An Encyclopedia of Sri Lalitha Tripura Sundari  

https://srilalithatripurasundari.wordpress.com/

“Goddess Lalita is considered the embodiment of Para Shakti or the

ultimate female power. Legends associated with Goddess Lalita are
found in mythological texts. Devi Bhagavata, Durga Saptashati in
Markandeya Purana by the sage Vyasa and Tripura Rahasya narrated
by the Lord Dattatreya are some such texts. Books related to Tantra also
mention the goddess. As per legends Goddess Lalita represents the
Panchabhuta: fire, air, water, space and earth. She always appears as
though she is 16 years of age. This description is interpreted in another
way as well. According to this theory Goddess Lalita appears in the form
of 16 nityadevis. While depicting the war between Bhandasura and the
goddess, Lalita Sahasranama Stotra mentions the nityadevis. Her
consort is Shiva Kama Sundara.”
“Lalita Sahasranama Stotra, the hymn of 1000 names of Lalita is the
best one venerated by the followers of all the traditions. There is not a
single ritual, which has any difference of opinion on this hymn, which is
found in the Brahmanda Purana. The spiritual masters of the past have
written several commentaries on the Lalita Sahasranama Stotra. They
have firmly established that the hymn contains the essence of the
Mantra Shastra (the science of holy chants) of the entire world. They
have thoroughly analysed and described each name of the hymn from
various aspects.”
“Goddess Lalita Tripura Sundari is referred in Hindu literature time and
again. She is described in great detail as extremely beautiful, gorgeous,
and erotically inclined. The Lalitha Sahasranama illustrates her
charismas from head to foot. She is described as the one who recreates
the universe. She was manifested through a Maha Yaga performed by
Maha Shambhunatha. Lalita is called Tripura Sundari as Her Body
consists of three Shaktis that is Brahma, Vaishnavi and Raudri.”
“In Adi Shankaracharya book `Tripura Sundari Ashtakam` describes
Lalita as a Mother, she portrays as giving shelter. In this book Lalita as
the mother nourishes breasts akin to mountain peaks that give birth to
rivers. She is represented as wearing a blue dress with red spots,
holding a pot of honey, her eyes quivering with intoxication.
“Lalita or Tripura Sundari together combines the features of Kali and
Durga. She has Kali`s determination and Durga`s charm, grace and
complexion. She has a third eye on her forehead. Lalita is said to be
four-armed and clad in red dress. She is the heavily ornamented and sits
on a lotus seat laid on a golden throne. Lalita carries in her hands
various Shaivite attributes.”
“Hence, it is my immense pleasure in presenting the complete
description about Goddess Sri Lalitha Tripura Sundari and making an
vertical encyclopedia of it. The efforts are not only to describe about her
but to bring her complete structure into the light including her presence
and form of Sri Chakra, and also the prominence and importance in  
meditation by believing the Sri Chakra.”
“The description is not only by means of explanation but also by pictorial
presentation for each namam of the 1000 names of the divine mother
‘Lalitha’.”
“My works also includes the  complete description about Sri Chakram or
Sri Yantra including the construction of it and the forming the Meru form
of Sri Yantra.”

Om Aim Hreem Sreem Sri Mathre Nama

 Sri Matre Namaha
Sri Gurubhyo Namaha
Sri Maha Ganadhi Pathaye Namaha

Sri Lalitha Sahasranamam is a great gem. It is present as a

conversation between Lord Hayagreeva & Sri Agasthya Maharishi.It
elaborates the beauty of Sri Matha, the use or worshipping her, her
abodes & acts as a key tool for the “Shaktham” order of worship. It is
renowned for it’s verbal beauty, Goddess Vagdevi or Saraswathy herself
composed it. Mere reading of Sri Lalitha Sahasranamam washes away
our ignorance & sins & makes us a purified soul. The most important
thing to be noted is that, we should do it with devotion. If one could do it
with involvement & devotion, Sri Matha will shower her graces on them
& give them salvation after death & bless them with all the pleasures &
wealth in this world.Not only devotion, any work that’s done without
involvement & devotion, would be useless.
By the graces of Lord Ganesha & Paramacharyal this small effort is
started. Translating the Sahasranamam of Sri Matha is like building a
bridge across the ocean!! Still this devotee is interested to do the best so
that, people would probably know the verbal richness & beauty of this
work, which exhibits the pinnacle of Bakthi or devotion & wisdom!!!

Om Aim Hreem Sreem Sri Mathre Nama

“Śrī Mātā, Thy name is Lalitāmbikā. Her name is disclosed by Vak Devis
only in the last nama. All along She was known to us as the Supreme
Mother who was portrayed through Her gross and subtle qualities. Lalitā
means sported, played, playing, wanton, amorous, innocent, soft, gentle,
charming, lovely, wished for, desired, quivering. Every one of this
meaning perfectly fits Her nature and form. She was described as
saguna Brahman (Brahman with attributes) and nirguna Brahman
(Brahman without attributes with eternal purity). Though the Brahman is
One, He has been demoed as two, merely to understand Him to the best
possible level. If someone claims to know the Brahman thoroughly, he
has to be dismissed as the Brahman is beyond comprehension by
normal human mind. It is easier to say that the Brahman is without form,
but the conceptualisation becomes difficult. In order to understand the
Brahman, more has been said about His kinetic aspect rather than the
static aspect. This Sahasranamam dwells more on the kinetic aspect of
the Brahman rather than the witnessing aspect of the static Brahman,
though both happen contemporaneously.”
“The first nama of this sahasranamam started with creation by
addressing Lalitābikā as Śrī Mātā, the next nama discussed about
sustenance and the third nama subtly conveyed the act of dissolution.
Vak Devis conveyed through namas 4 and 5, the other two aspects of
the Brahman, annihilation and recreation. Thus in the first five namas,
the primary qualities of the Brahman have been explained, though not
explicitly. These three acts are again mentioned in namas 264, 266 and
268.”
“Every energy that prevails in this universe has originated from Her and
every action that happens in the universe happens because of Her
(nama 895). Even the most revered Vedas not only originated from Her
(nama 338) but also worship Her (nama 929). She is the embodiment of
compassion (namas 197, 326), yet She cannot be taken for granted.
She is also tough at times and punishes the guilty (namas 288, 608,
755). All the letters and their sound (nama 640) originate from Her
(nama 577). Hence She is called the embodiment of mantras (namas
88, 204, 227, 846). All gods and goddesses worship Her (nama 83,
629). She can be attained only though pure and unstinted devotional
mind (namas 118, 119 and 120). The one without devotion cannot even
go anywhere near Her (namas 188 and 189). The very thought of Her
brings in auspiciousness (nama 682). When She is worshipped with
purity and dedication, She gives liberation (namas 838, 839).”
“She should be worshipped in private. When one really wants to realise
Her, he has to begin with Her ritual worship. He has to then proceed to
recitation of Her mantras like Panchadasi and Shodashi. Finally, one has
to visualise Her with the help of these one thousand namas. Typically,
one method of worship will lead to the next on its own. The mindset of
the practitioner is more important than any extraneous considerations.
She is subtler (nama 322) and the subtlest (nama 110). Her subtle
manifestations have more to do with one’s mind rather than involving in
laborious rituals. She does not want to look at what one does, but She
observes what one thinks. Attaining pure knowledge (nama 416) is the
only way to know Her. All the Upanishads repeatedly stress the
importance of knowledge to realise the Brahman, as the mind alone is
capable of knowing the Brahman. Soundarya Lahari verse 98 prays,
“Oh! Mother! Tell me when shall I, seeking knowledge, drink the water
cleansing Your feet.” The unique feature of the Divine Mother is Her holy
feet feet. She wipes out pains and miseries of Her worshippers by Her
feet. When She is worshipped through heart and mind, the worshipper is
‘endowed with long life with his association with the soul, and his
ignorance cast away, he enjoys the sweetness of what is known as the
Supreme Bliss’ (Soundarya Lahari verse 99).”
“Adoring Her in silence within, is the only way to surrender to Her. Too
much of speech, too much of thought and too much of action cannot
subjugate the mind. When the mind is not subjugated, the senses
cannot be controlled. Senses have to be necessarily used for our normal
existence, but indulgence makes a person addictive. One has to be in
the thick of the world, yet one has to maintain perfect serenity of mind.
Any work performed with detachment to the end result of the work, does
not cause mental affliction. An obnubilated thought process does not
provide a serene environment to transform normal consciousness into
pure consciousness, where alone She can be realised. The absolute
consciousness which is Self-awareness destroys the ego and bestows
liberation. When ‘I’ consciousness vanishes, direct vision of Śrī Mātā,
the Creator takes place, bringing in contentment and compassion
leading to interminable bliss.”
“This completes the interpretation on Her one thousand auspicious
namas that is now placed at Her sanctifying lotus feet praying for all-
round happiness and prosperity and peaceful co-existence.”

