Steidl Catalogue SS10

s
Contents
03
04
How to contact us
How to contact our imprint partners
Steidl & Partners
103 Nicholas Nixon Live Love Look Last
How to make a book with Steidl
05 How to order / Press enquiries 105 Robert Doisneau From Craft to Art
06 Steidlville Bookshops 107 Jim Dine Old Me, Now
09 Awards 109 Urs Marty
111 Francis Bacon – A Terrible Beauty
Gerhard Steidl and Michael Mack have asked me to write the introduction for this catalogue,
STEIDL Photography International 113 Francis Bacon – New Studies. Centenary Essays
13 Henry Leutwyler Neverland Lost 115 Helios: Eadweard Muybridge in a Time of Change
our newest collection of books. These titles, like all our creations, are an eclectic selection
17 Yves Marchand / Romain Meffre The Ruins of Detroit 117 Bodo von Dewitz Political Images – Soviet Photographs
from the most accomplished photographers, artists, writers and curators. Despite their
21 Mauro D’Agati Alamar
SteidlMack
25 Mauro D’Agati Napule Shot
121 James Welling Light Sources: 1992–2005
diversity, they have one thing in common: each book will be produced within the walls of
29 David Bailey Bailey’s Delhi Dilemma
33 Andri Pol Where is Japan 123 Martina Hoogland Ivanow Far Too Close
Düstere Strasse 4, Göttingen.
35 Boris Mikhailov Maquette Braunschweig 125 Colin Gray In Sickness and in Health
37 Tina Barney Players
39 Dayanita Singh Dream Villa Moderna Museet In August 2008 I had the idea to write a chronicle of life at Düstere Strasse 4, where most
41 François-Marie Banier Grandes Chaleurs 127 Salvador Dalí Dalí Dalí featuring Francesco Vezzoli
43 François-Marie Banier Beckett 129 Luc Tuymans Against the Day Steidl books are designed and all of them printed. The idea from the outset was to record the
45 June Leaf Record 1974/75 – Mabou Coal Mines
47 Robert Frank Black White and Things
Steidl Zwirner&Wirth processes and experiences of book-making as they happened, not to analyze or re-stage
131 The Collection of Helga and Walther Lauffs
49 Robert Frank The Complete Film Works – Volume 5
133 Ten Years them. I began by making notes during work hours of encounters, anecdotes and characters –
51 Robert Frank The Complete Film Works – Volume 6
53 Frank Films – The Film and Video Work of Robert Frank
steidldangin of the organized chaos that comprises a typical working day at Steidl. The project grew, entry
55 Manfred Paul Still-Life Photographs 1983–1985
135 Guy Bourdin In Between
57 Joel Sternfeld Walking the High Line
137 Jean Pigozzi Catalogue Déraisonné by entry, day by day, and eventually took shape as Concentric Circles, one of the books
59 Robert Polidori Some Points in Between… Up Till Now
61 Mikael Olsson Södrakull Frösakull
How to make a book with Steidl announced in this catalogue.
63 Anish Kapoor Architectural Projects
141 Koto Bolofo I Spy with My Little Eye, Something beginning with S
65 24h Berlin
67 Kalliopi Lemos Crossings
143 Monte Packham Concentric Circles Some of the books described in the pages that follow are still only ideas; others are nearly
147 Koto Bolofo Große Komplikation / Grande Complication
69 Koto Bolofo Vroom! Vroom!
71 Juergen Teller Zimmermann
149 William Ewing / Nathalie Herschdorfer Lasting Impressions print-ready. But each, when it stands proudly on a library shelf somewhere in the world, will
151 Karen Hansgen Schmatz! Lunches at Steidl
73 Juergen Teller Deste Fashion Collection
bear silent witness to the many people, collaborators and employees, who have created it.
75 Jeanloup Sieff Les Indiscrètes 152 Backlist
79 Duane Michals Photographs from the Floating World I hope our new books delight and challenge you – whether you have already participated in
81 Duane Michals A Visit with Magritte Distribution
83 Duane Michals Foto Follies 165 Germany, Austria and Switzerland life at Düstere Strasse 4, or whether that journey awaits you.
85 Jenny Holzer 166 USA and Canada
89 Karl Lagerfeld The Beauty of Violence 167 All other territories Monte Packham
Edition 7L 168 Index
93 Paul Jasmin California Dreaming
95 Another Art Book
99 Digital + Analogue: The Art and Science of Rockstar Games
How to contact us
s Program / Submissions Export Management / Public Relations / Press

Düstere Str. 4 Gerhard Steidl Shipping Claudia Glenewinkel
37073 Göttingen gsteidl@steidl.de Robert Walther Tel.: +49 551 49 60 650
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Cover, front and endpaper: photos by Koto Bolofo mwegener@steidl.de
How to contact our imprint partners How to order Press enquiries
Germany, Austria Germany, Austria

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Fall 2009 Book Awards
FotoGrafia Book Award

International Gold Medal Award
Jim Goldberg
Open See
Association of Art Museum Curators award for the

outstanding museum catalgue of the year
Sarah Greenough
Looking in Robert Frank’s The Americans
Premio Mejor libro internacional de fotografía

del año Mención de honor
Sarah Greenough
Looking in Robert Frank’s The Americans
Kasseler Fotoforum
24 Favorite Photobooks 2008/2009
Susan Meiselas
In History
Rencontres d’Arles Historical Book Award 2009
Susan Meiselas
In History
Photo: Koto Bolofo

Henry Leutwyler, Neverland Lost. A Portrait of Michael Jackson Henry Leutwyler, Neverland Lost. A Portrait of Michael Jackson
Henry Leutwyler
Neverland Lost
A Portrait of Michael Jackson
Prior to Michael Jackson’s death, Henry Leutwyler photographed crates of artifacts removed from Jackson’s
Neverland ranch in California. The resulting series of photographs document the inner turmoil of the public person
who chose to model his private life on Peter Pan and the Lost Boys – children who never wanted to grow up.
Leutwyler’s unemotional portraits are almost too intimate to behold, but when one digs beneath the surface, what
emerges is the profound truth of a star’s sequestered reality. Leutwyler’s photographs unearth the “Lost Boy” forced
to leave Neverland, and now these still lifes are as close as anyone will ever get to what Jackson once had, and
ultimately left behind.
“I have an urge to investigate people I have never met” says Swiss-born Henry Leutwyler. With twenty-five years
experience creating portraits that document the famous and powerful, he has turned his gaze on the belongings that
surround the individual. A self-taught youth who began his career by photographing “cheese and chocolates”,
Leutwyler is a visual archaeologist. His work drills deep, allowing the objects to reveal more than the subjects
themselves.
Henry Leutwyler
Neverland Lost
A Portrait of Michael Jackson
Book design by Ruba Abu-Nimah and Kevin Ley

96 pages
8.5 x 11 in. / 21.5 x 28 cm
Four colour process
Hardcover
€ 31.00 / £ 27.00 / US$ 45.00
ISBN 978-3-86930-050-4
13
12
Yv e s M a r c h a n d / R o m a i n M e f f r e , T h e R u i n s o f D e t r o i t
Yves Marchand / Romain Meffre
The Ruins of Detroit
Over the past generation Detroit has suffered economically worse than any other of the major American cities and its
rampant urban decay is now glaringly apparent during this current recession. Yves Marchand and Romain Meffre
documented this disintegration, showcasing structures that were formerly a source of civic pride, and which now
stand as monuments to the city’s fall from grace.
“Ruins are the visible symbols and landmarks of our societies and their changes, small pieces of history in suspension.
The state of ruin is temporary by nature, the volatile result of the end of an era and the fall of empires. This fragility, the
time elapsed but even so running fast, lead us to watch them one very last time: being dismayed, or admiring,
wondering about the permanence of things. Photography appeared to us as a modest way to keep a little bit of this
ephemeral state.”
Born in 1981 and 1987 in the Parisian suburbs, Yves Marchand and Romain Meffre began to photograph seperately
in 2001. They began to work as a duo at the beginning of their project on the ruins of Detroit in 2005.
Yves Marchand / Romain Meffre

The Ruins of Detroit
Introduction by Robert Polidori

Book design by Steidl
200 pages
15 x 11.4 in. / 38 x 29 cm
150 photographs
Four colour process
Clothbound hardcover
€ 89.00 / £ 82.00 / US$ 125.00
ISBN 978-3-86930-042-9
16 17
M a u r o D ’A g a t i , A l a m a r
Mauro D’Agati
Alamar
In the early 1970s the workers of the Fabrica Vanguardia Socialista, a steel smelting factory east of Havana, wrote to
Fidel Castro about their need for apartments and houses. Out of this exchange a new city was born. Conceived by the
same workers who would build it and live there, Alamar was planned as an example to the world of a socialist
community. Ten years later, Alamar as we know it was completed. Built with passion by day and night, the result is
excessive and amateurish. No two stairwells have the same height, nor are any of the walls square, and it extends over
fifteen km2 between the Cojimar and Bacuranao rivers, the coast and the avenues that connect Matanzas and
Varadero.
At some point in history Alamar was no longer a symbol of some Utopian dream. It now resembles a gigantic
installation in which an artist wanted to represent the chaos and all of the mistakes of this failed experiment. Mauro
D’Agati’s photographs look at that moment when the dream faded. Was it during the Period Especial, the years after
the collapse of the socialist system? Alamar continues in these pictures to represent a unique moment in the history
of the Cuban revolution.
Mauro D’Agati, born 1968 in Palermo, began working as a professional photographer in 1996. He has undertaken
work for numerous Italian and international magazines. Steidl published Palermo Unsung in 2009, and Napule Shot in
2010.
Exhibition: Galerias en el A-55, 12 plantas, zona 1 Alamar – La Habana, December 11, 2009
Mauro D’Agati
Alamar
Text by Senel Paz

Book design by Emanuele Lo Cascio
156 pages
11.6 x 9.8 in. / 29.5 x 25 cm
87 photographs
Four colour process
€ 45.00 / £ 35.00 / US$ 59.95
ISBN 978-3-86521-954-1
20 21
M a u r o D ’A g a t i , N a p u l e S h o t
Mauro D’Agati
Napule Shot
Divided between two parts, ‘Outskirts’ and ‘Downtown’, Napule Shot represents a cross section of life in Naples.
Chapter by chapter Mauro D’Agati tells the story of the city through a variety of characters and locations – a music
manager, local singers, weddings, police operations, the heart of the city centre and the degraded eastern zone of
Naples and its inhabitants. His photographs show the youngsters living there, the drugs and the beauty.
Mauro D’Agati, born 1968 in Palermo, began working as a professional photographer in 1996, from the outset
covering many Sicilian jazz festivals, art and theatrical events. He has undertaken work for numerous Italian and
international magazines. Steidl published Palermo Unsung in 2009, and Alamar in 2010.
Mauro D’Agati
Napule Shot
Book design by Mauro D’Agati

and Jonas Wettre
408 pages
11.6 x 8 in. / 29.5 x 20.2 cm
286 photographs
Four colour process
Hardcover
€ 56.00 / £ 48.00 / US$ 80.00
ISBN 978-3-86521-955-8
24 25
David Bailey
Bailey’s Delhi Dilemma
“Pink is the navy blue of India.” (Diana Vreeland)
How does one photograph Delhi without the results looking like clichéd, tourist-friendly images taken from the pages
of National Geographic? How does a photographer of David Bailey’s standing portray India without seeming
condescending? These questions are at the heart of Bailey’s Delhi Dilemma.
Bailey has been to India fifteen times, and in this new series of photographs he avoids focussing on the cultural and
economic differences between East and West that can make photos of the country appear overly didactic. Instead,
Bailey depicts the colours, characters and textures that make Delhi unique – a magenta sari, an infant walking alone
on a rust-coloured road, a bright blue plastic tarpaulin – and so creates a portrait of the city that is sensitive without
being self-indulgent.
This book is the first of many that will present Bailey’s ongoing response to his Delhi Dilemma.
David Bailey, born in London in 1938, is one of the most successful photographers of his generation. By the early
1960s his work, especially for Vogue, had already made him a cult figure. Steidl has published Birth of the Cool,
Chasing Rainbows, Locations, Bailey’s Democracy, Havana, NY JS DB 62, Pictures That Mark Can Do, Is That So
Kid, 8 Minutes, and Eye.
David Bailey
Bailey’s Dehli Dilemma
Book design by David Bailey and Gerhard Steidl

300 pages
10.2 x 13 in. / 26 x 33 cm
240 photographs
Four colour process
€ 58.00 / £ 52.00 / US$ 78.00
ISBN 978-3-86521-991-6
29
Andri Pol, Where is Japan
Andri Pol
Where is Japan
European visions of Japan are dominated by clichés such as the cherry blossom, the temples, the samurai, the geisha,
and Zen. But this has more to do with European longings and utopian ideals than with today’s Japan. The
photographer Andri Pol has visited the Japanese Islands over many years and he has taken pictures strictly avoiding
any such soft-focus clichés.
Fascinated and irritated at the same time, Pol casts a sharp eye on the reality of Japan beyond European projections
of the Far East. Even though he can’t completely avoid the cherry blossom and the tea rites, he encounters human
beings who have learned to live between yesterday and tomorrow – masters of the profane. He finds beauty within the
everyday life of modern Japan.
Andri Pol, born 1961 Switzerland, works as a photographer for different international magazines and publishing
houses. His works have been widely published.
Andri Pol
Where is Japan
English / Japanese
Text by Daniele Muscionico
Book design by Wendelin Hess
320 pages
9.5 x 11.8 in. / 24.2 x 30 cm
Four colour process
Hardcover
€ 56.00 / £ 48.00 / US$ 80.00
ISBN 978-3-86521-993-0
33
Boris Mikhailov
Maquette Braunschweig
Maquette Braunschweig is Boris Mikhailov’s analysis of Germany’s political and demographic development. In 2008
he closely followed the production of Aeschylus’ The Persians in Braunschweig. The public took part, forming the
typical ancient Greek chorus and the production was a symbolic play about war and the documentation of a young
democracy.
Mikhailov was also a part of the production process and he developed an oeuvre in four acts: “German Portraits”,
“Shooting”, “Bus Stop” and “Home T(h)eatre”. In a city where the number of young people and children is constantly
decreasing, Mikhailov takes a close look at the weak points and the margins of this community and paints a unique
and clairvoyant picture of Germany’s future.
Boris Mikhailov was born in 1938 in Kharkov, Ukraine. Being first of all an engineer, his photographs became famous
as outstanding statements of the dark sides of the Soviet Union. He has won numerous awards, including the
Hasselblad Award, the Citibank Photography Award and the Kraszna-Krausz Book Award. He has published many
books, including, with Steidl, Look at Me I look at Water and Salt Lake. Mikhailov lives in Kharkov and Berlin.
Boris Mikhailov
Maquette Braunschweig
Text by Inka Schube

Book design by Boris Mikhailov, Gerhard Steidl and Jonas Wettre
272 pages
9.5 x 13.4 in. / 24 x 34 cm
Four colour process
Hardcover
€ 48.00 / £ 43.00 / US$ 68.00
ISBN 978-3-86521-834-6
34 35
Tina Barney
Players
In Players, Tina Barney expands her subject matter to include fashion, performers, and actors, as well as her own
circle of friends. Emboldened by the cacophony when photographing on stage, Barney has embraced a more casual
aesthetic that is visually exhilarating. Editor and designer Chip Kidd has translated this excitement to the pages of this
new book. And Michael Stipe has contributed his poetic vertigo.
In her two previous books, Barney chose to look at families in America and their milieu and then carried on this
examination of families in Europe. Now she combines commercial assignments dating back as far as 1988, with
editorial, fashion, and portraiture. Selections from her personal work complete the mix. The result is refreshing,
revealing and curious. Barney has always been fascinated by the circumstances in which her subjects operate.
Whether performing publicly or privately, they are all “players”.
Tina Barney was born in 1945 in New York. Since 1975, she has been producing large-scale photographs of family
and friends. Her meticulous tableaux chronicle the complexity of interpersonal relationships. These lush colour prints
have been exhibited and collected by major institutions around the world. Barney was the recipient of a John Simon
Guggenheim Memorial Fellowship. Her monographs include The Europeans, published by Steidl in 2005. She lives in
New York and Rhode Island.
Tina Barney
Players
Edited by Chip Kidd

Text by Michael Stipe
Book design by Chip Kidd
96 pages
11.8 x 9.2 in. / 30.5 x 22.9 cm
66 photographs
Four colour process
Hardcover
€ 35.00 / £ 30.00 / US$ 49.95
ISBN 978-3-86521-995-4
36 37
Dayanita Singh
Dream Villa
In Dream Villa Singh explores how the night transforms what seems ordinary by day into something mysterious and
unsettling. This series of colour photographs presents a landscape which exists as much in the artist’s imagination as
in the real world. Singh travels to many different cities never knowing where Dream Villa or its inhabitants will present
themselves. It is a place where nothing is quite as it seems to be – it comes alive at night, when all is lit by artificial light
and the moon is just ornamentation.
Dayanita Singh, book maker, was born 1961in New Delhi. Her works have been exhibited worldwide but her secret
passion is making books. With Steidl she has published Privacy (2003), Chairs (2005), Go Away Closer (2007),
Sent a Letter (2008) and Blue Book (2009). Her kitchen museum in Delhi has 33 books handmade by her from her
various travels.
Exhibition: “Nature Morte”, Delhi January, 2010.
Dayanita Singh
Dream Villa
Book design by Dayanita Singh and Gerhard Steidl

136 pages
3.9 x 7.9 in. / 10 x 20 cm
Four colour process
Flexible plastic-softcover
€ 28.00 / £ 24.00 / US$ 39.95
ISBN 978-3-86521-985-5
38 39
François-Marie Banier
Grandes Chaleurs
Grandes Chaleurs, or “big heat”, is an impish title for a book about Morocco, a traditional country where prayer and
humour connect people in an almost physical way. There is an omnipresence of the after life, of good and evil. This is
the land of the lord, where people shake your hand and then immediately place their hand over their heart,
emphasizing the place where people truly meet. Irrespective of their age, the pain they suffer, Francois Marie-Banier's
photography captures the intimate grandeur of the looks, gestures and attitudes of an endless spiritual quest. They
represent a link to the very oldest issues of humanity – misery, creation and the spirit.
François-Marie Banier was born in Paris in 1947. A novelist and playwright, since the 1970s he has also been taking
photographs of public figures as well as anonymous people in the street. In 1991 the Centre Pompidou in Paris
exhibited his photographic work for the first time, and further exhibitions have since been organized throughout
Europe, in Asia and in America. He lives and works in Paris.
Grandes Chaleurs
Text by Abdellah Taïa

Book design Martin d’Orgeval, François-Marie Banier,
Gerhard Steidl and Katharina Staal
144 pages
9.5 x 11.8 in. / 24 x 30 cm
109 photographs
Tritone
€ 45.00 / £ 35.00 / US$ 59.90
ISBN 978-3-86521-822-3
40 41
Beckett
“About thirty years ago, the beaches and streets of Tangier were haunted by an automaton. It was nothing but skin and
bones, and I often lost sight of it, blinded by the sun. Its silhouette of a marsh-bird vanished in the middle of the crowd
of Moroccans in djellabahs and indifferent tourists. Like me they ignored the fact that this skinny man was the great
writer Samuel Beckett. His path seemed to follow the movement of a pendulum, adjusted to his own rhythm, his heels
touching the ground long before his weight followed, the body leaning backwards. He looked far above the horizon,
his ocean blue eyes hidden by big sunglasses, and tried to orientate himself.
It troubled me so much not to be able to capture the real dimension of this figure that I often forgot to put a film into
my camera.
As our paths kept crossing we finally met. So I abandoned the camera and stopped taking pictures. With his dark
voice, he told me of the twenty seven books he couldn’t find a publisher for, of his wife Suzanne, of his friendship with
Joyce, of his family in Ireland. He imagined how his mother would have been surprised by him getting the Nobel Prize,
if ever she had known; he advised me to read “to learn how the others do it”.
But I wanted to retain this attitude and his face, so I had to step away, to leave the treasure of his words, his opinions,
and get back to the place that suits the photographer best: the one behind the lens.”
François-Marie Banier was born in Paris in 1947. A novelist and playwright, since the 1970s he has also been taking
photographs of public figures as well as anonymous people in the street. In 1991 the Centre Pompidou in Paris
exhibited his photographic work for the first time, and further exhibitions have since been organized throughout
Europe, in Asia and in America. He lives and works in Paris.
Beckett
Text by Viviane Forrester and François-Marie Banier

