Paper Marbling Record in East Asia

An intriguing reference which some feel could be a method of marbling is found in a compilation completed in 986 CE entitled
???? (Wen Fang Si Pu) or "Four Treasures of the Scholar's Study" edited with the tenth century scholar-official ??? Su Yijian
(957-995 CE). This compilation incorporates details on inkstick, inkstone, ink brush, and paper in China, which happen to be
collectively called the 4 treasures of the analyze. The text mentions a form of attractive paper known as ??? liu sha jian meaning
“drifting-sand” or “flowing-sand notepaper" which was created in precisely what is now the area of Sichuan.

This paper was made by dragging a piece of paper by way of a fermented flour paste mixed with different colours, building a
totally free and irregular structure. A next form was made with a paste geared up from honey locust pods, blended with croton
oil, and thinned with water. Presumably both black and colored inks were being used. Ginger, perhaps within the form of an oil
or extract, was utilized to disperse the colors, or “scatter” them, according to the interpretation provided by T.H. Tsien. The
colours were explained to assemble with each other any time a hair-brush was crushed more than the look, as dandruff particles
was placed on the look by beating a hairbrush above best. The concluded models, which were being thought to resemble
human figures, clouds, or traveling birds, had been then transferred to the surface area of the sheet of paper. An example of
paper decorated with floating ink has never been found in China. Whether or not the above solutions used floating colours stays
for being identified.

Su Yijian was an Imperial scholar-official and served because the main on the Hanlin Academy from about 985-993 CE. He
compiled the work from a wide selection of earlier resources, and was familiar with the topic, offered his job. But it's crucial to
observe that it is unsure how personally acquainted he was along with the several methods for making decorative papers that
he compiled. He most probably claimed information provided to him, with out acquiring a full comprehension from the
procedures utilised. His primary resource could possibly have predated him by various generations. Right up until the original
sources that he quotations tend to be more specifically decided, can it be probable to ascribe a firm day to the production of the
papers described by Su Yijian.

Suminagashi (???), which implies "floating ink" in Japanese, is often a Japanese variant; the oldest instance seems while in the
12th-century Sanjuurokuninshuu (?????), located in Nishihonganji (????), Kyoto. Creator Einen Miura states the oldest
reference to suminagashi papers are within the waka poems of Shigeharu, (825-880 CE), a son of the famed Heian period poet
Narihira (Muira 14). Several statements are already produced with regards to the origins of suminagashi. Some imagine which
could have derived from an early method of ink divination. A further theory is usually that the method could possibly have
derived from the type of well known amusement at the time, wherein a freshly painted sumi painting was immersed into h2o, as
well as ink slowly but surely dispersed with the paper and rose to the floor, forming curious types.

One individual has typically been claimed because the inventor of suminagashi. In accordance with legend, Jizemon Hiroba felt
he was divinely impressed to make suminagashi paper following he supplied spiritual devotions within the Kasuga Shrine in
Nara Prefecture. It can be said that he then wandered the nation wanting for your very best water with which for making his
papers. He arrived in Echizen, Fukui Prefecture where by he found the water in particular conducive to creating suminagashi.
So he settled there, and his loved ones carried on along with the tradition to this day. The Hiroba Family statements to acquire
built this type of marbled paper since 1151 CE for fifty five generations.

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