Professional Documents
Culture Documents
Whatsonhavanajune 2015
Whatsonhavanajune 2015
jun
2015
HAVANA
GUIDE
The ultimate guide to Havana
with detailed reviews of where to
eat, drink, dance, shop, visit and
play.
Unique insights to the place that
a gregarious, passionate and
proud people call home.
La Guarida
Like us on Facebook for Over 100 videos including Follow us on Twitter for
beautiful images, links to interviews with Cubas best regular updates of new
interesting articles and artists, dancers, musicians, content, reviews, comments
regular updates. writers and directors. and more.
OUR CONTRIBUTORS
We are deeply indebted to all of the writers and photographers who have shared their work with
us. We welcome new contributors and would love hear from you if you have a Cuba-related
project. You can contact us at CubaAbsolutely@gmail.com.
La esquina FRIA by Ana Lorena
EDITORIAL
Since May 22, the Havana Biennial has transformed the city with contemporary art. This year, it has flung open
the doors of once-closed structures, from electric plants to defunct bicycle factories, injected cheeky and spirited
installations into the citys urban texture, and overwhelmed with too much art to possibly see, challenging visitors
and locals alike to take in as much as they can before the show comes down on June 22.
This years iteration both jumps beyond and continues in that vein. As the first biennial to take place in a different
economic and regulatory climate than years priorvisitors to Havana will find new tourism infrastructure, and the
promise of political change in the form of a fresh diplomatic and economic relationship with the United Statesthis
years biennial is a debutante ball of sorts. An exuberant first-week program of ancillary exhibits complemented
the formal offerings of the biennial: Cuban artists who had decamped to foreign countries years ago have returned,
opening studios and informal galleries in Havana; an assortment of new spaces, eschewing the model of either
commercial gallery or artist-run collective and instead creating their own rules, have opened in apartments and
homes around the city. Open studios, inaugurations, and performances of the first week of the biennial took place at
a dizzying pace.
Elsewhere, hats off to the New York Cosmos who gave a deft display of finishing to polish off the Cuban national team
4:1 on a wet but still packed evening at the Pedro Marrero Stadium. The Cosmos are simply the latest in a wave of new
visitors to Cuba who are coming to see for themselves the tropical magic that is Cuba.
Thanks to all of our contributors, sponsors, partners and readers. Do please keep providing us with your feedback,
comments and suggestions. All enquiries should be directed to Sophia Beckman at CubaAbsolutely@gmail.com. All
the best. Viva Cuba!
photo Alex Mene
JUNE 2015
HAVANA LISTINGS Visual Arts p37 Photography p39 Dance p40 Music
p41 Theatre p47
An electricity plant constructed in 1915, closed since the late sixties, recently opened for
tours, filled with multimedia presentations and work by Cuban sculptor Esterio Segura;
the prison cells of the Morro-Cabaa complex across the bay from Old Havana, vaulted
ceilings echoing the chatter of visitors who peruse work by 250 artists and collectives,
from conceptual art by Reynier Leyva Novo and Ivan Capote to paintings by Luis Camejo;
a segment of Havanas waterfront Malecn, just two weeks ago a humdrum chunk of
seawall, now converted into a sandy beach, complete with thatched-palm umbrellas,
plastic loungers, and the occasional cooler of beer.
Since May 22, the Havana Biennial has transformed This years iteration both jumps beyond and
the city with contemporary art. This year, it has continues in that vein. As the first biennial to
flung open the doors of once-closed structures, take place in a different economic and regulatory
from electric plants to defunct bicycle factories, climate than years priorvisitors to Havana
injected cheeky and spirited installations into the will find new tourism infrastructure, and the
citys urban texture, and overwhelmed with too promise of political change in the form of a fresh
much art to possibly see, challenging visitors and diplomatic and economic relationship with the
locals alike to take in as much as they can before United Statesthis years biennial is a debutante
the show comes down on June 22. ball of sorts. An exuberant first-week program
of ancillary exhibits complemented the formal
The Havana Biennialwhich, in true Cuban offerings of the biennial: Cuban artists who had
fashion, takes place every third year in the early decamped to foreign countries years ago have
summerhas been a lauded institution in the city returned, opening studios and informal galleries in
since 1984. As one of the first sweeping, artistically Havana; an assortment of new spaces, eschewing
ambitious biennials to take place outside of the the model of either commercial gallery or artist-
first world, it was intended to offer a platform to run collective and instead creating their own
artists left out of subsidized European shows: it rules, have opened in apartments and homes
showcased artists not only from Cuba, but South around the city. Open studios, inaugurations, and
America, Africa, and Asia. As such, the show shifted performances of the first week of the biennial took
access to and expectations from global biennials, place at a dizzying pace.
prioritizing offering Cubans from all walks of life
first-class art.
contents
Youve waited Long Enough PAGE 6 PRODUCED BY .COM
La Perla negra
photo by Ana Lorena
Luckily for visitors who didnt make it to Havana in May, the biennial continues through June. Participatory
and diverse, its offerings include an encyclopedic, if overwhelming and slightly scattered exhibit of work
by Cuban artists in the Morro-Cabaa. With work that includes the conceptual and the representative,
by artists of the widest possible range of ages, the exhibit is a vigorous introduction to Cuban art. In Old
Havana, the Museo Nacional de Bellas Artes show, at the Cuban arts building, exhibits work by Cubans
Alexandre Arrechea and Wilfredo Prieto, a survey of abstract drawings by Gustavo Prez Monzn from
the Ella Fontanals Cisneros collection. The museum of universal art has been taken over by an exhibit of
work on loan from the Bronx Museum of the Arts, Wild Noise, representing the first half of the first art
museum exchange in fifty years. Along the Malecn, a curated selection of outdoor sculptures ranging
from an icy blue cube by Rachel Valdes to a spiky, innuendo-laden cake-like sculpture by the collective
Stainless, including the popular new Malecn beach by Arls del Ro, encourage participation.
Additional exhibits at the Casa de Africa, Wilfredo Lam Contemporary Art Center, Spanish Embassy,
and much more ensure that even the most cursory walk through Old Havana will result in a visitors
stumbling into an exhibit, whether large or small.
contents
Youve waited Long Enough PAGE 7 PRODUCED BY .COM
Intervension en el MORO 12 Bienal de
la Habana, Photo by Y. del Monte
contents
Youve waited Long Enough PAGE 8 PRODUCED BY .COM
Once again Pabelln Cuba is exhibiting one of the been re-dimensioned through video mapping
official shows: the group project called Entre, and therefore have been subjected to new
Dentro, Fuera/Between, Inside, Outside with interpretations through this new way of decoding
the participation of artists such as Agnes Chavez, old surroundings. Both inhabitants and visitors
Pedro Lasch, Casey Neithtah, Stephanie Syjuco, have had the opportunity to see those places from
Elizabeth Stevenson, Levente Sulyok, Susana different angles, leaving us with the healthy feeling
Delahante Matienzo, Omar Estrada, Adonis Ferro, that everything can have a wide variety of nuances.
Denis Peralta and Maysabel Pintado, Glenda
Salazar and Levi Orta. Performances also played a Scattered throughout the city, many performances
large part at this venue. are being put on, some of which tie into music and
dance. Uruguayan artist Tamara Cubas Multitud
Many painters have opened the doors to their is being put on the small stage at the University of
studios for group shows. In some instances some the Arts, and Thirteen Less Two by Michelangelo
daring curatorial efforts have been the result. Pistoletto, at the Iglesia de Paula Church) with
Open Studio is the name of this artistic event the collaboration of the Ars Longa Early Music
that has allowed the public to approach different Ensemble and Teresa Paz, its director, based on a
studios across the city belonging to artists Reynier Luis Alberto Mario composition.
Leyva Novo, Carlos Bustamante, Sandra Prez,
Ivn Capote, Ernesto Rancao and El Montalvn There is no doubt that the Biennial has decided to
Estudio. The Montalvn Studio is exhibiting works make an intervention on the city in an intensive
by some of the most important Cuban printmakers way and to salvage the stellar moments and
today: Rafael Zarza, Octavio Irving, Osmeivy details of its past. Along these lines is the splendid
Garca, Marcel Molina and Liudmila Lpez. Kadir Lpez project called Havana Lights. It is
an attempt at reanimating and also dialoguing
A group of Brazilian artists have been cooking on a ironically about things lost that can still be rescued.
corner of a Centro Habana neighborhood both for In this instance, Kadirs target is the restoration
its inhabitants and for those who visited the show. of eleven neon advertising signs that have been
The work became an exercise in cooking Brazilian placed in front of several movie theaters, which
and Cuban food, thereby setting up a strong were their original locations. Having fallen into
communicative bond. Also in the working-class disuse, their visual connection was broken, so
district of Centro Habana, specifically in the Coln under this conception, the neon signs have been
neighborhood, architecture has been present in a conceived as artworks in themselves.
very significant manner by way of twelve different
projects that aim at initiating improvements for Touring around Havana these days gives you a true
the inhabitants. sense of how this years Biennial has given us new
rhythms and new aspirations for a city that seeks
Ancient parts of Havana, neighborhoods where to transform itself.