Book design by Gerhard Steidl and Sarah Winter
88 pages
5.7 x 7.1 in. / 14.5 x 18 cm
48 photographs
Four colour process
Hardcover
€ 18.00 / £ 15.00 / $ 25.00
ISBN 978-3-86521-983-1
42 43
June Leaf
Record 1974/75
Mabou Coal Mines
This book is a facsimile of June Leaf’s sketchbook from the winter of 1974 and 1975, spent in Mabou Coal Mines, Nova
Scotia. She has lived here since 1969 with her husband, Swiss-American photographer and filmmaker Robert Frank.
The book is above all a working document of Leaf’s thoughts. Drawing is her primary medium, an approach explained
in her first written entry of 26 November, 1974: “I don’t usually like to write because I am more satisfied by an action.”
Her sketches are exploratory, inquisitive, incomplete: for example she refines a motif as simple as a knot over days and
weeks, drawing it in different ways until it becomes no more than a detail in a larger, more complex picture. Leaf is not
afraid to express the difficulty of the creative process, her frustration as well as her progress: “I’ve come to a dead
stop. Should make a sculpture – don’t want to! Should play the fiddle – don’t want to! Should take a walk – too cold.
Where’s the inspiration?” Amidst such uncertainty Leaf’s husband remains a constant source of inspiration:
representations of Frank are scattered throughout the book, from its opening pages to the last, unpretentious entry of
24 April, 1975: “Blue book ends.”
June Leaf was born in 1929 in Chicago, where she studied at the New Bauhaus Institute of Design. She concluded
her art education at Roosevelt University in 1954. Leaf held her first solo exhibition at Sam Bordelon Gallery in
Chicago in 1948 and has since exhibited internationally. Today Leaf spends the majority of her time in Mabou Coal
Mines, although she and her husband are often drawn back to the metropolis: to Bleecker Street on New York’s Lower
East Side.
June Leaf
Record 1974/75
Mabou Coal Mines
Book design by June Leaf

188 pages
7.2 x 11.8 in. / 18.3 x 30 cm
Four colour process
€ 40.00 / £ 35.00 / $ 59.95
ISBN 978-3-86930-051-1
44 45
THE ROBERT FRANK PROJECT
B LACK Robert Frank

Black White and Things
Containing photographs taken between 1948 and 1952, Black White and Things was in its original form a book
hand-crafted by Robert Frank in 1952. Frank made three identical copies designed by Werner Zryd, each with spiral
binding and original photographs. Printed for an exhibition at the National Gallery in Washington in 1994, Frank has
now redesigned the book.
Separated into three categories “black”, “white”, and “things”, which are shaped more by mood than subject matter,
the book traces Frank’s travels to cities such as Paris, New York, Valencia and St. Louis. In the white section for
instance, he brings photographs of vastly different motifs under a single aesthetic umbrella – his first wife reclining
with their new-born baby, peasants squatting against a flaking wall in Peru, and a business man strolling past a snow-
decked tree in London.
For Frank, as always, his aim is a humble one shaped by sentiment: “somber people and black events / quiet people
and peaceful places / and the things people have come in contact with / this, I try to show in my photographs”.
WH ITE
Robert Frank was born in Zurich, Switzerland in 1924 and went to the United States in 1947. He is best known for his
seminal book The Americans, first published in 1958, which gave rise to a distinct new art form in the photo-book,
and his experimental film Pull My Daisy, made in 1959. His other important projects include the book The Lines of My
Hand, 1959, and the film Cocksucker Blues for the Rolling Stones, 1972. He divides his time between New York City
and Nova Scotia, Canada.
TH I NGS
Robert Frank
Black White and Things
Book design by Werner Zryd and Robert Frank

Co-published with the National Gallery of Art, Washington
80 pages
7.8 x 8 in. / 20 x 20.7 cm
37 photographs
Tritone
Softcover
€ 22.00 / £ 18.00 / US$ 29.90
ISBN 978-3-86521-808-7
46 47
Robert Frank
The Complete Film Works – Volume 5
Robert Frank The Complete Film Works fills a long overdue gap by presenting every one of Frank’s more than 25
films and videos, some of them classics of the New American Cinema of the 1950s and 60s.
This Song for Jack – 30 minutes – 1983

In 1982, a number of people gathered in Boulder, Colorado for a conference held at the Naropa Institute, a house in
the country. This meeting honoured the memory of Jack Kerouac. This Song for Jack depicts a reading held in the rain
from Kerouac’s “On the Road” for a group of six listeners. Frank demonstrates that art is a matter for a small circle,
and it is always, regardless of the specific situation, a form of mourning.
Ginsberg/Corso Reading – 8 minutes
Hunter – 37 minutes – 1989

An American visits Germany’s Ruhrgebiet. His name is Hunter, and he’s touring the area around Duisburg. A trave-
logue? Maybe. Somewhere between the Rhine and Ruhr rivers, in the country’s industrialized midwest, he meets
some locals. An ethnological project? Possibly. His attempts to establish contact with the people there are unsuc-
cessful. But he keeps trying to understand how someone can live in this area and cope with it. An essay? That too.
From: Hunter
Robert Frank
The Complete Film Works Volume 5:
This Song for Jack – 30 minutes – 1983

Ginsberg and Corso Reading – 8 minutes
Hunter – 37 minutes – 1989
Three DVDs in a film-roll box housed in a slipcase

€ 95.00 / £ 70.00 / US$ 140.00
ISBN 978-3-86930-043-6
48 49
Robert Frank
The Complete Film Works – Volume 6
Robert Frank The Complete Film Works fills a long overdue gap by presenting every one of Frank’s more than 25 films
and videos, some of them classics of the New American Cinema of the 1950s and 60s.
C’est vrai (One Hour) – 60 minutes – 1990

This film is a single-take of Robert Frank and actor Kevin O’Connor either walking or riding in the back of a mini-van
through a few blocks of Manhattan’s Lower East Side. At a first look it seems to be a spatial event capturing the
somewhat uncanny cosiness and intimacy of New York street life. But a closer look reveals how Frank recapitulates a
tradition of North American experimental cinema harping on the perpetual motion of the protagonist and/or the
camera. How much this is a tossed-off home movie about Frank’s neighbourhood and how much it’s a contrived
board game spread out over several city blocks remains an unanswered question.
Candy Mountain – 91 minutes – 1987

This film is about travelling, both in a physical and mythical sense, and about music. Julius (Kevin J. O’Connor) hears
about legendary guitar maker Elmore Silk, who disappeared some time before. He pretends to be acquainted with the
man and sets off to search for him.
Run / New Order – 3 1/2 minutes – 1989

Whenever there are aesthetic rules in force, Robert Frank ignores them. While making a music video for the famous
British band New Order in 1989 he simply refused to follow the usual guidelines. Although Frank did produce a three-
minute thirty-second film as called for in his contract, thereby providing a visual basis for New Order’s song “Run”, he
created images which contrasted starkly with the industry’s assumptions and presumptions. The type of film he made
was what the industry has the least possible use for. An anti-clip.
Robert Frank
The Complete Film Works Volume 6:
C’est vrai (One Hour) – 60 minutes – 1990

Candy Mountain – 91 minutes – 1987
Run/New Order – 3 1/2 minutes – 1989
Three DVDs in a film-roll box housed in a slipcase

€ 95.00 / £ 70.00 / US$ 140.00
ISBN 978-3-86930-044-3
50 From: Candy Mountain 51

Brigitta Burger-Utzer / Stefan Grissemann (ed.)

Frank Films – The Film and Video Work of Robert Frank
“I put my Leica in a cupboard. Enough of lying in wait, pursuing, sometimes catching the essence of the black and the
white, the knowledge where God is. I make films. Now I speak to the people in my viewfinder.” (Robert Frank)
Robert Frank turned to filmmaking at the end of the 1950s. Although he has made 27 films, the work is largely a well
kept secret. Frank approaches each film project as a new experience, challenging the medium and its possibilities at
every turn. He has amalgamated documentary, fiction, and autobiography, cutting across genres.
This book offers a visually unique approach to Frank’s films: only new stills taken from videotapes have been used and
they add up to a visual essay on Frank’s cinema that establishes an engaging dialogue with his photographic work.
Each film is introduced with detailed analysis, discussing the history and the aesthetics of Frank’s film work. An
interview with Allen Ginsberg provides an insider view. Together the texts and images offer an innovative and in-depth
approach to the oeuvre of one of the greatest and most restless artists of the 20th century.
Robert Frank was born in Zurich, Switzerland in 1924 and went to the United States in 1947. He is best known for his
seminal book The Americans (1958), which gave rise to a distinct new art form in the photo-book, and his
experimental film Pull My Daisy (1959) both reproduced by Steidl within The Robert Frank Project.
Brigitta Burger-Utzer is a founding member of sixpackfilm distribution, and since 1992 its managing director. In 2004
she founded the DVD-label INDEX together with Medienwerkstatt Wien.
Stefan Grissemann is the head of the cultural section of the weekly magazine “profil”. He has curated several cinema
retrospectives in Europe and published books on modern Austrian film.
Brigitta Burger-Utzer / Stefan Grissemann (ed.)

Frank Films – The Film and Video Work of Robert Frank
Edited and introduction by Brigitta Burger-Utzer

and Stefan Grissemann
Texts by Stefan Grissemann, Philip Brookman, Amy Taubin,
Bert Rebhandl, Thomas Mießgang, Kent Jones, Michael Barchet
and Pia Neumann
Book design by Karl Ulbl
272 pages with illustrations throughout
6.7 x 9.4 in. / 17 x 24 cm
Softcover
€ 32.00 / £ 27.00 / US$ 45.00
ISBN 978-3-86521-815-5
52 53
Manfred Paul
Still-Life Photographs 1983–1985
This series of still life photographs by Manfred Paul were produced while the GDR still existed. As photographs they
go beyond the general symbols of still life; they are time doubly frozen, as where the fish, leaves and branches at the
bottom of the lake have been frozen into a still-life photograph, as if petrified in clear ice before the first snowfall.
Things are abandoned, with apparent carelessness – a bunch of tulips in a glass vase wilts in infinite beauty, their
black-and-white sharpness emits an almost painful appeal against the transience and replaceability of the blooms. In
their irredeemable alienation they inevitably become a devotional mental image of human existence.
Manfred Paul was born in 1942 in Schraplau (former German Democratic Republic). After graduating from high
school he established a photo laboratory apprenticeship and worked as a photolab technician, before studying
photography and camerawork in Leipzig and Potsdam-Babelsberg. From 1983–1985 he made his first works using
an 18 x 24 cm plate camera. The nature morte series was produced. He lectured in photography from 1974–1994 at
the FWG Berlin, and was subsequently appointed Professor of Photography and Audiovisual Media at the FHTW
Berlin (1995–2007). He lives in Berlin.
Manfred Paul
Still-Life Photographs 1983–1985
Text by Eugen Blume

Book design by Cyan
64 pages
9.5 x 11.8 in. / 24 x 30 cm
32 photographs
Tritone
Clothbound hardcover with dust jacket
€ 38.00 / £ 32.00 / US$ 54.00
ISBN 978-3-86521-804-9
54 55
Joel Sternfeld
Walking the High Line
(New edition)
In the dark days following the September 11th attacks in New York in 2001, Joel Sternfeld came to Gerhard Steidl
with the hope of quickly making a book.
For the previous two years Sternfeld had been photographing an abandoned elevated railroad that ran down Manhattan’s
West side. He was working with a group, The Friends of the High Line, that wanted to save it and turn it into a park.
Powerful real estate and political interests seeking to tear it down and commercially develop the land beneath it were
using the chaos of the period to rush forward their plans.
Steidl agreed – six weeks later there were finished books in New York. It was a small volume but it played a crucial role
in allowing New Yorkers to see for the first time the beauty of a secret railroad in all the seasons. Like the photographs
made by William Henry Jackson in 1870’s of Yellowstone that led the Congress to establish a national park, the
pictures proved pivotal in the making of the High Line Park.
Long out of print, here is the original Walking the High Line and a new time line history of the railroad and its
transformation.
A major figure in the world of photography, Joel Sternfeld was born in New York City in 1944. He is the recipient of
numerous awards, including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award.
Sternfeld is the author of eleven books including, Sweet Earth, When it Changed, Oxbow Archive and iDubai
published by Steidl.
Joel Sternfeld
Walking the High Line
New edition with essays by Adam Gopnik

and John Stilgoe
Book design by Joel Sternfeld
and Gerhard Steidl
72 pages
10.2 x 8.5 in. / 26 x 21.5 cm
Four colour process
€ 28.00 / £ 25.00 / $ 30.00
ISBN 978-3-86521-982-4
56 57
Robert Polidori
Some Points in Between... Up Till Now
This book for the first time assembles images from Polidori’s major photographic series Beirut, Versailles, Havanna,
New Orleans and Pripyat and Chernobyl, giving an overall impression of his oeuvre.
Each of the series constitutes an experimental entity whose goal is to reveal something that no longer exists. They
reflect a particular world of memory, the relation between present and past, and delve deep into subjects of profound
historical significance. Juxtaposing human suffering, destruction and the magnificence born of man’s imagination,
these many-layered images provoke highly emotional reactions. In his soundings of reality, the artist creates a theatre
of absence, of commemoration.
Robert Polidori was born in Montréal in 1951 and lives in New York City. His work has been shown in Paris, Brasilia,
New York, Los Angeles and Minneapolis, among other places. A staff photographer of The New Yorker, Polidori
has received numerous honors, including a World Press Award for his coverage of the building of the Getty Museum
and two Alfred Eisenstaedt Awards for his work in Havana and Brasilia. His bestselling books Havana, Zones of
Exclusion – Pripyat and Chernobyl, After the Flood and Parcours Muséologique Revisité are published by Steidl.
Robert Polidori
Some Points in Between... Up Till Now
Essay by Paulette Gagnon

Book design by Katharina Staal
192 pages
9.8 x 11.8 in. / 25 x 30 cm
Four colour process
Softcover
€ 30.00 / £ 27.00 / US$ 45.00
ISBN 978-3-86521-994-7
58 59
Södrakull Mikael Olsson
Södrakull Frösakull
This book explores the heritage of Bruno Mathsson, one of Swedish modernism’s leading designers, through two of
his architectural works. In Frösakull – a house that Mathsson both designed and lived in – Mikael Olsson invaded,
colonised and interacted with the remains of the house. In Södrakull, on the other hand – a second house that
Mathsson designed and lived in – Olsson acted like a Peeping Tom, sneaking around the exterior of the house with his
camera. This unethical method of trespassing a private space reveals something even more unethical, namely the fact
that nobody, not even the Bruno Mathsson firm, took care of his property after his death. Frösakull was later sold,
fixtures, furniture and other possessions included, while Södrakull was refurbished and turned into a glossy and
artificial space. In Södrakull Frösakull Mikael Olsson has created a phenomenological interplay between presence
and absence, inner meaning and outer representation, turning the very notion of the human gaze inside out.
Mikael Olsson, born in Sweden, 1969, studied at The School of Photography at Gothenburg University and at the
Department of Architecture, Chalmers University of Technology in Gothenburg. He has exhibited widely in Sweden
and abroad.
Frösakull
Mikael Olsson
Södrakull Frösakull
Text by Beatriz Colomina, Helena Mattsson and Sinziana Ravini

Book design by Acne Art Department and Mikael Olsson
144 pages
10.2 x 9.8 in. / 26 x 25 cm
98 photographs
Four colour process
Hardcover
€ 42.00 / £ 36.00 / US$ 59.95
ISBN 978-3-86930-059-7
60 61
Anish Kapoor
Architectural Projects
Examining Kapoor’s architectural and engineering projects Anish Kapoor in Architecture is the first publication
dedicated to this body of the artist’s work.
In his Architectural work, as in his Sculpture, Kapoor examines notions of place and non-place, of space and non-
space whilst attempting to find new space.
This publication spans over twenty years of the artist’s architectural career and features internationally acclaimed
works such as Marsyas at Tate Modern, London 2002 and Cloud Gate, Chicago 2004, as well as unrealised works
and works in progress, such as the eagerly awaited subway stations for the city of Naples. A comprehensive survey of
over forty projects illustrated with initial sketches, drawings and architectural renderings, this is a rare insight into the
inner workings of a collaborative process.
Anish Kapoor was born in Bombay in 1954. He has lived and worked in London since the early 1970s, rising quickly
to prominence in the 1980s. Today, Kapoor is widely regarded as one of the foremost sculptors of his generation.
Representing Britain at the Venice Biennale in 1990, Kapoor was awarded the Premio Duemila Prize. In 1991 Kapoor
was awarded the Turner Prize.
Exhibition: Royal Academy, 26 September – 11 December 2009; Tour of Place No-Place, Anish Kapoor in
Architecture, British Council, 2009 ongoing; Anish Kapoor: Memory. Guggenheim New York, October 21, 2009 –
March 10, 2010; Israel Museum commission of ‘Hourglass’ sculpture, May 2010.
Anish Kapoor
Architectural Projects
Book design by Nick Hughes

300 pages
7.1 x 9.6 in. / 18 x 24.3 cm
500 photographs
Four colour process
Hardcover
Anish Kapoor: Impression of installed sea-mirror € 58.00 / £ 50.00 / US$ 85.00
ISBN 978-3-86521-999-2
62 63
24h Berlin
24 hours, from 6.00 a.m. until the next morning. Over one day photographers roamed Berlin. From the Bundestag to
a diner in a tough area, from the Holocaust Memorial to a high society soiree, they followed people through their day:
a rapper, a junk dealer, a rabbi, and a jailbird. Each photographer had an individual way of looking at the people and
their environment. Every one tried to touch on what it means to be in Berlin, what it feels like.
24h Berlin is a metropolitan symphony, composed of hundreds of pictures shot by 36 different photographers. Life in
one of Europe’s most vibrant cities has never been so broadly pictured before.
24h Berlin
Edited by Agentur Ostkreuz, Berlin

Book design by Sarah Winter
544 pages illustrated throughout
6.9 x 9.7 in. / 17.5 x 24.5 cm
Four colour process
Softcover
€ 24.00 / £ 27.00 / US$ 45.00
ISBN 978-3-86521-998-5
65
Kalliopi Lemos
Crossings
A sculptural trilogy about Europe’s fragile borders
Crossing, Round Voyage and At Crossroads are the names of the three monumental sculptures in public spaces
which Kalliopi Lemos created between summer 2006 and autumn 2009 in Athens, Istanbul and Berlin from the boats
of illegal immigrants. The sculptures are an artistic memorial to a repressed history of modern Europe, which after the
Cold War shifted its borders southwards and further eastwards. Europe has become a fortress, sealing itself off
against hundreds of thousands of asylum seekers from Africa, the Near and Middle East.
Ceuta and Lampedusa, Brindisi or the Canary Islands, with their reception camps and human disasters on the high
seas, are symbolic examples of the growing pressure exerted on Europe by this gigantic emigration. What the west-
ern public is less aware of, however, is that hundreds of refugees looking for asylum arrive every day on the beaches
of the countless Greek islands close to the Turkish border. Now, with her sculptural project of refugees’ boats found
on the beaches of Chios, sculptor Kalliopi Lemos has brought this problem into the public arena.
Kalliopi Lemos is a Greek artist who lives and works in London. She studied painting and printing at the Central Saint
Martin’s School of Art in London. Since 1998 Lemos has become systematically involved with sculpture. Recent solo
exhibitions include Drawings Exhibition at BM SUMA Contemporary Art Centre, Istanbul 2008, “Round Voyage”
installation at Santral Istanbul, Istanbul, 2007/08, and “Crossing” installation, Eleusis 2006/7.
In cooperation with Akademie der Künste, Berlin.
Kalliopi Lemos
Crossings
A sculptural trilogy about Europe’s fragile borders
Edited by Johannes Odenthal and Elina Kountouri

Bilingual German/English
200 pages
8.3 x 11.7 in. / 21 x 29.7 cm
120 photographs
Four colour process
Softcover
€ 33.00 / £ 29.00 / US$ 49.95
ISBN 978-3-86930-052-8
66 67
Koto Bolofo
Vroom! Vroom!
“Three generations – one vision” – with this slogan the company Dutton Ltd. presents their work on historical Bugatti
racing cars.
From 1909 to 1963 Bugatti, founded by Ettore Bugatti and based in Molsheim, Alsace, produced the most powerful
racing cars of the time. Today Ivan Dutton still wants to serve this legend: His twelve employees are able to reproduce
every original piece and to build whole cars using the old techniques.
Koto Bolofo visited the Bugatti garage in Buckinghamshire near London and he was fascinated. He gathered
impressions of the work in the spirit of the traditional industrial art, a spirit that the car industry lost some time ago. The
photographs of this over-sized book tell the story of the mechanics restoring the Bugatti vintage cars. With their
passion the people working at Dutton Ltd. are keeping an era of car racing alive.
Koto Bolofo was born in South Africa in 1959 and raised in Great Britain. Bolofo has produced short films and
photographed for such prestigious magazines as Vogue, Vanity Fair, Marie Claire and GQ. He has created advertising
campaigns for companies including Hermès, Burberry, Levi’s and Dom Pérignon amongst others. Bolofo lives in the
Vendée, France and his books with Steidl include Venus Williams, I spy with My Little Eye, Something beginning with S,
Grande Complication and the upcoming La Maison.
Koto Bolofo
Vroom! Vroom!
Book design by Koto Bolofo and Gerhard Steidl

