Paper Marbling Record in East Asia

An intriguing reference which some imagine might be a kind of marbling is located in a compilation completed in 986 CE entitled
???? (Wen Fang Si Pu) or "Four Treasures with the Scholar's Study" edited via the 10th century scholar-official ??? Su Yijian
(957-995 CE). This compilation consists of data on inkstick, inkstone, ink brush, and paper in China, that are collectively known
as the four treasures on the analyze. The text mentions a kind of ornamental paper called ??? liu sha jian which means
“drifting-sand” or “flowing-sand notepaper" that was made in what is now the location of Sichuan.

This paper was created by dragging a piece of paper by way of a fermented flour paste combined with a variety of hues,
building a free and irregular style and design. A 2nd form was designed using a paste prepared from honey locust pods, mixed
with croton oil, and thinned with h2o. Presumably both black and colored inks were being used. Ginger, perhaps inside the form
of an oil or extract, was used to disperse the colors, or “scatter” them, in accordance with the interpretation specified by T.H.
Tsien. The colours ended up explained to assemble together whenever a hair-brush was beaten in excess of the design, as
dandruff particles was applied to the look by beating a hairbrush in excess of best. The finished patterns, which were being
believed to resemble human figures, clouds, or flying birds, had been then transferred towards the surface of the sheet of paper.
An illustration of paper decorated with floating ink hasn't been found in China. If the above mentioned strategies utilized floating
colors remains being decided.

Su Yijian was an Imperial scholar-official and served as the chief on the Hanlin Academy from about 985-993 CE. He compiled
the perform from the broad range of earlier resources, and was acquainted with the subject, specified his job. But it is vital that
you take note that it is unsure how personally acquainted he was with all the different techniques for producing decorative
papers that he compiled. He probably described facts provided to him, without the need of having a complete comprehension
from the methods applied. His first supply can have predated him by numerous centuries. Until eventually the original sources
that he offers tend to be more exactly decided, can it's attainable to ascribe a company date with the creation of the papers
mentioned by Su Yijian.

Suminagashi (???), which means "floating ink" in Japanese, is actually a Japanese variant; the oldest example seems during
the 12th-century Sanjuurokuninshuu (?????), situated in Nishihonganji (????), Kyoto. Creator Einen Miura states that the oldest
reference to suminagashi papers are inside the waka poems of Shigeharu, (825-880 CE), a son in the famed Heian period poet
Narihira (Muira fourteen). Numerous claims are actually produced regarding the origins of suminagashi. Some believe which
could have derived from an early kind of ink divination. One more theory is the method could have derived from the type of
preferred amusement with the time, by which a freshly painted sumi painting was immersed into drinking water, and also the ink
bit by bit dispersed with the paper and rose on the floor, forming curious patterns.

1 specific has normally been claimed as being the inventor of suminagashi. In line with legend, Jizemon Hiroba felt he was
divinely motivated to help make suminagashi paper following he supplied spiritual devotions at the Kasuga Shrine in Nara
Prefecture. It's mentioned that he then wandered the region on the lookout for your finest water with which to produce his
papers. He arrived in Echizen, Fukui Prefecture in which he found the water in particular conducive to making suminagashi. So
he settled there, and his family carried on with all the tradition to this day. The Hiroba Relatives promises to have produced this
form of marbled paper since 1151 CE for fifty five generations.

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