Room A407, College of Music, Mahidol University

27 Nov 2017, 19.00-20.00 AM

!  Sonata for Trombone and Piano
!  Pin Hatai (Thai:ปิ่นหทัย) for Flute solo
!  composed between 2016-2017
!  inspired from Ferdinand David’s
Trombone Concertino (reduction for
trombone and piano)
!  world premiere on 2nd DM recital in Feb
2017 at Mahidol University
!  3movements (as standard Classical
Sonata)

!  composed under idea & inspiration of

Trombone Concerto (trombone as
soloist, piano as orchestra)
!  1st mov.
- Sonata Form
!  2nd mov.
- 7 parts Rondo (ABACABA)
!  finale
- Rounded Binary (ABCA)
!  Exposition
introduction:

- motive ascending and descending

- motive repetition(modified &
developed)(Schoenberg:1967)
- harmony direct to b-dim
!  Exposition
theme1: motive 1

- repeat the intro’s motive (ascending, descending)

- trombone solo with confident and firm
- tone center “C”
!  Exposition
theme1: motive 2 (contrast)

- tutti, piano mostly performs sustain harmony

- soft but frivolous
- tone center “C”
!  Exposition
theme2: motive

- short and simple, sometimes riveting

- orchestra(piano) changes performance role to staccato
- tone center “G”, “E” (relative)
!  Development
- repeating exposition, some parts may
considered new idea
!  Recapitulation
- repeating exposition in a different key
center (theme1 in F, theme2 in F#)
Coda
- repeating theme1’s first motive, built to the
end
!  A

- repeating theme1’s first motive idea, ascending and descending

!  B

- contrast direction to “A”

!  C

- motive as cantabile
!  A

- repeating “C” in second movement

!  B
!  B (continue)

- syncopated motive
!  C
 !  A (A2, Coda)

- continue F# from B, established tonic in B

- ended in “C”
!  composed between late Oct. to early
Nov. 2017
!  inspired from composer’s high school
(Triam Udom Suksa) theme song
!  world premiere in composer’s DM lecture
recital
!  BinaryForm (AB)
A (Parallel Double Period)
First Period
- bar 1-5(1st beat) antecedent
- bar 5(2nd beat)-8 consequent
Second Period
- bar 13-20(3rd beat) antecedent
- bar 20(5th up beat)-28(2nd beat)
consequent
B (Parallel Double Period)
First Period
- bar 28(4th beat)-32(3rd beat), antecedent
- bar 32(5th up beat)-36(1st beat),
consequent
Second Period
- bar 38(1st beat)-44(3rd beat), antecedent
- bar 44(5th up beat)-52(1st beat),
consequent
!  A

- long note and short range of sixteen

notes
- induce audience to imagine of shady
atmosphere in school
!  B

- repeating some notes immediately to

obsess the past memory in school
!  Sonata for Trombone and Piano
!  Pin Hatai (Thai:ปิ่นหทัย) for Flute Solo