96 pages
11.4 x 14.6 in. / 29 x 37 cm
84 photographs
Four colour process
€ 56.00 / £ 48.00 / US$ 80.00
ISBN 978-3-86521-961-9
68 69
Juergen Teller
Zimmermann
Reminiscent of his earlier publication Märchenstüberl, Juergen Teller’s new photographic series, Zimmermann,
documents the supermodel Raquel Zimmermann engaging in family events and interacting with Teller’s native
environment in Bubenreuth, Southern Germany. Staying true to his snapshot aesthetic but managing to portray what
he calls a ‘surreal fairytale’, Teller captures Zimmermann in a state of complete abandon, pictured lifelessly in the
woods, or lying semi-nude on the family table, a sacrificial offering forming part of a Bavarian feast.
A narrative akin to the gothic and dramatic style of a Grimm’s Fairy Tale, this story explores themes of suppressed
youth and teenage longing.
The work of Juergen Teller, born in Erlangen, Germany in 1964, has been published in influential international
publications and has been the subject of solo exhibitions including the Photographer’s Gallery in London, the
Kunstalle Wien and Fondation Cartier in Paris. In 2003 Teller was awarded the Citibank Prize and in 2007
represented the Ukraine in the 52nd Venice Biennale. Teller has produced numerous monographs with Steidl.
Slipcase Book
Juergen Teller
Zimmermann
Book design by Juergen Teller

and Peter Miles
56 pages
9.3 x 11.4 in. / 23.5 x 29 cm
Four colour process
Clothbound hardcover, housed in a slipcase
€ 45.00 / £ 39.00 / US$ 65.00
ISBN 978-3-86521-996-1
70 71
Juergen Teller
Deste Fashion Collection
Juergen Teller’s reputation for not separating his commercial fashion pictures, from his more autobiographical
artwork, is perhaps one of the reasons that contemporary art collector, Dakis Joannou – himself determined to find an
interesting way to fold fashion into his extensive contemporary art collection – elected Teller as guest curator for his
2008 ‘Fashion Capsule’. This is a collection of works, aiming to interpret the five movements that Teller considered
important in fashion, in 2008.
Starting with the unique, self-curated, anarchic collaborations of individuals such as Bjork and Bernhard Willhelm, to
the marriage of fashion with art as a commercial commodity; the use of celebrities in further promotion of fashion; the
dilution of ready to wear and couture for the high street market and ending with the missing heroes of fashion.
This catalogue of work is specific to Juergen Teller’s collaboration as one of the five guest curators chosen by Dakis
Joannou, which started in 2007 with M&M and has continued in 2009 with Helmut Lang.
The work of Juergen Teller, born in Erlangen, Germany in 1964, has been published in influential international
publications and has been the subject of solo exhibitions including the Photographer’s Gallery in London, the
Kunstalle Wien and Fondation Cartier in Paris. In 2003 Teller was awarded the Citibank Prize and in 2007
represented the Ukraine in the 52nd Venice Biennale. Teller has produced numerous monographs with Steidl.
Juergen Teller
Deste Fashion Collection
Book design by Juergen Teller and Peter Miles

24 pages
9.5 x 12.6 in. / 24 x 32 cm
Four colour process
Stapled brochure
€ 18.00 / £ 15.00 / US$ 25.00
ISBN 978-3-86930-039-9
73
Jeanloup Sieff
Les Indiscrètes
Unpublished Photographs by Jeanloup Sieff
Jeanloup Sieff was the complete photographer. He was gifted in every arena of the medium: fashion and advertising,
nude, reportage, portraits and landscape. Sieff claimed to be “superficial and droll,” without ever being very
convincing, and left a rich collection of works created from the 1950s until the turn of the 21st century before his
demise. He was a prodigiously productive artist and was often overtaken by the speed of the medium and his own
success, normally short of the necessary time to delve into his archive. Hence many of the works published in this
book have never been seen or previously published. With his characteristic sense of humour and light-hearted
approach he wrote: “my pictures are little black and white pebbles that I dropped on my way to adulthood, meant for
leading me back to my adolescence.”
Jeanloup Sieff was born in 1933 in Paris. His parents were of Polish origin. He died on September 20, 2000 from
cancer. As a fashion photographer, he worked for magazines such as Nova, Elle, Vogue, Twen, Jardin des Modes,
Harper’s Bazaar, Esquire, Glamour etc. As for advertising photography, one owes him credit for the picture of a naked
Yves Saint Laurent publicising his eau de toilette and for the memorable campaigns for Rosy lingerie, or Carel shoes.
He is the author of several books from J’aime la danse (1962) to Faites comme si je n’étais pas là (2000).
Jeanloup Sieff
Les Indiscrètes
Unpublished Photographs by Jeanloup Sieff
Edited by Patrick Remy, Barbara Rix and Valérie Servant

Introduction by Christian Caujolle
Book design by Sarah Winter
200 pages
9.4 x 11.8 in. / 23.8 cm x 30 cm
160 photographs
Tritone
€ 50.00 / £ 34.00 / $ 69.95
ISBN: 978-3-86521-460-7
74 75
Duane Michals
Duane Michals (b. 1932, McKeesport, Pa.) first made significant, creative strides in the field of photography during
the 1960s. In an era heavily influenced by photojournalism and its aesthetic, Michals manipulated the medium to
communicate narratives using a distinctive pictorial technique. The sequences, for which he is widely known,
appropriate cinema’s frame-by-frame format. Comprising single prints, each sequence depicts the unfolding of an
event or reveals various perspectives on a specific subject. Michals has also incorporated text as a key component in
his single and multipart works. Rather than serving a didactic or explanatory function, his handwritten text adds
another dimension to the images’ meaning and gives voice to Michals’s singular musings. Balancing fragility and
strength, gravity and humor, Michals’s work represents universal themes such as love, desire, memory, death, and
immortality.
Photo: Gerhard Steidl 77

Duane Michals
Photographs from the Floating World
Artists such as Degas, Whistler, and Toulous-Lautrec reinterpreted the Ukiyo-e aesthetic, the popular genre
of woodblock prints produced during the Japnaese Edo period’s “floating world” of sophisticated, urban culture
(c. 1620–1867). More than a century later, Duane Michals presents a modern and personal approach to this artistic
tradition. Inspired by the work of Bonnard, Vasarely, Vermeer, and Vuillard, Michals’s colour photographs fuse Eastern
and Western influences to present scenarios that blur the boundaries between fantasy and reality, and explore the
enigmatic, floating nature of contemporary life.
Although he has previously used colour film for commercial projects, “Photographs from the Floating World” marks
the first occasion that Michals has used colour in his personal work. Images from this series describe discrete
moments with the powerful brevity of Japanese haiku: a flower blossoms, a woman waits for someone, a man builds a
card house, a cat sees the ghost of his dead master.
Duane Michals, born in 1932 made significant, creative strides in the field of photography. In the 1960s, an era
heavily influenced by photojournalism and its aesthetic, Michals manipulated the medium to communicate narratives
using a distinctive pictorial technique. In 1970 the Museum of Modern Art, New York, hosted Michals’s first solo
exhibition. Since then his work has been widely exhibited and it has received numerous awards. Duane Michals lives
and works in New York City.
Duane Michals
Photographs from the Floating World
Book design by Duane Michals and

Katharina Staal
64 pages
9.5 x 6.3 in. / 24 x 16 cm
Four colour process
Softcover
€ 18.00 / £ 16.00 / US$ 27.50
ISBN 978-3-86521-986-2
79
Duane Michals
A Visit with Magritte
“If I indulge myself and surrender to memory, I can still feel the knot of excitement that gripped me as I turned the
corner into Rue Mimosas, looking for the house of Rene Magritte. It was August, 1965. I was thirty-three years old and
about to meet the man whose profound and witty surrealist paintings had contradicted my assumptions about
photography.”
This book records Michals’ visit with the great Belgian painter of inverse worlds and bizarre hybrid forms. Michals
invites the viewer to follow him on the exciting journey to the private sphere of an artist who at the time inspired and
intimidated him. The still lifes taken in Margritte’s house and the portraits of the inhabitants, Margritte and his wife, are
distant and intimate, private and representative, humorous and calm at the same time. They reflect the high respect
the man behind the camera felt for the subjects of his pictures.
Duane Michals
A Visit with Magritte
Book design by Duane Michals, Gerhard Steidl and Katharina Staal

64 pages
6.1 x 8.1 in. / 15.5 x 20.5 cm
Four colour process
Softcover
€ 18.00 / £ 16.00 / US$ 27.50
ISBN 978-3-86521-987-9
80 81
Duane Michals
Foto Follies. How Photography Lost its Virginity
on the Way to the Bank
“The announced demise of the decisive moment is premature.” Duane Michals
Duane Michals’s Foto Follies takes a satirical and humorous look at contemporary photography, art criticism and the
state of today’s art market. Whether parodying Wolfgang Tillmans or Thomas Ruff, Andres Serrano, Sherrie Levine, or
Cindy Sherman, Michals uses his ferocious wit, keen intelligence and great pictorial skill to create pictures that are
both humorous and penetrating, while taking aim at the pretensions that are often perceived as deliberately obscuring
contemporary art. Michals provides us with a grand parody that exemplifies his mastery of the visual world and the
written word.
Duane Michals
Foto Follies
How Photography Lost its Virginity on the Way to the Bank
Book design by Duane Michals and Claas Möller

96 pages
6.3 x 9.5 in. / 16 x 24 cm
Four colour process
Softcover
€ 22.50 / £ 15.00 / US$ 29.95
ISBN 978-3-86521-275-7
82 83
Jenny Holzer
“I show what I can with words in light and motion in a chosen place, and when I envelop the time needed, the space
around, the noise, smells, the people looking at one another and everything before them, I have given what I know.”
Jenny Holzer’s light projections have taken place across four continents, fifteen countries, and more than thirty cities.
From Mies van der Rohe’s Neue Nationalgalerie and Daniel Libeskind’s Jüdisches Museum in Berlin to I.M. Pei’s
Pyramide du Louvre in Paris, Holzer’s light events have worked in significant architectural spaces. Her projections
onto waves and mountains in Rio de Janeiro, the Seine and Arno rivers, the mountains and ski jump in Lillehammer,
and the Dune du Pyla, engage the natural landscape as quiet and affecting settings for reflection, laughter, and
exchange. Through a discerning selection of full page images printed in black and white, many the result of Holzer’s
longstanding, working relationship with the photographer Attilio Maranzo, this book tours projections over twelve
years. While the artworks themselves are transient, each image suspends the tension of the passing moment and
locates the beauty of experience within the frame.
For thirty years, Jenny Holzer has presented her work in public places and international exhibitions. Her medium, whe-
ther formulated as a T-shirt or as an LED sign, is writing, and the public dimension is integral to the delivery of her
work. Starting in the 1970s with the New York City posters, and up to her recent light projections, her practice has
rivaled ignorance and violence with humor and moral courage. Holzer received the Leone d’Oro at the Venice
Biennale in 1990 and the Public Art Network Award in 2004. She lives and works in New York.
Jenny Holzer
Book design by Collin LaFleche

136 pages
19 x 13.4 in. / 48.3 x 34 cm
81 photo plates
Quadrotone
€ 98.00 / £ 89.00 / US$ 145.00
ISBN 978-3-86521-937-4
84 85
Karl Lagerfeld
The Beauty of Violence
The Beauty of Violence is Karl Lagerfeld’s portrait of Baptiste Giabiconi acting out an erotic seizure of myriad facial
and corporeal expressions. Giabiconi is a theatrical chameleon: he hides coyly behind a lock of black hair, adopts a
Classical contrapposto pose, bunches his limbs vulnerably, and attempts to stuff his fist into his mouth. He
alternatively confronts the camera’s presence with a provocative sultry stare, or withdraws from it into a state of wilful
self-absorption. By teasing out the facets of Giabiconi’s athletic youth, Lagerfeld removes the threat of violence and
suggests its seductive, indeterminate beauty.
The Beauty of Violence is both the exploration of an intense persona and the latest chapter in Lagerfeld’s ongoing
photographic exploration of architectural forms made material by light – whether his subject be man-made structures,
landscape, or the human form.
Karl Lagerfeld, fashion designer, book dealer and publisher, began working as a photographer in 1987. He has
received the Lucky Strike Design Award from the Raymond Lewy Foundation, the cultural prize from the German
Photographic Society, and the ICP Trustees Award at the International Center of Photography’s Infinity Awards in
2007. His recent photographic exhibitions include ‘Konkret Abstrakt Gesehen’ at the Langen Foundation, Neuss; and
‘Metamorphoses of an American – A Cycle of Youth, 2003–8’ at Pace/MacGill, New York. Steidl has published most
of Lagerfeld’s photography books, including Casa Malaparte, Aktstrakt, A Portrait of Dorian Gray, Room Service,
Palazzo, Metamorphoses of an American, Chanel’s Russian Connection and others.
Karl Lagerfeld
The Beauty of Violence
Book design by Karl Lagerfeld and Gerhard Steidl

68 pages
11.4 x 14.6 in. / 29 x 37 cm
Tritone
Giant softcover in a stapled slipcase
€ 34.00 / £ 30.00 / US$ 50.00
ISBN 978-3-86930-046-7
89
Edition 7L
Concentration and Isolation
Concentration and isolation is what we need in an agitated world like ours and only
books can help us to achieve that. We should have two lives: one in the world of
books and one where we really live.
The first one can become the most pleasant one. It’s a kind of danger. Discovering
new books can be like discovering new worlds.
The essence of aesthetic apprehension is the relation between feelings and images
only books (illustrated books) can provide.
The meaning and appearance, the inner and outer meaning are based on this. The
appreciation of books should be relaxed and tranquil. It can give an expansion of one’s
real existence.
Books help us to go further. They can answer some central questions and push the
vehicle of our world-view. Kant formulated it in the following way: In a judgement of
taste (about the beautiful) the satisfaction in the object (here books) is imputed to
everyone…
Paul Jasmin
California Dreaming
“It is when I see their faces, that I long to photograph them. That is my fantasy life. They keep me dreaming.” Paul
Jasmin found some of the models through students at the college he teaches at in Pasadena and others are the
children of friends of him who he has watched grow into adults. With his pictures, he tries to capture the dreams his
subject harbour. Most of the photographs were shot in and around his apartment on Wilshire Blvd, Los Angeles, in a
building that William Randolph Hearst bought as a love-nest for Marion Davies.
The photographs translate both Jasmin’s emotional attachment to California, with its perfect weather, the pure light,
and the population of dreamers, and the inspiration he gets from spending his time with young people.
Paul Jasmin was born in Helena, Montana in 1935. He lives and works in Los Angeles where he teaches at the Art
Center College of Design in Pasadena, California. His previous book Hollywood Cowboy was published in 2002. He
is a regular contributor to L'Uomo, Vogue, Teen Vogue, W, Vogue Homme, Jane, and Interview.
Paul Jasmin
California Dreaming
Book design by Dimitri Levas

160 pages
8 x 10.5 in. / 20.3 x 26.7 cm
110 photographs
Four colour process
Hardcover
€ 45.00 / £ 39.00 / US$ 65.00
ISBN 978-3-86930-030-6
92 93
Another Art Book
The final in a series of three collectable books rediscovering the archives of AnOther Magazine, one of the world’s
most influential fashion magazines.
Another Art Book looks back on the ambitious artistic projects commissioned exclusively for the magazine’s pages
since 2001, bringing together some of the most iconic names in modern art including Jake & Dinos Chapman, Yayoi
Kusama, Hans Peter Feldmann, Yoshitomo Nara, Ernesto Caivano, Keith Tyson, Urs Fischer and Damien Hirst.
Opening an early copy of AnOther Magazine, readers were immediately confronted with ten pages filled with nothing
but art – be it Jake and Dinos Chapman’s twisted vision of the Holy Land Experience, a hypnotic sea of dots penned
by Yoyoi Kusama, or Damien Hirst’s bloody skulls and severed heads shot by David Bailey (deemed so shocking the
pages were sealed with glue). AnOther Magazine thereby subverted the expectations of readers accustomed to
finding a bank of advertising at the front of magazines.
Over the years the format has evolved, but AnOther Magazine’s unique connection with the art word continues. In
2007 Dress Art paired fifteen artists including Jeff Koons, Annie Morris and John Isaacs with fifteen designers from
Stella McCartney to Dolce & Gabbana, and challenged them to create fifteen unique dresses. The results brought
together the fields of fashion and art as never before – worlds which have since become inextricably linked.
Another Art Book follows Another Portrait Book and Another Fashion Book. The series is edited by Jefferson Hack
and designed by David James Associates.
Another Art Book
Edited by Jefferson Hack

Book design by David James
320 pages
9 x 11.8 in. / 23.2 x 30.2 cm
Four colour and black and white process
€ 56.00 / £ 48.00 / US$ 80.00
ISBN 978-3-86521-860-5
94 95
Digital + Analogue:
The Art and Science of Rockstar Games
U N R E L E A S E D B R A N D I N G C A M PA I G N B Y J E R E M Y B L A K E , 2 0 0 7 .
M A R K E T I N G A R T F O R M A N H U N T , 2 0 0 3 A N D G R A N D T H E F T A U TO I V , 2 0 0 8 .
R O C K S TA R G A M E S “ S T R E E T T E A M ” A R T, 2 0 0 5 . L O L L I P O P G I R L , G R A N D T H E F T A U TO I V, 2 0 0 8 .
96 97
P R E V I O U S LY A N N O U N C E D
Digital + Analogue:
Midnight Club The Art and Science of Rockstar Games
Grand Theft Auto Rockstar Games creates some of pop culture’s most provocative icons. The Rockstar
Games label, founded in 1998, is known for groundbreaking videogames with
unprecedented production values, style and depth with a dizzying range of techniques
Thrasher and media. Rockstar Games’ dedication to making the most extraordinary free-form
game play captured the enthusiasm of millions of fans around the world and continues
Manhunt to shock those too afraid to take control.
This ultimate slip-cased Rockstar Games monograph checks in at 33.3 x 28.3 cm, fea-
turing original illustrations, wireframes, production stills, product shots, ads, inspiration
The Warriors
and candids of the company’s games plus exclusive content on DVD. Hundreds of
colour photographs and never before published videoscapes, all culled from the
G R A N D T H E F T A U TO I V W I R E F R A M E , 2 0 0 8 .
Red Dead Revolver archives of the creators will acquaint readers with the vast areas within the games that
allow unparalleled freedom, and a unique experience every play.
Max Payne This enormous compendium celebrates a decade of Rockstar Games with spectacu-
lar artwork and detail drawings of stunning environments (the hoods, grand canyons,
asylums), death-defying tasks (races, executions, carjacks, drug runs), colourful sub-
Bully jects (bullies, smugglers, prisoners, hit men), and passersby with whom your charac-
ters interact, so that even a non-player may understand how exhilarating a Rockstar
Games experience can be. Characters switch perspectives and radio stations, navi-
Smuggler’s Run
gate through real time day-to-night changes and weather cycles, and participate in
society with total moral freedom – actions that the company’s founder and executive
Rockstar Games producer described as an “experiment in narrative.”
Presents:
Published to coincide with Rockstar Games’ tenth anniversary, every page reflects
Table Tennis
their spectacular aesthetic. It is the ultimate testament to the company’s history of sin-
gular moments – reinventing the boundaries of style and mischief in entertainment, and
G R A N D T H E F T A U TO : S A N A N D R E A S I L L U S T R AT I O N , 2 0 0 5 .
Red Dead setting a new standard for what is possible in the interactive arts.
Redemption
Rockstar Games
Digital + Analogue: The Art and Science of
Rockstar Games
Text by Rockstar Games

Book design by Rockstar Games
544 pages
13.1 x 11.1 in. / 33.3 x 28.3 cm
Four colour process
Clothbound hardcover housed in a slipcase
€ 98.00 / £ 89.00 / US$ 129.95
ISBN 978-3-86521-934-3
R E D D E A D R E D E M P T I O N S C R E E N S H O T, 2 0 0 9 .
98 99
S teid l & Par tn ers
Pace/McGill Gallery New York
Fondation Henri Cartier-Bresson Paris
Richard Gray Gallery Chicago
Galerie Stephan Witschi Zürich
City Gallery The Hugh Lane Dublin
Corcoran Gallery of Art Washington
Museum Ludwig Cologne
Photo: Koto Bolofo

Live Love Nicholas Nixon
Live Love Look Last
Live Love Look Last brings together photographs from the past decade of Nicholas Nixon’s artistic career. Each of the
subjects presented – Nixon’s family, couples, Boston cityscapes, and critically ill patients – originated as a project in
its own right. In retrospect, however, Nixon realized the four independent series collectively articulated his ten-year
photographic journey to honor and give form to the people and places that powerfully move him.
Each of Nixon’s photographs belongs to the realm of private experience. Capturing emotional and physical closeness
in both form and process, his images are visual renderings of life’s most intimate moments. Sincere and honest in his
approach, Nixon explores the relationships between individuals and their environment and how these bonds are
affected by life-changing events such as birth and death.
Live Love Look Last is Nixon’s means of gracefully and seamlessly shaping his last decade of work. For Nixon, it is the
supple nature of the medium of photography itself that enables such cohesion: “What you thought would be rigid and
cold, is as pliable as a violin bow.”
Since the 1970s, Nicholas Nixon has explored portraiture and documentary photography using a large format, 8 x 10
inch view camera to record his subjects with meticulous detail. He is the recipient of numerous awards and his work
can be found in museum collections worldwide. Nixon lives in Brookline, Massachusetts and has been a professor at
the Massachusetts College of Art in Boston.
Co-published with Pace/McGill Gallery, New York