popular memory has been very visible, have
When we leave, it is nighttime. I pause to watch Carlos Garaicoas intervention on the broad sidewalk
surrounding part of the Dionisio Velasco Palace, which today houses the Spanish Embassy. There are
still a lot of people in the streets. They make appointments and decide on itineraries. Some of them
would like to be everywhere so that they dont miss anything. Others are exhausted, thinking only about
getting home soon. But the Biennial continues.
contents
Youve waited Long Enough PAGE 11 PRODUCED BY .COM
ZONA FRANCA
megashow of Cuban art
by Victoria Alcal
contents
Youve waited Long Enough PAGE 12 PRODUCED BY .COM
Spending the day in La Cabaa Fortress on the work, covering the widest range of esthetics,
other side of Havana Bay means you are going to philosophies, techniques, dimensions and media.
be losing the unique surprises awaiting you all
over the city, such as the performance of Ren As Ren Franciscos performance forecast, the
Francisco Rodrguez, winner of the National Visual prospects, doubts and questions opened up by
Arts Prize, who walks up and down OReilly Street the announcements made by Presidents Obama
in the guise of President Barack Obama, even and Castro last December 17 to open up relations
speaking in English. Quite a lot of people thought between Cuba and the US are translated into
he was the real thing and they started taking several artistic manifestations. Among them is
his picture on their cell phones and texting the Gilberto Frmetas A volar [Lets Fly] although the
amazing news to their friends. There is also the artist insists that its an homage to children with
energizing and exciting Michelangelo Pistoletto their paper boats and planes, and Michel Mirabals
show in Cathedral Square. But it is definitely worth Carrera de relevo [Relay Race] who has added to
your while to get away from the hubbub of the city his usual subject matter of Cuban flags made from
and escape to the peaceful setting of the ancient grains of rice, American flags, bullet shells and a
colonial fortress where you will also be in for a significant request for help to a sculpture of Our
few surprises at the super-exhibition of Cuban art lady of Charitythe Virgen de la Caridad del Cobre,
created in the last five years. the patroness of Cuba.
Hyped as the largest Cuban art show of all time, The conflictive relationship with history (both
Zona Franca takes over La Cabaa as it did at the Cuban and world history) comes to the surface
11th Biennial, but this time the curating is more over and over again and again from Joel Jovers
thought-out and intentional. The organizers series called Generacin del Titanic [The Titanic
have announced several central themes: identity, Greneration] within a sort of philosophy of
memory, the building of history, territory, disillusionment, right up to David Velzquezs
communication and thought on art history Ensueos recurrentes [Recurrent Dreams] that has
itself. There aree over 240 artists showing their also been shot full of the mistrust and expectations
contents
Youve waited Long Enough PAGE 13 PRODUCED BY .COM
for the new era that appears to be opening up for (permit included), and Munchs powerful The
Cuba. We see a man standing in front of the water Scream becomes the Creole Alabao! true stage
with open arms full of buckets (Splicas [Plea], productions that Cubanize Western art. In a
2015) and it makes us wonder what he is awaiting, similar vein, Zenn Vizcano inserts characters
what he is wants, what he is asking for. from The Anatomy Lesson or The Death of Marat
into unexpected contexts in ngeles cados [Fallen
A different look at history, this time from a stance Angels].
in the future, is the one portrayed by Luis Enrique
Camejo who renounces the luminous quality of Other works that revolve around the subject of art
space, oil and acrylics and has created well-defined itself include Octavio Irving Hernndez Jimnezs
drawings of the ruins of todays emblematic sites, Dime con quin andas... [Birds of a feather];
like the National Library, the University of Havana Toms Johnny Nezs Renaissance; Jorge Luis
or the Coppelia ice cream parlor) and he has Santos Work in Progress, installations of a painters
fun with three-dimensional representations of studio or workshop in full activity; and another
objects discovered and explained by hypothetical installation, El peso leve de todo lo creado [The Light
archeologists based on those future ruins (Ruinas Weight of All that Is Created] by Jos Manuel Fors,
futuras). Alan Argelles series called Atlas (costa who reduces a large part of literary and artistic
norte de La Habana) [Atlas (Havanas North Coast] creation into bundles of recyclable paper.
is a dramatic remembrance of the lives lost at
sea in attempts to reach the US coast. The oil on Many artists persist in their usual modes of creation,
canvas appears to show the wave-tossed sea, but such as Flora Fong who proudly exhibits her work
as light is shone on the surface, we can make out a together with the efforts of her two sons; Mario
long list of names that the invisible ink did not let Garca Portela and his interiorized landscapes A
us see at first glance. dos tiempos [Two-strole]; Eduardo Roca (Choco)
and Santiago Rodrguez Olazbal, who veer away
Meanwhile, Reynier Leyva Novos El peso de la
Historia [The Weight of History] (inked rectangles
on the wall, but actually an estimate of the
weight of the ink and calculation of the surface
it occupies, based on books and documents
essential to world and Cuban history); Duvier
del Dagos Con la historia no se juega [Theres no
Fooling Around with History] and La historia es de
quien la cuenta {History Belongs to Those Who Tell
It] all announce with their very titles the artists
interest in the wrenching, contradictory and
worrying events that eventually go to Academia
crystallized as History. This concern goes beyond
national elements in Agustn Hernndezs and
Reynerio Tamayos installation The Drone Wars;
in Frank Martnezs startling Halloween, proof of
how powerful suggestion can be; and in Andrs
Serranos supportive approach to the summum
of people without history of his excellent
photographs of street-people called Residents of
New York.
contents
Youve waited Long Enough PAGE 14 PRODUCED BY .COM
from the folksy flavored and superficial view of the Contemporary media and strategies for
African presence in the Cuban identity; Kcho with communication grab our attention, for example,
his monumental Pensador [The Thinker} taken those by Jacqueline Brito, who engages in a play on
outside,; Roberto Fabelo, the erotic creations the meanings of the word navigate in her show
of Cuty; Abel Barrosos splendid wood prints; called Redes sociales [Social Networks], Guillermo
Eduardo Ponjuns lighthearted Gone to Beach, Rodrguez Malbertis lovely piece Colonial
and the always striking photographs of Ren Pea. Windows, and Enrique Bsters abstract work
Meanwhile a group of enfants terribles warns us: Overwhelm in which exclusion and censorship rear
No temas a los colores estridentes [Have no fear of a hairy ear in his ingenious Esquema del criterio
strident colors]. suprimido [Scheme of Suppressed Opinion].
Other artists present us with some surprises, like The early closing of a few of the exhibition halls
Arturo Montoto who, in his Jardines invisibles prevented me from doing all the rounds and not
[Invisible Gardens], encloses landscapes behind having a remote control to activate the video left
disquieting fences, or Carlos Guzmn, who me without taking part in Mabel Poblets mirror
mixes video art, painting and installation in his game (almost as soon as I had arrived I had missed
Toda tristeza es una demolicin [All Sadness is a that opportunity with Rachel Valds). As a farewell
Demolition], whose combination of a dentists chair bonus, I was rewarded with an extensive show al
and a ships propeller in an authentic beautiful fresco: the slide by Stainless, ingenuous fountains,
wooded landscape, reminds us of the chance figurative, abstract, playful and charming works
encounter of an umbrella and a sewing machine Described as collateral to the Biennial because
placed on a dissection table in the Surrealist it doesnt share the street spirit of the events
Lautramonts Les Chants de Maldoror. Meanwhile, curatorial plan, Zona Franca is an important
Ernesto Garca Pea seems to hint at Carlos representation of the most recent Cuban art
Enriquezs Eva saliendo del bao [Eve Coming Out production. It leaves ones soul ready (even if the
of the Bathroom] in his paintings on doors. body is exhausted) for the next art marathon. That
will be another story.
contents
Youve waited Long Enough PAGE 15 PRODUCED BY .COM
Conga - Casa Blanca, photo by Ana Lorena
At first glance, the most remarkable sight is the ancient Hershey train car, part of the electric train that,
for better or worse, is part of Casablanca tradition. When we arrive it still hasnt been opened for the
public and so I decide to explore the recently painted train station, which on this sweltering afternoon,
is providing shade not for passengers en route to Matanzas but instead for a mixed bag of artists,
townsfolk and gawkers who want to know who the short man dressed in a white shirt and black jacket
is. He is surrounded by reporters. As I watch and listen I find out he is Daniel Buren, a famous French
conceptual artist who wanted to leave his mark on this side of Havana Bay. He has left us a restored
railroad station as a souvenir of his visit to Cuba.
contents
Youve waited Long Enough PAGE 17 PRODUCED BY .COM
newspaper La Voz de Casablanca is being hawked
on the street, like hotcakes. It has been reborn
after a silence lasting 70 years. Exhausted, I sit
down to read it and to take a drink of water inside
the old Hershey train car which by now has been
opened as part of the AI&P (Art, Industry and
Landscape) cultural project. I love the newspapers
lovely photos.
contents
Youve waited Long Enough PAGE 19 PRODUCED Resaca,
BY by Arls del Ro , photo .COM
by Alex Mene
photo by Ana Lorena
This seems to be the question that many visitors from the US (who are already starting to fill Havana
streets) are asking themselves, discovering, in situ, that the devil is not so black as he is painted. One of
the many answers to that query is the great al fresco exhibition that Juan Delgado Calzadilla (Juanito) has
organized for the second time in a Biennial, aided and abetted by Cuban and international artists. Detrs
del muro, or Behind the Wall, there is a vigorous and audacious artistic movement as well as well-versed
and open-minded audiences who are capable of interacting with art in an inquisitive, self-assured and
natural manner.
