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Shaylin Cota - Applying Diction Detail and Imagery in Frankenstein
Shaylin Cota - Applying Diction Detail and Imagery in Frankenstein
Shaylin Cota - Applying Diction Detail and Imagery in Frankenstein
The beginning of chapter 6 starts of with a casual, but concerning letter from Elizabeth.
For the most part Elizabeth is writing the letter to inform Victor of all that was going on. Diction
throughout her letter aids in showing her concern for her family. She made it a point to show the
amount of care she obtained for Victor, starting the letter off with the fact that he has been “ill”.
To emphasis the fact of her concern she repeats that word by saying “You have been ill, very ill”
(49). By repeating this statement, Elizabeth is expressing her inner thoughts of how worried she
is for Victor. If she were to just state it once it would be very straightforward and would detract
the level of sympathy she has for her cousin. She continues saying “ even the constant letters
[from Henry] are not sufficient to reassure me on your account” (49). Specifically the words
“even” and “ not sufficient” work together to show how anxious she is about the whole scenario
of Victor disconnecting from not only the outside world, but also his family. The entire fact that
she wrote a letter expressing her worries for Victor and then proceeded to tell him about the
family shows that she was determined to keep him in the loop to make sure he doesn't lose his
touch with family due to the fact that their relationship has always been something important to
especially Victor.
Detail disturbed
Chapter five is the time in which Victor had one of his biggest dreams come true, to only turn
around and become a questionable disturbing mistake. Victor had finally made life from death,
but when taking a step back he describes this as a moment of “ anxiety that almost amounted to
agony” (42). To correlate the amount of anxiety with something almost unbearable shows how
little thought and morals Victor truly applied to his idea. It was a dream for him to create such a
thing, but after the fact he stepped back and realized how disturbing the situation was. That night
he continued to have horrendous thoughts that followed him into his dreams, explaining the
dream as “livid with the hue of death” ( 43) thinking about people close to him as well “
grave-worms crawling” (43). When having these vivid dreams of the people he loved, readers
feel the fright that he had in that very moment due to the previous chapters when Mary Shelley
explained how obsessed he was with Elizabeth. Details describing his physical state during the
dream emphasis the situation. Shelley described Victor having “ a cold dew” covering his
forehead as well as his “teeth chattered and every limb became convulsed” ( 43) with these
visuals it is easy for the reader to picture this scene with Victor’s nervousness in its entirety.
Most can relate to a time in life when a terrible scenario came about, especially when Victor
froze before the monster and “ felt the palpation of every artery” (43). Victor, in chapter five, is
easily seen as disturbed with the details Mary Shelley uses.
Imagery fright
Chapter 11 the monster’s story comes to life, due to Shelley’s use of detail and diction to
ultimately paint a visual for the readers. The monster was filled with a great deal of fright
concerning his new life and what that entailed. He explains “ ‘ a gentle light stole over the
heavens and gave me a sensation of pleasure’” (88); from the monster’s wording it creates a
beautiful night sky being illuminated by the moon. Getting this picture from the monster’s point
of view, readers are able to see how new this situation is for him; he is confused about simple
elements that most beings would have the common knowledge of. Speaking of the fire,
Frankenstein’s monster found warmth and comfort, but was quick to come to the realization that
it is dangerous. After seeing it he explained “ ‘in my joiy I thrust my hand into the live embers,
but quickly drew it out again with a cry of pain’ ” (89) . Readers can relate this moment to a time
in life when hearing how intrigued and excited he was when he first saw it, but then was
frightened when he go too close and was burned. Mary Shelley’s ability to contribute literary
element to equate to an image that the readers can create show the true fright the monster is
feeling as he is rebirthed.