Paper Marbling Heritage in East Asia

An intriguing reference which some believe might be a type of marbling is present in a compilation concluded in 986 CE entitled
???? (Wen Fang Si Pu) or "Four Treasures from the Scholar's Study" edited by the tenth century scholar-official ??? Su Yijian
(957-995 CE). This compilation includes details on inkstick, inkstone, ink brush, and paper in China, which are collectively
known as the four treasures from the review. The textual content mentions a sort of ornamental paper identified as ??? liu sha
jian this means “drifting-sand” or “flowing-sand notepaper" that was designed in what on earth is now the area of Sichuan.

This paper was produced by dragging a piece of paper by way of a fermented flour paste combined with several shades, making
a absolutely free and irregular style. A 2nd sort was designed with a paste ready from honey locust pods, combined with croton
oil, and thinned with h2o. Presumably equally black and colored inks have been used. Ginger, possibly from the form of an oil or
extract, was utilized to disperse the colours, or “scatter” them, as outlined by the interpretation specified by T.H. Tsien. The
colors were claimed to assemble with each other whenever a hair-brush was overwhelmed above the look, as dandruff particles
was placed on the look by beating a hairbrush more than prime. The concluded designs, which were imagined to resemble
human figures, clouds, or traveling birds, ended up then transferred to the area of the sheet of paper. An illustration of paper
decorated with floating ink hasn't been present in China. Whether or not the above strategies employed floating hues remains
for being decided.

Su Yijian was an Imperial scholar-official and served since the main of your Hanlin Academy from about 985-993 CE. He
compiled the operate from a wide range of previously sources, and was informed about the topic, given his profession. But it is
essential to note that it is unsure how personally acquainted he was along with the different approaches for earning attractive
papers that he compiled. He most probably described data offered to him, devoid of possessing an entire comprehension from
the solutions utilized. His first source may have predated him by quite a few centuries. Until the original resources that he prices
are more specifically established, can it be feasible to ascribe a firm date to the creation of the papers described by Su Yijian.

Suminagashi (???), which means "floating ink" in Japanese, is a Japanese variant; the oldest instance appears from the
12th-century Sanjuurokuninshuu (?????), located in Nishihonganji (????), Kyoto. Author Einen Miura states the oldest
reference to suminagashi papers are within the waka poems of Shigeharu, (825-880 CE), a son from the famed Heian period
poet Narihira (Muira 14). Many claims are built relating to the origins of suminagashi. Some assume that may have derived from
an early method of ink divination. A further theory is the fact the process may have derived from the sort of preferred leisure in
the time, through which a freshly painted sumi painting was immersed into h2o, and the ink bit by bit dispersed with the paper
and rose into the area, forming curious styles.

A single specific has typically been claimed because the inventor of suminagashi. In keeping with legend, Jizemon Hiroba felt he
was divinely motivated to generate suminagashi paper right after he offered non secular devotions in the Kasuga Shrine in Nara
Prefecture. It's claimed that he then wandered the nation seeking with the best drinking water with which for making his papers.
He arrived in Echizen, Fukui Prefecture where by he uncovered the drinking water specifically conducive to making
suminagashi. So he settled there, and his loved ones carried on while using the custom to at the present time. The Hiroba
Family promises to own built this way of marbled paper since 1151 CE for 55 generations.

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