Om Aim Hreem Sreem Sri Mathre Nama

 Sri Matre Namaha
Impact Of Chanting Lalitha Sahasranama
To create a mind devoted to mankind, sincere love, unity and to be one
with your atman chanting of Sree Lalitha Sahasra Namam, a Sanskrit
namavali should forms an integral part of your life.
Lalitha Shasranama helps you develop the energy of Faith to do and
achieve anthing which is positive for you in your life. This energy
generates the Belief, Confidence and Determination in your own self to
work for Devi.
A beneficial method to develop this is energy is by chanting Lalitha
Sahasranama knowing their meanings. It will give the most
advantageous benefits if one chants namavalis with their meanings in
mind. He/She will be able to express more and get closer to Devi.
We list some of the benefits of regular chanting of Sree Lalitha
Sahasranamavali.
This is the most favoured form of prayer to Goddess Lalithambika
• Regular chanting of Sree Lalitha Sahasranama is an indirect blessing
to those who cannot do these kind of offerings to God.
• Regular chanting of Sree Lalitha Sahasranama will form a way of
penance.
• Regular chanting of Sree Lalitha Sahasranama will provide a long and
contended healthy life.
• Regular chanting of Sree Lalitha Sahasra nama will have tremendous
self confidence in himself.
• Through the regular chanting of Sree Lalitha Sahasra nama, the
atmosphere will be purified. Each nerve in our body will be invigorated
and subtle energies will be awakened in the person.
• Sree Lalitha Devi will protect a person and will make him victorious in
all his good deeds.
• Regular chanting of Sree Lalitha Sahasra nama will make a person
blessed with word power, fame, good will etc. Particular importance
should be given to chant Sree Lalitha Sahasra nama on Friday’s which
is very auspicious for the blessing of Devi.
• Sree Lalitha Sahasra nama is the form of prayer that any one and
every one can chant at any time and every time. It does not matter if one
could not complete it. Because each of the nama in itself is complete to
realize the vision of Devi.
• It is said that chanting the name of Lord Siva once is as good as
chanting the name of Mahavishnu a thousand times. And chanting the
name of Devi once is as good as chanting the name of Siva, a thousand
times. And of which Sree Lalitha Sahasra nama to become one with
Sree Lalitha Devi herself.
• It is very beneficial if all members of the family unite and chants Sree
Lalitha Sahasra nama once in a day in the evening or whenever time
permits. A family that prays together stays together. It will bring about
unity, peacefulness, clear mind to perform and by thus prosperity.
• In homes where Sree Lalitha Sahasra nama is chanted regularly there
will never be any shortage of the basic necessities of life. This is the
reason why the ancient Gurus would instruct their desciples to chant
Sree Lalitha Sahasra namam even after initiating them into the mantras
of other deities such as Lord Krishna, Lord Rama and other Gods and
Goddesses.
It is also to be noted that by religiously chanting Sree Lalitha Sahasra
namavali, we are seeking the blessings of the universal mother. And
how can a mother ignore her children when they are in distress or
duress or troubles of any sorts? So keep utmost faith in her and start
chanting.
Lalitha Sahasranamam can be chanted in two different ways. One in
Stotra form and the other in mantra form. In Stotram form, all 1,000
namams are separated into stotrams of a few namams each and recited
in this way. In mantra form, each namam is said individually, preceded
by “Aum” and followed by “Namah”. When chanted in mantra form, the
endings of each namam are generally changed to “e” or “yai”. Mantra
form is commonly used to recite Lalitha Sahasranamam during archana.
Both ways, however, are equally effective.
As Devi can be contemplated as masculine, feminine or formless, Her
names also are rendered in all the three genders.
The slokas in Lalita Sahasranamamas are composed in Anushtup
meters, which consist of 32 letters divided into 4 quarters of eight letters
each.
DIVISION OF THE SAHASRANAMAM IN 100 NAMES
1st Name – Sree mata
101st Name – Manipoorantharudhitha
201st Name – Sadhgathi priya
301st Name – Hreemkari
401st Name – Vividhhakara
501st Name – Gudanna preethamanasa
601st Name – Dharandholitha dheerghhakshi
701st Name – Dheshakalaa parichchinna
801st Name – Pushta
901st Name – Nadharoopini