Touring the Malecn, from La Punta to Maceo Park on inaugural Sunday. May 24, 2015, was a bona fide
festivity. People were out to enjoy the Biennial, to see, to ask, to smell, to touch and, in short, to take
part in and be a part of this art, which under a clear-sighted curatorial principle, has overrun the streets
of the city. So it was nothing unusual to see entire families, grandparents with their grandkids, couples
hand-in-hand, everyone sharing the space with artists, winners of the National Literature Prize, such as
Nancy Morejn and Reynaldo Gonzlez, critic Gerardo Mosquera who had a hand in legitimizing young
art in the 1980s, musicologist Miriam Escudero or Deputy Minister of Culture Fernando Rojas who was
going up and down, smiling broadly and with his cell phone glued to his ear, to all intents and purposes
like someone in one of the performance pieces.
contents
Youve waited Long Enough PAGE 20 PRODUCED BY .COM
cubo azul by Rachel Valds , photo by Alex Mene
Turning off the Prado onto the Malecn, I had my first surprise. Was that light post always there? A
group of nosey parkers confirmed my suspicions that this was an artwork in the Biennial. Thats how
I found Rafael Villares rbol de luz [Tree of Light] made up of lights from 15 different countries listed
at the foot of the tree, and which passersby identified at will. Accompanied by his parents, wife and
even his baby daughter, the artist was answering questions and slyly assuring people that not marrying
lampposts with countries had been intentional and he was leaving this to the publics imagination.
Roberto Fabelo gives us Delicatessen, a huge pot that has its surface pierced by a gazillion forks until the
whole thing looks like a repulsive porcupine. But after this first impression, passersby get up close, touch
it and try to look into the interior of the recipient through all the holes. Judging by the blank spaces
visible in a few spots, a few audacious souls have even tried to take home a fork or two as souvenirs.
Arls del Ros Resaca fits in so well where it is located that at first you dont notice how odd it is to see
a beach with sand, parasols, tables and loungers on a section of the Malecn seawall. Even better is the
fact that some people come and rest in the loungers while others install themselves on chairs and tables
with beer, hi-fi equipment, sun hats, just as if this was Varadero, in the secret desire that the installation
never gets taken down, ever. And Inti Hernndezs Balance cubano also invites spectators to take a break
and chat while comfortably settled in rocking chairs.
contents
Youve waited Long Enough PAGE 22 PRODUCED BY .COM
Another work that is drawing a lot of attention is On the sidewalk by the sea, lookouts, towers,
Rachel Valds Camejos Cubo azul. Inside the blue and even a telescope invite you to survey the
cube, the play of color, the transparency and the horizon. I wonder what lies beyond the wall. On
mirrors give a totally different view of the city and the street, a transvestite resembling a Tropicana
the ocean. Going inside and coming out again is cabaret dancer moves around among the passers-
like some fantastic journey that everyone would by. Over there, an asexual figure in red remains
like to take. Maybe thats why such long queues motionless, letting itself be observed. Further on,
have formed. Both adults and children await their a man is embroidering hankies. I thought this was
turns to enter this strange blue paradise. a spontaneous action and then someone told me
this was Ricardo Rodrguez who used to embroider
Further on, I join some gawkers who are bobbing handkerchiefs with his hair (that he let grow for
their heads from one side to another discovering 30 years), and then gave the hankies away. But by
the double image in Goteo, Ernesto and Javier then I was too tired to backtrack.
Fernndezs ingenious piece of lenticular
photographs. Lady, look closer. Theres a trick A colorful stall attracts the attention of every
here. Thats the advice given me by a young man pedestrian who are trying to find out whats inside.
in shorts, flip-flops and beer in hand. I wonder A little girl, her face full of sunshine, whispers that
if he has already written his message on Manuel when its open, they give away toys.
Hernndez Cardonas Love Is Calling You, a great
opportunity to put graffiti out there for all to see. Facing Maceo Park, at the end (or the beginning,
depending on which direction you choose to take)
Kids have a great time climbing, sliding and of Juanitos Wall, there is an impressive piece:
running without hearing the well-known maternal two bows with converging arrows, but you cant
admonishment of Dont touch that! Theyre going see their points, only the shafts and feathers. An
crazy with the ice-skating rink installed by Duke elderly gentleman, probably an editor or a designer,
Riley on The Cold Corner, as it is called, of Malecn commented to his companion: That should be the
and Belascoan. At first theyre shy, maybe even a cover of whatever book is written about future
bit fearful, but in no time theyre sliding, slipping, Cuba-US relations. Opuestos by Kadir Lpez
tumbling and laughing. Its happiness wearing the and Enrique Valds, with its infinite suggestions,
face of a child! is a splendid start or finish to venture into this
exhibition that is in front of, on and beyond the
wall.
contents
Youve waited Long Enough PAGE 23 PRODUCED BY .COM
MABEL POBLETS PATRIA
at the 12th Biennial
by Ricardo Alberto Prez
Mabel Poblet (Cienfuegos, 1986) has plunged From the moment I walk through the gallerys
herself into a terrain where others may go and doors, I become exposed to these sensations.
get involved, thereby turning them into her Marea alta [High Tide] catches me unawares and
accomplices. She fragments and she mirrors. I have only two options: to desist or to cross the
Everything she shows us looks like it originated verticality of the waters in which, today, sodium
in a dream, still warm from the high temperatures and other minerals have been replaced by symbolic
that seem to occur in the dream-state. This is an elements. Far from diminishing in intensity,
artist who zeros in on disturbing elements and they are strengthened. At first, you feel kind of
transforms them into images and visible objects. disoriented. You dont know what to do. As your
trust grows, moods undergo rapid changes until
Those of us who have been following Mabel Poblets you reach a level of comfort, feeling relief and a
artistic trajectory from the beginning know she is sense of freshness.
talented and daring enough to constantly surpass
our expectations. This why whenever I go to I have mentioned sea and water because this
her shows, I feel something of a secret emotion is what this piece composed of small squares
making the artist-spectator encounter something imitating photos or little mirrors, which are never
truly special. short on producing reflections and hang from the
ceiling to the floor by strings that form a dense,
On this occasion, when she is opening her pliant curtain.
exhibition called Ciudad: Patria [City: Homeland]
at UNEACs Villa Manuela Gallery for the 12th The first thing I interpreted from the show is
Havana Biennial, my emotions have multiplied. what it told me: If you want to know my real
The artist has decided to be truly radical and homeland, you have to cross this collective issue,
with the accumulated energy that is the result of this pain without which we can no longer conceive
the creative path she has been following, she has ourselves as a group. On the far shore, you will have
created a seductive tension that reigns on the new imprints on your skin, your heart slightly sad
space she has made an intervention on, providing a and your senses will be infinitely awakened. The
mysterious dynamic that accompanies the viewer murmur that is created throughout the voyage
from start to finish. spoke to me of a fractured body whose halves are
yearning constantly for the reunion.
contents
Youve waited Long Enough PAGE 24 PRODUCED BY .COM
This brought me to the most conceptual part of the showpainted texts that have been imprinted on
thick, transparent sheets. In front of those texts are twin artifacts, two structures speaking to us of
nostalgia and the reunion, which is identified as blood-ties, race or identity. All of this is transgressed,
recovered in an unstable, aqueous state. And there is the sea once more, the blue that cannot be put
aside, a far-off, yet very clear point, which is separated from us by a circular form that implants a
distance between us and what wants to be touched.
contents
Youve waited Long Enough PAGE 25 PRODUCED BY .COM
Completing this account is the current state of
our homeland that is emerging with its defects
and a considerable modicum of pride. Here, the
US Capitol and the Capitolio in Havana are sharing
the same space. This work uses different media,
including sculpture, video and photography,
granting spectacular animation to this sober and
covert dialogue.
contents
Youve waited Long Enough PAGE 26 PRODUCED BY .COM
Inaguration day , photo Y. del Monte
The show at the Wifredo Lam Center for of resistance, no holds barred. Son de seas is a
Contemporary Art more than ever on the occasion genuine exhortation, a hymn to will that alerts
of this Twelfth Havana Biennial sings the praises us to the possibility of transformation without
of this great artists pictorial and sociological turning our backs on reality. The performance
thinking. The name of Lam identifies and motivates showed that it had been rigorously put together
this institutions work. Curatorship has focused on and it especially showed admirable humility on the
the concept of plurality and its inclusive tone has part of the collaborating social group (sponsored
the exhibition remembering the potential of the by ANSOC, the National Association for the Deaf in
citys suburban areas. It is also opening up specific Cuba) as well as the artist herself.
areas in order to indicate phenomena that express
the maturity of artistic processes in the face of the
violence generated by the growth of our societies.