Look Last
Nicholas Nixon
Live Love Look Last
Book design by Katy Holmes

148 pages
9.7 x 11.8 in. / 24.5 x 30 cm
Tritone
Hardcover
€ 35.00 / £ 30.00 / US$ 49.95
ISBN 978-3-86930-026-9
102 103
Robert Doisneau
From Craft to Art
Robert Doisneau (1912–1994) is one of the most important representatives of humanistic photography. For many
years he has been looked upon as the minstrel of picturesque Paris, with a charming eye and a unique sense of the
unexpected visual anecdote. As a result he has been championed as a poet of the "pure" moment. Doisneau's oeuvre
is however much deeper and complex than that reputation suggests.
Contemplating his work as a whole, one discovers Doisneau's pleasure in creating a language to capture the
treasures of everyday life. The sensitivity and naturalism of his approach slowly reveal themselves: his images of the
modest architecture of the Parisian suburbs for example display gravity, irony and even a degree of hard-heartedness.
The Fondation Cartier-Bresson has organized an exhibition of around 100 original prints from Doisneau's estate.
From Craft to Art, the catalogue for the upcoming exhibition, presents these treasures alongside a new version of
Jean-François Chevrier's essay, first published in 1983, which explores Doisneau's rare ability to capture "the shining
melancholy that separates an individual from the crowd".
Co-published with Fondation Henri Cartier-Bresson, Paris
Exhibition: Fondation Henri Cartier-Bresson, Paris, January 13 – April 18, 2010
Robert Doisneau
From Craft to Art
Text by Jean-François Chevrier and Agnès Sire

Book design by Gerhard Steidl and Sarah Winter
160 pages
6.7 x 9.5 in. / 17 x 24 cm
Tritone
Hardcover
€ 35.00 / £ 30.00 / US$ 50.00
ISBN 978-3-86930-025-2
104 105
Jim Dine
Old Me, Now
Staring in the evening with rubbed out charcoal eyes. Eyes that see thru the mirror and can read my mind through the
marks my hand has made. Over time, the left one has behaved as if it knows what to say, at least it seems to get the first
inklings of the form correctly. I was seventy-four in June and can make up for what isn’t perfectly clear from me to me,
speaking about all the experiences I’ve had and felt in as many particular qualities and features that register on my retina.
Age talks about how long a person has existed. These self-portrait drawings are about how many times, I’ve regarded
my face minutely and have corrected and erased to get the feeling I want to show most accurately. I now am able, after
all this looking, to enlarge my head to become a field of form and chatter and for it to be compared to a vast forest or
a limestone quarry, for instance.
Finally, lying is not an option nor is decoration. I am committed to setting the record straight. Don’t worry, I will.
Jim Dine, Göttingen, Germany

2009, August
Jim Dine was born in Cincinnati, Ohio in 1935. His art has been the subject of numerous individual and group shows
and is in the permanent collections of museums around the world.
Co-published with Richard Gray Gallery, Chicago
Jim Dine
Old Me, now
Book Design by Jim Dine and Jonas Wettre

Photos by Gerhard Steidl
64 pages
5.8 x 8.3 in. / 14.8 x 21 cm
Four colour process
Softcover
€ 14.00 / £ 11.00 / US$ 19.95
ISBN 978-3-86930-038-2
106 107
Urs Marty
This book encompasses the extraordinary oeuvre of Urs Marty. These largely unpublished photographs depict various
strata of society and range from travel impressions and conceptually structured picture series, to his ubiquitous for-
ays into red-light districts. Marty is never the distanced voyeur, rather he is an accomplice, if not a confidant of his
subjects, who he depicts in close-up without artifice, as disenchanted yet dignified figures. Marty captures people
and situations with the same cool precision as one might depict architecture or landscape, while never ignoring the
emotional tone of the moment.
Urs Marty was born in Altdorf, Switzerland in 1942. After preliminary artistic studies in Luzern, he trained as a commer-
cial photographer. Following an intensive period working for the advertising and industrial sectors, Marty was appoint-
ed as the inaugural lecturer in photography at Luzern’s School of Design in 1968. During this time, his own artistic work
also began to take shape. Working up until his untimely death in 2003, Marty has amassed a rich oeuvre of lingering
fascination.
Co-published with Galerie Stephan Witschi
Urs Marty
Text by Max Wechsler

Book design by Peter Zimmermann
272 pages
9.5 x 10.6 in. / 24 x 27 cm
Tritone
€ 45.00 / £ 39.00 / US$ 65.00
ISBN 978-3-86930-041-2
108 109
Barbara Dawson (ed.)
Francis Bacon – A Terrible Beauty
In celebration of the centenary of Bacon’s birth, Dublin City Gallery The Hugh Lane organised the first exhibition to
concentrate on the methods, materials and processes through which this major artist achieved his paintings. The
exhibition draws on the vast archive of material archaeologically retrieved from Bacon’s studio and housed in Dublin.
The accompanying catalogue will present new scholarship and insights, with texts by Rebecca Daniels, Barbara
Dawson, Marcel Fincke, Martin Harrison, Jessica O’Donnell, Joanna Shepard and Logan Sisley.
Exhibition: Dublin City Gallery The Hugh Lane, October 28, 2009 – March 6, 2010
Co-published with City Gallery The Hugh Lane, Dublin
Barbara Dawson (editor)

Francis Bacon - Terrible Beauty
Text by Martin Harrison

Book design by Tony Waddingham
224 pages
6.7 x 9.5 in. / 17 x 24 cm
Softcover
€ 24.00 / £ 19.00 / US$ 34.95
ISBN 978-3-86930-027-6
110 111
Martin Harrison (ed.)
Francis Bacon – New Studies
Centenary Essays
Nine original and stimulating essays will celebrate the centenary of the birth of one of the greatest painters of the
twentieth century, Francis Bacon (1909–1992). Since the artist’s death his enigmatic paintings have inspired new
thinking and methods of interpretation, and these essays, written by leading scholars from throughout the world,
reflect an impressively wide and rich range of approaches.
With essays from Darren Ambrose, Rebecca Daniels, Hugh M. Davies, Marcel Finke, Martin Harrison, Andrew R. Lee,
Brenda Marshall, David Alan Mellor, Joanna Russell and Brian Singer.
Martin Harrison was the author of In Camera: Francis Bacon (Steidl, 2005), and has contributed essays to several
Bacon retrospective exhibition catalogues. He is editor of the forthcoming Catalogue Raisonné of the Paintings of
Francis Bacon.
Martin Harrison (ed.)

Francis Bacon – New Studies
Centenary Essays
Book design by Martin Harrison

272 pages
7.7 x 10 in. / 19.5 x 25.5 cm
Four colour process
Hardcover
€ 49.50 / £ 44.00 / US$ 58.00
ISBN 978-3-86521-946-6
112 113
Philip Brookman (ed.)
Helios: Eadweard Muybridge in a Time of Change
Helios: Eadweard Muybridge in a Time of Change offers a unique opportunity to trace the life and complex art of the
19th century photographer. This book places his entire body of work – both artistic and technical – in the context of
one of the most transformative periods of American and European history. Published to accompany a retrospective
exhibition organized bythe Corcoran Gallery of Art, this catalogue includes essays by Philip Brookman, Marta Braun,
Corey Keller, and Rebecca Solnit that investigate a variety of new ways to understand and interpret Muybridge’s art
and influences. Born in England, Eadweard J. Muybridge (1830–1904) moved in his early twenties to the United
States, where he was soon drawn to the dramatic Western landscape. After a stagecoach accident, during a long
convalescence in England, he learned photography. Returning to San Francisco in 1867, he soon earned his
reputation photographing both the landscape and urban development of the West. Muybridge is best known for this
inventive work and his massive atlas of stop-action motion studies, Animal Locomotion, first published in 1887.
Exhibition: April 10 – July 18, 2010 at the Corcoran in Washington, D.C; September 13, 2010 – January 16, 2011
Tate Britain, London; February 26 – June 7, 2011 San Francisco Museum of Modern Art (SFMoMA).
Co-published with Corcoran Gallery of Art, Washington
Philip Brookman (ed.)

Helios: Eadweard Muybridge
in a Time of Change
Text by Philip Brookman,

Rebecca Solnit, Marta Braun,
and Corey Keller
Book design by Steidl
300 pages
11 x 8.5 in. / 27.9 x 21.6 cm
200 photographs and illustrations
Tritone
Hardcover
€ 56.00 / US$ 80.00
No UK and Irish rights
ISBN 978-3-86521-926-8
114 115
Bodo von Dewitz (ed.)
Political Images – Soviet Photographs
Daniela Mrázková Collection
Many artists of the Russian avant-garde wholeheartedly embraced the Revolution as the triumph of a new
socialist order. At the same time, they also assigned a special role to photography in the erection of a new society.
The camera was confirmed as the ideal technical instrument for social reconfiguration and for the education of
the population in an entirely altered way of life. The leaders of this movement developed all-encompassing
programmes for the enlistment of photography to replace traditional perception with a new vision. Whereas this
innovative potential of photography had developed rather freely during the 1920s, it was later exploited for
propaganda. After 1936, all artistic work was absolutely subject to directives of the Party and the wishes of the
dictator Stalin.
Daniela Mrázková assembled her unique collection of 234 original photographs by Arkadii Shaikhet, Georgii
Zel’ma, Boris Ignatovich, Maks Al’pert, Georgii Petrusov and Aleksandr Rodchenko during the Cold War, to give
a voice to “the other Soviet Union”. The pictures in this collection comprise a representative section of the era’s
photography, yet they also reflect the unstoppable slide into the abyss of Stalinist despotism. Museum Ludwig,
Cologne, bought the collection from Daniela Mrázková in 2008 and is now presenting it within this catalogue.
Exhibition: Museum Ludwig, Cologne October 23, 2009 – January 31, 2010
Co-published with Museum Ludwig, Cologne
Bodo von Dewitz (ed.)

Political Images – Soviet Photographs
Daniela Mrázková Collection
Book design by Cordula Lebeck

240 pages
9.5 x 11 in. / 24 x 28 cm
234 photographs
Four colour process
Softcover
€ 35.00 / £ 30.00 / US$ 50.00
ISBN 978-3-86930-053-5
116 117
ICP
t /STEIDL
Photo: Koto Bolofo

James Welling
Light Sources: 1992–2005
“Like much of Welling’s work Light Sources taps into memories and emotions in the viewer, about darkness, strange
places, and the wonder of that which attracts us for reasons unknown. It is a trope for the seductions of the quickly
glimpsed, the half remembered, the partially understood, qualities that Welling wants to hold up, examine, and admire
without piercing the fragile surface of their own fugitive grace.” Carol Squiers, Artforum, 1998
American artist James Welling creates work which challenges the technical and conceptual bounds of photography.
In his abstract photographs of the 1980s he usually employed simple materials, like crumpled aluminum foil, draped
fabric and pastry dough. Then in 1992 he began the series Light Sources, an open-ended accumulation of diverse
portraits, landscapes and interiors. All these photographs indirectly refer to the process of perception and while many
of the objects literally transmit light, the series acknowledges that everything we see reflects light and is also a source
of light.
James Welling was born in 1951 and raised in Hartford, Connecticut. After studying sculpture at Carnegie-Mellon
University from 1969–1971, Welling transferred to the California Institute of the Arts, where he worked primarily in
video. In 1978 he moved to New York and began taking abstract photos of aluminum foil. His work has appeared in
over sixty solo and group exhibitions, and is currently represented in many public collections, including those at
Museum of Modern Art, New York; Metropolitan Museum of Art, New York; and Whitney Museum of American Art,
NY, among others. Welling is the recipient of a National Endowment for the Arts Fellowship. He has taught at the
Massachusetts Institute of Technology and at the University of California, Los Angeles. Since 1995 Welling has lived
in Los Angeles, where he is area head of photography in the Department of Art at UCLA.
James Welling
Light Sources: 1992–2005
Book design by James Welling and Michael Mack

144 pages
7.5 x 10.2 in. / 19 x 26 cm
60 photographs
Tritone
€ 40.00 / £ 36.00 / US$ 55.00
ISBN 978-3-86521-859-9
120 121
Martina Hoogland Ivanow
Far Too Close
Far Too Close is a visual meditation on distance, both physical and emotional, of closeness to a subject and
remoteness from a place. Applying a dark mesmerizing aesthetic which conveys in her images a heightened presen-
ce as real as it is poetic, Martina Hoogland Ivanow interweaves family portraits and interiors of home with landscapes
of some of the most remote and far flung locations at the very ends of the Earth. Over seven years she travelled to
Siberia, Sakhalin Island north of Japan, Tierra del Fuego on the southern tip of Argentina, and the Kola Peninsula in
Russian Lapland. Each of these places has its own dark history and has been the focus of dispute and discontent.
Combined with photographs of her own community, a literary tale emerges which shifts from disturbing to familiar and
is about the very nature of photography, its capacity to relate history and emotion from afar and nearby.
Martina Hoogland Ivanow, born in Stockholm, Sweden in 1973, studied photography in Paris and New York. Her
photographs have been featured in Another Magazine, Dazed & Confused, Big magazine, Blindspot and exhibited at
Moderna Museet (Stockholm), The Barbican and The Victoria & Albert Museum (London), Brandts Museet for
fotokunst (Denmark). She currently divides her time between Stockholm and New York.
Martina Hoogland Ivanow

Far Too Close
Book design by Nick Hughes

80 pages
11.8 x 9.8 in. / 29.7 x 25 cm
40 photographs
Four colour process
€ 40.00 / £ 36.00 / US$ 55.00
ISBN 978-3-86521-735-6
122 123
Colin Gray
In Sickness and in Health
Colin Gray began to take photographs of his parents in the 1960s when he was 5 years old. At family occasions,
holidays and celebrations Gray would be allowed one shot from the single roll of film in a square box Brownie Twin.
Over the next three decades he has accumulated an extensive body of work documenting his parents loving, working,
homemaking and playing.
In Sickness and in Health forms the final stages of The Parents series. Begun in 2000, it shows his parent’s
deterioration and, ultimately, his mothers’ death. The hospital and church visits became more frequent, the ailments
more serious, the drugs regime ever more complex. Whilst his father struggled with his new role as a carer, Gray
found that his photographs helped make sense of the deterioration and loss he was experiencing. Having reached the
age his parents were when he started the project, Gray now sees their history in his own future.
Colin Gray, born Hull, England in 1956, studied photography at the Royal College of Art, London, and lives and works
in Glasgow. He has exhibited worldwide including shows at Kunsthal, Rotterdam; Encontros da Imagem, Braga,
Portugal; House of Photography, Prague; Australian Centre for Photography, Sydney. Gray has appeared in
numerous publications.
Exhibition: Street Level Photoworks, Glasgow, Scotland from November 14 to December 23, 2009
Colin Gray
In Sickness and in Health
Text by Colin Gray

Book design by Joby Ellis and Colin Gray
96 pages
6.3 x 7.8 in. / 16 x 20 cm
63 photographs
Four colour process
€ 40.00 / £ 36.00 / US$ 55.00
ISBN 978-3-86521-940-4
124 125
Salvador Dalí
Dalí Dalí featuring Francesco Vezzoli
Salvador Dalí and Francesco Vezzoli played, and play, with the semantics of personality, money, media and fame, and
the concept of art. By combining Dalí with Vezzoli, this book connects one of the most important artists of the 20th
century with the contemporary art scene, in which Dalí’s excesses are surpassed by other artists in many respects.
Salvador Dalí’s oeuvre is presented to a new generation by looking at it from a new, contemporary angle, for example
by viewing his works from a gender perspective. During recent years it has become evident that Dalí was an influential
predecessor to what Andy Warhol and Pop Art developed in the 1960s. Dalí Dalí featuring Francesco Vezzoli gives a
new understanding of how Dalí, with his desire to merge the art and the performer, was a forerunner to the close
relationship between the media industry and the artists of today.
Francesco Vezzoli was born 1971 in Brescia, Italy. Celebrity is the medium of his work. In such recent videos as
Trailer for a Remake of Gore Vidal’s “Caligula” (2005), Marlene Redux: A True Hollywood Story! (2006), and
Democrazy (2007), he has appropriated various formats of mass media – the movie trailer, the behind-the-scenes
exposé, the political advertisement – and populated them with an extraordinary cast of Hollywood actors and other
celebrities, establishing himself as a master parodist of our media-saturated culture.
Exhibition: Moderna Museet, Stockholm September 19, 2009 to January 17, 2010
Co-published with Moderna Museet, Stockholm
Salvador Dalí
Dalí Dalí featuring Francesco Vezzoli
Edited by John Peter Nilsson

Texts by John Peter Nilsson, Caroline Corbetta,
David Lomas, Hal Foster
Book design by Banker Wessel / Munch
256 pages
8.5 x 11 in. / 21.7 x 28 cm
200 plates
Four colour process
Softcover
€ 48.00 / £ 43.00 / US$ 65.00
ISBN 978-3-86521-936-7
126 127
Luc Tuymans
Against the Day
Belgian artist Luc Tuymans is one of the most respected painters of his generation. The exhibition Against the Day, is
a series of twenty new paintings which focus on virtual reality, illusions and fantasies. The title Against the Day is
adopted from the book with the same title by Thomas Pynchon, who introduced paranoia to American literature.
Tuymans, convinced that original pictures do not exist, has called his paintings “authentic forgeries”, and his paintings
are often based on already existing drawings, photos, found images, stills from films, etc.
Luc Tuymans was born 1958 in Mortsel, Belgium, and now lives and works in Antwerp. His work can be found in
several prominent international museums. Often Tuymans will study one subject at length and spread it over several
paintings. The Second World War, Belgium’s colonial history, historical figures, extreme right parties in Flanders and
catholic brotherhoods have all received a place in his works. In 2004 he was the first living Belgian to have a
retrospective exhibition in the Tate Modern in London. Luc Tuymans is represented by Zeno X Gallery in Antwerp, and
by David Zwirner in New York.
Exhibition: Moderna Museet Malmö December 26, 2009 – April 25, 2010. The exhibition is produced in co-
operation with Wiels Center for Contemporary Art in Brussels.
Co-published with Moderna Museet
Luc Tuymans
Against the Day
Text by Magnus Jensner and Gertrud Sandqvist

Book design by Patric Leo
96 pages
8.5 x 11 in. / 21.7 x 28 cm
20 images
Four colour process
€ 38.00 / £ 33.00 / US$ 55.00
ISBN 978-3-86930-047-4
128 129
The Collection of Helga and Walther Lauffs
This two-volume catalogue documents the collection of Helga and Walther Lauffs, one of Europe’s most important
private collections of twentieth century post-war art, comprising key examples of Pop Art, Arte Povera, Minimalism,
Post-Minimalism, and Conceptual Art.
The Lauffs built their collection over the course of the late 1960s through the 1970s with the guidance of curator and
art historian Paul Wember, who was known for the visionary program of contemporary art that he developed as the
director of the Kaiser Wilhelm Museum in Krefeld between 1947 and 1975. In its vision and scope, which is made
evident by the rigorous and broad selection of the art of their times, they succeeded in building a collection that
bridges the gap between European and American artistic sensibilities. Their collection provides a singularly focused
overview of art produced around the 1960s and 1970s, offering connections among its diverse artworks, while
pointing forward to the work of successive generations of artists.
In two fully-illustrated volumes, the catalogue incorporates over 100 color plates, with newly-commissioned
scholarship and extensive research and documentation on the works in the collection, including important works by
Joseph Beuys, Mel Bochner, Lee Bontecou, Christo, Joseph Cornell, Hanne Darboven, Jan Dibbets, Lucio Fontana,
Eva Hesse, Donald Judd, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, John McCracken, Mario
Merz, Robert Morris, Bruce Nauman, Louise Nevelson, Claes Oldenburg, Giulio Paolini, Michelangelo Pistoletto, Fred
Sandback, George Segal, Richard Serra, Richard Tuttle, Cy Twombly, Günther Uecker, Tom Wesselmann, and
Douglas Wheeler, among other key artists of the twentieth century.
This clothbound, slipcased edition will be published following a series of major exhibitions drawn from the Lauffs Collection
in the Spring and Fall of 2008 at Zwirner & Wirth and David Zwirner, New York, and Hauser & Wirth, Zurich.
Co-published with Zwirner&Wirth, New York
The Collection of Helga and Walther Lauffs
Text by Jeffrey Weiss

Book design by Steidl Design
Volume 1: 266 pages with
125 photographs
Volume 2: 150 pages
11 x 12.5 in. / 28 x 31.8 cm
Four colour process
Two hardcover volumes
housed in a slipcase
€ 98.00 / £ 88.00 / US$ 145.00
ISBN 978-3-86521-850-6
130 131
Zwirner&Wirth
Ten Years
In 2000, David Zwirner and Iwan Wirth opened Zwirner & Wirth, a gallery on the Upper East Side of Manhattan which
they jointly operated for roughly a decade. Zwirner & Wirth differed from their respective primary market galleries
(David Zwirner, New York and Hauser & Wirth, London and Zurich) in its focus on private sales in the secondary
market and the development of a historically-researched exhibitions and publications program devoted to the work of
modern and contemporary masters.
The ten-year collaboration yielded a series of extraordinary, critically acclaimed exhibitions, including Gerhard
Richter: Early Paintings (2000); Bruce Nauman (2001); Martin Kippenberger (2002); Cy Twombly: Letter of
Resignation (2002/2003); Fred Sandback (2004, 2006/2007, and 2009); Marlene Dumas (2005); Claes
Oldenburg: Early Work (2005); David Hammons (2006); Joseph Beuys: Sculpture and Drawing (2007); and Dan
Flavin: the 1964 Green Gallery exhibition (2008).
Zwirner & Wirth Ten Years will commemorate the history of the gallery, documenting the exhibitions the two gallerists
have organized together over the past decade. Filled with color plates of individual artworks and archival installation
views of exhibitions, this publication will present outstanding examples of Modern and Contemporary artistic
practices, featuring Pop, Minimalism, Conceptual Art, and other key movements in the history of 20th Century art by
artists as varied as Alice Neel, René Magritte, Marcel Duchamp, Lucio Fontana, Piero Manzoni, Roy Lichtenstein,
Andy Warhol, Sigmar Polke, Gerhard Richter, Franz West, Georg Baselitz, Lee Bontecou, Donald Judd, Eva Hesse,
Sol LeWitt, Gordon Matta-Clark, Blinky Palermo, and Richard Serra, among others.
Co-published with Zwirner&Wirth, New York
Zwirner&Wirth
Ten Years
Book design by Simon Johnston