Om Aim Hreem Sreem Sri Mathre Nama

 Sri Matre Namaha
Lalita Sahasranamam – A Review
Introduction

Lalita Sahasranama is a sacred Hindu text for the worshippers of the

Goddess Lalita Devi, i.e. the Divine Mother, in the form of her and the
male gods’ feminine power, Shakti. Lalita is the Goddess of bliss, an
epithet for Parvati.
Etymologically, “Lalita” means “She Who Plays”. In the root form
(vyutpatti), the word “Lalita” means “spontaneous” from which the
meaning “easy” is derived and from there-forth the word implicitly
extends to “play”. It is supposedly one of the most complete stotras, one
need only recite it to gain total salvation.
Organization
The names are organised as in a hymn, i.e. in the way of stotras. This
hymn occurs in the Brahmanda Purana. It is a dialogue between
Hayagriva, an (avatar) of MahaVishnu and the great sage Agastya.
Lalitha sahasranama was composed by 8 vaag devis (vaag devathas)
upon the command of Devi Sri Lalitha. The 8 vaag devis are – Vasini,
Kameshwari, Aruna, Vimala, Jayinee, Modhinee, Sarveshwari, Koulini.
This depicts us the truth “One can worship Lalitha only if she wishes us
to do so”.
The slokas are organised in such a way that, Devi is described from
“Head to Feet” (kEsAdhi pAdham).
Lalita Sahasranamam is held as a sacred text for the worship of the
Divine Mother, Lalita, and is also used in the worship of Durga, Kali,
Lakshmi, Saraswati, Bhagavathi, etc. It is a principal text of Shakti
worshippers. Lalita Sahasranama names the various attributes of the
Divine Mother, and all these names are organised in the form of a hymn.
This Sahasranama is used in various modes for the worship of the
Divine Mother. Some of the modes of worship are parayana
(Recitations), archana, homa etc.
Usually, in a sahasranamam, if the same name repeats, the
commentators use their scholarship and inspiration to give different
meanings to different occurrences of the same name (this practise
occurs also in Jewish Talmudic commentary). Lalita sahasranama has
the unique distinction, among all the sahasranamas, of not repeating
even a single name. Further, in order to maintain the metre,
sahasranamas use the artifice of adding words like tu, api, ca, and hi,
which are only conjunctions not necessarily needed for the meaning
except in rare cases of interpretation. Lalita sahasrama however does
not make any use of such auxiliary conjunctions and is therefore unique
in being a pure enumeration of holy names that meet the metrical,
poetical and mystic requirements of a sahasranama solely by their order
throughout the text.
Story
This stotra (hymn which praises) occurs in Brahmanda purana (Old epic
of the universe) in the Chapter on discussion between Hayagreeva and
Agasthya. Hayagreeva is an incarnation of Vishnu with the horse head
and is believed to be the storehouse of knowledge. Agasthya is one of
the great sages of yore who is one of the stars of the constellation great
bear. At his request Hayagreeva taught him the most holy 1000 names
of Lalitha.
Parama shiva is one of the trinity of Hindu pantheons who is in charge of
destruction. He married Sathi , the daughter of Daksha. Daksha and
Paramashiva were not getting on well and consequently he did not invite
Paramashiva for one of the great fire sacrifices that he conducted.
However Sathi went to attend the function in spite of Paramashiva’s
protest. Daksha insulted her husband and she jumped in to the fire and
ended her life. Consequently at the behest Of Paramashiva Daksha was
killed and later given life with a goat’s head. However this incident upset
Paramashiva and he entered into deep meditation.Sathi took birth as the
daughter of the mountain (Parvathy) Himalayas and started doing
penance on Shiva for getting him as her husband. The devas faced a
very great enemy in Sura Padma who had a boon that he could be killed
only by a son of Shiva and Parvathy. So to wake Shiva from his deep
meditation the devas deputed Manmatha , the God of love who shot his
flower arrows at Paramashiva. Paramashiva woke up and opened his
third eye and burnt the God of love into ashes. The Devas and Rathi
Devi the wife of Manmatha requested Paramashiva to give life to
Manmatha. Heeding for their request Paramashiva stared at the ashes
of Manmatha.From the ashes came Bhandasura Who made all the world
as impotent and ruled from the city called Shonitha pura.He started
troubling the devas.The devas then sought the advice of Sage Narada
who advised them to conduct a fire sacrifice. From the fire rose Sri
Lalitha Tripura Sundari.
She was extremely beautiful, having dark thick long hair with scent of
Champaka, Asoka and Punnaga flowers, having the musk thilaka on her
forehead, Having eyelids which appeared as if it is the gate of the house
of God of love ,having eyes which were like fish playing in the beauteous
lake of her face, Having nose with studs which shined more than the
stars, Having ears with sun and moon as studs, having cheeks which
were like mirror of Padmaraga, Having beautiful rows of white teeth,
Chewing Thamboola with camphor, having voice sweeter than the sound
emanating from Veena of Sarswathi, Having such a beautiful smile that
Lord Shiva himself could not take his eyes off, Wearing Mangala soothra
and necklaces with beautiful shining dollars, Having breasts which were
capable of buying the invaluable love of Kameswara, having row of faint
beautiful hair raising from her belly, having stomach with three pretty
folds, wearing red silk tied with a string with red bells. Having thighs
which steal the heart of Kameshwara, Having knees which looked like
crowns made of precious gems, having voluptuous legs, having upper
part of the feet resembling the back of tortoise, Having feet which
resembled the lamps made of gems which could dispel worries from the
mind of devotees and a body with the golden red colour. She was given
in marriage to Lord Kameshwara and made to stay in Sree Nagara at
the top of Maha Meru Mountain.
Sree nagara had 25 streets circling it. They are made of iron, steel,
copper, lead, alloy made of five metals, silver, gold, the white Pushpa
raga stone, the red Padmaraga stone. Onyx, diamond, Vaidoorya, Indra
neela (topaz), pearl, Marakatha, coral, nine gems and mixture of gems
and precious stones. In the eighth street was the forest of Kadambas.
This is presided by Syamala. In the fifteenth street live the Ashta Digh
palakas.In the sixteenth lives Varahi alias Dandini who is her
commander in chief. Here Syamala also has a house. In the
seventeenth street live the different Yoginis.In the eighteenth street lives
Maha Vishnu.In the nineteenth street lives Esana, in the twentieth Thara
Devi, twenty first Varuni , the twenty second Kurukulla who presides
over the fort of pride, twenty third Marthanda Bhairawa, twenty fourth the
moon and twenty fifth Manmatha presiding over the forest of love. In the
center of Srinagara is the Maha Padma Vana(The great lotus forest) and
within it the Chintamani Griha (The house of holy thought),In its north
east is the Chid agni kunda and on both sides of its eastern gate are the
houses of Manthrini and Dhandini.On its four gates stand the
Chaduramnaya gods for watch and ward. And within it is the Sri
chakra.In the center of Sri Chakra on the throne of Pancha brahmas on
the Bindu Peeta(dot plank) called sarvanandamaya(universal happiness)
Sits Maha Tripura Sundari.In the Sri Chakra are the following
decorations viz., The square called Trilokya mohanam(most beautiful in
the three worlds), The sixteen petalled lotus called Sarvasa
paripoorakam(fulfiller of all desires), the eight petalled lotus called
Sarvasamksopanam(the all cleanser), the sixteen corner figure called
Sarva sowbagyam(all luck),the external ten cornered figure called
Sarvartha sadhakam (giver of all assets), the internal ten cornered figure
called Sarva raksha karam(All protector), the eight cornered figure called
Sarva roka haram(cure of all diseases), triangle called Sarva siddhi
pradam(giver of all powers) and the dot called Sarvananda mayam(all
pleasures).
The devas prayed her to kill Bhandasura..When she started for the war
with Bandasura, she was accompanied by the powers called anima,
mahima etc., Brahmi, Kaumari, Vaishnavi, Varahi, Mahendri, Chamundi,
Maha Lakshmi, , Nitya Devaths and Avarna Devathas who occupy the
Sri Chakra.While Sampatkari devi was the captain of the elephant
regiment, Aswarooda devi was the captain of the cavalry.The army was
commanded by Dhandini riding on the Charriot called Giri Chakra
assisted by Manthrini riding on the chariot called Geya Chakra..Jwala
malini protected the army by creating a fire ring around it.ParaShakthi
rode in the center on the chariot of Sri Chakra.Nithya Devi destroyed a
large chunk of Bandasura’s armies , Bala Devi killed the son of
Bandasura, and Manthrini and Dhandini killed his brothers called
Vishanga and Vishukra.When the Asuras created blockade for the
marching army, Sri Lalitha Tripura sundari created Ganesha with the
help of Kameshwara to remove the blockade.Then Bandasura created
the asuras called Hiranyaksha, Hiranya Kasipu and Ravana.The Devi
created the ten avatars of Vishnu and destroyed them. She killed all his
army using Pasupathastra and killed him with Kameshwarasthra.The
gods then praised her.She then recreated Manmatha for the good of the
world. This story is contained in the first 84 names of the first 34 slokas
of Lalitha Sahasra nama .and all together contains one thousand names.
This is also called the Rahasya Nama Sahasra(the thousand secret
names).Reading it , meditating on the meaning of the names would lead
to the fulfillment of all the wishes of the devotees.
Structure
The sloka is organised based on the 5 works (pancha kruthyam). They
are – shrishti (Creation), sthithi (Protection), samhAram (Destruction),
thirOdhAnam (Hiding) and anugraham (Blessing). Devi herself has been
described as “pancha kruthya parAyanA” in the sloka and the five tasks
are described as follows:
shrishtikarthree brahmma roopA gOpthree gOvinda roopini samhArinee
rudra roopA thirOdhAnakareeswari sadAsiva anugrahadhA
panchakruthya parAyanA
This means – Devi is doing shrishti as Brahmma, sthithi as Vishnu
(Govinda), samhara as Rudra, thirodhanam as Eeswara and anugruham
as Sadasiva.
This 5 entity (Brahmma, Vishnu, Rudra, Easwara and Sadasiva) are
known as “pancha brahmmam”. Lalitha has designated the five functions
to these brahmmams. Sometimes, Devi will take away the life from these
5 brahmmam and make them inactive, performing all the 5 tasks by
herself. At that time they will be called “pancha prEtam” that is life less
bodies.
Now the first three slokas are: sree matha – (Great mother) Shrishti sree
maha ragnee – (Great ruler)Sthithi sree math simhasaneswari – (One
who sits on the simhasanam and manages) Samharam. Here there is no
direct reference to samharam. But managing here includes, creating
balance between birth and death.
The rest of the slokas cover – thirodhanam and anugraham.
Now the next namas – “chidhagnikunda sambhootha devakarya
samudhyatha” tells us that devi arose from the fire of knowledge to help
devas in their task (war against asuras – bhandasura).
From the namAa- Udhyath bhanu sahasraba till sinjanamani manjeera
manditha sree padambuja, all her parts like her face, fore head, eyes,
mouth, tongue, voice, hands, hip, legs has been described.
Thereafter, Devi’s place (Chintamani gruham), her war against
bandasuran, kundalini shakthi, her properties (like who can reach her
and who cannot) etc. has been described.

