Paper Marbling Heritage in East Asia

An intriguing reference which some assume can be a kind of marbling is present in a compilation done in 986 CE entitled ????
(Wen Fang Si Pu) or "Four Treasures with the Scholar's Study" edited with the 10th century scholar-official ??? Su Yijian
(957-995 CE). This compilation is made up of information on inkstick, inkstone, ink brush, and paper in China, which are
collectively known as the 4 treasures from the study. The text mentions a form of decorative paper referred to as ??? liu sha jian
which means “drifting-sand” or “flowing-sand notepaper" which was manufactured in what exactly is now the area of Sichuan.

This paper was produced by dragging a bit of paper by way of a fermented flour paste blended with many hues, making a free
of charge and irregular style and design. A next type was made by using a paste prepared from honey locust pods, mixed with
croton oil, and thinned with water. Presumably the two black and colored inks were utilized. Ginger, quite possibly during the
type of an oil or extract, was accustomed to disperse the colors, or “scatter” them, in keeping with the interpretation offered by
T.H. Tsien. The colors were stated to gather with each other any time a hair-brush was crushed about the look, as dandruff
particles was placed on the design by beating a hairbrush in excess of best. The concluded patterns, which had been believed
to resemble human figures, clouds, or traveling birds, were being then transferred for the area of the sheet of paper. An case in
point of paper adorned with floating ink hasn't been found in China. If the above approaches employed floating hues remains
being decided.

Su Yijian was an Imperial scholar-official and served because the main in the Hanlin Academy from about 985-993 CE. He
compiled the function from a broad wide variety of earlier sources, and was aware of the topic, presented his profession. But it
really is imperative that you be aware that it's uncertain how individually acquainted he was with the several procedures for
producing ornamental papers that he compiled. He more than likely reported details provided to him, with no possessing an
entire understanding with the procedures employed. His original supply might have predated him by numerous hundreds of
years. Until the first sources that he prices tend to be more precisely identified, can it be possible to ascribe a firm day with the
creation of the papers stated by Su Yijian.

Suminagashi (???), meaning "floating ink" in Japanese, is really a Japanese variant; the oldest case in point appears while in
the 12th-century Sanjuurokuninshuu (?????), situated in Nishihonganji (????), Kyoto. Writer Einen Miura states the oldest
reference to suminagashi papers are from the waka poems of Shigeharu, (825-880 CE), a son of your famed Heian period poet
Narihira (Muira fourteen). Numerous promises are already produced concerning the origins of suminagashi. Some imagine that
will have derived from an early form of ink divination. A further theory is the fact the method might have derived from the type of
common leisure within the time, where a freshly painted sumi portray was immersed into h2o, plus the ink slowly and gradually
dispersed from the paper and rose into the area, forming curious layouts.

One particular individual has generally been claimed as the inventor of suminagashi. In line with legend, Jizemon Hiroba felt he
was divinely motivated for making suminagashi paper after he made available religious devotions for the Kasuga Shrine in Nara
Prefecture. It is reported that he then wandered the region hunting for that best water with which to generate his papers. He
arrived in Echizen, Fukui Prefecture where he discovered the water specifically conducive to making suminagashi. So he settled
there, and his loved ones carried on using the tradition to at the present time. The Hiroba Family promises to own made this
form of marbled paper since 1151 CE for 55 generations.

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