224 pages
10 x 11 in. / 25.4 x 27.9 cm
Four colour process
€ 35.00 / £ 30.00 / US$ 49.95
ISBN 978-3-86930-031-3
133
Guy Bourdin
In Between
edited by Shelly Verthime
Guy Bourdin’s vivid, narrative-infused work placed him at the vanguard of fashion photography for a career that
spanned four decades. From his first provocative editorial feature in 1955, capturing haute couture alongside
butchered cow heads, Guy Bourdin pushed the limits of fashion photography into foreign territory.
In Between delves into that career, charting the course of his artistic development from the 1950s into the 1980s with
over 200 exceptional images in black and white and color. This monograph reassembles many of the original editorial
layouts as they were published in magazines such as French Vogue, British Vogue, and Harper’s Bazaar, offering a
new and illuminating critical context in the process. Guy Bourdin tailored his compositions to the constraints of the
printed page both conceptually and graphically, and the mirror motif so central in his work finds its formal counterpart
in the doubleness of the magazine spread. Layout and design become powerful metaphors for the photographic
medium, engaging the eye and with it, the mind.
In Between was conceived and edited by Shelly Verthime, whose unflagging devotion and research have resulted in
an unparalleled familiarity with the photographer’s oeuvre. It is the second publication in Steidldangin’s Guy Bourdin
library. A Message For You, published in 2006, explored the author’s collaboration with model/muse Nicolle Meyer in
the form of an exquisite, two-volume coffret. With In Between, Steidldangin offers a roll-up-your-sleeves guide to his
visual vocabulary.
Guy Bourdin (1928-1991) was born in Paris. A painter his entire life and a self-taught photographer, he exhibited his
first photographs at Galerie 29 in 1952. His work is exhibited in the most prestigious museums, such as The Victoria
& Albert Museum, The Jeu de Paume, The National Art Museum of China, The Tokyo Metropolitan Museum of
Photography and The Moscow House of Photography.
Guy Bourdin
In Between
Edited by Shelly Verthime

Book design by Shelly Verthime and Pascal Dangin
272 pages
11.6 x 7.6 in. / 29.5 x 19.4 cm
400 photographs
Four colour and black and white process
Hardcover
€ 55.00 / £ 50.00 / US$ 80.00
ISBN 978-3-86930-033-7
134 135
Jean Pigozzi
Tom Ford
Vanity Fair Oscar Party, 2004
Steven Spielberg and Princess Olga of Greece

Bette Midler
Catalogue Déraisonné
Following Page:
2 Cigarettes
International man of business and flâneur Jean Pigozzi has spent the better part of the past three decades cultivating
a frank and humorous taxonomy of the world around him. The camera is an extension and defining element of his
identity wherever he goes, and with it Pigozzi creates an unusual brand of high-society portraiture that speaks to his
penchant for celebrating life rather than exposing celebrity secrets.
The fourth monograph of his work, Catalogue Déraisonné, is a thoughtfully irreverent review of his recent pho-
tographic finds. This compact volume resonates with a cast of eccentric, occasionally glamorous characters caught
in the off-the-cuff arrangements of reportage. Constantly on the move, Pigozzi is marked by his dual status as insider
and outsider, and he grants us an in-depth look at an inaccessible world.
The infamous Pigozzi & Co. series that began in the 70s—which turned the typical conception of the outsider
paparazzo on its head by including the artist alongside his subjects—has given way to candid portraiture and quieter
moments observed out of the limelight. These images recall the golden era of 1930’s and 40’s society portraiture,
when photographers were the seeing eyes of the cultural elite. Catalogue Déraisonné shares in this tradition, part
personal diary but also cultural archive. With each candid image, we come to understand Pigozzi’s obsessive need to
classify the people and places in his life. This publication is part of his effort to catalogue each moment as he lives it,
his most recent contribution to a growing repository of collective memory.
Jean Pigozzi was born in Italy in 1952 and began photographing in the 1960s. An avid contemporary art lover and
subsequent collector, he currently owns the largest collection of contemporary African art in the world. His own work
was first exhibited in 1974 at the Musée d’Art Moderne in Paris. Last year, the Helmut Newton Foundation in Berlin
exhibited his images under the title ”Pigozzi and the Paparazzi.”
Michael Stipe, Michael Douglas and Family

At a Dinner Party, 2006
Pamela Page, 4 apples

JP’s House, 2005
Through the Looking Glass

Unknown Party, 2003
Jean Pigozzi
Catalogue Déraisonné
Book design by Pascal Dangin

400 pages
9.3 x 11.3 in. / 23.6 x 28.6 cm
650 photographs
Tritone
Hardcover
€ 58.00 / £ 52.00 / US$ 80.00
ISBN 978-3-86930-034-4
136 137
How to make a book with Steidl
Those who visit us in Göttingen to make a book – and a new guest arrives almost daily from a different corner of the
world – are led through the labyrinthine levels of Düstere Strasse 4. Here they discover something one doesn’t see
everyday: a complex workflow of book production, from initial idea to freshly printed sheets of paper. All under one
roof. But not just anyone can walk in off the street – we are not a museum but a living and breathing printing and
publishing house. For the past forty years our goal has been to produce books of the best quality for our
photographers, artists and authors. And so at this point in time we thought we might take a step back: to take stock of
where we are and where we are heading. In the following pages you will discover multiple projects that show, each in
its own way, how our books come into being – how diverse people and machines create objects designed to outlast
them both.
All the staff at Steidl: Hendrik Anders, Florian Beisert, Hinnerk Boldt, Julia Braun, Klaus Breyer, Günther Brille, Michael
Cerny, Heinrich-Michael Degenhardt, Bernard Fischer, Heinrich-Michael Gerhold, Claudia Glenewinkel, Carsten
Goltzsch, Max Grohs, Christian Hagemann, Arne Halm, Hilde Hebestreit, Frank Hertel, Melanie Heusel, Bettina Hoppe,
Eberhard Joost, Catharina Koller, Judith Lange, Axel Legantke, Jan Menkens, Rolf-Heinrich Meyer, Reiner Motz, Andreas
Nickel, Monte Packham, Achim Paul, Günther Rohde, Heiko Schaper, Rüdiger Schellong, Thomas Scherp, Marc
Schmidt, Ines Schumann, Katharina Staal, Jan Strümpel, Mario Thomas, Alexander Töpfer, Robert Walther, Matthias
Wegener, Jonas Wettre, Duncan White, Sarah Winter, SteidlMack, London: Pedro Alfacinha, Nick Hughes, Michael
Mack, Sherman McMinn, Roman Marcinek, Steidl, Paris: Patrick Remy
Koto Bolofo
I Spy with My Little Eye, Something beginning with S
In the age of digital photography, Koto Bolofo is an old-school photographer who still uses an analogue camera. With
his patient, thoughtful approach to photo-documentation, his pictures celebrate objects and people in a humble,
uncluttered way. Over a period of two months, Bolofo explored the corridors of Steidlville in Göttingen with the aim of
creating a portrait of the printing and publishing house more personal than the photojournalistic series that have been
made in the past. He achieved this by focusing on often overlooked everyday details such as smeared rubber gloves,
tubs of ink and scraps of paper in a wire basket, and by photographing those who work at Steidl in settings and poses
chosen by the sitters themselves. I Spy with My Little Eye, Something beginning with S is Bolofo’s homage to the
craftsmanship and creativity of bookmaking.
Vendée, France and his books with Steidl include Venus Williams, Vroom! Vroom!, Grande Complication and the
upcoming La Maison.
Koto Bolofo
I Spy with My Little Eye, Something beginning with S
With a text by Koto Bolofo

146 pages, one gatefold
11.4 x 14.6 in. / 29 x 37 cm
Four colour process
Hardcover
€ 35.00 / £ 30.00 / US$ 49.95
ISBN 978-3-86930-035-1
141
Monte Packham
Concentric Circles
A Chronicle of Steidl Publishers
Robert Frank “Gerhard’s like a Communist. You have to go into the salt mines with him. If you’re willing to go there then you’re like
Paris, 10 March 2009
brothers in arms and he’ll do what needs be.” Robert Polidori
Robert Frank and his wife June Leaf have returned to their hotel, a stroll from the Place de la
Madeleine. They have spent the afternoon walking along the Canal Saint-Martin with their friend Concentric Circles chronicles the time between 26 August 2008 and 27 January 2009 at Steidl Publishers. The book
François-Marie Banier. Frank, eighty-four, and Leaf, seventy-nine, are weary though alert, and is the first to document the printing and publishing house, and is a window into the processes, experiences and bustle
pleased to be back in their hotel room, where Banier and Steidl have joined them. of Düstere Strasse 4, Göttingen.
Frank and Steidl sit next to one another on the edge of the bed, leafing through a maquette of a Comprising a log of hundreds of entries, Concentric Circles retells and records events as they unfolded in their un-
book of stereo-photographs by Henry Frank, Robert’s father. These images have been scanned predictability and urgency – Günter Grass tapping tobacco into his pipe while refining the typography of his book Die Box,
from glass plates which Robert brought with him from Switzerland when immigrating to America
Gerhard Steidl deciphering the arabesque faxes of Karl Lagerfeld, the sudden breakdown of the printing press. These
in 1947, and which Steidl carried to Göttingen in the summer of 2008. The plates show visions of
daily entries are enriched by interviews with, and original texts by, some of Steidl’s most important collaborators including
a passionate amateur photographer in the 1920s and ’30s: snow-capped alps, an automobile fair
in Paris’ Grand Palais, hot-air balloons, views of Venice and Pisa, and family photos including the
Lewis Baltz, Jim Dine, David Bailey, Roni Horn, Karl Lagerfeld, Juergen Teller, Tacita Dean, and Joel Sternfeld.
smiling infant Robert. A circle owes its symmetry to its centre, from which every point on the circumference is equidistant. What, then, is the
The conversations between Frank, Leaf, Banier and Steidl this evening move between English, centre of Steidl’s concentric circles, in all their different guises? Perhaps the initial idea from which a book grows;
French and German. Göttingen, where every Steidl book is crafted; or Gerhard Steidl himself, who founded the company 41 years ago and
continues to determine the substance of its creations – the nature of its circles?
Steidl’s concentric circles are in flux: new circles of progress and difficulty constantly emerge, while others dissolve.
Robert Frank: What’s the title of the book? Look closely and the seemingly empty rings of space between circles are actually imbued with traces of past activities
Gerhard Steidl: ‘Father Photographer’. ‘Henry Frank’ and then – the memory of circles that once were.
‘Father Photographer’, instead of ‘Photo Album’.
RF: That’s nice. I don’t see any double pages though. Monte Packham was born in 1981 in Sydney. He has bachelor degrees with honours in art history and law from the
GS: They’re here at the back. University of Sydney, and has worked as an editor at Steidl since 2007.
François-Marie Banier: The paper Robert – you want it creamy,
or you want it white?
GS: [hands Frank a sample of paper] This is the paper we used for The Americans.
I would like to use it again, it’s a little creamy but not really yellow.
FMB: [stroking the paper] Exactly like that?
RF: I think it’s wonderful. And the text?
GS: It’s at the very end, in three languages. I think we should start with
German because your father lived in Switzerland, then have English,
and finally French.
RF: Yes.
GS: And at the front of the book: ‘Edited by Robert Frank and François-Marie Banier’.
RF: Yes.
GS: And will we make the book just privately for ourselves, or is it Monte Packham
Concentric Circles
for the bookshops as well?
A Chronicle of Steidl Publishers
RF: No, I think it should be for the bookshops. I’ve done that before for my family, made
two or three copies of a book and bound them in leather, but this is something different… Book design by Monte Packham and Gerhard Steidl
112 pages illustrated throughout
6.7 x 9.5 in. / 17 x 24 cm
Hardcover
€ 20.00 / £ 17.00 / US$ 27.50
ISBN 978-3-86930-024-5
142 143
10:21 am
23 September 2008 Gunilla Knape of the Hasselblad Foundation has arrived to complete Iturbide’s book. She begins
making corrections with Sarah.
8:54 am
The chill of autumn has set in: the sky is pale grey and rain lacquers Göttingen’s red rooftops. 10:26 am
Restlessly, Steidl shuffles papers on Katharina’s desk. Bernard wonders if a CD of new scans for The Ferus Gallery: A Place to Begin has arrived. Steidl
nods his head and points to a battered FedEx box lying next to the photocopier.
10:17 am
Nicolas Pages has arrived to discuss a book of Yul Brynner’s photos to be released by Edition 7L, 10:59 am
Lagerfeld’s publishing imprint with Steidl. The book will include colour photos taken by Brynner Polidori is twitchy. ‘I’ve changed a few things, I’ve brought new pictures,’ he says to Jennie as she
on the sets of his films, as well as black-and-white images of family and friends including Charlie colour-corrects one of his photos on her computer screen, her finger tapping her mouse as if she
Chaplin, Ingrid Bergman and Elizabeth Taylor. Pages, now based in Los Angeles, worked as Nan were sending Morse code. ‘I gotta do twenny a day now if you wanna finish on time, so I don’t
Goldin’s studio manager for a decade. wanna hear about any more!’ she exclaims with a laugh. They discuss how many photos are still
to be corrected and proofed. Polidori is at ease by the end of the conversation: ‘I’m basically in a
10:19 am
good mood now.’
Steidl, Roni and Bernard discuss progress on Roni Horn aka Roni Horn. Steidl asks Roni to ensure
that she prepares the different elements of her book – its inner pages, endpapers and cover – as 12:59 pm
separate InDesign documents. ‘As long as Bernard understands it, I’m happy,’ she says. I ask Polidori if he has now finished taking photos at Versailles. ‘Oui … for this book … oui,’ he
replies. I ask how it has been to interact with the bureaucracy at Versailles: he is well-practised
10:22 am
after twenty-five years he says. The first director of Versailles with whom he had contact was fond
Judith emails PDFs of the ‘Open Doors’ cards for the Prêt-à-Porter Spring-Summer 2009 collec-
of Polidori, and would give him the keys to the palace whenever he came to take photos. Some
tion to Chanel for printing approval. These cards are invitations for members of the press to visit
employees working under this director disliked Polidori however, and were promoted when he died.
select boutiques on an open day and inspect the new collection. The cards feature Lagerfeld’s
Today Polidori enjoys strong relationships with the many young people working at the palace: he
photo of 31 Rue Cambon on one side, and text on the other. Five language versions will be print-
plans to invite one to Göttingen to check the titles of the artworks at Versailles reproduced in the
ed for events in Paris, London, Milan, Madrid and Munich.
book.
4:51 pm
3:36 pm
Chanel emails corrections for the Open Doors cards: ‘OK for UK, France and Italy. For Germany,
The photos for the Chanel presskit are being printed on the Roland 700 printing press. The set
OK for the invitation card but for the reply card: on “Seite 1” we need a space between “Sommer”
in which the models Anna Jagodzinska and Baptiste Giabiconi pose depicts a grey asphalt road
and “2009”, and on “Seite 2”, “Chanel GmbH” is too small compared to the address.’
and corrugated iron fence, recalling the streetscape in Lagerfeld’s photo of 31 Rue Cambon.
29 September 2008 7 October 2008

9:56 am
8:58 am
Polidori has returned from Versailles with new photos. He has accidentally deleted three images
The autumn sun softens the bite of the cold air. In the square around St. Nikolai church, founded in
from his computer, which he accepts is bad luck: ‘I don’t have time to go back, I need to finish
the twelfth century and facing Düstere Strasse, stand elm trees with yellowing, tear-shaped leaves.
the book.’ He is unsure whether to wait for Steidl outside his office or upstairs in the library. Steidl
sends him to the library: ‘I have to give you some explanations, I am there in one minute.’ 9:27 am
Andreas Nickel, printer, moves a pallet of paper towards the Roland 700; Steidl guides the pal-
let, walking backwards.
144 145
Koto Bolofo
Große Komplikation / Grande Complication
Paper is a delicate material, and a sheet of printed paper has much to endure when it enters a bookbindery. Here it is
run through a host of machines where it is cut, folded, sewn, glued, knocked into shape, piled and packed. But not
only does that sheet of paper miraculously survive this gauntlet without a crease or tear, it also becomes part of an
immaculate book.
The processes of bookbinding can be observed in the three factories of the Offizin Andersen Nexö complex in Leipzig.
There each bindery has a different area of specialty and together they offer unique possibilities for producing books.
Koto Bolofo’s photographs tell the story of paper as it becomes a book, and thereby give insight into each branch of
the company in Leipzig, Zwenkau and Tunisia.
A clockwork is an intricate construction composed of hundreds of perfectly interlocking pieces. Particularly complex
clockworks are given the name grandes complications by experts. The processes necessary to bind a book can be
just as complicated – and not on the scale of a wristwatch but of a football field.
Vendée, France and his books with Steidl include Venus Williams, Vroom! Vroom!, I Spy with My Little Eye Something
beginning with S and the upcoming La Maison.
Slipcase
Koto Bolofo
Große Komplikation
Grande Complication
Text by Gerhard Steidl

Volune 1: 114 pages

Volune 2: 74 pages
€ 98.00 / £ 89.00 / US$ 125.00
Volune 3: 86 pages
ISBN 978-3-86930-055-9
11.4 x 14.6 in. / 29 x 37 cm
Four colour process
Three hardcover books housed
in a slipcase
Volume 1 Volume 2 Volume 3
147
Everyone knows a beautiful photography book when they see one. But few people realise what a labour of love a fine
Lasting publication represents, and what diverse and complementary skills combine to ensure the best possible results. For
many photographers and curators, the quality of a Steidl publication represents nothing less than the gold standard.
It was the intensity of our personal experience of book-making at Steidl, as Musée de l’Elysée curators, which led us
to the idea of an exhibition which would unveil the art and craft involved in the production of a Steidl book: the A to Z
of the process, from the first rough sketches on a scrap of paper, through the tortured convolutions of “dummy”
Impressions
production, to the (often agonizing) choice of the “right cover” (not to mention the myriad choices of paper,
typography and binding). We determined not only to show all these diverse operations in as accessible a manner as
possible, but also to give visitors a sense of the experience of daily life at “Steidlville”, where photographers, graphic
designers, printers, curators and other photography specialists rub shoulders as they busy themselves with one or
another aspect of book production, the combined results of which are destined to expand and enrich the field of art
photography.
The Fine Art & Craft of the Steidl Book Karl Lagerfeld, Ed Ruscha, Jim Dine, Roni Horn, Jeff Wall, Juergen Teller, Deborah Turbeville, Raymond Depardon, and
dozens of other renowned image-makers have made generous loans of their raw book-making materials, their
A N I N T E R N AT I O N A L T R AV E L L I N G E X H I B I T I O N
experiments with inks and papers, trial typography, proposed image-sequences, and ideas for covers. Several of the
artists have written texts for the show, including Jeff Wall and Michael Ruetz. Gerhard Steidl himself contributes
his favorite papers and typefaces, as well as books which left a deep impression on him in his formative years.
Photographer Koto Bolofo exhibits his panorama of life at the Göttingen plant, while Monte Packham shares his daily
VERNISSAGE: journal and Rudy Schellong displays his acclaimed culinary art – a much appreciated fuel for collaborators at Steidlville!
Tuesday, 17 November, 2009, 6:00 pm A range of Steidl’s most beautiful books are displayed, and the craft of fine printing demonstrated. Meanwhile, Jim Dine
contributes a special installation, and Ed Ruscha unveils his new limited edition opus, On the Road.
DEBUT VENUE OF EXHIBITION: “Lasting Impressions: the Art & Craft of the Steidl Book” opens in Lausanne on 17 November, and will then travel
Lausanne, 17 November, 2009 – 21 February, 2010 internationally. It is accompanied by a richly illustrated catalogue proudly bearing the imprint “Steidl”. An international
colloquium is planned for February 2010, in collaboration with ECAL, Lausanne’s renowned university of art and design.
William A. Ewing
Director and Co-Curator, Musée de l’Elysée
Nathalie Herschdorfer
Co-Curator, Musée de l’Elysée
Musée de l’Elysée
18 Avenue de l’Elysée
CH 1014 Lausanne
www.elysee.ch
Curators:
William A. Ewing, Director
Nathalie Herschdorfer, Curator
T +41 21 316 99 11
149
Schmatz! [∫mats!]
Lunches at Steidl
Karen Hansgen with Rüdiger Schellong
“Schmatz [∫mats!] 1: smacking one’s lips in anticipation of good food; 2: eating noisily; 3: big sloppy air kisses”
An innovative art book that includes recipes, a cookbook that includes art, Schmatz! speaks to the creative practices
of publishing and cookery as experienced at Steidlville. Renowned artists from around the world travel to little
Göttingen, Germany to collaborate with celebrated publisher and printer, Gerhard Steidl, creating outstanding books
of exceptional quality. Personally involved in every stage of their book’s creation, artists make the rounds from image
processing, colour proofing, to design, paper choice, and finally to press. While there is a great amount of satisfaction
in the process, it is rigorous and highly demanding. The one hour when guests are allowed to slow down is lunchtime
at Steidl’s table, enjoying the simple yet spectacularly delicious, lovingly prepared and served meals by chef Rüdiger
Schellong.
The book is an introduction to the experience of Steidlville: artists’ reminiscences; snippets of mealtime conversations;
menus and recipes that speak not only to the ingredients but also evoke a mood–cooking plans that guide the reader
to becoming more intuitive, an “artist” in the kitchen. Images include art from books created at Steidl, photos of the
guests and Rüdiger’s cuisine.
Members of the Steidl-family who have contributed to this book include Bruce Davidson, Mitch Epstein, Wendy Ewald,
Paul Graham, Günter Grass, Marc Joseph, Mona Kuhn, Robert Polidori, Paul Ruscha, Phil Trager, Fazal Sheikh,
Dayanita Singh, Alec Soth, Joel Sternfeld, and Massimo Vitali.
Schmatz! [∫mats!]
Lunches at Steidl
Karen Hansgen with Rüdiger Schellong
Texts by Karen Hansgen and artists

