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At 34, Errotl Garner is hailed throughout the world as the outstand~ng contemporary
pianist to emerge from the iazz genre. Pittsburgh-born, Garner has been playlng
piano sìnce the age of three. His proliflc career bas spanned the rlverboats on the
Allegheny Rivet, to the top concert halls of America.

Garner is regarded as one of the toost original and dlstlnctlve musical vo~ces of thls
century. His style, attack, progresslons and sound are uniquely hls, although scores
of pianists today attempt to imitate some of hls "Garnerisms".

Every Garner performance is fresh in many respects. He plays by. ear and |mprovises
throughout all of his selections, although he bas had to memorlze some of his own
recorded hlts in order to satlsfy public demand that he play them as orlglnally
recorded.

Garner has won awards throughout the music world for hls piano work, including the
Grand Prix du Disque in France, for his own performance of his own work, ’~PLAY,
PIANO, PLAY," and the ES .QUIRE, METRONOME, DOWNBEAT, PITTSBURGH COURIER
and NORFOLK JOURNAL AND GUIDE Awards. He agaln was voted the pianist of the
year in the 195ó DOWNBEAT poll, and also was the wlnner of the Downbeat Wqrld
Crltlcs Poll this year.

Garner records exclusively for Columb~a Records, wlth whom he has a new live year
pact. Garner just compJeted a major project at Columbia, where he wrote, arrangèd,
and recorded with a 30 plece orchestra, under the baton of Mitch Miller. Garner, in-
cidentally composes on tape, and hls work is transcrlbed by others.

Garner’s immedlate plans include a concert tour of colleges in the Unlted States thls
rail, tobe followed by hls flrst European tour, beglnning December óth in Paris.
Garner will headline the bill at the Olympia Theater in Paris for 3 weeks, to be fol-
Iowed by concerts on the continent. Heàvily in demand for concerts throughout the
wor~d, Garner is trying to evolve a balanced schedule whlch will permit him to play a
maximum of concerts, and yet, leave toom for some occoslonal night club, televislon,
and film performances. He also is making more tlme to compose some lengthy works.

The solos in thls book were. raken off recordings of Erroll’s by Morris Feldman, an
amaz~ng muslcian whose accuracy makes these transcrlptlons exact dupllcates in print
of the actual notes played. When Feldman slght reads these solos, you can close your
eyes and heat the composer-planlst Garner’s echoes. Muslclans all over the world
hovo been eagerly awaltlng the publication of this book.
 Erroll Garner
Piano $o~ôs
#ook Ywo

CONTENTS Page

Fantasy In Bop !8

Gaslight

Impressions ~0

14
Play~ Piano~ Play

2
Turquoise

Twilight ~~

Copyright ~) MCMLVII b¥ CRITERION MUSIC CORP.

International Copyright Secured Made in U. S.A. All Rights Reserved
 2
Turquoise
ERROLL GARNER

8 loco

lobo

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~8 ..................

(~ Copyrigh~ 1957 by MICHAEL H. GOLDSEN, INC.

.[nternatìônal ~olayright ~qeeured ~Iade in 17.~q.~. ~lll ~ights JTeser~ed
 8

.................................................................................................................................................. i looo

Turquoise 5
 ï~ ......................................
8~~ ............................................................................ : loco

Tuf quoise 5
 Gasli~ht
ERROLL GARNRR
Slowly

~ ~947-57 by Octave MUsic Publishing Corp.

Used by permission
 8~,~ loco

~
 ~_ 8vai lo~o

Gasllght 5
8

Gaslight 5
 8~a

Gasllght 6
~I0
Impressions
EP~0LL GARNER

@ Copyrlghl i957 by MICHAEL H, GOLDSEN~ INC.

arnternational Copyright ~eeured ~~ade in lr ~..zl. ~tll Rights lqeserved
Im~ressions 4
í I"
 Pl~y, Piano, Play ERROLL GARNER
Modera~ely (~vith a beat) ~
Play Piano Play 4
t6

....
- " "F F r" r" r F +LZ’ PP+ P
18

FaI-zta~y In Bop
By ERROLL GARNER
Piano Solo
Moderate Bounee
 CHARLI~- PARKER OMNIBOOKS
1. For E Fiat [nstruments
Fantasy In Bop 4
2. Fer C Instrumenls (Treb]e C[ef)
Fanta~y lnBop 4 RO~BIN$ N~$T
8---, loco . loco

~,kb« h~ . ,, II

loco

"1

For the fìrst tlme in ~ne folio . . . Nat "K~ng" Cde’s plano solos of hls famous
Capltol recording$t "Gee Baby, AIn’t I Goo~ to You?" "! Can’t ~ee For
L~okln, Jumpin at Capitol, Ra¢bmanlnoff’s Prelude in C Sharp MJnor,
 Twilight ERROLL GARNER

Slowly

loco

~) Copyright 1957 by MICHAEL H. GOLDS]~N, INC.