AFLUENTE (2009)
contents
Youve waited Long Enough PAGE 27 PRODUCED BY .COM
Performance Son de seas , photo Alex Mene
After the performance, the mass of spectators The participation of another group of international
quickly went up to the second floor. The feeling artists also enriched the decentralizing nature of
on ground level was that something extremely the substantial visual encounter at the Wifredo
dynamic was about to happen, like a sort of ritual Lam Center. I was particularly impressed by the
somewhere between frenetic sound and the need work of Gilberto Esparza, Jean Mukendi, Henri
for bodies to launch their energies outwards. The Tauliaut, Josuhe Paglieri, Axel Stock Burger, Ebony
work revolved around a piece by Nigerian artist Patterson and Tino Sehgal. In the specific case of
Victor Ekpuk. It was a profound and moving tale Tino Sehgal, I think that he has become a reference
arising from every printed symbol, speaking to point in the world for the most advanced, serious
us about a grand ceremony when considered as a and utilitarian positions taken by performance art
whole. as a language. His themes have been taken over
by his obsession to communicate with spectators,
The main strength of Ekpuks work, Abakuas, lies constantly prioritizing exchanges between the art
in the simplicity from which it is born, from the and the viewers.
very contrast provided by the selected materials
(white chalk on a black background), from the The powerful creative force of Lzaro Saavedra
infinite spiritual universe he carries and is able (2014 National Visual Arts Prizewinner) once again
to materialize at each place he goes. In just a stands out among Cuban artists. In my opinion he
few square meters, the artist installed his Yoruba belongs among the great artists who, regardless
kingdom, made it possible for a group of Cuban of their media, solely respond to the impulses of
Santeria practitioners to enter it so that the their own energy to work towards demystification.
contents of the ritual and the speculative nature He named his piece Pez Peo [Fart fish] and I
of the art could fuse and produce moments of interpret it as a true hymn to immaterialism. It is
remarkable emotion. Music, dance and a variety terrain charged with spectacular ironies, where
of symbols became for a few minutes the starring we gaze upon an apparently empty fishbowl and
nucleus of the entire exhibition. we are given a plastic bag filled with water where
supposedly we are going to take the enigmatic
Fart Fish home with us.
contents
Youve waited Long Enough PAGE 28 PRODUCED BY .COM
Performance by Vctor Ekpuk (Abakuas), photo Y. del Monte
contents
Youve waited Long Enough PAGE 29 PRODUCED BY .COM
MICHELANGELO at
the 12th Havana Biennial
PISTOLETTO by Ricardo Alberto Prez
Finally. That indisputably mythical figure of the I believe that his arrival in Cuba coincides with times
visual arts in the second half of the twentieth that are undergoing sensitive transformations.
century and into the twenty-first century, Therefore his presence here and the strength of
Michelangelo Pistoletto, has arrived in Havana. As his idea, which carries the spirit and the wish to
soon as I learned of his imminent presence in Cuba, change things, can be interpreted as a very good
the first thing that came to mind was something he omen. People who were at his performance on
said that has always greatly impressed me. In fact it May 23 in Cathedral Square in Havana commented
has helped me to understand various phenomena that they were left with a feeling of having been
in contemporary art. A thing is not art: but the renewed, as if somehow hope had grown.
idea expressed by the same thing may be. In
those few words, we can summarize the clarity of
this mans vision of a future full of processes that
are as complex and changeable as art.
contents
Youve waited Long Enough PAGE 30 PRODUCED BY .COM
But these actions by the Italian artist from having to deal with the unknown territory of
Turin do not only impress for the content of the a performance can become an element to be
extraordinary messages being transmitted; they considered for its subsequent success.
also impress because of the expansion of forms,
for the beauty they generate in terms of colors and In this regard, Pistolettos performance in Havana
structures, and also for the intensity brought to had this desired documentation, which was made
them by the people. For this project, the choice of available to the public at the Fototeca de Cuba in
location seems to be one of the basic concerns. It Plaza Vieja. On the top floor of the institution, an
becomes a kind of essential mirror reflecting every exhibition was set up with posters documenting
single intention. the projects trajectory all over the world and
through the regions of Italy. A model of the symbol
For me, the thing that has the most impact on me is was on display, made up of the various cymbals
that this infinity symbol, which in every presentation used by children in different performances. In this
becomes the protagonist in the performance, has way, witnessing the execution of the piece turned
the ability to adapt to the substances or objects into immediate nostalgia.
that have been chosen to represent it. Its new face
is incarnated in extraordinary equilibrium, leaving The cobblestones of Cathedral Square were
the gift of images having great visual power. certainly reverberating with energy, with an
intangible force that doesnt resign itself to being
Interestingly, at the end of 2014, Pistolettos work still and goes on to found intentions and insert
had an important connection with Cuba, although them where they become vital. The Third Paradise
without the presence of the artist. The date was sign was again formed with cymbals and this time
December 16, the day prior to the announcement they were played by musicians, populating its
of Cuba-US renewal of diplomatic relations. For structure with sound. The following day, Pistoletto
the first time in Cuba, off Havanas coast, the Third made a presentation at the Iglesia de Paula Church
Paradise symbol made its appearance, recreated with the performance of Thirteen Less Two
with small and medium-sized boats constantly in collaboration with the Arc Longa Early Music
moving in the sea, reaching unprecedented Ensemble, based on a composition by Luis Alberto
proportions. Mario. At the end of the musical performance, the
artist began to smash a number of large mirrors
I have always thought that the existence of good with a club, leaving a stunned Cuban audience.
documentation preparing the viewer prior to
contents
Youve waited Long Enough PAGE 31 PRODUCED BY .COM
Photos by Ana Lorena
Wilfredo
Prieto
at the 12th Biennial
by Ricardo Alberto Prez
It is always a real privilege to view the work of an tells us the story of how any object can become
artist who is constantly been communicating the art, as long as between art and reality there is a
fact that he is deeply convinced about his own mind ready to make this operation possible.
work. A case in point is Cuban artist Wilfredo
Prieto, (Sancti Spritus, 1978). His journey down the Ping-Pong Cuadrcula draws together multiple
path of art has been consolidated on the basis of metaphors that are moving in various directions.
that conviction. Every one of his artworks achieves One of its strongest virtues is that one metaphor
a sense of spontaneity that might be mistaken for does not allow itself to get trapped by another and
delirium, but manages to carry along with it a dose slightest trace of rhetoric. The hooks are practically
of rationality that is able to contain and allow it to invisible and follow dynamics very rarely attained.
function among the other elements.
The artists abundant ingenuity is no drawback
At this years Twelfth Havana Biennial, Prieto has since the actions have been supported by the
taken a remarkably leading role. Not only is his undeniable weight of experience. Wilfredo manages
show in one of the most important and visited to go from a large freight truck to fragments of
venues of the event (the exterior and entire ground scattered glass without anything getting fractured
floor level of the Cuban Art Building of the Museo on the way, pulling on the imaginary thread that
Nacional de Bellas Artes) but he has also curated tautens spaces and charging them with emotion.
one of the most talked about and attractive
Biennial exhibitions, Montaas con una esquina Montaa con ro, S/No, Dos zapatos y dos medias,
rota. For this show, he took over what I consider Matrioska, Una de cal otra de arena, and Pan con
to be the signature piece of the event, a former Pan are some of his pieces that lead us along the
bicycle factory that today is in ruins. channels set up by the artist, who as the perfect
manipulator, will be seated quietly awaiting at the
His exhibition called Ping-Pong Cuadrcula at end of the road. These moments that are captured
Bellas Artes is a reasonable apprenticeship route with precision, form a retrospective glance at
which with a little good will and freeing themselves the trajectory that has described his thinking. It
of prejudices has viewers following and receiving is worth pointing out that these works have also
some notable benefits from the journey. We think been chosen keeping in mind that their practical
that this is a sort of global tale which very subtly insertion into a space with some limitations.
contents
Youve waited Long Enough PAGE 32 PRODUCED BY .COM
Some of his work is closely associated with sculpture, while other areas are much closer to performance
and installations art given their expansive nature. At any rate, those of us who have had the pleasure
many times of throwing a stone into the water know what is unleashed upon impact with the surface.
Similarly, his objects seem to achieve those effects on the viewers subjectivity.
Returning to his work as curator for Montaas con una esquina rota, when you take in this very
original exhibition that relies heavily on the actual nature of the location he selected (ruins), behind
the indisputable value of the pieces created by renowned artists from all over the world and brought
together here for the occasion, the vigorous visual brand of Wilfredo Prieto emerges as if, when all is
said and done, this ends up being necessary and unyielding.
contents
Youve waited Long Enough PAGE 33 PRODUCED BY .COM
MAURICIO ABAD
at the12th Havana Biennial
contents
Youve waited Long Enough PAGE 34 PRODUCED BY .COM
Mauricio Abads artwork on this occasion is very tied in to his principal obsessions, but I believe that he
has developed them with more complexity, especially in terms of their social impact and the considerable
number of people involved. The installation is called Gamers O.K. A LED screen displays the phrase
Muertos por tiros de balas (Killed by gun shots) while these dead are being tallied on the screen. These
casualties come from video games being executed on an underground network connecting fifteen
thousand users who are being monitored by that same LED screen.
contents
Youve waited Long Enough PAGE 35 PRODUCED BY .COM
The main contribution of Gamers O.K. is the artists The other Abad piece that caught my interest
capacity for commenting from a metaphorical was Mi Nube [My Cloud], composed of a series of
position on some of those hidden processes portraits painted from photos he received from
occurring today in Cuba. As yet, these processes some of the 15,000 users involved in Gamers O.K.,
are not perceptible to most of the population. It is the work he has presented in Casablanca. A firm
interesting to see how the visual impact that the connection is established between two artworks
piece generates mutates into a solid reflection. and the secret becomes public, while the subjective
becomes objective.
