourgeoispublic sphere. The increasingpressurefor
legitimationwhichthissituationproducesleads to half-solutions, repeated
on everylevel of the productionhierarchy.In the bourgeoispublic sphere
the opinio communiswas a bond whosecontentin principlecould still be
determined.But theestablishment of televisionprogramming on thebasisof
a fictitiouspublic well-being,which even specific individual programs
should address,is the resultof a harmonizationof interestsmade possible
only by obfuscatingtheir concrete contents.This relationshipbetween
increased pressurefor legitimationand abstract trade-offof interests
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THE PROLETARIAN PUBLIC SPHERE AND POLITICAL ORGANIZATION 69
television
restricts to the"broadcasting of generalized programs" (p. 176)
whichcorresponds on thepartof viewers to an "abstractreceptivity."
Theprogramming obligationsandguidelines inwhich--in analogy tocom-
modity production--the long-term interests of capital are expressed emerge
onthelevelofprogram planning as contradictory to theshort-term interests
of individualprograms whichutilizevariousad hoc legitimations: rating
scores,topicality,
economy ofproduction, technical quality,aesthetic inno-
vation,entertainment value,originality, etc. Thesecontradictory relation-
shipsbetween forms oflegitimation arisefroma structure ofproduction in
whichvariouslevelsofproduction converge: at the level of the individual
television
programs and filmsconcrete laborencounters a highly complex,
content-free
relatively technology, and both in turn are included in abstract
planning activities
involving a highdegreeofdivision oflabor.On thepartof
the product,thiscontradiction expresses itself in the divergence of a
program's individual elements: the entertainment value of the program
assumesan independence itseducational
vis-d-vis valueand theeducational
valuein turncontradicts theprogram's valueas news."Thiscontradiction
between long-term and short-term interests revealsitselfin everyprogram,
regardless of whether it deals with news, critical documentary or
entertainment. The contradiction is intensified by the ambivalence which
existsbetweenmoststations'criticalstancetowardsthecultureand their
actualfunction as producers of entertainment" (p. 187).
On thesubjective side,thiscontradiction expresses itselfin theclashof
variousorientations towardswork.Conflicts occurmostreadilyin those
areaswheretheconcrete activityoftheprogram producers runsup against
abstractguidelinesand rigid time-cost quotas which decide the "program's
struggleforits verysurvival." The often-interrupted struggle of the past
yearsfora codifiededitorialpolicycamefromprecisely thosegroupswho
couldconnecttheirdemandsforcodetermination, fordemocratization of
thedecisionmakingstructure, to thecontentof theirwork.In partstill
organized professionally,but alreadyassuming theformof a tradeunion,
this movementof editorsand contributors soon took up demands
transcendingtheirowneconomic interests, aiminginsteadat a self-criticism
of radio and televisionstations.
Negt and Kluge incorrectly assessthe directionof thismovement,which
goes far beyond the framework
institutional of the televisionstations.Since
they understand the struggle for a codified editorial policy only as an
organizationof economic which
interests seeksto extenditsrolein planning,
they underestimate the extentof the which
conflicts arisefromthe demand
forthe rightto determinethe contentof one's work.The authorscorrectly
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70 NEW GERMAN CRITIQUE
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THE PROLETARIANPUBLIC SPHEREAND POLITICAL ORGANIZATION 71
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72 NEW GERMAN CRITIQUE
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THE PROLETARIAN PUBLIC SPHERE AND POLITICAL ORGANIZATION 73
6. Questionsof Organization
If Mao Tse-Tung is correctthat consistentmaterialistshave nothingto
fear,thenan investigation of new socializationtendenciescharacterizedby
the developmentof the programmingand consciousnessindustrieswill be
able to reveal the directionin which the contradictions inherentin these
tendenciesare moving.Througha varietyof complexargumentsNegt and
Kluge have demonstrated theexistenceof thesecontradictions,
firstof all in
the decliningbourgeoispublic sphere and in the new public spheresof
productionsuch as media concentration.The formulationof a "block of
real life"allowsthemto determinethoselimitswhicheven the mosthighly
developedprofit-maximizing interests
confront whentheyattemptto absorb
proletarianqualitiesand interests.
This approachis superiorto Adornoand
Horkheimer's critiqueof cultureinsofaras it confirms
thesystemiccharacter
of the cultureindustrydeveloped in Dialectic of Enlightenment--differ-
entiating,however,betweenshortand long terminterestsin the contextof
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74 NEW GERMAN CRITIQUE
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THE PROLETARIAN PUBLIC SPHERE AND POLITICAL ORGANIZATION 75
14. Ibid., p. 49
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