Om Aim Hreem Sreem Sri Mathre Nama

 About Chakras

WHAT ARE CHAKRAS?

Chakra, which means “wheels” in Sanskrit, are points of energy running
along our spine. Ancient Hindus formulated that there were seven of
these energy wheels, each a different color and spinning in a clockwise
direction. Interestingly enough, the spacing of chakras actually matches
major nerve or endocrine centers in the body.
THE LOCATIONS AND COLORS OF THE CHAKRAS
The human body has many chakras, however we will focus on the seven
major chakras that are located along the center of the body.
First Chakra
– The Root chakra is located at the genitals on the front of the body, and
the base of the spine, the coccyx or tailbone of the back.
– The center is the sexual/genital area, the gateway of birth and the
reproductive organs.
Second Chakra
– The Belly chakra is frontally located in the lower abdomen,between the
root chakra and the navel. The chakra is rooted in the spinal column at
the first lumbar vertebra, and it corresponds to the ovaries in women ant
spleen in men.
Third Chakra
– The Solar Plexus chakra is located just above the navel below the
center breast bone. It’s spinal location is at the eighth thoracic vertebra.
This chakra corresponds to the adrenals, pancreas, and stomach.
Fourth Chakra
– The Heart chakra is located between the breasts, in the center of the
breastbone; at the back its location is the first thoracic vertebra between
and below the shoulder blades. This chakra corresponds with the
Thymus, Heart, and Circulation.
Fifth Chakra
– The Throat chakra is located in the front at the base of the neck, at the
hollow of the collarbone, with its spiral rooted in the third cervical
vertebras at the back, the spine at the base of the skull. This chakra
corresponds to the Thyroid, Lungs, Ears, Nose and Throat.
Sixth Chakra
– The Third Eye chakra is frontally just above and between the physical
eyes, and at the first cervical vertebra of the spine at the back. This
chakra corresponds to the eyes and pituitary gland.
Seventh Chakra
– The Crown chakra physical front and back location is at the top of the
head, slightly to the back. This chakra corresponds to the pineal and
pituitary gland.
 Sri Matre Namaha

Brief Notes on Shri Chakra (Yantra)

Definition, Construction and Archana
Procedure
Brief Notes on Sri Chakra (Yantra) Definition, Construction and Archana
Procedure is an part of “An Encyclopedia on Sri Lalitha Tripura Sundari
– Unveling the Secret of The Exotic Power of Sri Chakra Archana”. In
this book we try to highlight the Contruction Procedure of Sri Yantra and
then various forms of Sri Chakra Archana in brief and also Sri Vidya
Upasana Tantra.
“An Encyclopedia on Sri Lalitha Tripura Sundari – Unveling the Secret of
The Exotic Power of Sri Chakra Archana” is an end-to-end knowledge
crest to reach the Moksha Marga and to derive various forms of
worshiping the Sri Lalitha Maha Tripura Sundari and to activate
Kundalini Maha Shakthi.
The Lalitha Maha Tripura Sundari is an ultimate power through which all
the Chakras can be activated very easily. But the biggest problem is the
right procedures to adopt and till date no single source is available to do
it.
There are various forms of Sri Chakra Archana and key procedures
commonly adopted are Kadgamala Prakarana and Navavarna Pooja
Vidhana. But, there are other ways and means to take up the Sri Chakra
Archana (Sri Chakra can be either Meru Form or Sri Yantra Form),
because Sri Chakra’s key mediatating god is Sri Lalitha Parabhattarika
who is also called as Sri Chakra Bindu Rupini Sri Rajarajeswari Sri Devi
Sri Maha Vidya Sri Maha Tripura Sundari Sri Lalitha Parabhattarika (the
full name of Sri Lalitha Maha Tripura Sundari);. It means she can be
worshiped in any form by her short name procedures.
The Sri Chakra Archana is an ideal systems wherein it can be worshiped
by means of Mantra-Yantra-Tantropasana. The ritual procedures of all
the three forms are different from one another, but the goal is awakening
of Kundalini Shakthi or Shad Chakropasana to get the ultimate power
and to attain moksha.
According to Mantropasana procedures, She can be meditated by
Panchadashi Mantra, Shodashi Mantra, Kadgamala Namavali or even
Lalitha Sahasranamam. Which means, Sri Chakra Archana by means of
Bija Mantra Dhyana followed by kumkumarchana and Nivedana a
simplest form with not much complexity of rituals.
But Yantropasana Procedures has a bit complexity and the procedures
has to be apodted by means Navavarna Pooja or Kadgamala Prakarana
(thou both are same as per modern rituals are concerned but they are
different to the greater extent and partially Kagdamala Prakarana is
included in Navavarna Pooja) and either Panchadashi or Shodashi
Mantra Dyana and then Sri Lalitha Archana for Kumkumarchana
followed by Shodasa Upacharas. If one has more patience to to attain
better results the Dasa Mahavidya Bija mantra sampoti dhyana after
Panchadashi or Shodashi Mantra Dyana will yield quick results; but the
sadaka should take highest precautions including Brahmacharya, Satvik
aahara, controlling panchedriyas; especially by means of kama, krodha,
lobha, moha, madha, and mascharyas and has to follow the Truth and
Sanyasa Ashrama paths.
But Tantropasana Procedures has highest complexity and the
procedures has to be apodted strictly by means Sri Vidya Upasana or
Chandi Upasana or Dasa Maha Vidya Upasana which has scared rituals
as explained in Rig Veda and Atharvana Veda including Vamachara
rituals followed by Navavarna Pooja. The ritual also calls for vivastra
archana and hata yoga procedures and the sadaka should take much
more highest precautions then Yantropasana and preferred to leave
Grustashrama to bind to the procedures and to get right results.
In this modern era / Kali yuga following Tantropasana Procedures are
highly difficult, so many gurus has created short-cuts to it by clubbing
Yantropasana and Tantropasana Procedures and it has its own
implications too by following such procedures. It is like farmimg for faster
with highest yield by adopting Fertilizer Procedures in Agriculture,
wherein the yield does not have any value in terms of calorific values
and it doesnot nourish any strength to the body also but it shows results
physically; similarly modern approach may give the result but cannot
lead to moksha marga.
It is better to follow Matrasadhana or Mantropasana and then adopting
Yantropanasa Procedures after gaining certin power thru Mantrasadana.
Because, vibrating manipura and anahata chakras by Mantropasana is
also possible & very easy also. Once anahata chakra got vibrated
following yantropasana procedures will make the sadaka to understand
the real purpose of procedures and rituals to be followed also, because
vibrating Visudha Chakra means doing everything is by heart and soul to
reach Sahasrara Chakra and in this process the sadaka will attain self
enlightenment in following the right rituals.
Once sadaka vibrates Sahasrara Chakra Power then complete
enlightenment has achieved to reach the Moksha Marga.
But in this modern era many of the people doesnot know the importance
of praying also and some doesnot believe the god and our ancient ritual
procedures also because of modern indefinetive mediatating procedures
and modern gurus feels that ancient system is a trash also.
If we can review by backward study, all the modern theories are
extracted from the existing ancient principles of yoga procedures and re-
derived as modern practicing; but all the yoga procedures including
Patanjali Sutras has called for definitive process binding to the vedic
ritual procedures. But modern gurus has re-directed the process to
adopt short-cuts and to make the system easy to adopt by following the
caption of “Something is better than Nothing”.
Yes, to start the activities or to initiate, modern theories will be a channel
but after sometime the same should be transformed into the exact
process as derived by the ancient vedic culture to get the ultimate
results. Hence, the book An Encyclopedia on Sri Lalitha Tripura Sundari
– Unveling the Secret of The Exotic Power of Sri Chakra Archana has be
divided into four Volumes from the basiscs of Hinduism & Vedic Culture
to Sri Chakra Archana procedures followed by Lalitha Sahasranamam
bhasaym.
Udaya Bhaaskar Bulusu
 How to Draw the Sri Yantra
As you have probably found out already there are a great number of
methods out there to draw the Sri Yantra. Most of them are very poor
and will produce a figure with mistakes at many of the triple
intersections. You should know that, at least in theory it is not possible to
draw a perfect Sri Yantra. There is always some little mistake even if it
can’t be seen on the drawing.
This method ensures that there will be mistakes at only two of the
nodes, which is the minimum amount of mistakes possible when drawing
this figure. This method will not necessarily produce an optimal Sri
Yantra. For a method to draw the optimal Sri Yantra please go here. The
goal of this page is to show the propersequence in which the lines
should be drawn.
The Sri Yantra geometry has five degrees of freedom. In other words
you will have to decide on the placement of five lines to construct the
figure.
The amount of mistake in the resulting figure will depend on where you
have located these five lines. If the resulting figure has a big error (two
extraneous triangles) you will have to go back and change the location
of some of the lines and start over.
If you want to experiment with the Sri Yantra withoug having to draw it
try the interactive Sri Yantra.