The artists participation in the Biennial
not only extends to other locations but to In a third show, Abad participates with Arsenal
different languages and expressive means. This located in a four-story building which houses
demonstrates that he is sensitive enough and Sandra Prez Lozanos studio in the heart of Centro
well-versed in communicating through a variety Habana at Calle Crdenas # 51, esquina Corrales.
of channels. At another show he exhibits Para Other important Cuban artists also take part:
lucir hay que sufrir, which was put together at Javier Castro, Susana Pilar, Michel Pou, lvaro Jos
Carlos Bustamantes studio at Calle 1ra No. 15603 Brunet, Sandra Ramos, Adonis Flores and Reinier
entre 156 y 156A in Reparto Nutico. He shares the Leyva Novo. The work is called Rapunzel. It is a rag
exhibition with Bustamante as well as with Lilian doll, four meters tall, with seven-meter long braids
Broche, Yaima Pardo and Denis Izquierdo. woven in seven different colors and that are thrown
over the balcony to the ground outside. Abad and
One of Abads pieces in Para lucir hay que sufrir the other artists showing here have focused on the
[To Look Good You Have to Suffer] is Al lado este central theme of violence. Mauricio says that his
del azul [On the east side of the Blue]. The work work also talks about relationships between artists
is composed of 150 photographs placed in a black at the Biennial.
box. They were taken on the street that separates
the Los Angeles International Airport and the coast. This Rapunzel is transformed into a kind of African
Close to the airport is a Butterfly Habitat Preserve, deity (Oya) who bears the load of the consequences
opened in 1973, specifically to protect the federally of violence. She is a giant replica of the dolls that
designated endangered species of El Segundo Blue are commonly used in Santeria rituals.
Butterfly. The preserve is well closed-off but it is
odd that nobody seems to have ever spotted the Mauricio Abads work has clearly enriched the
butterflies. This all goes to prove that the myth is Biennial this year and there is no doubt that he
often stronger than reality. invites us to reflect on our ties with the important
element of memory and how it transfers to
individuals and groups.
contents
Youve waited Long Enough PAGE 36 PRODUCED BY .COM
VISUAL ARTS
Arte-Facto Centro Cultural Cinematogrfico Icaic
THROUGH Bifurcaciones. Group exhibition THROUGH La primera col, for the first time
JUNE 23 bringing together three JUNE 23 at a Havana Biennale and in the
representative contemporary same show, will allow us to view
industrial design groups. the work of recipients of National
Recognized visual artists work on Visual Arts of Cuba awards.
a project that would like to reprise,
once more, the fuzzy line between Centro Provincial de Artes Plsticas y Diseo
design and art.
THROUGH Mover la escena revolves around
Biblioteca Pblica Rubn Martnez Villena JUNE 23 the topic of fashion associating
it with the contemporary issues
OPENS JUNE Makuri Hirogeru, Exhibition and governing society by providing a
4, 4PM Performance (live-painting) by space for dialogue.
four young Japanese avant-garde
artists who absorb the essence Complejo Morro- Cabaa
of Cuba, combining works of
renowned designer Kiyoshi Awazu THROUGH Zona Franca is the largest Cuban
(1929-2009) with their own. JUNE 23 art exhibition ever, displaying the
Saturday June 6 & 20, 1pm, Casa recent work of over 200 Cuban
de Asia artists from different generations,
espousing a variety of esthetics
Workshop:
and in a wide range of media.
Saturday June 6, 3:30-5pm, Calle
de Madera, Plaza de Armas
Edificio de Arte Universal.
Concert and Performance: Museo Nacional de Bellas Artes
Sunday, June 14, 5pm, Casa del
THROUGH Ruidos salvajes, show with over
ALBA Cultural
JUNE 23 90 pieces (from 1960-2015) from
Concert by guitarist Shin Sasakubo
the permanent collection of The
Bronx Museum, which focus on
Casa del Benemrito de las Amricas Benito Jurez identity, city life and community.
THROUGH Lo uno y lo mltiple, group Los ardientes by Sergio
JUNE 23 exhibitiion curated by Onedys Hernndez, one of the most
Calvo and Susana Garca Pino. important visual artists in
Artists: Alejandro Sainz, Daniel Mexico, reveals his mastery of
Rodrguez, Eduardo Leyva Herrera, painting and the graphic arts,
Hanoi Prez, Jess Hernndez manifestations he shares with
(Gero), Julio Csar Pea, Marcel sculpture, printmaking, ceramics
Molina, Orlando Montalbn, and drawing, and his taste for
Osmeivy Ortega, Randy Moreno intense colors.
Limonta, Salom Garca Bacallao,
Simone Garca Bacallao, Yillian Edificio de Arte Universal (exteriores) y vestbulo
Marie Torres Gmez, Leo Canosa, del Centro de Informacin Antonio Rodrguez
Mauro Coca and La Marca Studio- Morey Museo Nacional de Bellas Artes
Gallery.
THROUGH Los sntomas del engao by
JUNE 23 Luis Enrique Lpez shows us 10
Casa de la Obra Pa
poisonous compounds that were
THROUGH Arquitectura sin arquitectos, scientifically created from toxic
JUNE 23 by artist artista Sandra Calvo, Cuban plants, directed towards
reveals serious research on life in 10 contemporary Cuban artists.
the solares or Havana tenement Posters and video documentation
buildings. of the process used to create
them are part of the ads for the
Galera Galiano products. With friends like these,
who needs enemies?
THROUGH Territorios. Group show of 20
JUNE 23 young artists.
contents
Youve waited Long Enough PAGE 37 PRODUCED BY .COM
Edificio de Arte Cubano. Embajada de Espaa
Museo Nacional de Bellas Artes
THROUGH Estrictamente personal. Curated
THROUGH Pintura is the Toms Snchez JUNE 23 by Cirenaica Moreira, this group
JUNE 23 show including 12 never-before project includes photography,
shown canvases, mainly in large video art, installations and
formats, where he combines performances by artists Consuelo
natural landscapes with garbage Castaeda, Marta Mara Prez,
dumps. This is a significant Sandra Ceballos, Broselianda
direction taken by this Cuban Hernndez, Cirenaica Moreira,
painter who has not had a show in Glenda Len, Grethell Rasa,
30 years at Bellas Artes. Susana Pilar Delahante and Mabel
Poblet.
Tramas by Gustavo Prez
Monzn who showed at the
Factora Habana
historic Volumen I which marked
a milestone in Cuban art of the THROUGHOUT Entropa, by Ren Francisco
1980s, reveals 76 impressive JUNIO Rodrguez.
drawings and installations.
The Mission, by Roco Garca.
El mapa del silencio a show by
the former Carpintero Alexandre Deconstruccin del horizonte, by
Arrechea was especially planned Carlos Montes de Oca.
for being shown at Bellas Artes;
Galera Artis
it includes two large format
watercolors, video-projection, THROUGH Persistencia, works by Roberto
a wall-hanging and a mural JUNE 23 Fabelo.
measuring 25 meters on the wall
of the gallery. Curator Corina Galera Habana
Matamoros tells us that it states
what hasnt yet been said, even THROUGH Crack. Group show with works
though it is obvious. JUNE 20 by Tonel, Ariamna Contino y Alex
Ping-pong cuadrcula, Wilfredo Hernndez, Felipe Dulzaides, Ivn
Prietos show has both large and Capote, Carlos Garaicoa, Roberto
small format works where the Fabelo, Yunier Hernndez,
artista insists on using day-to-day Enrique Bster, Glenda Len and
objects in order to communicate Los Carpinteros.
new meanings.
Hotel Nacional. Sala Taganana
Poesa pasajera by Ral Cordero,
video art and video installation THROUGH AB+C, show with works by artists
pioneer in Cuba, shows us a series JUNE 23 from the generation of the 1970s,
of his paintings that were begun in including Pedro Pablo Oliva, Arturo
2011 and which he is still working Montoto, Nelson Domnguez and
on. Flora Fong, entre otros.
