Paper Marbling Heritage in East Asia

An intriguing reference which some assume may very well be a type of marbling is present in a compilation completed in 986
CE entitled ???? (Wen Fang Si Pu) or "Four Treasures from the Scholar's Study" edited because of the tenth century
scholar-official ??? Su Yijian (957-995 CE). This compilation includes data on inkstick, inkstone, ink brush, and paper in China,
which are collectively called the 4 treasures in the review. The text mentions a form of ornamental paper called ??? liu sha jian
meaning “drifting-sand” or “flowing-sand notepaper" which was designed in exactly what is now the area of Sichuan.

This paper was made by dragging a bit of paper by way of a fermented flour paste combined with many colours, making a free
and irregular design and style. A second sort was created with a paste well prepared from honey locust pods, combined with
croton oil, and thinned with drinking water. Presumably both black and coloured inks ended up utilized. Ginger, probably inside
the method of an oil or extract, was accustomed to disperse the colors, or “scatter” them, in keeping with the interpretation
presented by T.H. Tsien. The colours had been reported to gather together every time a hair-brush was crushed more than the
look, as dandruff particles was placed on the look by beating a hairbrush around leading. The completed patterns, which were
believed to resemble human figures, clouds, or flying birds, have been then transferred on the area of a sheet of paper. An
example of paper embellished with floating ink has not been found in China. If the above methods employed floating hues
remains to become determined.

Su Yijian was an Imperial scholar-official and served since the chief in the Hanlin Academy from about 985-993 CE. He
compiled the function from a wide variety of earlier resources, and was familiar with the subject, given his profession. Yet it is
important to observe that it is unsure how personally acquainted he was along with the several techniques for generating
ornamental papers that he compiled. He more than likely described details given to him, without having having an entire
comprehending in the techniques made use of. His unique resource might have predated him by many centuries. Till the original
resources that he prices are more precisely decided, can it be doable to ascribe a company day to the manufacture of the
papers pointed out by Su Yijian.

Suminagashi (???), which implies "floating ink" in Japanese, is really a Japanese variant; the oldest example seems while in the
12th-century Sanjuurokuninshuu (?????), situated in Nishihonganji (????), Kyoto. Writer Einen Miura states the oldest reference
to suminagashi papers are from the waka poems of Shigeharu, (825-880 CE), a son on the famed Heian period poet Narihira
(Muira 14). Different claims are actually designed pertaining to the origins of suminagashi. Some imagine which will have
derived from an early sort of ink divination. A further principle is the method could possibly have derived from the kind of
common leisure with the time, where a freshly painted sumi painting was immersed into h2o, plus the ink little by little dispersed
from your paper and rose to your area, forming curious designs.

A person specific has often been claimed because the inventor of suminagashi. In accordance with legend, Jizemon Hiroba felt
he was divinely encouraged to produce suminagashi paper just after he made available non secular devotions within the
Kasuga Shrine in Nara Prefecture. It is actually reported that he then wandered the place hunting for the finest h2o with which to
produce his papers. He arrived in Echizen, Fukui Prefecture exactly where he observed the drinking water particularly conducive
to making suminagashi. So he settled there, and his household carried on while using the custom to this day. The Hiroba
Relatives claims to acquire built this type of marbled paper due to the fact 1151 CE for 55 generations.

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