Paper Marbling Record in East Asia

An intriguing reference which some think can be a type of marbling is located in a compilation completed in 986 CE entitled
???? (Wen Fang Si Pu) or "Four Treasures from the Scholar's Study" edited because of the tenth century scholar-official ??? Su
Yijian (957-995 CE). This compilation includes data on inkstick, inkstone, ink brush, and paper in China, which can be
collectively called the 4 treasures from the review. The text mentions a kind of ornamental paper known as ??? liu sha jian this
means “drifting-sand” or “flowing-sand notepaper" that was designed in what is now the region of Sichuan.

This paper was made by dragging a chunk of paper via a fermented flour paste combined with various colours, making a
cost-free and irregular structure. A next kind was manufactured by using a paste geared up from honey locust pods, combined
with croton oil, and thinned with drinking water. Presumably the two black and colored inks ended up utilized. Ginger, perhaps
inside the sort of an oil or extract, was utilized to disperse the colors, or “scatter” them, according to the interpretation supplied
by T.H. Tsien. The colors have been mentioned to assemble jointly whenever a hair-brush was beaten above the look, as
dandruff particles was applied to the design by beating a hairbrush more than top. The finished layouts, which ended up thought
to resemble human figures, clouds, or flying birds, had been then transferred to your surface of a sheet of paper. An illustration
of paper decorated with floating ink has not been found in China. Whether or not the above strategies employed floating colors
remains to generally be established.

Su Yijian was an Imperial scholar-official and served as being the chief from the Hanlin Academy from about 985-993 CE. He
compiled the do the job from the wide range of earlier resources, and was informed about the topic, given his job. But it is
actually essential to take note that it's uncertain how personally acquainted he was together with the a variety of solutions for
earning ornamental papers that he compiled. He most likely described facts presented to him, with no owning a full
understanding from the techniques used. His unique resource can have predated him by many centuries. Till the first sources
that he offers tend to be more exactly identified, can or not it's attainable to ascribe a organization day with the manufacture of
the papers pointed out by Su Yijian.

Suminagashi (???), which suggests "floating ink" in Japanese, is a Japanese variant; the oldest example seems during the
12th-century Sanjuurokuninshuu (?????), located in Nishihonganji (????), Kyoto. Author Einen Miura states the oldest
reference to suminagashi papers are in the waka poems of Shigeharu, (825-880 CE), a son on the famed Heian era poet
Narihira (Muira fourteen). Numerous claims are already built with regards to the origins of suminagashi. Some assume which
will have derived from an early type of ink divination. Yet another principle is always that the process may have derived from the
kind of well known leisure in the time, through which a freshly painted sumi painting was immersed into water, plus the ink
slowly and gradually dispersed from your paper and rose on the floor, forming curious styles.

A single personal has typically been claimed since the inventor of suminagashi. Based on legend, Jizemon Hiroba felt he was
divinely encouraged for making suminagashi paper immediately after he available spiritual devotions with the Kasuga Shrine in
Nara Prefecture. It really is claimed that he then wandered the state seeking to the ideal drinking water with which for making his
papers. He arrived in Echizen, Fukui Prefecture the place he uncovered the water particularly conducive to creating
suminagashi. So he settled there, and his spouse and children carried on with the custom to at the present time. The Hiroba
Relatives claims to get created this kind of marbled paper due to the fact 1151 CE for fifty five generations.

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