Pabexpo. Sala D
THROUGH HB is a successful project including drawing, photography, painting, sculpture, performance
JUNE 23 and installations by 58 artists who are both novices and veterans and who appeal to both
traditional and experimental concepts: Roberto Fabelo, Manuel Mendive, Ren Francisco
Rodrguez, Lzaro Saavedra, Los Carpinteros, Carlos Garaicoa, Kcho, Glenda Len, Yoan
Capote, Felipe Dulzaides, just to name a few.
contents
Youve waited Long Enough PAGE 38 PRODUCED BY .COM
PHOTOGRAPHY
contents
Youve waited Long Enough PAGE 39 PRODUCED BY .COM
DANCE
contents
Youve waited Long Enough PAGE 40 PRODUCED BY .COM
MUSIC
CONTEMPORARY
FUSION
The contemporary fusion and electronic music In Havanas burgeoning entertainment district
scene has expanded recently as new bars along First Avenue from the Karl Marx theatre to
and clubs have opened party promoters have the aquarium you are spoilt for choice with the
organized events in parks and public spaces. always popular Don Cangreco featuring good live
Good live music venues include Bertolt Brecht music (Kelvis Ochoas and David Torrens alternate
(Wed: Interactivo, Sunday: Dj-vu) and El Sauce Fridays), Las Piedras (insanely busy from 3am) and
(check out the Sunday afternoon Mquina de la El Palio and Melem barboth featuring different
Melancola) as well as the newly opened Fbrica singers and acts in smaller more intimate venues.
de Arte Cubano which has concerts most nights
Thursday through Sunday as well as impromptu
smaller performances inside.
SALSA / TIMBA
Casa de la Msica Habana Casa de la Msica de Miramar
MONDAYS
11 pm Sur Caribe MONDAYS 11 pm Sur Caribe
WEDNESDAYS 11 pm Adalberto lvarez y su Son
WEDNESDAYS 11 pm Adalberto lvarez y su Son
THURSDAYS 5 pm Manolito Simonet
FRIDAYS 5 pm El Nio y La Verdad
11 pm NG La Banda FRIDAYS 5 pm El Nio y La Verdad
11 pm NG La Banda
SUNDAYS 5 pm Bamboleo SUNDAYS 5 pm Bamboleo
Piano Bar Tun Tun
Jardines del 1830
THURSDAYS 11 pm NG La Banda Azcar Negra
FRIDAYS
SATURDAYS 11 pm Manana Club 10 pm
SUNDAYS 11 pm Nesty y Presencia Light Tercera y 8
WEDNESDAYS Alain Daniel
Le Select
Grupo Moncada and their project
11 pm
FRIDAYS
Rueda de Casino
5 pm Piano Bar Habaneciendo
contents
Youve waited Long Enough PAGE 42 PRODUCED BY .COM
MUSIC
JAZZ
JUNE 18 Alexis Bosch (pianist) and Proyecto JUNE 30 Zule Guerra (singer & composer)
Jazz Cubano. 5pm and Blues DHavana
6 pm
UNEAC
contents
Youve waited Long Enough PAGE 43 PRODUCED BY .COM
MUSIC BOLERO, FOLKLORE, SON & TROVA
Asociacin Yoruba de Cuba El Jelengue de Areto
SUNDAYS Los Ibellis (Folkloric group) MONDAYS Son del Nene
4 pm 5 pm
Caf Cantante, Teatro Nacional TUESDAYS Conjunto Chappottn
5 pm ngel Quintero. 3 pm
contents
Youve waited Long Enough PAGE 44 PRODUCED BY .COM
CLASSICAL MUSIC
Iglesia de Paula
JUNE 5 Organ concert conducted by Moiss Santiesteban, playing works by Antonio de Cabezn,
7pm Claudio Merulo, Jan Pieterszoon Sweelinck and Andrea Gabriela, among other composers.
JUNE 26 La cara femenina de la msica, with the Ensemble Vocal Luna, conducted by Wilmia Verrier
7pm Quiones, with guest musicians harpist Maite Rodrguez and cellist Alejandro Martnez.
contents
Youve waited Long Enough PAGE 45 PRODUCED BY .COM
Centro Hispano Americano de Cultura
JUNE 4 The Camerata Vocale Sine Nomine, conducted by Leonor Surez Dulzaides, will play works
7 pm from the Renaissance to the present day.
JUNE 13 Concert Opera aperta: transdisciplinary concert with the performances of musicians, dancers
5 pm and visual artists.
Teatro Mart
JUNE 18 Concert dedicated to the French Revolution. The concert will be presented by Eusebio leal,
6 pm Historian of the City of Havana.
contents
Youve waited Long Enough PAGE 46 PRODUCED BY .COM
THEATRE
Decamern
Teatro El Pblico / Production: Carlos Daz
Fri & Sat 8:30pm; Sun 5pm
Teatro Triann
Several stories from Giovanni Boccaccios The Decameron are put onstage with more than a hint at
Cuba today. Those who expect nudity galore from Carlos Daz are in for a surprise.
Mecnica Macbeth
Argos Teatro / Production: Carlos Celdrn Compaa Nelson Dorr / Production Nelson
Fri & Sat 8:30pm; Sun 5pm, Argos Teatro Dorr, Through June 14. Fri & Sat, 8:30pm;
Play written by award-winning Abel Gonzlez Sun, 5pm. Teatro Mella
Melo. The experienced playwright Nelson Dorr continues
to revisit the classics respecting the texts but in
Muertecita de miedo constant dialogue with the prsent.
Through June 18. Tues, Wed, & Thurs, 8:30pm
Sala Adolfo Llaurad Las heridas del viento
One-man show with Ernesto Gonzlez Umpierre Compaa teatral Hubert de Blanck /
(El Flacommico). Production: Orietta Medina
Fri & Sat, 8:30pm; Sun, 5pm
Juicio y condena pblica Sala Hubert de Blanck
contents
Youve waited Long Enough PAGE 47 PRODUCED BY .COM
III Encuentro de Jvenes
Pianistas y al Concurso y
Festival Internacional de
Piano Musicalia 2015
June 4-28
Baslica de San Francisco de Ass, Sala Ignacio
Cervantes, Teatro Mart y Oratorio San Felipe
Neri, La Habana Vieja
The Third Encounter of Young Pianists directed by
pianist and professor Salomn Gadles Mikowsky
has scheduled 20 concerts for 24 pianists with
an attractive and varied repertoire of Cuban and
international music. Musicalia 2015 which will be
held at the Oratorio San Felipe Neri will have a jury
chaired by pianist Ulises Hernndez and made up
Salomn Gadles Mikowsky, Ninowska Fernndez-
Brito, Antonio Carbonell, Adonis Gonzlez
and Mauricio Vallina. Besides the competitors
presentations, master clases, concerts and the
presentation of the books Ignacio Cervantes y la
danza en Cuba by Salomn Gadles Mikowsky and
Teatro Mart El legado pianstico pedaggico de Salomn Gadles
Mikowsky by Kookhee Hong are also scheduled.
JUNE 4 Inaugural Gala. Adam Kent (US);
6 pm Alexandre Moutouzkine (Russia);
Sala Ignacio Cervantes
Orquesta Sinfnica Nacional de
Cuba, conducted by Enrique Prez JUNE 12 Fidel Leal (Cuba)
Mesa
6 pm
Sala Ignacio Cervantes
Baslica Menor del Convento de
JUNE 5 Ian Yungwook Yoo (South Korea) San Francisco de Ass
6 pm
JUNE 13 Ruiqi Fang (China)
Baslica Menor del Convento de 6 pm
San Francisco de Ass
Oratorio San Felipe Neri
JUNE 6 Adam Kent (US)
6 pm JUNE 7 Festival y Concurso de Piano
11 am Musicalia 2015
Sala Ignacio Cervantes Drawing of lots, presentation of
the Jury and piano audition for
JUNE 7 Lianne Vega (Cuba); Katerina contestants
11 am Rivero (Cuba)
Teatro Mart
Teatro Mart JUNE 14 Madarys Morgan (Cuba); Ruiqi
6 pm Fang (China); Orquesta Sinfnica
JUNE 7 Ian Yungwook Yoo (South Korea);
Nacional de Cuba, conducted by
6 pm Aldo Lpez-Gaviln (Cuba);
Enrique Prez Mesa
Orquesta Sinfnica Nacional de
Cuba, conducted by Enrique Prez
Mesa Oratorio San Felipe Neri
Coloquio Internacional
Ernest Hemingway
June 18-21
Ambos Mundos Hotel, Havana
The International Ernest Hemingway Colloquium
is dedicated to the study of the work of the great
writer who lived for 21 years at the Finca Viga on
the outskirts of Havana. It will be headquartered at
the hotel which still conserves the room where he
often stayed. Presented papers eill deal with the
United States in Ernest Hemingways trajectory, his
childhood and teen years, relations with publishers
and publishing houses, writers and artists, his life
and work, museology and conservation of the
collections dedicated to the author.
contents
Youve waited Long Enough PAGE 50 PRODUCED BY .COM
AROUND CUBA
Every year, the capital of the northeastern The Cucalambeana Fair includes the recital
province of Las Tunas becomes the venue for the and singing of dcimas, a Spanish stanza of ten
Jornada Cucalambeana in memory of Las Tunas- octosyllabic lines created in early-modern Spain
born poet Juan Cristbal Npoles Fajardo (aka El and adopted by the country folk of the Americas.