Recipes and menus by Rüdiger Schellong
Book design by Karen Hansgen and Gerhard Steidl
192 pages
6.7 x 9.5 in. / 17 x 24 cm
Four colour process
Softcover
€ 19.50 / £ 17.50 / US$ 29.95
ISBN 978-3-86521-911-4
Rüdiger Schellong, Photo by Koto Bolofo
150 151
BACKLIST BACKLIST
Abbe, James African American Vernacular Alvarez Bravo / Cartier-Bresson Anderson, Laurie Berenice Abbott D’Agati, Mauro Broomberg, Adam / Chanarin, Brush, Daniel Büchel, Christophe / Carmine, Burtynsky, Edward Burtynsky, Edward Burtynsky, Edward
Shooting Stalin Photography / Evans: Documentary and Night Life 978-3-86521-592-5 Palermo Unsung Oliver Thirty Years’ Work Giovanni China Quarries OiI
978-3-86521-043-2 978-3-86521-225-2 Anti-Graphic Photographs 978-3-86521-339-6 Two clothbound books housed 978-3-86521-918-3 Fig. 978-3-86521-711-0 CEAU 978-3-86521-130-9 978-3-86521-456-0 ISBN 978-3-86521-943-5
Hardcover, 24 x 29 cm, Hardcover, 22.3 x 25.4 cm, 978-3-86521-072-2 Clothbound hardcover, in a slipcase, 32 x 34 cm, Clothbound hardcover + DVD 978-3-86521-475-1 Four clothbound volumes 978-3-86521-600-7 Clothbound hardcover, Clothbound hardcover with Clothbound hardcover with
272 pp, 350 duotone plates 120 pp, 70 plates Hardcover, 20 x 24 cm, 16 x 23.5 cm, 96 pp, Vol. 1: 264 pp, 118 tritone (20 min.) Hardcover, 16.2 x 20.8 cm, housed in a slipcase Leatherbound with an acetate 38.1 x 30.5 cm, 180 pp, dust jacket dust jacket
192 pp, 89 tritone plates full color throughout Vol. 2: 316 pp, 151 tritone 22 x 30 cm 144 pp, full color throughout 24.6 x 32 cm, b/w and jacket, 15.5 x 20.5 cm, 344 pp, 80 color plates 38.1 x 30.4 cm 37.5 x 29.5 cm
104 pp, four colour and duotone color throughout 318 color plates 176 pp, four colour 140 pp, four colour
Arp, Jean Avedon, Richard Babeth Bærtling, Olle Bailey, David Bailey, David Callahan, Harry Callahan, Harry Capa, Robert Cartier-Bresson, Henri Carucci, Elinor The Centre Pompidou
Poupées Portraits of Power 978-3-86521-482-9 A Modern Classic Bailey’s Democracy Havana Eleanor Nature This is War! Scrapbook Diary of a Dancer Collection Photographs
978-3-86521-807-0 978-3-86521-675-5 Clothbound hardcover in a 978-3-86521-498-0 978-3-86521-192-7 978-3-86521-270-2 978-3-88243-464-5 978-3-88243-437-9 Robert Capa At Work 978-3-86521-353-2 978-3-86521-155-2 978-3-86521-480-5
Hardcover, 20.5 x 25.5 cm, Clothbound hardcover with slipcase, 28.4 x 36.3 cm, Softcover, 21.3 x 27.7 cm, Clothbound hardcover, Leatherbound hardcover, Hardcover, 26 x 31 cm, Hardcover, 19.5 x 22.5 cm, 978-3-86521-533-8 Leatherbound hardcover, Hardcover, 20.3 x 29.7 cm, Hardcover, 18.7 x 23.8 cm,
120 pp, 104 color and dust jacket, 24.5 x 30 cm, 416 pp, 200 color plates 26 x 33 cm, 160 pp, 26 x 33 cm, 176 pp, 160 pp, 121 tritone 32 pp, 13 tritone plates Softcover, 25 x 28 cm, 27 x 32 cm, 256 pp, 96 pp, 72 color plates 360 pp, 350 tritone
6 b/w plates 298 pp, 180 b/w plates 47 tritone plates full color photos throughout and 3 color plates 288 pp, full color throughout 234 tritone plates and color plates
Bailey, David Bailey, David Bailey, David Bailey, David Banier, François-Marie Banier, François-Marie Chapman, Jake and Dinos Christenberry, William Clarke, Brian Clarke, Brian Coddington, Grace / Malige, Colacello, Bob
NY JS DB 62 Is That So Kid Pictures that Mark Can Do 8 Minutes Perdre la tête I Missed You Insult to Injury Working from Memory Work Christophe Didier Bob Colacello’s Out
978-3-86521-414-0 978-3-86521-632-8 978-3-86521-367-9 978-3-86521-864-3 978-3-86521-234-4 978-3-86521-823-0 978-3-88243-957-1 978-3-86521-593-2 978-3-86521-633-5 978-3-86521-772-1 The Catwalk Cats 978-3-86521-403-4
Hardcover, 26 x 33 cm, Hardcover, 26 x 33 cm, Clothbound hardcover, Clothbound hardcover Hardcover, 18 x 24.7 cm, Hardcover Clothbound hardcover, Clothbound hardcover with Seven clothbound hardcover Softcover 978-3-86521-344-0 Plastic Softcover,
72 pp, 3 color, 24 tritone 72 pp, 51 tritone plates 26 x 33 cm, 176 pp, 26 x 33 cm 256 pp, 160 tritone plates 7 x 9.6 in. / 18 x 24.5 cm 38 x 27.6 cm, 176 pp, dust jacket, 23 x 25 cm, 112 books housed in handmade 13 x 18.1 cm Hardcover, 17 x 24 cm, 30 x 21.3 cm,
plates 164 color plates 264 pp, four colour 328 pp, tritone 80 color plates pp, 50 color plates slipcase 152 pp, four colour 188 pp, 31 duotone photos 232 pp, 211 tritone plates
25.4 x 36.5 cm and 136 drawings
Baron, Fabien Bartos, Adam Valérie Belin Berndt, Jerry Bischof, Werner The Collections of Colom, Joan Dance, Robert Darkside I Darkside II Davidson, Bruce Davidson, Bruce
Liquid Light 1983-2003 Boulevard 978-3-86521-465-2 Insight WernerBischofPictures Barbara Bloom RAVAL Glamour of the Gods 978-3-86521-716-5 Disease and Death Circus England / Scotland, 1960
978-3-86521-530-7 978-3-86521-159-0 Hardcover, 22.7 x 28.4 cm, 978-3-86521-725-7 978-3-86521-265-8 978-3-86521-621-2 978-3-86521-324-2 978-3-86521-682-3 Hardcover, 24 x 30 cm, 978-3-86521-925-1 978-3-86521-366-2 978-3-86521-127-9
Clothbound hardcover with Hardcover, 29.4 x 24.5 cm, 312 pp, 143 tritone, Hardcover with dust jacket, Clothbound hardcover, Softcover, 23 x 28.5 cm, Hardcover, 20 x 24 cm, Hardcover, 25 x 31 cm 344 pp, 100 duotone, Hardcover Clothbound hardcover, Clothbound hardcover,
dust jacket, 33.7 x 27.5 cm, 120 pp, 59 color plates 17 color plates 28 x 24 cm, 224 pp, 109 b/w 24 x 26.7 cm, 464 pp, 256 pp, four color throughout 156 pp, 85 duotone plates 288 pp, full color throughout 150 color plates 21.5 x 28 cm 29.7 x 29 cm, 88 pp, 23.5 x 27 cm, 192 pp,
192 pp, 99 color plates and 12 color plates 350 tritone and 80 color plates 320 pp, four colour and duotone 131 tritone plates 120 tritone plates
Bolofo, Koto Bourdin, Guy Bourgeois, Louise Brohm, Joachim Brohm, Joachim Broomberg, Adam / Chanarin, De Bruyckere, Berlinde De Bruyckere, Berlinde Dean, Tacita Dean, Tacita Dean, Tacita Dean, Tacita
Venus Williams A Message For You Nothing to Remember! Areal Ruhr Oliver In the Woods there were Schmerzensmann Analogue Floh Darmstädter Werkblock Teignmouth Electron
978-3-86521-602-1 978-3-86521-197-2 978-3-86521-659-5 978-3-88243-878-9 978-3-86521-389-1 Chicago Chainsaws 978-3-86521-409-6 1991-2006 978-3-88243-673-0 978-3-86521-703-5 978-3-86521-871-1
Clothbound hardcover with Two volumes. housed in a Clothbound hardcover in a Clothbound hardcover, Clothbound hardcover, 978-3-86521-307-5 978-3-86521-849-0 Hardcover, 29 x 40 cm, 64 pp, 978-3-86521-289-4 Clothbound hardcover, Softcover, Softcover
dust jacket, slipcase, 26.5 x 27.5 cm slipcase, 39.4 x 27.7 cm 20.4 x 26.6 cm, 264 pp, 29 x 32 cm, 160 pp, Hardcover, 28.5 x 36 cm, Hardcover, 50 color plates Softcover, 18.5 x 23 cm, 24 x 29.7 cm, 176 pp, 26 x 15.3 cm, 80 pp, 20 x 25 cm
29.7 x 34 cm, 100 pp, 312 pp, full color throughout 56 pp, 40 color plates 206 color plates 50 color plates 156 pp, 100 color plates 29 x 38 cm, 120 pp, 152 pp, 158 illustrations 163 duotone and color plates 80 color plates 72 pp, four colour
90 color and b/w plates 56 b/w and color plates
152 153
BACKLIST BACKLIST
Demand, Thomas Patrick Demarchelier Denderen, Ad Van Depardon, Raymond Depardon, Raymond Depardon, Raymond Engström, JH Enwezor, Okwui Enwezor, Okwui. Epstein, Mitch Epstein, Mitch Epstein, Mitch
Nationalgalerie 978-3-86521-736-3 So Blue, So Blue Hear Them Speak Manhattan Out Villes / Cities / Städte Haunts Archive Fever: Uses of the Snap Judgments: New Recreation: American Work American Power
978-3-86521-941-1 Clothbound hardcover with 978-3-86521-734-9 978-3-86521-837-7 978-3-86521-704-2 978-3-86521-292-4 978-3-86521-297-9 Document in Contemporary Positions in Contemporary Photographs 1973–1988 978-3-86521-281-8 978-3-86521-924-4
Clothbound hardcover dust jacket, 27 x 31 cm, Softcover, 22.5 x 29 cm Hardcover Clothbound hardcover Hardcover, 30 x 42 cm, Clothbound hardcover, Photography African Photography 978-3-86521-084-5 Hardcover, 22.9 x 26.6 cm, Clothbound hardcover with
29.5 x 27.7 cm 408 pp, 410 color 272 pp, full color throughout 15.9 x 21 cm, 168 pp 29.5 x 20.5 cm, 120 pp 130 pp, full color throughout 24.2 x 30.5 cm, 216 pp, 978-3-86521-622-9 978-3-86521-224-5 Clothbound hardcover, 276 pp, 226 duotone dust jacket
35 gatefolds, four colour and b/w plates 94 color plates 97 tritone plates 127 color and duotone plates Softcover, 22.8 x 27.9 cm, Clothbound hardcover, 300 pp 28 x 42 cm, 144 pp, and 138 color plates 29.5 x 15.2 cm
224 pp, 185 plates 24 x 32 cm, 250 color plates 66 color plates 144 pp, four colour
Dewitz, Bodo von (ed.) diCorcia, Philip-Lorca Diépois, Aline / Gizolme, Dine, Jim Dine, Jim / Collodi, Carlo Dine, Jim Eskildsen, Joakim / Rinne, Cia Eskildsen, Ute (ed.) Eskildsen, Ute (ed.) Ethridge, Roe Evans, Walker Walker Evans and the Picture
Facts Thousand Thomas Aldo et Moi Pinocchio Poet Singing, The Flowering The Roma Journeys The Photographed Animal – The Stamp of Fantasy Rockaway, NY Lyric Documentary Postcard
978-3-86521-295-5 978-3-86521-406-5 Dust Book 978-3-86521-461-4 978-3-86521-264-1 Sheets 978-3-86521-371-6 Useful, Cute and Collected 978-3-86521-608-3 978-3-86521-485-0 978-3-86521-022-7 978-3-86521-829-2
Softcover, 24 x 28 cm, 328 pp, Softcover, 18.4 x 20.8 cm, 978-3-86521-818-6 Hardcover, 23.3 x 27.4 cm, Clothbound hardcover, 978-3-86521-828-5 Hardcover with a CD of field 978-3-86521-209-2 Hardcover with dust jacket, Hardcover, 25.5 x 33 cm, Clothbound hardcover, Hardcover, 20.5 x 26 cm,
360 color plates 2008 pp, 1000 color plates Clothbound hardcover 224 pp, 157 color plates 23.5 x 30.5 cm, 176 pp, Flexible clothbound hardcover, recordings and music recorded Hardcover, 22.5 x 28 cm, 29.7 x 29.7 cm, 216 pp, 345 112 pp, 50 color plates 23.7 x 24.4 cm, 260 pp, 350 pp, 400 color postcard
19 x 24.5 cm full color throughout 24 x 15.5 cm, on the journeys, 23.3 x 26.6 336 pp, 220 duotone and 78 color plates 200 tritone plates repoductions, 30 duotone and
104 pp, four colour and duotone 112 pp, tritone throughout cm, 369 pp, 329 color plates color plates b/w plates, 200 tritone plates
Dine, Jim Dine, Jim Dine, Jim Dine, Jim Dine, Jim Dine, Jim / Michener, Diana Ewald, Wendy Ferguson, Russell Flavin, Dan Flick, Robbert Foster / Heiting / Stuhlman Frank, Henry
Birds Entrada Drive Hot Dream (52 books) The Photographs, L’Odyssée de Jim Dine 3 Poems Towards a Promised Land Francis Alÿs: Politics of The 1964 Green Gallery Trajectories Imagining Paradise Father Photographer
978-3-88243-240-4 978-3-86521-080-7 978-3-86521-693-9 So Far (vols. 1-4) 978-3-86521-370-9 978-3-86521-259-7 978-3-86521-287-0 Rehearsal exhibition 978-3-86521-018-0 978-3-86521-462-1 978-3-86521-814-8
Clothbound hardcover, Clothbound hardcover, 52 books, 10 books including 978-3-88243-905-2 Clothbound hardcover, Clothbound hardcover, Softcover, 21 x 26 cm, 978-3-86521-474-4 978-3-86521-679-3 Clothbound hardcover, Hardcover, 30.4 x 35.5 cm, Clothbound Hardcover
29.5 x 31.5 cm, 88 pp, 29.5 x 31.5 cm, 48 pp, an audio CD, 17 x 23.5 cm, Four volumes housed in a 29.7 x 31.3 cm, 192 pp, 19.5 x 28.5 cm, 96 pp, 192 pp, 80 color and b/w Softcover, 23 x 27.7 cm, Clothbound hardcover, 29.6 x 30 cm, 304 pp, 264 pp, full color throughout 14 x 16.5 cm
36 tritone plates 44 tritone plates b/w, tritone and color slipcase, 21.3 x 28.5 cm, full color throughout 23 tritone and 22 color plates plates 144 pp, full color 24.5 x 26.7 cm, 72 pp, 225 color plates 88 pp, tritone
throughout 1046 pp, 548 plates DVD included Color plates throughout
Dine, Jim Disfarmer, Mike Jean-Louis Dumas: Duncan, John Dzama, Marcel Earhart, Amelia Frank, Robert Frank, Robert Frank, Robert Frank, Robert Frank, Robert Frank, Robert
Boy in the Original Disfarmer Photographs Photographer Bonfires Even the Ghost of the Past Image and Icon The Americans Come Again The Complete Film Works The Complete Film Works The Complete Film Works London/Wales
978-3-86521-931-2 978-3-86521-189-7 978-3-86521-706-6 978-3-86521-726-4 978-3-86521-742-4 978-3-86521-407-2 978-3-86521-584-0 978-3-86521-261-0 Vol. 1: Pull My Daisy; The Sin Vol. 2: OK End Here; Vol. 3: Keep Busy; About me: 978-3-86521-362-4
Hardcover Hardcover, 20 x 25 cm, Two hardcover volumes housed Hardcover with dust jacket, Hardcover, Hardcover, 22.8 x 28 cm, 20.9 x 18.4 cm, Sewn softcover, 21.5 x 28 cm, of Jesus; Me and My Brother; Conversations; Liferaft Earth; A Musical; S-8 Stones; Hardcover, 20 x 24.5 cm,
29.5 x 21 cm 240 pp, 209 color and in a slipcase, 23 x 20.5 cm 29 x 28 cm, 72 pp, 20.5 x 26.7 cm, 244 pp, 160 pp, 120 tritone plates 180 pp, 83 tritone plates 48 pp, color matt inks with Three DVDs in a film-roll box, Three DVDs in a film-roll box, Three DVDs in a film-roll box, 128 pp, 70 tritone plates
160 pp, four colour 4 b/w plates 200 b/w plates 24 color plates color throughout polaroid varnish 978-3-86521-365-5 978-3-86521-525-3 978-3-86521-591-8
Eclipse – Art in a Dark Age Edström, Anders Eggleston, William Ehrenburg, Ilya Elsken, Ed van der Engström, JH Frank, Robert Frank, Robert Frank, Robert Frank, Robert Frank, Robert Frank, Robert
978-3-86521-643-4 waiting some birds a bus a Paris My Paris Jazz CDG / JHE Me and My Brother New York to Nova Scotia One Hour Paris Peru Pull My Daisy
Softcover, 17 x 23.5 cm, woman / spidernets places a 978-3-86521-915-2 978-3-88243-927-4 978-3-86521-390-7 978-3-86521-538-3 978-3-86521-363-1 978-3-86521-013-5 978-3-86521-364-8 978-3-86521-524-6 978-3-86521-692-2 978-3-86521-673-1
224 pp, 100 illustrations crew Clothbound hardcover Hardcover, 18.5 x 16 cm, Hardcover, 17.8 x 17.2 cm, Hardcover, 29.7 x 23 cm, Softcover with DVD included Hardcover, 22.7 x 30.4 cm, Clothbound hardcover, Hardcover with dust jacket, Clothbound hardcover with Hardcover, 13.7 x 20.2 cm,
978-3-86521-032-6 22 x 28 cm 240 pp, 125 duotone plates 116 pp, 109 b/w plates 112 pp, 66 color plates 25 x 32.5 cm, 112 pp, 27 duotone 10.5 x 15 cm, 96 pp, 18.5 x 22 cm, 108 pp, dust jacket, 25 x 20 cm, 48 pp, 64 pp, 53 tritone plates
Two vols, slipcased, 26.8 x 21 184 pp, four colour 56 pp, 100 tritone plates and 4 color plates 14 tritone plates 69 tritone plates 39 tritone plates
cm, 128 pp, 80 color plates
154 155
BACKLIST BACKLIST
Frank, Robert Frank, Robert Greenough, Sarah: Frank, Robert Freed, Leonard Friedl, Peter Horn, Roni Horn, Roni Horn, Roni Horn, Roni Horn, Roni Horn, Roni
Storylines Zero Mostel reads a book Looking In: Robert Frank’s The Seven Stories Worldview Playgrounds Cabinet of Dictionary of Water Roni Horn aka Roni Horn Doubt Box Her, Her, Her, & Her Her∂ubrei∂ at Home
978-3-86521-041-8 978-3-86521-586-4 Americans – Expanded Edition 978-3-86521-789-9 978-3-86521-463-8 978-3-86521-412-6 978-3-88243-864-2 978-3-88243-753-9 978-3-86521-831-5 (Book IX of To Place) 978-3-86521-035-7 978-3-86521-457-7
Hardcover, 24.5 x 28 cm, Hardcover, 14.4 x 21.5 cm, 978-3-86521-806-3; Cloth- Seven stapled softback albums Hardcover, 24.5 x 31 cm, Hardcover, 21 x 26 cm, Hardcover, 30.5 x 35.6 cm, Clothbound, 28 x 35.6 cm, Two vols. slipcased, 978-3-86521-276-4 Softcover, 24 x 24 cm, Softcover, 15.2 x 21.6 cm,
240 pp, 225 duotone 40 pp, 36 tritone plates bound hardcover 24 x 29.2 cm, housed in a slipcase 312 pp, 220 tritone plates 256 pp, 260 color plates 76 pp, 36 color plates 200 pp, 96 color plates 19 x 24 cm,Vol. 1: 201 pp, 125 Boxed set, 20.3 x 25.4 cm, 128 pp, 120 duotone plates 128 pp, 60 color plates
and 25 color photos 528 pp, 108 color, 168 tritone, 14 x 10 cm color plates; Vol. 2: 229 pp, 28 two-faced cards,
/ 210 duotone plates Four colour 250 color plates 56 color plates
Friedlander, Lee Friedlander, Lee Gearon, Tierney Genzken, Isa Gober, Robert Gober, Robert Horn, Roni / Stahel, Urs (ed.) Horn, Roni Horn, Roni Horn, Roni Horn, Roni Horn, Roni
At Work Stems Daddy, where are you? Ground Zero Sculptures 1979–2007 A Robert Gober Lexicon If on a Winter’s Night... Index Cixous A Kind of you This is Me, This is You Weather Reports You Wonderwater (Alice Offshore)
978-3-88243-827-7 978-3-88243-908-3 978-3-86521-309-9 978-3-86521-740-0 978-3-86521-473-7 978-3-86521-121-7 Roni Horn... 978-3-86521-135-4 978-3-86521-583-3 978-3-88243-798-0 978-3-86521-388-4 978-3-86521-005-0
Clothbound hardcover, Clothbound hardcover, Clothbound hardcover, Softcover, 21.5 x 27.5 cm Hardcover, 24.5 x 30 cm, Two volumes in a slipcase, 978-3-88243-911-3 Softcover, 14 x 20.5 cm, Softcover, 20.9 x 22.8 cm, Hardcover, 18.5 x 23 cm, Softcover, 14 x 20.3 cm, Four volumes housed in a
30.5 x 28.8 cm, 96 pp, 25.3 x 30.4 cm, 96 pp, 32.5 x 26.8 cm, 156 pp, 64 pp, 40 color plates 544 pp, 520 color plates 17 x 24 cm, 131 illustrations Softcover, 17.2 x 22.9 cm, 116 pp, 65 tritone and 96 pp, b/w and color plates 192 pp, 96 color plates 196 pp, full color throughout slipcase, 14 x 19.7 cm, 652 pp
231 duotone plates 65 tritone plates 73 color plates 128 pp, 62 color plates 15 color plates throughout
Goldberg, Jim Goldin, Nan Felix Gonzalez-Torres Goodwin, Dryden Antony Gormley Sheela Gowda Horn, Roni Horn, Roni Iturbide, Graciela Jansson, Mikael Jasmin, Paul Jeppesen, Adam
Open See The Beautiful Smile 978-3-86521-196-5 Cast 978-3-86521-029-6 978-3-88243-469-0 VATNASAFN / LIBRARY OF Roni Horn aka Roni Horn The Hasselblad Award 2008 Speed of Life Lost Angeles Wake
978-3-86521-826-1 978-3-86521-539-0 Clothbound hardcover, 978-3-86521-727-1 Silk-screened linen hardcover, Hardcover, 20.4 x 27.5 cm, WATER 978-3-86521-831-5 978-3-86521-733-2 978-3-86521-411-9 978-3-86521-026-5 978-3-86521-645-8
Four volumes in a printed Hardcover, 21.2 x 27.3 cm, 320 pp, Hardcover with dust jacket, 24.7 x 29.8 cm, 400 pp, 180 pp, b/w and color 978-3-86521-942-8 Two volumes housed in a paper Clothbound hardcover, Hardcover, 42.5 x 28.3 cm, Clothbound hardcover, Hardcover, 16 x 20.3 cm,
sleeve 25 x 27 cm, 200 pp, full color throughout 29.7 x 19.8 cm, 160 pp, full color throughout throughout Hardcover with dust jacket slipcase 25 x 27 cm, 144 pp, 208 pp, 115 color plates 20.3 x 25.4 cm, 120 pp, 48 pp, 27 color plates
16.5 x 26.1 cm 137 tritone and color plates 100 color and b/w plates 23 x 17 cm 19 x 24 cm tritone plates throughout 36 duotone, 57 color plates
200 pp, four colour and tritone 176 pp, four colour 430 pp, four colour
Gowin, Emmet Paul Graham Graham, Paul Grey, Joel Gruyaert, Harry Hajek-Halke, Heinz Joseph, Marc Joseph, Marc Kaprow, Allan Karel, Betsy Kasher, Steven Kasher, Steven / Michaelson,
Photographs 978-3-86521-858-2 a shimmer of possibility Looking Hard TV Shots Artist, Anarchist American Pitbull New and Used 18 Happenings in 6 Parts Bombay Jadoo America and the Tintype Mark (eds.)
978-3-86521-863-6 Hardcover 978-3-86521-862-9 at Unexamined Things 978-3-86521-375-4 978-3-86521-134-7 978-3-86521-094-4 978-3-86521-273-3 9/10/11 November 2006 978-3-86521-376-1 978-3-86521-686-1 Least Wanted: A Century of
Clothbound hardcover, 24 x 26 22.5 cm x 28 cm Softcover 978-3-86521-272-6 Flexible hardcover Clothbound hardcover, Softcover, 22 x 28 cm, Clothbound hardcover, 978-3-86521-488-1 Clothbound hardcover, Hardcover, 17.7 x 22.8 cm, American Mugshots
cm, 102 pp, tritone 376 pp, four colour 24.2 x 31.8 cm Softcover, 18 x 24.5 cm, 19.7 x 28.7 cm, 26 x 33 cm, 224 pp, 248 pp, 80 duotone 23.4 x 28.5 cm, 184 pp, Hardcover, 24 x 22.5 cm, 91 pp, 242 pp, 200 color plates 978-3-86521-291-7
throughout 376 pp., four colour 180 pp, full color throughout 152 pp, 105 color plates 108 tritone plates and 100 color plates full color throughout 14 x 21 cm, 80 pp, 53 tritone plates Hardcover, 22 x 28 cm,
b/w plates 288 pp, 330 color plates
Hara, Cristóbal Hara, Cristóbal Hare, Chauncey Evelyn Hofer Holdt, Jacob Horn, Roni Kelly, Ellsworth Clay Ketter Kicken, A. and R. / Förster, S. Kikai, Hiroh Killip, Chris Kirchner, Ernst Ludwig
Autobiography An Imaginary Spaniard Protest Photographs Breidenbach, Susanne (ed.) United States 1970-1975 bird Drawings On A Bus 978-3-86521-845-2 (eds.): Points of View, Asakusa Portraits Pirelli Work The Photographic Work
978-3-86521-472-0 978-3-88243-901-4 978-3-86521-495-9 978-3-86521-057-9 978-3-86521-393-8 978-3-86521-669-4 Sketchbook 23 1954 Hardcover Masterpieces of Photography 978-3-86521-601-4 978-3-86521-317-4 978-3-86521-217-7
Hardcover, 18 x 24 cm, Clothbound hardcover, Hardcover with dust jacket Clothbound hardcover, Hardcover with dust jacket, Clothbound hardcover, 978-3-86521-415-7 21.7 x 28 cm and their Stories Clothbound hardcover with Clothbound hardcover, Clothbound hardcover,
96 pp, 69 color plates 18 x 24 cm, 96 pp, 25.4 x 31.7 cm 24 x 29 cm, 312 pp, 21 x 25 cm, 272 pp, 28.4 x 30.5 cm, 36 pp, Clothbound hardcover, 240 pp, four colour 978-3-86521-214-6 dust jacket, 22 x 22 cm, 35 x 28 cm, 128 pp, 22 x 29.5 cm, 288 pp,
63 color plates 224 pp, tritone 76 tritone and 70 color plates full color throughout 20 color plates 18.5 x 25.5 cm, 48 pp, Hardcover, 24.5 x 30 cm, 320 220 pp, 200 tritone plates 50 tritone plates 360 tritone plates
fully illustrated pp, 140 color & duotone plates
156 157
BACKLIST BACKLIST
Kirkland, Douglas / Klapheck, Konrad Korda, Alberto Kuhn, Mona Kuhn, Mona Kuhn, Mona Meer, Hans van der Meer, Hans van der Meiselas, Susan Meiselas, Susan Meiselas, Susan Metzker, Ray K.
Lagerfeld, Karl: Mademoiselle – Klapheck A Revolutionary Lens Evidence Photographs Native European Fields: The European Fields: The Carnival Strippers Encounters with the Dani In History Light Lines
Coco Chanel / Summer 62 978-3-86521-630-4 978-3-86521-458-4 978-3-86521-372-3 978-3-86521-008-1 978-3-86521-913-8 Landscape of Lower League Landscape of Lower League 978-3-88243-954-0 978-3-88243-930-4 978-3-86521-685-4 978-3-86521-387-7
978-3-86521-865-0 Softcover, 22 x 25 cm, Hardcover, Clothbound hardcover, Clothbound hardcover, Clothbound hardcover with Football Football Clothbound hardcover, Hardcover, 21.1 x 27.7 cm, Hardcover, 17.7 x 24.7 cm, Hardcover with dust jacket,
Clothbound hardcover, 26 x 138 pp, full color throughout 24.8 x 33.7 cm, 440 pp, 29.2 x 31.1 cm, 108 pp, 26.5 x 28.5 cm, 108 pp, dust jacket 978-3-86521-191-0 978-3-86521-238-2 27.3 x 23.4 cm, 164 pp, 176 pp, 300 color plates 264 pp, 200 b/w and color 288 pp, duotone throughout
21.5 cm, 104 pp, 220 b/w and color plates 33 tritone and 20 color plates 33 tritone and 20 color plates 29 x 31 cm Hardcover, 26.8 x 38 cm, Softcover, 21 x 29.7 cm, 78 tritone plates photographs
tritone throughout 88 pp, four colour 176 pp, four color throughout 176 pp, four color throughout
Lacombe, Brigitte Lagerfeld, Karl Lagerfeld, Karl Lagerfeld, Karl Laita, Mark Lead Belly Michel, Patrick James Michener, Diana Mikhailov, Boris Mikhailov, Boris Mitchell, Joan Mocafico, Guido