 
The green lines are the key lines that define the Sri Yantra. They are not
unique, in the sense that other lines could be selected. But there will
always be 5 specific points to define the Sri Yantra. This is similar to an
equation with five variables or five degrees of freedom.. You need to
choose values (positions) for these five variables to completely define
it’s shape. By choosing different positions for these lines you will end up
with different Sri Yantra configurations.
The green circles shows the points that are used to draw the new lines.
The other point is usually where the base of a triangle meets the vertical
axis. New reference points are created every time a new line is drawn.
Line 5 is the last line that is needed to finish the Sri Yantra. There is no
real obvious way to know where it should go other than by trial and error.
Of course this can be programmed and calculated but this is beyound
the purpose of this page. In this example the 5th and last line is very
close to it’s ideal position so the error in the final figure is very small. If it
is drawn higher or lower the error will increase proportionally. We will
show later where the error shows up.
Here is where the error shows up (indicated by the two red circles). In
this case the error is small and hard to see in a drawing of this size. See
caption of the right. Using a thicker line is a common way to disguise the
errors. The thicker the line the more difficult to see the error. If the error
is too big then we need to go back to step 6 and change the position of
line 5. After redrawing you will see if the error is bigger or smaller. A
bigger error indicates that you need to move the line in the opposite
direction.
The last step is to draw the bindu point. To find the center of the smallest
inner triangle we draw a circle inside the triangle and locate the bindu at
the center of that circle.
This completes the drawing of the center part of the Sri Yantra. Not
show here are the others circles with petals and the outer square
enclosure.
 Sri Chakra (or) Sri Yantra

