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36 Dramatic Situations - 36 Movie Plots - KristofCreative
36 Dramatic Situations - 36 Movie Plots - KristofCreative
36 Dramatic Situations - 36 Movie Plots - KristofCreative
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In 1900, a French literary critic named Georges Polti published an analysis of literary
plots entitled “The 36 Dramatic Situations”.
All situations in any story or drama are supposed to fall into one of these categories.
There may be more than one situation in the plot of a story if it’s long enough.
The list was developed to help writers, but perhaps storytellers will also nd it
interesting. See Polti’s book of the same name for explanations, examples, and
variations. Various other longer categorizations have been made of such situations, and
very comprehensive, extensive lists may be found in the various Motif Indices.
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7. Pursuit
Elements: Punishment and Fugitive
8. Disaster
Elements: a Vanquished Power; a Victorious Enemy or a Messenger
9. Falling Prey to Cruelty or Misfortune
Elements: an Unfortunate; a Master or a Misfortune
10. Revolt
Elements: Tyrant and Conspiratorv
11. Daring Enterprise
Elements: a Bold Leader; an Object; an Adversary
12. Abduction
Elements: the Abductor; the Abducted; the Guardian
13. The Enigma
Elements: Interrogator, Seeker and Problem
14. Obtaining
Elements: a Solicitor and an Adversary Who is Refusing, or an Arbitrator and Opposing
Parties
15. Enmity of Kinsmen
Elements: a Malevolent Kinsman; a Hatred or Reciprocally Hating Kinsman
16. Rivalry of Kinsmen
Elements: the Preferred Kinsman; the Rejected Kinsman; the Object
17. Murderous Adultery
Elements: Two Adulterers; a Betrayed Husband or Wife
18. Madness
Elements: Madman and Victim
19. Fatal Imprudence
Elements: The Imprudent; the Victim or the Object Lost
20. Involuntary Crimes of Love
Elements: the Lover, the Beloved; the Revealer
21. Slaying of a Kinsman Unrecognized
Elements: the Slayer, the Unrecognized Victim
22. Self-Sacri ce for an Ideal
Elements: the Hero; the Ideal; the ‘Creditor’ or the Person or Thing Sacri ced
23. Self-Sacri ce for Kindred
Elements: the Hero; the Kinsman; the ‘Creditor’ or the Person or Thing Sacri ced
24. All Sacri ced for Passion
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Elements: the Lover, the Object of the Fatal Passion; the Person or Thing Sacri ced
25. Necessity of Sacri cing Loved Ones
Elements: the Hero; the Beloved Victim; the Necessity for the Sacri ce
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Georges Polti also further subdivided each of the 36 (citing particular plays and novels
that embodied each variant), and included for each an enumeration of the basic
‘elements’ needed for the plot, e.g. for Supplication: “The dynamic elements necessary
are: a Persecutor, a Suppliant and a Power in authority, whose decision is doubtful”
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