International Co2~right ~q~cured Made in b~ ~. ~et. .dll JYights ]qeser»ed

Twilighl 5
Twilight 3
THE PROFESSIONAL ARRANGER COMPOSER
(BOCK ONE)
By Russell Garcia
¯ Best sell~ng text bock used by rendang universities.
¯ Basis for course in Practical Arranging and Composing
in the professional field. For the advanced arranger.
¯ |:ndorsed by leading music educators and composers
and arrangers.
$9,95

AND NOW !

THE PROFESSIONAL ARRANGER COMPOSER

(BOCK TWO)
By Russell Garcia
¯ Discusses contemporary trends in Jazz, Pop and
"Modern Classlcal" Techniques. New scales, chords,
progresslons, free improvisation, vocal effects, using
tone rows in pracficat music, etc.
¯ Contains a record of many of the 169 examples and the
recording of a complete score of an exclting contemporary
composltion by Garcla. (Musicians used are the top
instrumentalists cn the West Coast).
$14.9S
The both books complement each other!
You need both books for a complete course!

Any Musician Can Contains a record of two of the chads:

Arrange With This Bock! the hit "Lookin’ Out My Back Door" by
John C. Fogerty of the CREEDENCE
CLEARWATER REVIVAL and "Loving
Written by Pros.., Is Believlng", written and recorded by
Joey Cooper.
FIRST By VAN ALEXANDER
Edited by VAN ALEXANDER: Top arranger for the
JIMMIE HASKELL Dean Martin TV show. Did charts for
CHART Lou Rawls. Vicki Carr, Peggy Lee. Nan-
Tea¢hes you to makea cy Wilson, Frank Sinatra, Louis Arm-
" by chart stap by stap, u$-
tng "Moon~ight in Ver- strong. The Temptations, etc.
Van Alexande~ J]MMIE HASKELL: Has made charìs for
such monster hits as Sirnon & Gar-
funkel’s "Bridge Over Troubled Wa-
How do I .......? tera’, Bobby Gentry’s "Ode To Billy
Start an arrangement? Joe ", Laura Nyro " s LP, N. Y. Tendaberry,
"Mama" Cass Elliot, Tommy Roa, Bon-
Write Jazz-rock, Pop-rock. Latin-rock, nie & Delaney and many others.
B.S. & T. atyla, Ti]uana Jazz, etc.? BARNEY KESSEL says: "This bock
W/ite for solo electric guitars? opens the door to an arranging ca-
Makea vooal background? reer for musicians. Van’s first bock
Wrlte for harmonica? did this for me."
An impodant elementary arranging bock
Wtite for non-readers?
Write lof strings?, . horns?. , reeds? for the $ckooll A successor to
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6124 Selma Avenue, Hollywood, 90028 Callf.
 [ CRITERION MUSIC CORPORATION PUBLICATIONS i