The Sri Chakra or Shri Yantra is formed by nine interlocking triangles

that surround and radiate out from the “Bindu” or “Centre” point, the
junction point between the physical universe and its unmanifest source.
It represents Sri Lakshmi, the Goddess of abundance on all levels, in
abstract geometric form. It also represents in Sanskrit “Tripura Sundari”,
the Beauty of the Three Worlds.” Four of the triangles points upwards,
representing Shiva/Nataraja or the Masculine. Five of those triangles
point downwards, representing Shakti or the Feminine. Thus the Sri
Yantra also represents the union of Masculine and Feminine Divinity.
Because it is composed of nine triangles, it is known as the Navayoni
Chakra.
The Sri Chakra or Shri Yantra is formed by nine interlocking triangles
that surround and radiate out from the “Bindu” or “Centre” point, the
junction point between the physical universe and its unmanifest source.
It represents Sri Lakshmi, the Goddess of abundance on all levels, in
abstract geometric form. It also represents in Sanskrit “Tripura Sundari”,
the Beauty of the Three Worlds.” Four of the triangles points upwards,
representing Shiva/Nataraja or the Masculine. Five of those triangles
point downwards, representing Shakti or the Feminine. Thus the Sri
Yantra also represents the union of Masculine and Feminine Divinity.
Because it is composed of nine triangles, it is known as the Navayoni
Chakra.
The Sri Chakra or Shri Yantra is a yantra formed by nine interlocking
triangles that surround and radiate out from the central (bindu) point, the
junction point between the physical universe and its unmanifest source.
It represents the goddess in her form of Shri Lalitha Or Tripura Sundari,
“the beauty of the three worlds”. Four of the triangles point upwards,
representingShiva or the Masculine. Five of these triangles point
downwards, representingShakti or the Feminine. Thus the Sri Yantra
also represents the union of Masculine and Feminine Divine. Because it
is composed of nine triangles, it is known as the Navayoni Chakra. .
Together the nine triangles are interlaced in such a way as to form 43
smaller triangles in a web symbolic of the entire cosmos or a womb
symbolic of creation. Together they express Advaita or non-duality. This
is surrounded by a lotus of eight petals, a lotus of sixteen petals, and an
earth square resembling a temple with four doors. .
The Shri Chakra is also known as the nava chakra because it can also
be seen as having nine levels. “Nava” means “nine” in Sanskrit. Each
level corresponds to amudra, a yogini, and a specific form of the deity
Tripura Sundari along with hermantra. These levels starting from the
outside or bottom layer are: .
Trailokya Mohana or Bhupara, a square of three lines with four portals.
Sarva Aasa Paripuraka, a sixteen-petal lotus.
Sarva Sankshobahana, an eight-petal lotus.
Sarva Saubhagyadayaka, composed of fourteen small triangles.
Sarva Arthasadhaka, composed of ten small triangles.
Sarva Rakshakara, composed of ten small triangles.
Sarva Rogahara, composed of eight small triangles.
Sarva Siddhi prada, composed of 1 small triangle.
Sarva Anandamaya, composed of a point or bindu.
The Sri Chakra (called the Shri Yantra) is the symbol of Hindu tantra,
which is based on the Hindu philosophy of Kashmir Shaivism. The Sri
Yantra is the object of devotion in Sri Vidya. .
Shri Chakra as popularly mistook to be a symbol of Lakshmi is actually a
representation of Lalitha Mahatripurasundari, an aspect of Parvati Devi.
Shri does not mean Wealth in this context. In fact it is used to enhance
the honour to be given to this highly revered Yantram. .
How the Chakra Evolved.
The creation of the Shri Yantra is described in the Yogini Hridaya (Heart
of the Yogini Tantra), which still does not exist in an English translation.
This is said to be the second part of the Vamakeshvara Tantra: .
From the fivefold Shakti comes creation and from the fourfold Fire
dissolution. The sexual union of five Shaktis and four Fires causes the
chakra to evolve. O Sinless One! I speak to you of the origin of the
chakra. .
When she, the ultimate Shakti, of her own will (svecchaya) assumed the
form of the universe, then the creation of the chakra revealed itself as a
pulsating essence. From the void-like vowels with the visarga (:)
emerged the bindu, quivering and fully conscious. From this pulsating
stream of supreme light emanated the ocean of the cosmos, the very
self of the three mothers. .
The baindava of the chakra has a triple form, dharma, adharma and
atma, and matri, meya and prama. The chakra of nine yonis is the great
mass of consciousness bliss and is the ninefold chakra and the nine
divisions of the mantra.
The baindava is placed on a dense flowery mass and is the Chitkala.
Similarly, the ambika form of eight lines is the circle of the vowels. The
nine triangles quiver forth the effulgent form of 10 lines. The Shakti,
together with her surrounding nine blossomed forth the 10 trikonas. The
second quivering form of 10 lines has Krodhisha as first of the 10. These
four chakras, of the nature of light, create the 14-fold form, the essence
of perception. .
At the very heart of the bindu or centre of the Shri Yantra is that which
caused it to emanate. This is Kamakala, consisting of the three bindus or
potentials. One is red, one is white, and one is mixed. The red bindu is
ova, the white bindu semen, and the mixed bindu the union of Shiva-
Shakti, the individual as potential Shri Cakra. .
Father and Mother are represented in Shri Vidya by two limbs or aspects
of Lalita known as Varahi and Kurukulla. The semen of Varahi, the
father-form, gives four alchemical dhatus to the child. The ova of
Kurukulla, the mother-form, gives five dhatns to the child.
Consciousness enters via orgasm. The three bindus, collectively known
as Kamakala (digit of sexual desire), are the root potential of sun, moon
and fire. It is like sun and moon coming together in an eclipse, or the
seed from which the plant human being grows. .
Varahi’s four alchemical dhatus are known as the four fires. Kurukulla’s
alchemical dhatus are known as the five saktis. The combination of
these five saktis (downward pointing triangles) and four fires (upward
pointing triangles), forms the complex figure in the centre of Shri Cakra. .
Varahi’s four fires are the 12 (3 x 4) sun Kalas, 12 sidereal
constellations. Kurukulla’s five triangles are the 15 (5 x 3) Kalas of the
moon, 15 lunar days. The complete individual grows within nine months
to be born as a Shri Yantra or plant. The flowering of this plant is shown
by the 24 petals of the yantra. The above all gives rise to the familiar
shape of the Shri Yantra. The yantra is usually arranged in one of two
forms. In the Bhuprastara, it is two dimensional and laid flat, usually
facing the east, but sometimes the north, depending on the practice. The
Meruprastara has the yantra in a pyramidal form. Unless the yantra be
decorated with the appropriate bija and other mantras, it is worthless. It
is also dead unless it is installed with life and the individual doing the
puja is initiated into one of the lines (parampara). .
The Triple Goddess, from her own will to manifest, extends herself in a
ninefold way, as modifications of moon, sun and fire. The attributions of
the various mandalas shows the type of energy represented. The
meditation in Bhavana Upanshad is a figurative way of describing this
celestial city or mountain which is a human being. .
The island of jewels is the gross human body with its 9 alchemical bases
or dhatus. Each is figuratively described as a gem—diamond, emerald,
sapphire, ruby &c. The sea of nectar (semen/ova) is the base for the
arising of the human body. The diagram suns up the meditation. We can
see that this island of gems is a very pleasant place to he, full of
gardens, with a beautiful, begemmed palace, wafted with a gentle
breeze upon which is carried great fragrance, cool, alluring. .
This indicates the Kaula view that one gains liberation by a very pleasant
way, enjoying as one goes. This paradise island is very, very close.
Each of the elements in the island meditation has a subtle meaning
associated with the esoteric physiology of Shri Vidya. .
She, Lalita, united with Shiva, is subtlety of subtlety, hidden behind the
curtain hanging from the canopy. Her forms may appear to become
progressively less subtle, but she still remains herself. .
 Sri Matre Namaha
Sri Lalitha Sahasranamam
Poorva Bhagam