Lacombe, anima | persona Metamorphoses of an American You can leave your hat on Chanel’s Russian Connection Created Equal A Life in Pictures Five Dogs, Fires, Me Look at me, I look at water Salt Lake Sunflowers Medusa
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Foil-stamped clothbound hard- Four clothbound volumes Clothbound hardcover with Hardcover with a silent movie Clothbound hardcover with Hardcover, 22.8 x 29.7 cm, Hardcover, 25 x 33.5 cm, Softcover, 22 x 27 cm, Casebound, 38 x 30 cm, Hardcover, 40 x 30 cm, Hardcover, 29.5 x 22 cm, Clothbound hardcover,
cover with dust jacket, housed in a slipcase, tipped-in image, 12.8 x 11.5 DVD dust jacket 230 pp, 95 color plates 280 pp, 200 color plates 160 pp, 100 tritone plates 132 pp, full color throughout 80 pp, 65 tritone plates 80 pp, 23 color plates 24 x 37 cm, 64 pp,
26.3 x 35.6 cm, 452 pp, 15.2 x 20 cm, cm, 80 pp, 60 tritone plates 22 x 25 cm 29 x 37 cm 20 color plates
210 plates 864 tritone photos 168 pp, four colour and duotone 240 pp, tritone
Lebeck, Robert / Dewitz, Bodo Saul Leiter Leong, Sze Tsung Lerm Hayes, Christa-Maria Longhurst, Jo Glen Luchford Mocafico, Guido Mocafico, Guido Moholy-Nagy, László Moï Ver Morath, Inge Morath, Inge
Kiosk. A History of 978-3-86521-587-1 History Images Post-War Germany and ‘Objec- The Refusal 978-3-86521-891-9 Movement Serpens Color in Transparency Paris The Road to Reno Iran
Photojournalism Clothbound hardcover in a dust 978-3-86521-274-0 tive Chance’: W.G. Sebald, 978-3-86521-672-4 Hardcover 978-3-86521-455-3 978-3-86521-379-2 978-3-86521-293-1 978-3-88243-820-8 978-3-86521-203-0 978-3-86521-697-7
978-3-88243-791-1 jacket, 20 x 24 cm, Clothbound hardcover, Joseph Beuys and Tacita Dean Softcover, 25 x 19 cm, 27.2 x 30.4 cm Hardcover, 35.5 x 35.5 cm, Clothbound hardcover, Clothbound hardcover, Softcover, 22.3 x 29.3 cm, Hardcover, 24 x 25 cm, Clothbound hardcover
Hardcover, 25 x 28 cm, 152 pp, 50 color and 50 b/w 34.2 x 27.9 cm, 144 pp, 978-3-86521-872-8 56 pp, 46 color plates 150 pp, four colour and duo- 96 pp, 60 color plates 20 x 31 cm, 184 pp, 21 x 30 cm, 248 pp, 80 pp, 80 duotone plates 144 pp, 60 tritone 25 x 32 cm
320 pp, 1200 color plates plates 80 color plates Softcover, 19.6 x 26 cm, 76 tone 90 color plates 100 color plates and 10 color plates 336 pages, tritone
pp,
Ludwigson, Håkan Lynch, David Manen, Bertien van Mark, Mary Ellen Maysles, Albert McCarthy, Paul Morillon, Philippe Morris, Christopher Müller, Frank Heinrich Martin Munkacsi Nádas, Péter New York City Museum of
Taken out of Context Snowmen Give me your Image Falkland Road: Prostitutes A Maysles Scrapbook Head Shop / Shop Head Une Dernière Danse My America EAST / For the Record Gundlach, F.C. (ed.) Own Death Complaint
978-3-86521-082-1 978-3-86521-467-6 978-3-86521-198-9 of Bombay Photographs/Cinemagraphs/ (Works 1966 – 2006) Softcover 978-3-86521-201-6 978-3-86521-929-9 978-3-86521-269-6 978-3-86521-010-4 978-3-86521-745-5
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28.8 x 35.5 cm, 176 pp, 14 x 18 cm, 20 pp, 144 pp, 72 color plates Clothbound, 32.6 x 28.4 cm, 978-3-86521-496-6 Sewn softcover, 17 x 23.5 cm, 18.5 x 24.5 cm 20 x 23 cm, 180 pp, dust jacket 416 pp, 318 tritone plates 18.5 x 26.2 cm, 288 pp, 24.5 x 32 cm
89 color plates 8 b/w plates 106 pp, 65 color plates Hardcover, 21.8 x 27.9 cm, 688 pp, full color throughout 240 pp, duotone 112 color plates 26.5 x 23.7 cm 161 color plates 304 pp, four colour
376 pp, full color throughout 192 pp, four colour and duotone
McConnell, Gareth McDean, Craig McKenna, Kristine McPherson, Larry E. McPherson, Larry E. Ralph Eugene Meatyard Newman, Arnold Nickerson, Jackie Niederer, Caro Noguchi, Isamu Nozolino, Paulo Odermatt, Arnold
Gareth McConnell Lifescapes The Ferus Gallery: A Place to Beirut City Center The Cows 978-3-86521-065-4 The Early Work Faith Waiting for Returns A Sculptor’s World Far Cry On Duty
978-3-88243-977-9 978-3-86521-033-3 Begin 978-3-86521-218-4 978-3-86521-453-9 Clothbound hardcover, 978-3-86521-361-7 978-3-86521-484-3 978-3-86521-628-1 978-3-88243-970-0 978-3-86521-122-4 978-3-86521-271-9
Flexicover, 22 x 29 cm, Hardcover, 38 x 26.7 cm, 978-3-86521-610-6 Clothbound hardcover, Hardcover, 38.7 x 31 cm, 22 x 24 cm, 300 pp, Clothbound hardcover with Hardcover, 22 x 27 cm, Clothbound hardcover, Clothbound hardcover, Clothbound hardcover, Hardcover with dust jacket,
112 pp, 70 color plates 88 pp, 40 color plates Clothbound hardcover 23 x 26.5 cm, 160 pp, 56 pp, 21 color plates 220 tritone plates dust jacket, 30 x 31.5 cm, 224 pp, 140 color plates 22 x 32 cm, 128 pp, 23.7 x 25.5 cm, 260 pp, 24.8 x 32 cm, 136 pp, 28 x 31.2 cm, 336 pp,
26.6 x 26.6 cm 76 color plates 240 pp, 100 tritone plates 60 color plates 255 duotone and 78 tritone plates full color throughout
380 pp, four colour and duotone 13 color plates
158 159
BACKLIST BACKLIST
O’Neill, Pat Papageorge, Tod Parker, David Paulsen, Susan Penn, Irving Pfeiffer, Walter Ross, Judith Joy Ross, Judith Joy Roversi, Paolo Rovner, Michal Rovner, Michal Rubinfien, Leo
Views from Lookout Mountain Passing Through Eden The Phenomenal World Tomatoes on the Back Porch Objects for the Printed Page In Love With Beauty Living With War – Portraits Protest the War Studio Fields The Space Between Wounded Cities
978-3-86521-021-0 978-3-86521-374-7 978-3-88243-639-6 978-3-86521-056-2 978-3-88243-529-0 978-3-86521-870-4 978-3-86521-717-2 978-3-86521-529-1 978-3-86521-758-5 978-3-86521-216-0 978-3-88243-828-4 978-3-86521-676-2
Clothbound, 25.4 x 30.5 cm, Hardcover, 30.5 x 29.2 cm, Clothbound, 42 x 28.5 cm, Clothbound hardcover, Clothbound hardcover, Hardcover, Hardcover with dust jacket, Softcover, 20 x 25 cm, Semi-hard cover Hardcover, 21 x 16 cm, Hardcover, 24 x 26.5 cm, Hardcover with dust jacket,
240 pp, 24 duotone and 216 176 pp, 125 tritone plates 40 pp, 12 tritone plates 20 x 22 cm, 74 pp, 21.8 x 27 cm, 120 pp, 23 x 30 cm, 360 pp, 24 x 30 cm, 164 pp, 85 b/w 56 pp, 22 tritone plates 28 x 32 cm 400 pp, full color throughout 288 pp, 469 color plates 26.8 x 16.8 cm, 300 pp,
color plates 33 duotone and 5 color plates 76 color plates 250 color and b/w plates plates and 7 text illustrations 120 pp, four colour 84 color and b/w plates
Phillips, C. / Rocco, V. (eds.) Polidori, Robert Polidori, Robert Polidori, Robert Pratt, Greta Neo Rauch Ruch, Hans-Jörg Ruetz, Michael Ruetz, Michael Ruetz, Michael Ruscha, Ed Ruscha, Ed
Modernist Photography After the Flood Havana Zones of Exclusion: Pripyat Using History 978-3-86521-743-1 Historic Houses in the Engadin Eye on Infinity Eye on Time Spring of Discontent: Catalogue Raisonné of the Catalogue Raisonné of the
The Daniel Cowin Collection 978-3-86521-277-1 978-3-88243-333-3 and Chernobyl 978-3-86521-129-3 Hardcover, 23.5 x 28 cm, 978-3-86521-720-2 978-3-86521-766-0 978-3-86521-577-2 1964–1974 Paintings, Vol. 1: 1958-1970 Paintings, Vol. 2: 1971-1982
978-3-86521-158-3 Clothbound hardcover, Clothbound hardcover, 978-3-88243-921-2 Hardcover, 27.5 x 27 cm, 48 pp, color throughout Hardcover with dust jacket, Hardcover, 29.5 x 29.5 cm, Hardcover with dust jacket, 978-3-86521-866-7 978-3-88243-972-4 978-3-86521-138-5
Softcover, 22.3 x 25.4 cm, 38.6 x 30 cm, 320 pp, 38.5 x 30 cm, 160 pp, Clothbound hardcover, 88 pp, 65 color plates 27 x 29 cm, 332 pp, 252 pp. 112 tritone plates 29.7 x 21 cm, 360 pp, Hardcover Clothbound hardcover, Clothbound hardcover,
112 pp, 70 color plates 300 color plates 152 color plates 38.5 x 30 cm, 112 pp, color throughout 290 tritone plates 24.6 x 29 cm 24 x 29.2 cm, 436 pp, 24 x 29.2 cm, 526 pp,
190 color plates 192 pp, tritone full color throughout full color throughout
Rauschenberg, Robert Rautert, Timm Rautert, Timm Reed, Lou Reed, Lou Reed, Lou Ruscha, Ed Ruscha, Ed Ruscha, Ed Ruscha, Ed Ruscha, Ed Ruscha, Paul
Combines Deutsche in Uniform When We Don’t See You, Emotion in Action Lou Reed’s New York Romanticism Catalogue Raisonné of the Catalogue Raisonné Vol. 4 Cotton Puffs, Q-Tips ®, Smoke THEN & NOW Photographer Paul Ruscha’s Full Moon
978-3-86521-145-3 978-3-86521-316-7 You Don’t See Us Either 978-3-88243-923-6 978-3-86521-152-1 978-3-86521-728-8 Paintings, Vol. 3: 1983-1987 978-3-86521-833-9 and Mirrors: The Drawings 978-3-86521-105-7 978-3-86521-206-1 978-3-86521-231-3
Clothbound hardcover, Hardcover, 24 x 28 cm, Photography 1966-2006 Two volumes housed in a Clothbound hardcover, Hardcover with dust jacket 978-3-86521-368-6 Clothbound hardcover volume 978-3-88243-965-6 Slipcased, 45 x 32 cm, Clothbound, 20.5 x 25.5 cm, Softcover, 16.5 x 24 cm,
24.8 x 31.1 cm, 324 pp, 280 pp, 67 color 978-3-86521-395-2 slipcase, 21 x 29.7 cm, 23 x 34 cm, 192 pp, 36 x 25 cm Clothbound hardcover, housed in a slipcase Clothbound hardcover, 152 pp, full color throughout 184 pp, 214 illustrations 184 pp, full color throughout
172 color photos and 65 and 122 tritone plates Hardcover, 24 x 28 cm, 280 pp, 112 pp, 47 duotone and 100 color photos 68 pp, four colour 24 x 29.2 cm, 558 pp, 24 x 29.2 cm 28 x 28 cm, 256 pp,
text illustrations 67 color, 122 tritone plates 39 color plates full color throughout 526 pp, four colour 230 color plates
Reinartz, Dirk Rhoades, Jason Richardson, Clare Richardson, Clare Richon, Olivier Sophy Rickett Fred Sandback Schaller, Matthias Schaller, Matthias Schaller, Matthias Schifferli, Christoph (ed.) Schmid, Joachim
New York 1974 Jason Rhoades’ Black Pussy Beyond the Forest Harlemville Real Allegories 978-3-86521-088-3 978-3-86521-851-3 Purple Desks Controfacciata The Mill Paper Dreams. The Lost Art of Photoworks 1982 - 2007
978-3-86521-526-0 Cocktail Coffee Table Book 978-3-86521-404-1 978-3-88243-918-2 978-3-86521-091-3 Clothbound hardcover, Hardcover 978-3-86521-597-0 978-3-86521-674-8 978-3-86521-378-5 Hollywood Still Photography 978-3-86521-394-5
Hardcover, 20.8 x 29.4 cm, 978-3-86521-631-1 Embossed clothbound Clothbound hardcover, Hardcover, 24 x 28 cm, 22 x 29 cm, 112 pp, 22.8 x 28.6 cm Clothbound hardcover with Embossed clothbound Hardcover, 29 x 23.5 cm, 978-3-86521-153-8 Hardcover, 21 x 26 cm,
106 pp, 53 tritone plates Clothbound hardcover with hardcover, 25 x 20 cm, 28 x 23 cm, 96 pp, 144 pp, 77 color plates 80 color plates 168 pp, four colour dust jacket hardcover, 21 x 27 cm, 120 pp, 55 color plates Softcover, 29 x 25 cm, 288 pp, full color throughout
dust jacket, 24 x 33 cm, 40 pp, 17 color plates 40 color plates 25 x 29 cm 68 pp, 26 color plates 112 pp, 50 tritone plates
350 pp, 610 color plates 72 pp, four colour
Roberts, Michael Roberts, Michael Robinson, Marcy Rock ‘n’ Roll 39-59 Rødland, Torbjørn Rødland, Torbjørn Schmidt, Jason Schneider, Gregor Schorr, Collier Schorr, Collier Schuh, Gotthard Scully, Sean
Shot in Sicily The Snippy World Half-Frame 978-3-86521-609-0 I Want to Live Innocent White Planet, Black Heart Artists Die Familie Schneider Forest and Fields Volume 1. Jens F. A Kind of Infatuation The Color of Time
978-3-86521-448-5 978-3-86521-151-4 978-3-86521-034-0 Hardcover, 25 x 31.5 cm, 978-3-86521-617-5 978-3-86521-222-1 978-3-86521-302-0 978-3-86521-236-8 Neighbors 978-3-86521-156-9 978-3-86521-830-8 978-3-88243-961-8
Hardcover, 26.5 x 29 cm, Clothbound hardcover, Clothbound hardcover, 432 pp, 300 color and Clothbound hardcover, Clothbound hardcover, Clothbound hardcover, Clothbound hardcover, 978-3-86521-303-7 Clothbound hardcover, Hardcover Clothbound hardcover,
186 pp, 127 b/w, 5 color 26.6 x 34.9 cm, 290 pp, 25.5 x 23 cm, 112 pp, b/w plates 19.5 x 23.8 cm, 19.5 x 30.5 cm, 112 pp, 30 x 31 cm, 156 pp, 17 x 24 cm, 184 pp, Hardcover, 32 x 26 cm, 24 x 27.8 cm, 96 pp, 24 x 30 cm 33.3 x 22.7 cm, 208 pp,
plates and illustrations full color throughout 52 color plates 144 pp, 83 color plates full color throughout 120 color plates tritone throughout 88 pp, 58 tritone plates 40 color plates 240 pp, duotone 190 color plates
160 161
BACKLIST BACKLIST
Scully, Sean Seelig, Thomas / Serra, Richard Serra, Richard Serra, Richard Serra, Richard Soth, Alec Soth, Alec Southworth & Hawes Spagnoli, Jerry Spero, David Staeck, Klaus
Glorious Dust Stahel, Urs (eds.) Dirk’s Pod The Matter of Time Rolled and Forged Torqued Spirals, Sleeping by the Mississippi Niagara Young America: Daguerreotypes Churches Pornografie
978-3-86521-081-4 The Ecstasy of Things 978-3-86521-089-9 978-3-86521-137-8 978-3-86521-384-6 Toruses and Spheres 978-3-86521-753-0 978-3-86521-233-7 The Daguerreotypes 978-3-86521-200-9 978-3-86521-308-2 978-3-88243-124-7
Hardcover, 21 x 16 cm, 978-3-86521-085-2 Clothbound hardcover, Clothbound hardcover, Clothbound hardcover, 978-3-88243-633-4 Clothbound hardcover with Hardcover, 23 x 26.5 cm, of Southworth & Hawes Softcover, 29 x 29 cm, Clothbound hardcover, Softcover, 20 x 25 cm,
232 pp, 201 color plates Hardcover, 24 x 30 cm, 24.5 x 26 cm, 128 pp, 24 x 29 cm, 212 pp, 24.1 x 27.9 cm, Clothbound hardcover, tipped-in image, 28.5 x 27.5 cm, 144 pp, full color throughout 978-3-86521-066-1 56 pp, 112 color plates 23 x 29.7 cm, 144 pp, 392 pp, 295 b/w plates
400 pp, 472 color plates 50 tritone plates 80 duotone and 76 pp, 54 tritone plates 24 x 29.5 cm, 64 pp, 120 pp, full color thoughout Hardcover, 25.4 x 30.5 cm, 65 color plates
100 color plates 44 duotone plates 356 pp, 150 color, 2000 b/w
Serra, Richard / Reinartz, Dirk Serra, Richard / Reinartz, Dirk Shafran, Nigel Sheikh, Fazal Sheikh, Fazal Sheikh, Fazal Starkey, Hannah Steenerson, Mark Steidl, Gerhard Steiner, Albert Steinert, Otto Sternfeld, Joel
Afangar Te Tuhirangi Contour Edited Photographs 1992- The Circle Ladli Moksha Photographs 1997-2007 The Cement War I am Drinking Stars! History of The Photographic Work Parisian Shapes American Prospects
978-3-88243-206-0 978-3-86521-014-2 2004 978-3-86521-599-4 978-3-86521-381-5 978-3-86521-125-5 978-3-86521-373-0 978-3-86521-016-6 a Champagne 978-3-86521-204-7 978-3-86521-624-3 978-3-88243-915-1
Clothbound hardcover, Clothbound hardcover, 978-3-88243-976-2 Clothbound hardcover with Clothbound hardcover, Clothbound hardcover, Clothbound stitched hardcover, Clothbound hardcover, 978-3-86521-750-9 Clothbound hardcover, Clothbound hardcover Clothbound hardcover,
29 x 25.4 cm, 78 pp, 24 x 22 cm, 76 pp, Flexible hardcover, 22 x 29 cm, tipped in image, 17 x 22.5 cm, 26.7 x 33 cm, 140 pp, 26.7 x 33 cm, 220 pp, 29.7 x 28 cm, 124 pp, 29.5 x 27.5 cm, 126 pp, Clothbound hardcover with 30 x 32 cm, 240 pp, with dust jacket, 36.8 x 29.8 cm, 140 pp,
55 duotone plates 40 duotone plates 112 pp, 20 duotone and 50 114 pp, 108 tritone plates 70 tritone plates 170 tritone plates 47 color plates 76 duotone and numerous dust jacket 136 color plates 19.5 x 25.5 cm, 65 color plates
color plates drawings 14 x 20.5 cm, 140 pp 112 pp, 55 tritone plates
Sidén, Ann-Sofi Sidibé, Malick Sidibé, Malick Signer, Roman Signer, Roman Simon, Taryn Sternfeld, Joel Sternfeld, Joel Sternfeld, Joel Sternfeld, Joel Clare Strand Paul Strand at Work
In Between the Best of Worlds Chemises Photographs Travel Photos Projections An American Index of the Oxbow Archive Sweet Earth: Experimental When it Changed Treading on Kings 978-3-86521-838-4 Toward a Deeper
978-3-86521-086-9 978-3-86521-523-9 978-3-88243-973-1 978-3-86521-282-5 978-3-86521-747-9 Hidden and Unfamiliar 978-3-86521-786-8 Utopias in America 978-3-86521-278-8 978-3-88243-837-6 Clothbound hardcover with Understanding
Hardcover, 23 x 29 cm, Softcover, 24 x 32 cm, Clothbound hardcover, Hardcover, 24 x 30 cm, Clothbound hardcover, 978-3-86521-380-8 Clothbound hardcover with a 978-3-86521-124-8 Softcover, 22.3 x 15 cm, Softcover, 28 x 22.5 cm, dust jacket, 22 x 29 cm, 978-3-88243-520-8
184 pp, 150 color plates 168 pp, full color throughout 29.6 x 30 cm, 108 pp, 240 pp, full color throughout 24 x 19 cm, 496 pp, Clothbound, 25 x 34 cm, tipped-in image, 32 x 28 cm, Clothbound hardcover, 144 pp, 54 color plates 96 pp, 40 color plates 112 pp, 54 color plates Hardcover, 19 x 22 cm,
64 tritone plates full color throughout 150 pp, full color throughout 160 pp, 77 color plates 30.5 x 25.5 cm, 136 pp, 60 72 pp, 27 tritone plates
color plates
Singh, Dayanita Singh, Dayanita Singh, Dayanita Singh, Dayanita Slimane, Hedi Smith, Bridget Strömholm, Christer Sturges, Jock Swope, John Taro, Gerda Taylor-Wood, Sam Teller, Juergen
Go Away Closer Blue Book Privacy Sent a Letter Stage Society In Memory of Himself Life - Time A Letter from Japan: The 978-3-86521-945-9 Still Lives Nürnberg
978-3-86521-386-0 978-3-86521-839-1 978-3-88243-962-5 978-3-86521-454-6 978-3-86521-024-1 978-3-86521-405-8 978-3-86521-298-6 978-3-86521-700-4 Photographs of John Swope Softcover 978-3-86521-323-5 978-3-86521-132-3
Softcover, 16 x 20 cm, 23 color postcards bound into Clothbound hardcover, Seven softcover voloumes Clothbound hardcover, Hardcover, 29.7 x 25 cm, Hardcover, 20.5 x 25 cm, Clothbound hardcover with 978-3-86521-267-2 21.5 x 28 cm Two books in a sleeve Clothbound hardcover,
32 pp, 31 tritone plates a cardboard-folder, 20 x 24 cm, 128 pp, housed in a handmade cloth box 36 x 20 cm, 396 pp, 64 pp, 45 color plates 144 pp, 100 duotone dust jacket, 32 x 36 cm, Clothbound hardcover, 176 pp, tritone 23.4 x 29.9 cm, 192 pp, 35 x 28 cm, 120 pp,
10.5 x 14.8 cm 90 duotone plates 9 x 15.5 cm, 126 pp, 286 tritone plates and color plates 192 pp, full color throughout 21.6 x 26.7 cm, 256 pp, 160 color and b/w plates 60 color plates
tritone plates throughout 114 plates
Smith, Tony Smoliansky, Gunnar Solomon, Rosalind Solomon, Rosalind Sosnowska, Monika Soth, Alec Teller, Juergen Teller, Juergen / Sherman Cindy Teller, Juergen / Rampling, Teller, Juergen Teller, Juergen Teller, Juergen
Not an Object, Not a One Picture at a Time Chapalingas Polish Shadow Photographs and Sketches Dog Days Bogotá Märchenstüberl / Jacobs, Marc Charlotte Vivienne Westwood Marc Jacobs Advertising Election Day
Monument. The Complete ISBN 978-3-86521-615-1 978-3-88243-877-2 978-3-86521-199-6 978-3-86521-723-3 978-3-86521-451-5 978-3-88243-863-5 Ohne Titel Louis XV 978-3-86521-690-8 978-3-86521-715-8 978-3-86521-906-0
Large Scale Sculptures Clothbound hardcover Clothbound hardcover, Softcover, 16.5 x 23 cm, Softcover, 20 x 25 cm, Hardcover, 21.5 x 22.5 cm, Hardcover, 27 x 21 cm, 978-3-86521-195-8 978-3-86521-062-3 Clothbound hardcover with Clothbound hardcover with Softcover
978-3-86521-313-6 28.9 x 28.9 cm 25 x 28.5 cm, 464 pp, 80 pp, 60 tritone plates 112 pp, 71 color plates 60 pp, 50 color plates 144 pp, 140 color plates Clothbound hardcover with Hardcover, 29.7 x 23.8 cm, dust jacket, 20 x 27.5 cm, dust jacket 20 x 29.7 cm
Hardcover, 25 x 33 cm, 256 pp, tritone 204 duotone plates dust jacket, 25 x 32 cm, 56 pp, 28 color plates 44 pp, 29 color plates 30 x 38 cm 36 pp, four colour
104 pp, 54 tritone plates 48 pp, 29 color plates 576 pp, four colour
162 163
Distribution
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Verlag: Vertrieb:
Gerhard Steidl Druckerei und Matthias Wegener
Time & Place Trager, Philip Philip Trager Tunbjörk, Lars Tunbjörk, Lars Tupitsyn, Margarita Verlag GmbH & Co. OHG Tel. +49 551 49 60 616
(Slipcased Edition) Faces 978-3-86521-239-9 I Love Borås! Vinter Gustav Klutsis and Düstere Straße 4 Fax +49 551 49 60 649
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Three softcover vols. slipcased Hardcover, 26 x 33 cm, 25.2 x 31.2 cm, 312 pp, Hardcover, 27.4 x 34.4 cm, Hardcover, 22.5 x 27.8 cm, 978-3-88243-974-8
17 x 23.5 cm, b/w and full 124 pp, 48 tritone plates 156 tritone, 50 illustrations 168 pp, 175 color plates 192 pp, 135 color plates Hardcover, 30.5 x 25.4 cm, Tel. +49 551 49 60 60
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Index
Artists, Authors, Institutions Packham, Monte 143 Francis Bacon – New Studies. Centenary
Bacon, Francis 111–113 Paul, Manfred 55 Essays 113
Bailey, David 29 Pigozzi, Jean 137 Frank Films 53
Banier, François-Marie 41–43 Pol, Andri 33 From Craft to Art 105
Barney, Tina 37 Polidori, Robert 59 Grandes Chaleurs 41
Bolofo, Koto 69, 141, 147 Schellong, Rüdiger 151 Große Komplikation / Grande Complication 147
Bourdin, Guy 135 Singh, Dayanita 39 Helios: Eadweard Muybridge in a Time of
Brookman, Philip 115 Sieff, Jeanloup 75 Change 115
Burger-Utzer, Brigitta 53 Sternfeld, Joel 57 I Spy with My Little Eye, Something beginning
D’Agati, Mauro 21–25 Teller, Juergen 71–73 with S 141
Dalí, Salvador 127 Tuymans, Luc 129 In Between 135
Dawson, Barbara 111 Vezzoli, Francesco 127 In Sickness and in Health 125
Dewitz, Bodo von 117 Welling, James 121 Les Indiscrètes 75
Dine, Jim 107 Light Sources: 1992–2005 121
Doisneau, Robert 105 Titles Live Love Look Last 103
Frank, Robert 45–53 24h Berlin 65 Maquette Braunschweig 35
Gray, Colin 125 A Visit with Magritte 81 Napule Shot 25
Grissemann, Stefan 53 Against the Day 129 Neverland Lost 13
Hansgen, Karen 151 Alamar 21 Old Me, Now 107
Harrison, Martin 113 Another Art Book 95 Photographs from the Floating World 79
Holzer, Jenny 85 Architectural Projects 63 Players 37
Hoogland Ivanow, Martina 123 Bailey’s Dehli Dilemma 29 Record 1974/1975 – Mabou Coal Mines 45
Kapoor, Anish 63 Beckett 43 Schmatz! [Smats] 151
Jasmin, Paul 93 Black White and Things 47 Södrakull Frösakull 61
Lagerfeld, Karl 89 California Dreaming 93 Some Points in Between... Up Till Now 59
Lauffs, Helga and Walther 131 Catalogue Déraisonné 137 Soviet Photographs – Daniela Mrázková
Leaf, June 45 Concentric Circles – A Chronicle of Steidl Collection 117
Lemos, Kalliopi 67 Publishers 143 Still-Life Photographs 1983–1985 55
Leutwyler, Henry 13 Crossings. A sculptural trilogy about Europe’s Ten Years 133
Marchand, Yves 17 fragile borders 67 The Beauty of Violence 89
Marty, Urs 109 Dalí Dalí featuring Francesco Vezzoli 127 The Collection of Helga and Walther Lauffs 131
Meffre, Romain 17 Deste Fashion Collection 73 The Complete Film Works (Volume 5) 49
Michals, Duane 77–83 Digital + Analogue: The Art and Science of The Complete Film Works (Volume 6) 51
Mikhailov, Boris 35 Rockstar Games 99 The Ruins of Detroit 17
Mrázková, Daniela 117 Dream Villa 39 Walking the High Line 57
Muybridge, Eadweard 115 Far Too Close 123 Where is Japan 33
Nixon, Nicholas 103 Foto Follies 83 Vroom! Vroom! 69
Olsson, Mikael 61 Francis Bacon – A Terrible Beauty 111 Zimmermann 71
This catalogue is not for sale • © 2009 for the images by the artists • © 2009 for the texts by the authors • Scanning by Steidl’s digital darkroom • Production and printing by
Steidl • Düstere Str. 4 / 37073 Göttingen, Germany • Phone +49 551 49 60 60 / Fax +49 551 49 60 649 • E-mail: mail@steidl.de • www.steidlville.com / www.steidl.de •
All rights reserved • Printed in Germany • ISBN 978-3-86930-062-7