Cucalamb), the most important Cuban decimista, Repentistas, or improvisers, come from all over
country ballad poet, in nineteenth-century Cuba. the country to show their talent at this difficult
art at the Justo Vega Competition while children
A trip to the Cucalambeana Country Fair takes showcase their talent at the Colorn.
you a long way off of the regular tourist trail,
but it gives you a unique opportunity to see real There are also traditional country dances, which
Cuban country folk. Whether you like the cock- takes place at El Cornitos plazas. These dances
fighting or not, you have to admit that it plays an have a twistthey are competitions between two
undeniable role in countryside culture and history teams: the Blue team and the Red team. In fact,
of Cuba. And that is what the festival is all about: all of the activities held during the festival are
keeping alive the music and traditions of the Cuban competitions between the Red and Blue teams,
countryside. so dont be surprised to see competitors wearing
costumes, hats and kerchiefs in one of these two
The event lasts sx days, beginning in late June to colors.
incorporate July 1, the birthdate of El Cucalamb.
It is always held in El Cornito, the home of the poet If cock-fighting and dancing arent enough for
that now serves as a hotel on the outskirts of Las you, why not join the audience at the popular
Tunas. A scenic area, there are several sculptures improvisation event where you can contribute to
dedicated to El Cucalamb, an open area for the poets dcimas by giving them pie forzados,
horseback riding, childrens playgrounds, and phrases prompted by anyone present that the
several small plazas. poets must follow in order to create their poem.
contents
Youve waited Long Enough PAGE 51 PRODUCED BY .COM
Experts agree that repentismo, or the improvisation of dcimas, requires great talent and quick thinking
nurtured from the cradle.
And dont forget the beauty pageant. Every year, a girl is chosen girl who best exemplifies the beauty
of a typical country woman (tall, long black hair and olive-skinned). The winner is declared La Flor
de Birama, or The Flower of Birama, and all the other girls are her Petals. During the festival, in their
roles as the Flower and the Petals, the girls attend all of the events wearing the Cuban national dress,
inspiring the poets and composers with their beauty.
For 46 years, the Cucalambeana has celebrated peasant traditions and honored the rich culture of the
Cuban countryside. El Cornito may not be near the top of many tourist agendas, but a visit to the
Cucalambeana is a once in a lifetime opportunity to experience the traditional culture of the Cuban
countryside in all its glory.
contents
Youve waited Long Enough PAGE 52 PRODUCED BY .COM
AROUND CUBA
Fiestas Sanjuaneras
Through June 6, Trinidad
A local festival where rum-fueled horsemen gallop
through the streets. Held from May 28 to July 6,
the San Juan Festival brings back old traditions of
this region, like the Matanza de la Culebra (Killing
the Snake) on June 13; the San Juan Trinitario
Carnival on June 24 with the usual comparsas,
floats, dancing, games and costume competition;
or the San Pedro Carnival on June 29, also with
comparsas, floats and dancing. The festival closes
on July 6 with the Baile de la Galleta (Cookie Ball), a
dance of traditional music in formal attire and the
exhibition of delicious cookies of different sizes.
Encuentro de Fotografa
Subacutica IMASUB 2015
June 8-15, Parque Nacional Guanahacabibes,
Pinar del Ro
The incredibly beautiful underwater landscapes
of the Guanahacabibes National Park abound in
a rich assortment of flora and fauna (barracudas,
parrot fish, lobsters, Moray eels, angel fish,
snappers and crabs) and are the ideal location
for the art of underwater photography because
of the transparency of the waters. The vegetation
features a rich variety of gorgonians, as well as
vast and beautiful colonies of black coral which
cover the cliffs. The seabed offers sharp contrasts
that are ideal for underwater photography thanks
to the crystal-clear waters, which allow a visibility
of up to 30 meters at depths of 25 to 30 meters.
All of this makes it the perfect setting for the
IMASUB 2015 photography competition. open to
underwater photographers from around the world;
the only requirement is that the regulations are
followed and that photos fall into the categories
of fauna, macro, landscape and landscape-with-
model. Three prizes will awarded in each category
plus the Grand Prix for the photographer who
accumulates the greatest amount of points. The
overall winner will be awarded a trophy and a
three-night stay for two people at Maria la Gorda
at half board and five dives per person.
w w w. g a v i o t a - g r u p o . c o m/ . . . / v - e n c u e n t ro -
internacional-de-fotografia-suacuatica-del-8-al-
15-de-junio-del-2015
contents
Youve waited Long Enough PAGE 53 PRODUCED BY .COM
Havanas best places to eat
La Guarida
www.laguarida.com
Type of place Private (Paladar)
Food
Ambience
Service
Value
Best for Authentic, charming and intimate
atmosphere in Cubas best known
restaurant. Great food, professional. Classy.
Dont Miss Uma Thurman, Beyonc or the
Queen of Spain if they happen to be dining
next to you.
Concordia #418 e/ Gervasio y Escobar, Centro
Habana.
(+53) 7-866-9047
contents
Youve waited Long Enough PAGE 56 PRODUCED BY .COM
Atelier CA 5 CA TOP PICK Style of food
Cost Expensive
Experimental fusion
contents
Youve waited Long Enough PAGE 57 PRODUCED BY .COM
Sloppy Joes
Contemporary Bars
El Cocinero CA 5+ Espacios CA 5- TaBARish CA 5 Fbrica CA 5+
Fabulous rooftop setting, great Laid back contemporary bar A comfortable place to chat de Arte
service, cool vibe. with a real buzz in the back / hang out with your friends. X Alfonsos new cultural center.
Calle 26 e/ 11 y 13, Vedado beer-garden. Great service. Great concerts, funky young
(+53) 7-832-2355 Calle 10 #510, e/ 5ta y 31, Calle 20 #503, e/ 5ta y 7ma. scene.
Miramar Calle 26 e/ 11 y 13, Vedado
(+53) 7-202-9188
(+53) 7-836-3031 (next to the Puente de Hierro)
(+53) 5-329-6325
www.facebook.com/fabrica.
deartecubano
Contemporary bars/clubs
Don Cangrejo CA 4+ Kpricho CA 4 Up & Down CA 5 Sangri-La CA 5
Love it/hate itthis is the ber modern and stylish indoor From the team that brought For the cool kids. Basement
oldest Friday night party bar/club. Miami style crowd you Sangri-La. Attracting bar/club which gets packed at
place and is still going strong. and attitude. a young party crowd, very weekends.
Outdoor by the sea. popular. Take a coat.
Calle 94 #110 e/ 1ra y 3ra, Ave. 21 e/ 36 y 42, Miramar
Calle 3ra y B, Vedado
Ave. 1ra e/ 16 & 18, Miramar Miramar (+53) 7-264-8343
(+53) 7-204-3837 (+53) 7-206-4167
Other
Meli Sports Bar CA 4 El Gato Tuerto CA 4+ El Tocororo CA 4+ Bertolt Brecht CA 5
Big-screen sports-bar in Late night place to hear Expat favorite hangout. Small Think MTV Unplugged. Hip,
modern outdoor terrace. Good fabulous bolero singers. Can indoor bar with live music and funky and unique with an artsy
for sports and live music. get smoky. eclectic clientele. Cuban crowd.
Meli Habana Hotel Calle O e/ 17 y 19, Vedado Calle 18 e/ 3ra y 5ta, Miramar Calle 13 e/ I y J, Vedado
Ave. 3ra e/ 76 y 80, Miramar (+53) 7-833-2224 (+53) 7-830-1354
(+53) 7-204-8500
Gay-friendly
Cabaret CA 4 Humboldt 52 CA 5 Fashion CA 5 Caf Bar CA 4
Las Vegas One of the hottest venues Bar Havana Madrigal
Can get dark and smoky but for gay nightlife in Havana at A superb example of Pop dcor, fancy cocktails, and
great drag show (11pm) from present. queer class meets camp, the staffs supercilious attitude,
Divinoone of Cubas most Humboldt #52 e/ Infanta y accompanied by a fantastic this is a gathering spot for all
accomplished drag acts. Hospital, Centro Habana. floor show. types of folks.
Infanta #104 e/ 25 y 27, Vedado. (+53) 5-330-2989 San Juan de Dios, esq. a Calle 17 #809 e/ 2 y 4, Vedado
(+53) 7-870-7939 Aguacate, Habana Vieja (+53) 7-831-2433
(+53) 7-867-1676
contents
Youve waited Long Enough PAGE 58 PRODUCED BY .COM
Bertolt Brecht CA 5 CA TOP PICK
CONTEMPORARY BAR/CLUBS
Ambience
Popularity
Entertainment
Service & drinks
Best for Hanging out with hip & funky
Cubans who like their live music.
Dont Miss Interactivo playing on a
Wednesday evening.
Calle 13 e/ I y J, Vedado
(+53) 7-830-1354
CONTEMPORARY BAR
Ambience
Popularity
Entertainment
Service & drinks
Best for Laid back lounge atmosphere in
the garden area which often has live music.
Good turnover of people.
Dont Miss Ray Fernandez, Tony Avila, Yasek
Mazano playing live sets in the garden.