As we have seen already in the introduction section, Sri Lalitha Maha

Thrilokya Thripura Sundari, is the most renowned form of ParaDevatha
or Matha.
Kali yuga is supposed to be the period when, Spiritual values will have
least siginficance & people would be involved in sinful worldly activities &
forget the worship of Para Devatha, who is Sarva Antharyamini or
present in everything. The divine sage Agasthya, who was sent to the
Vindhya Mountains for establishing the Dravidian language, Tamizh was
very sad about discovering a simplest possible way for the salvation of
the sinful souls at this KaliYuga. Some great souls like Agasthya Rishi
do exist in this Universe, where people think of their own benefits & try to
do harm to others. So with a disappointed heart the noble soul Agasthya
started doing penance, meditating the divine Lord Hayagreeva. Lord
Hayagreeva, was immensely pleased by the selfless deed of Agasthya
Muni & came before him with his divine Chakram, divine conch
Panchajanyam , all the Vedas & an Abhaya Mudra in his four hands
respectively.Being immensely happy on the vision of Lord Hayagreeva,
Agasthya asks his queries to him. The divine discussion or Samvadham
occurs in the Bhramhanda Puranam. Sri Hayagreeva, discusses various
Sahasranamams like Manthrini Sahasranamam & Dhandini
Sahasranamam. Lord Hayagreeva, also discussed the Birth of Sri
Lalithambika, her Crowning or Pattabhishekam, The destruction of the
demon Bhandasura, the importance of Matha’s 15-lettered syllable,
Panchadashakshari & also her divine abode SriPuram.
The context of this Poorva Bhagam has been described in the
Introduction part earlier. Here, the important verses of Poorva Bhagam
has been discussed.
Being overjoyed by the conversation with Lord Hayagreeva & out of the
curiosity & anxiety to know Sri Lalitha Sahasranamam, Sri Agasthya
says to Lord Hayagreeva as follows:
Asvanana Mahabhuddhe Sarva Shasthra Visharadha
Kathitham Lalitha Devyaha Charitham paramadhbuham
Meaning : Oh!Horse faced ,Wise & the learner of all Shasthras, U had
told me the history of Lalitha Devi, which was very blissful & miraculous!!
Poorvam prathue Bhavo Mathur Thatha Pattabhishechanam
Bhandasura Vadhaha Chaiva Vistarena Thvayodithaha
Meaning : First, U told me about the birth of Matha & then about her
crowning. Then we also saw her destruction of the demon Bhandasura
elaborately.
Varnitham Sripuram Chapi MahaVibhavavistharam
Sri Panchadahsaksharya mahima Varnisthaha Thatha
Meaning : Then you described Sripuram, which is Matha’s divine abode
& also the siginificance & greatness of the fifteen-lettered syllable of Sri
Matha the Pancha Dashakshari.
Manthrini Dandini Devyoho Prokthe Nama Sahasrake
Nathu Sri Lalitha Devyaha Proktham Nama Sahasrakam
Meaning : You had told me the Sahasranamams of Sri Manthrini Devi &
also that of Sri Dandini Devi, but you had not told me the divine
Sahasranamam of Sri Laithambika
Mamava Yogyatha Nasthi Srethum Nama Sahasrakam
Kim Artham Bhavatha Noktham Thathra Me Karanam Vadha
Meaning : I think I am not dignified enough to hear the divine 1000
names of Sri Lalithambika.Please tell me the reason of your not telling
me the Sahasranamam.
So, Saint Agasthya feels guilty that, he is not dignified to know Sri
Lalitha Sahasranamam, is spite of being a purest soul. So Lord
Hayagreeva consoles him in the following verses & gives him the
wisdom of knowing Sri Laitha Sahasranamam.
LopaMudhra Pathe Agasthya Savadhana Mana Shrunu
namnam Sahasram Yathroktham Karanam Thadhami Thei
Meaning : Hey Agasthya! Hey Husband of the great lady Lopamudra!
Please listen to my words with a peaceful mind.
Rahasyam Ithi Mathvaham Nokthavamsthe na Chanyatha
Punascha Pruchathe Bakthya Thasmatha Thathe Vadamyaham
Brooyath Shaishyaya Bakthaya Rahasyam Abhi Deshika
Bhavatha Na Pradheyam Syadha bakthaya Kadhachana
Meaning : Any Guru will not tell the secrets or give Manthra Upadesham
to his disciple, until his disciple shows his devotion & interest in knowing
the same. In the following verses Sri Hayagreeva discusses the
greatness of Sri laitha Sahasranamam & the prerequisites of a person,
who chants the same , chants Pancha Dashakshari & does Sri Vidya
Upasana.
Na Shadaya Na Dustaya Na Vishvasaya Karhichith
Sri Mathru Bakthi Yukthaya SriVidhya Raja Vedhine
Upasakaya Shudhaya Dheyam Nama Sahasrakam
yani nama Sahasrani Sadhya Siddhi Pradhanicha
Meaning :The devotee who chants Sri Laitha Sahasranamam should be
filled with devotion for the Sri Matha & should not be a bad
person(dhushta) & should not be reluctant(Avishvasam). Such a person
would get all the Siddhis as an effect of chanting Sri Matha’s names.

Puranam SriPuram iva Shakthynam Lalitha Thatha

SriVidhyo Upasakanam Cha Thatha Deva Paraha Shivaha
Thatha Nama Sahasreshu Paramethath Prakirthitham
Yathasya patanath Devi Priyathe Lalithambika
Meaning : Sri Puram is the greatest of all the cities, Sri Vidya is the
greatest of all Upasanas, Sri Lalithamba & Lord ParaShiva are the
greatest of all the deities. Sri Lalitha Sahasranamam is the greatest of all
the Keerthanam or songs, reading which Laitha Devi is immensely
pleased.
Bhilva Pathraihi Chakraraje Yo Archayeth Lalithambikam
Padhmair Va Thulasi Pushpair Ebir Nama Sahasrakaihi
Sadhyaha Prasadham Kuruthe Thasya Simhasaneswari
Chakraraja Mabyrchya Japthva Pancha Dashaksharim
Meaning : Sri Lalithambika should be worshipped with Bhilva leaves,
Thulasi leaves & Lotus flowers. The Sri Chakram, which is the divine
abode of Sri Matha & is the king of all the chakras (Chakra raja) should
also be worshipped & the Pancha Dashakshari Manthram, which is the
King of all the Manthras(Manthra Raja) should be chanted.
After explaining the importance of Sri Lalithambika & her
Sahasranamam, Lord Hayagreeva tells the actual Sahasranamam to
Saint Agasthya.

Om Aim Hreem Sreem Sri Mathre Nama

 Sri Matre Namaha
Impact of Meditation & Significance of Sri Chakra Archana
Cosmic Energy

The Cosmic Energy exists everywhere in the Cosmos.

It is the Bond between the galaxies, the planets, humans and molecules.
It is the ‘space’ between each and everything.
It is the bond, which keeps the whole cosmos in order.
Cosmic Energy is the ‘Life Force’.
This Cosmic Energy is essential to maintain the order of our life and to
expand our Consciousness.
Cosmic Energy is the base for all our actions and functions.
We receive some amount of Cosmic Energy in deep Sleep and in total
Silence.
We are using this energy for our day-to-day activities of our Mind like
seeing, speaking, hearing, thinking and all actions of our Body.

This limited energy gained through sleep is not sufficient for these
activities. That is why we feel exhausted, tired and tensed. This leads to
mental and physical stress and all kinds of illnesses.
The only way to over come this is to get more and more Cosmic Energy.
Cosmic Energy is essential to:
Maintain the order of our life
To lead a healthy and happy life
To totally involve in all situations we are in
To obtain Knowledge
And finally For expansion of our Consciousness.
Abundant Cosmic Energy is obtained, only through Meditation.
Energy Body
Energy Body is the structure for the Consciousness.
Energy Body forms with more than 72000 Nadis or Energy tubes which
run all across the Body.
All these Energy Tubes starts from the head region.
This region is called ‘Bramha Randra’.
These Nadis spread through out the body like roots of a plant.
Energy Body is the main base for the design of our life.
Energy Body is the main source for all our actions and even for our
existence.