Steidl Catalogue SS10

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FotoGrafia Book Award

Association of Art Museum Curators award for the

Premio Mejor libro internacional de fotografía

Rencontres d’Arles Historical Book Award 2009

Photo: Koto Bolofo

Book design by Ruba Abu-Nimah and Kevin Ley

Yves Marchand / Romain Meffre

Introduction by Robert Polidori

Text by Senel Paz

Book design by Mauro D’Agati

“Pink is the navy blue of India.” (Diana Vreeland)

Book design by David Bailey and Gerhard Steidl

Text by Inka Schube

Edited by Chip Kidd

Exhibition: “Nature Morte”, Delhi January, 2010.

Book design by Dayanita Singh and Gerhard Steidl

Text by Abdellah Taïa

Text by Viviane Forrester and François-Marie Banier

Book design by June Leaf

B LACK Robert Frank

Book design by Werner Zryd and Robert Frank

This Song for Jack – 30 minutes – 1983

Ginsberg/Corso Reading – 8 minutes

Hunter – 37 minutes – 1989

This Song for Jack – 30 minutes – 1983

Three DVDs in a film-roll box housed in a slipcase

C’est vrai (One Hour) – 60 minutes – 1990

Candy Mountain – 91 minutes – 1987

Run / New Order – 3 1/2 minutes – 1989

C’est vrai (One Hour) – 60 minutes – 1990

Three DVDs in a film-roll box housed in a slipcase

50 From: Candy Mountain 51

Brigitta Burger-Utzer / Stefan Grissemann (ed.)

Brigitta Burger-Utzer / Stefan Grissemann (ed.)

Edited and introduction by Brigitta Burger-Utzer

Text by Eugen Blume

New edition with essays by Adam Gopnik

Essay by Paulette Gagnon

Text by Beatriz Colomina, Helena Mattsson and Sinziana Ravini

Book design by Nick Hughes

Edited by Agentur Ostkreuz, Berlin

In cooperation with Akademie der Künste, Berlin.

Edited by Johannes Odenthal and Elina Kountouri

Book design by Koto Bolofo and Gerhard Steidl

Book design by Juergen Teller

Book design by Juergen Teller and Peter Miles

Edited by Patrick Remy, Barbara Rix and Valérie Servant

Photo: Gerhard Steidl 77

Book design by Duane Michals and

Book design by Duane Michals, Gerhard Steidl and Katharina Staal

“The announced demise of the decisive moment is premature.” Duane Michals

Book design by Duane Michals and Claas Möller

Book design by Collin LaFleche

Book design by Karl Lagerfeld and Gerhard Steidl

Concentration and Isolation

Book design by Dimitri Levas

Another Art Book