ORCHESTRATIONS PIANO SOLOS BOOKS

MOONLIGNT]N VERMONT FIRST CHART by Van Alexander (Edited and
AUTUMN CONCERTO OEF SHORE Contributed to hy Jimmy Haskell)
The LUSH WALTZ ROBBJN’S NEST An important elementary arranging book. Features
STAGE BAND DONFIRMATION by Charfie Parker step-by-step instruction to help musicians through that
Series FANTASY IN BOP by Erroll Carnet "first chart." Includes all the moderLl styles, Jazz-
IN TNE LAND OF O0-BLA-OEE by Mary Lou WiDiams Rock, Blues.Rock, Contemporary Latin, etc. Jncludes a
LITTLE BO BEBOP by ErroI1 Carnet record of two of the charts inclading John C. Fogerty
MOOSE THE MDBCHE by Charlie Parker bit for Credénce BlealwatLlr Revival, "Lookin’ Out My
ORINTNOLOGY by ChafliLl Parker Back Door." 1~2 pp.
ROBBIN’S NEST by Iflinois Jacquet THE PROFESSIONAL ARRANGER COMPOSER
RBGDLO MEETS SBEARING by Pete Rugolo (8ook One) by Russ Garcia
YARDBIRD SUITE by Charlie Parker Text book used by leading schools. Basis for course for
SKYLINER by Charlie Barnet practica/ arranging and composing in the commercial
field. For the advaoced and professional arranger,
]72 pp.,
PLANO FOLIOS THE PROFESSIONAL ARRANGER COMPOSER
(Book Two) by Russ Garcia
ERROLL GARNER FOLIO -- Baok 1 Discusses conternpora~y trends in Jazz, Pop and "Mod
5 recorded solos. ern Classical" Techniques. New scales, chords, etc.
ERROLL GARNER FOLIO -- Oaok 2 usiLlg tune rows in practical music, CLlntains a record
of many of ti]e 169 examples and the recording of a
NAT "KING" CDLE PLANO SOLOS complete score of a composition by Garica. 9] pp.,
a[E, LlABY AIN’T I GOOD TO
I CAH’T SEE FOR LOLIKIN’
EASY LISTFNIN’ BLOES
SHAPING FORCES IN MUSIC by ErnestToch
Conductor’s Guide, 3 T~umpet, Sax (inch 2 Tenors, 2 JLIMPIN’ AT CAP~TOL An inqu]ry into harmony, melody, counterpuint and
AItos, Baritone), 3 TromboLle, PiaLlo, Stdng Bass, Tuba, PRELUDE IN C MINOR form. A ~omplete advanced music course now being
Dtums, Guitar, Vooal Lead (optional). used by manv leading colleges as their text book.
Los Baxter’s "LA FEMME" Suite
Piano Solos, 245
UNDERSCORE by FraLlk SkiLlner
A cLlLllp[ete course for mot[on pictures and television,
STANDARD DANCE ORCHESTRATION~ POP FOLIOS featuriLlg an ac~ual score that was written, arranged
and recorded tor a motion picture, with timing sheets,
AUTUMH CONCERTO MARIHA orchestra, sketches and orchestrations. 239 pp.,
(My Heart Reminds Me) MOONLiGHT IN VERMONT JACKSON BROWNE EOLIO --incL
BERNIE’S TUNE OFF SHURE Doctor My Eyes, Jamaica Say You Will, etc.
OLIEAM QUIETVILLAGE NEW HoT DISCO6RAPNY byCharles Delaunay
INTERM~RSION RIFF (AT) TNE ENO (OF A
IT~S A GO0~ DAY RAiNBOW) The standard diroctory of recorded jazz. Titles, per-
LEE HAZLEWOOD BOOK 1--incl. sonnel, dates and numbers of 20,DO0 records.
Tbese Boots Are Made For Walking, Nouston, etc.
SMALLORCHESTRAT)ONS TRE STECHESON CLASSIFIED SONG OIRECTORY
Charlie Parker’s LEE HAZLEWOOD BOOK 2--incl. by Anne & Anthony Stecheson
CONFIRMATION -- YARDOIRD SUITE A classified directory of over ]DO,O00 soLlg titles, 395
MOOSE TH£ MOOCHE -- ORINTHOLOOY Sugar Town, Summer Wine, Lltc. different categories Used by every major record
SCRAPPLE FROM THE APPLE
DEWEY $~LIARE company
TOP TV HITS FOLIO --inuI.
Moonlight in Vermnnt, Quiet Vi]lage, etc,
GUITAR
DON HO SONGROOK--incl, GLIITAR TUTOR by Laurindo Almeida
Gerry MeJligan’s MULLIGAHETTES A Comple~e Concert Guitar Method in 3 Coorses --
BERNIE’STUNE--WALKIN’SHOE$ Tiny Babb]es, Pearly Shel~s, etc.
N[GHTS AT THE TaRNTAOLE-- For Beginners Intermediates -- And Advanced Stu-
SOFTSHOE -- FREEWAY dents Includes Solos transcribed from Almeida’s
Capitol Recordings.
SAXOPHONE
TENOR SAXOPHONE STYLES LAURINDO ALMEIDA GUITAR SOLOS
By Sanl Uonahue, Selos bY ~QII Byas, Lester Youno, etc, AII solos transcribod as recLlrded by Laurindo Almeida
SKETCH-ORKS CHARLIE PARKER’S BEBOP ALTO SAX FOLLO
on Cap]tol Records
RecorOea hit bop alto solos, TEHUACAN-AMOR FLAMENCO-BALLERIAS Y DANCIDN
ILLINOIS JACQUET TENOR SAX FOLIO
GERRY MULLIGAN SKOTCH-ORKS
(23 originals tran~cribed from his lecordi~gs). "FROM THE ROMANTIC ERA"
DNARLtE VENTDRA TENOR SAX FOLIO
~ ori~inal recorded tenor solos. Transcribed Solos from bis Capitol album. Music of
JIMMY GIUFFRE SKETCH-ORKS Beethoven, Schurnann. Chopin, Massenet and Greig.

PETE RUGOLO SKETCH-ORKS CHARLIE PARKER OMNIBOOKS COUNTRY GUITAR

MODERN JAZZ GR[ATS SI(ETCB-ORKS
SHORTY ROGERS, CHARLIE PARKER, ETC.
Hits from the Country Field.
1. For E Flat Instrumenta FOLKSY SONGS FOR GUITAR (Simple to AdvanLled)
2. Eur C Instraments (Treble Clet) "MTA", "Philadelphia Lawyer", etc.
TranSposed te Oonce/t Key. 20 GREAT TUNES FOR GUITAR (Pick Sty]e)
39 Breat Brrangements by Ban Fox, featuring
ligbt in Vermont."

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