Our Energy Body receives Cosmic Energy during sleep and Meditation.
We are using this Energy for our body and mind activities like seeing,
speaking, hearing and physical movements and even for digestion.
All these functions are totally based on the incoming Cosmic Energy.
The inflow of Cosmic Energy is purely based on our thoughts.
When we have thoughts, the inflow of Cosmic Energy is obstructed.
In other words, Our thoughts are the stumbling blocks for the inflow of
Cosmic Energy.
When the inflow of Cosmic Energy is less, the Energy in the Energy
Tubes depletes. This depletion causes Etheric Patches in the Energy
Body. This Etheric Patches gradually leads to diseases in the physical
body.
In other words, Root cause of all diseases is the lack of Energy in the
Energy Body.
In Meditation, we get abundant Cosmic Energy. It flows heavily through
all our Energy Tubes of Energy Body. Cosmic Energy cleanses all
Etheric Patches due to its heavy flow.
When Etheric Patches are cleansed, we come out of all our illness.
When Energy starts flowing heavily through Bramha Randra, we ‘feel’
heaviness in the head region or heaviness in the whole body.
When Energy is cleansing the Energy Tubes, we may get itching
sensation or pain in that region.
Some times we may experience pain in various places in the physical
body.
For all these pains we need not take any medicines.
All these pains will vanish by increasing Meditation.
By intake of more and more Cosmic Energy by more and more
Meditation, we come out of all physical and mental illness.
Third Eye
The Third Eye is a very powerful tool of the soul to ‘see’, to ‘feel’ and to
‘hear’ the higher frequency realities.
These three functions of the soul are known as Third Eye.
When the Cosmic Energy flows heavily, the Third Eye gets activated.
At the time of activation of the Third Eye, we feel an itching sensation or
pulling sensation at the fore head region.
We start ‘seeing’ glimpses of various colors rotating around us. We ‘see’
pitch-dark color.
We ‘hear’ murmuring sounds, sound of walking.
Here, we ‘feel’ we are traveling in a pitch dark Tunnel, we ‘feel’ as if we
are falling in a dark tunnel, we feel we are moving upwards in a dark
tunnel towards a brilliant light, we ‘feel’ we are traveling towards bright
light.
Astral Travel
Astral Body is a tool of the Self to perceive other frequency realities.
Astral Body is one more form of our Consciousness like our physical
body.
In normal condition our Consciousness is spread through out the
physical body.
When we receive sufficient amount of Energy and when we ‘feel’ to
perceive the other frequency realities, the consciousness moves in the
form of Astral Body.
We perceive the Astral Body experiences unconsciously in Sleep, which
we call as DREAMS.
One can perceive Astral Body experiences consciously in Meditation.
Astral body travels beyond space and time.
After Conscious Astral Experiences, we start perceiving new
dimensions.
In Meditation, after receiving abundant Cosmic Energy the
Consciousness that is spread everywhere in the body, starts moving
towards a point.
While Consciousness is moving, we experience
jerks in the physical body,
rotation in the physical body.
Movements may be experienced in different parts of the body or some
times, one may experience as if the whole body is rotating.
We feel as if our body is floating.
We don’t ‘feel’ the hands and legs.
We ‘feel’ lightness of the body like feather.
These are known as ASTRAL MOVEMENTS.
By doing more and more Meditation, we get more and more Cosmic
Energy.
The Consciousness forming like an Astral Body, starts rotating very fast
which causes heavy movements in physical body.
After the movements, the Astral body starts coming out of the physical
body with a link called Silver Chord. Silver Chord is nothing but a high
vibrant consciousness which transfers the messages to physical body to
astral body and vice versa.
With this, we do ASTRAL TRAVEL.
Astral Travel is a travel of our Consciousness to known and unknown
frequencies.
By doing Astral Travel we get highest knowledge and understanding of
the SELF.
In Astral Travel, our Astral Body can pass through all physical materials,
all elements like earth, water, fire, wind and ether. Astral Body can go to
all other frequency dimensions with out any limitations.
After coming out of the body, Meditator ‘sees’ his own physical body. By
this he gets great understanding. He understands that he is not only the
body, but he stays in the body. This is a great understanding.
Every one should experience Astral Travel.
By traveling a lot our limitedness will vanish and
we will understand that we are unlimited
By this experience only,
We understand that we are THE CONSCIOUSNESS.
We understand that we are UNLIMITED.
We understand the NEW DIMENSIONS OF LIFE.
Nirvana
Astral body travels beyond space and time.
With more and more Meditation, wWe will receive more Cosmic Energy.
Cosmic Energy improves our involvement in what we are in.
By more and more total involvement with Body-Mind-Self,
We Understand IN-TOTAL about the situations.
This Understanding is nothing but KNOWLEDGE.
Common man will get only experience, but fails to perceive the
Knowledge in that situation. It is because he experiences the situation
with physical understanding alone.
But a Master will Understand the situation in TOTAL. It is because he
Knows that he is not the just Body, but he knows that he stays in the
Body. He understands that the situations are for his Knowledge
After experiencing all meditational experiences, and implementing it in
our practical life, we will get ‘great understanding’.
This Understanding opens up several thousands of doors which gives
new dimensions of perceptions in our life.
Our understanding, our Perception and our Knowledge expands a lot.
This leads to the expansion of our Consciousness.
This is nothing but having the WISDOM.
We experience this state of Wisdom in meditation,
as a THOUSAND PETALLED GOLDEN LOTUS.
Each and every petal is a new dimension of understanding.
By perceiving more and more dimensions,
we understand more and more knowledge of other existences.
With this Understanding, we come to know that:
There is No Death and we are Eternal Beings.
We understand “what is Birth?” and “what is Death?”
Enlightenment
By obtaining The Higher Knowledge through Third Eye, Astral Travel,
Knowledge of Birth and Death one will have perfect understanding of
Body, Mind, Intellect, Self and Life force.
By living all the time with this understanding, one starts getting much
more higher understanding about the Existence of whole Creation
With this understanding one will become a MIRACULOUS CREATOR.
This is what E N L I G H T E N M E N T.
He understands that:
Consciousness is the combination of Energy and Knowledge.
Consciousness comes to this plane to gain more Energy and Knowledge
and to Create.
Then,
Whatever HE speaks, it manifests!
Whatever HE thinks, it manifests!
Whatever HE does, it becomes a CREATION!
Pyramid Power / Sri Chakra Archana Power
Pyramid is the most stable structure, which receives the highest Cosmic
Energy in this Planet Earth.
Pyramid forms at an angle 52 degrees51 minutes and because of this
Angle, it receives the highest Cosmic Energy.
Pyramid can be constructed with any material.
Materials make no difference in the receiving of the Cosmic Energy.
Pyramid has to be aligned to perfect cardinal directions- north, south,
east and west.
Cosmic Energy gets accumulated at 1/3rd height from the base of the
Pyramid.
This place is known as King’s Chamber.
Cosmic Energy will be the maximum in the King’s Chamber and it
spreads through out the Pyramid.
A crystal fixed at the apex of the Pyramid, multiplies and distributes the
Cosmic Energy through out the Pyramid.
The No Thought State or Nirmala Sthithi is attained three times faster if
one meditates inside the Pyramid.
Pyramid can be used for communication with higher frequencies.
Meditation in the Pyramid helps in Healing and for all Meditation
Experiences.
Pyramid Meditation / Sri Chakra Meditation
Meditation inside the Pyramid is the most effective.
Pyramid is the most stable structure in this planet Earth.
Pyramid receives highest Cosmic Energy.
Pyramid forms with an angle 52 degrees 52 minutes.
Pyramid can be constructed with any material/materials.
Material make no difference to the Power of Energy Pyramid receives.
Pyramid has to be aligned to exact cardinal directions- north, south, east
and west.
Energy accumulates at 1/3rd height from the base of the Pyramid. This
place is known as ‘King’s Chamber’.
A crystal fixed at the apex of the Pyramid. The crystal absorbs Cosmic
Energy and radiates through out the Pyramid.
Pyramid helps to achieve Meditative State three times faster than normal
conditions.
Meditation inside the Pyramid helps to achieve greater heights in
Meditation
Pyramid Meditation helps to communicate to higher frequency realities.
More research can be done with ‘Panchabhutha Pyramids’.
‘Panchabhutha Pyramids’ are Pyramids constructed with 5 elements-
earth, water, fire, space and ether.
Each Pyramid constructed with each element is called ‘Element
Pyramid’.
Each and every ‘Element Pyramid’ is effective for different zones of our
Energy Bodies.
‘Water Pyramid’ is very effective for Mind. .
If one meditates inside the ‘Water Pyramid’, his mind becomes calm,
peaceful. He will come out of the stress very fast. .
Meditation can be done at any time. Meditation in ‘King’s Chamber’ is
the most powerful.

Om Aim Hreem Sreem Sri Mathre Nama

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