CONTEMPORARY BAR/CLUB
Ambience
Popularity
Entertainment
Service & drinks
Best for Hanging out with the cool kids on
the Havana Farundula in the most popular
bar/club.
Dont Miss The best gin and tonic in Havana.
CONTEMPORARY
Ambience
Popularity
Entertainment
Service & drinks
Best for Trendy new location near Saln
Rosado de la Tropical
Dont Miss Hipsters meet the Havana
Farndula
contents
Youve waited Long Enough PAGE 59 PRODUCED BY .COM
Humboldt 52 CA 5 CA TOP PICK
GAY FRIENDLY
Ambience
Popularity
Entertainment
Service & drinks
Best for Hot staff, comfortable setting, and
welcoming vibe at Havanas first full-time,
openly-gay bar
Dont Miss The disco ball, a talented opera
duo performing Wednesdays and karaoke
and drag performances other days of the
week
Humboldt #52 e/ Infanta y Hospital,
Centro Habana.
(+53) 5-330-2989
CONTEMPORARY BAR
Ambience
Popularity
Entertainment
Service & drinks
Best for X Alfonsos superb new cultural
center has something for everyone
GAY-FRIENDLY
Ambience
Popularity
Entertainment
Service & drinks
Best for A superb example of queer class
meets camp, accompanied by a fantastic
floor show.
Dont Miss The staff performing after 11pm
CONTEMPORARY BAR/CLUB
Ambience
Popularity
Entertainment
Service & drinks
Best for A comfortable place to chat / hang
out with your friends. Great service.
Dont Miss The homemade Russian soup
just like Matushka makes it.
contents
Youve waited Long Enough PAGE 60 PRODUCED BY .COM
Baslica Menor de San Francisco de Ass
Jazz
Caf Jazz CA 4+ Jazz Caf CA 4 Priv Lounge CA 5+ La Zorra y el CA 5
Miramar A staple of Havanas jazz Small and intimate lounge Cuervo
Clean, modern and scene, the best jazz players club with great acoustics and Intimate and atmospheric, this
atmospheric. Where Cubas perform here. Somewhat cold beautiful decor. Jazz groups basement jazz club, which you
best musicians jam and atmosphere-wise. play Sunday night. enter through a red telephone
improvise. Galeras de Paseo Calle 88A #306 e/ 3ra y 3raA, box, is Cubas most famous.
Cine Teatro Miramar Ave. 1ra e/ Paseo y A, Vedado Miramar Calle 23 e/ N y O, Vedado
10:30pm 2am (+53) 7-209-2719 (+53) 7-833-2402
Ave. 5ta esq. a 94, Miramar
Salsa/Timba
Caf Cantante CA 4 Casa de la CA 4 Casa de la CA 4 Saln Rosado CA 5
Mi Habana Msica Msica de la Tropical
Attracts the best Cuban CENTRO HABANA MIRAMAR The legendary beer garden
musicians. Recently renovated A little rough around the edges Smaller and more up-market where Arsenio tore it up. Look
with an excellent new sound but spacious. For better or than its newer twin in Centro for a salsa/timba gig on a Sat
system. worse, this is ground zero for Habana. An institution in the night and a Sun matinee.
Ave. Paseo esq. a 39, Plaza de la the best in Cuban salsa. Havana salsa scene. Ave. 41 esq. a 46, Playa
Revolucin Galiano e/ Neptuno y Calle 20 esq. a 35, Miramar Times: varies wildly
(+53) 7-878-4273 Concordia, Centro Habana (+53) 7-204-0447 (+53) 7-203-5322
(+53) 7-860-8296/4165
Contemporary
Caf Teatro CA 5 Don Cangrejo CA 4+ El Sauce CA 5- Teatro de CA 4+
Bertolt Brecht Love it/hate itthis is the Great outdoor concert venue to Bellas Artes
Think MTV Unplugged when oldest Friday night party hear the best in contemporary Small intimate venue inside
musicians play. Hip, funky and place and is still going strong. & Nueva Trova live in concert. Cubas most prestigious arts
unique with an artsy Cuban Outdoor by the sea. Ave. 9na #12015 e/ 120 y 130, museum. Modern.
crowd. Ave. 1ra e/ 16 y 18, Miramar Playa Trocadero e/ Zulueta y
Calle 13 e/ I y J, Vedado (+53) 7-204-3837 (+53) 7-204-6428 Monserrate, Habana Vieja.
(+53) 7-830-1354
Business Hotels
Meli Cohba CA 5 Meli Habana CA 5 Occidental CA 4+ H10 Habana CA 4+
Oasis of polished marble and Attractive design & extensive Miramar Panorama
professional calm. facilities. Good value, large spacious Cascades of glass. Good wi-fi.
Ave Paseo e/ 1ra y 3ra, Vedado Ave. 3ra y 70, Miramar modern rooms. Modern.
(+53) 7- 833-3636 (+53) 5-204-8500 Ave. 5ta. e/ 70 y 72, Miramar Ave. 3ra. y 70, Miramar
(+53) 7-204-3583 (+53) 7 204-0100
Economical/Budget Hotels
Bosque CA 3 Deauville CA 3 Saint Johns CA 3 Vedado CA 3
On the banks of the Ro Lack of pretension, great Lively disco, tiny quirky pool. Good budget option with a bit
Almendares. location. Popular. of a buzz
Calle 28-A e/ 49-A y 49-B, Galiano e/ Sn Lzaro y Calle O e/ 23 y 25, Vedado Calle O e/ 23 y 25, Vedado
Reparto Kohly, Playa Malecn, Centro Habana (+53) 7-833-3740 (+53) 7-836-4072
(+53) 7-204-9232 (+53) 7-866-8812
contents
Youve waited Long Enough PAGE 62 PRODUCED BY .COM
Caaveral House
Havanas
best private
places to stay
For Help reserving any Private Accommodation (Casas Particulares) in Cuba please contact
CubanCasas@gmail.com
Mid range - Casa Particular (B&B)
1932 CA 4 Carlos in cuba CA 5 Habana CA 5 Julio y Elsa CA 5
Visually stunning, historically Gay Friendly BED and Beautiful colonial townhouse Cluttered bohemian feel.
fascinating. Welcoming. Breakfast in Havana with great location. Hospitable.
Campanario #63 e/ San Lzaro Calle 2 #505 e/ 23 y 21, Vedado Calle Habana #209, e/ Consulado #162 e/ Coln y
y Laguna, Centro Habana (+53) 7-833-1329 Empedrado, y Tejadillo, Habana Trocadero, Centro Habana
(+53) 7-863-6203 (+53) 5-295-4893 Vieja. (+53) 7-861-8027
carlosincuba@yahoo.com (+53) 7-861-0253
www.carlosincuba.com
Apartment rentals
Bohemia Hostal CA 5+ Casa Concordia CA 5+ Tropicana CA 5 Suite Havana CA 5
Gorgeous 1-bedroom Beautifully designed Penthouse Elegant 2-bedroom apartment
apartment beautifully and spacious 3 bedroom A luxurious penthouse with in restored colonial building.
decorated apartment apartment. Spanish colonial huge roof terrace and breath- Quality loft style dcor.
overlooking Plaza Vieja. interiors with cheerful, arty taking 360 degree views of Lamparilla #62 altos e/
San Ignacio #364 e/ Muralla accents. Havana and the ocean. Mercaderes y San Ignacio,
y Teniente Rey, Plaza Vieja Concordia #151 apto. 8 esq. a Galiano #60 Penthouse Apt.10 Habana Vieja
Habana Vieja San Nicols, Centro Habana e/ San Lzaro y Trocadero (+53) 5-829-6524
(+53) 5- 403-1 568 (+53) 5-254-5240 (+53) 5-254-5240
(+53) 7-836-6567 www.casaconcordia.net www.tropicanapenthouse.com
www.havanabohemia.com
Luxury Houses
Villasol CA 5 Casablanca CA 5 Michael CA 5 Residencia CA 5
Rent Room elegant and well- Elegant well-equipped villa and Mara Elena Mariby
equipped. Beautiful wild formerly owned by Fulgencio This leafy oasis in western A sprawling vanilla-hued
garden and great pool. Batista. Beautiful wild garden. Havana has an attractive mansion with 6 rooms
Calle 17 #1101 e/ 14 y 16, Vedado Morro-Cabaa Park. House #29 mosaic tiled pool and three decorated with colonial-era
(+34) 677525361 (+53) 5-294-5397 modern bedrooms. lamps, tiles and Louis XV
(+53) 7-832-1927 Calle 66 #4507 e/ 45 y Final, furniture
(+53) 5-360-0456 www.havanacasablanca.com
Playa Vedado.
(+53) 7-209-0084 (+53) 5-370-5559
contents
Youve waited Long Enough PAGE 63 PRODUCED BY .COM
Artedel Luxury CA 5+ CA TOP PICK
3 BEDROOM PENTHOUSE
Facilities
Rooms
Ambience
Value
Best for Stylish and contemporary furniture
along with a beautiful 360-degree view over
Havana
Dont Miss Ydalgo an impeccable host,
discreet or gregarious, as you prefer
contents
Youve waited Long Enough PAGE 64 PRODUCED BY .COM