Professional Documents
Culture Documents
April 2010 Trinitarian Newsletter, Holy Trinity Sloane Square
April 2010 Trinitarian Newsletter, Holy Trinity Sloane Square
April 2010 Trinitarian Newsletter, Holy Trinity Sloane Square
An Easter Reflection
“When evening came, his disciples
went down to the sea, got into a boat,
and started across the sea to
Capernaum. It was now dark, and
Jesus had not yet come to them. The
sea became rough because a strong
wind was blowing. When they had
rowed about three or four miles, they
saw Jesus walking on the sea and
coming near the boat, and they were
terrified. But he said to them, ‘It is I;
do not be afraid.’ Then they wanted to
take him into the boat, and
immediately the boat reached the land
toward which they were going.”
John 6:16-21 (NRSV)
I remember the old ‘Gang Shows’
performed by the Scouts. At the finale,
they would join together and sing, ‘We’re riding along on the crest of a wave and the
sun is in the sky, keeping your eyes on the distant horizon…’
It seems that this is what Jesus is asking his disciples to do; look to the horizon and
see the risen Son. People may benefit from his miracles but never see the ‘sign’
pointing them to believe in Jesus. He knew that the crowds were attracted by his
miracles. They ate a miraculous meal, yet failed to see the significance in the person
of Jesus. They were looking for food, not faith, and soon they would be hungry again.
They needed to look beyond miracles to God’s new sign - Jesus.
Scholars are not sure whether he walked by the water or on the water, but for me the
‘People may benefit from his miracles but never see the ‘sign’ pointing them to
believe in Jesus.’
important truth is that he came to his disciples over the water, and said, ‘Do not be
afraid.’
Water is often a symbol of death in the scriptures - for example, Moses as a baby in
the basket overcomes death floating on the water, the Red Sea parts so the Israelites
might escape death, and of course Jesus’ baptism promises new life out of the waters
Page 2 Trinitarian Holy Trinity Sloane Square
The event raised well over £2,000 towards the cost of the
The Revd Rob Gillion music at Holy Trinity. We owe our special gratitude and
Rector thanks to all the performers who freely gave their time to
make this such a successful and happy time.
images by
Janine Gillion
Page 4 Trinitarian Holy Trinity Sloane Square
bars of one of the cells by a prisoner into my hand. On it was a picture of a pair of
shoes overshadowed by bars and underneath was written ‘Why don’t you step into
my shoes and find out how much it hurts.’
After years of retreats and conferences seeking strength to minister in various
situations and serve I was faced with the challenge of a wilderness experience which
would make or break, test or transform, would highlight my failure and fragility, would
frighten yet fascinate. I would be examined, rigorously tested. Here was a wilderness
indeed.
For Jesus his time in that wilderness, that desert was challenging the way to achieve
his ultimate goal. Jesus was invited to impose his own will by turning stones into
bread; never deal with people as persons but rule from above;
never get his hands dirty but rely on the miraculous. Jesus said ‘No’ to each one in
turn – a scripture backed no to each temptation. Why?
Because it would be impersonal, abstracted from relationships, and disengaging from
love.
The way of Jesus is always exercised in personal ways – creative, saving, blessing,
serving.
We cannot follow the way of Christ without love or intimacy – no matter how well we
do it no matter how accomplished – this is the Way, the way of relationships.
So reluctantly I accepted the challenge and invitation from Ah Tim, the prisoner, to
step into his prison shoes, not just to contemplate it, but live it – solitude, isolation,
loneliness, cut off from friends and family, and asked the Governor if I could spend
some time as a high security prisoner – unfortunately he said yes! It resulted in being
put into solitary confinement, threatened by someone who thought I was the
governor’s spy, and being given the job of a cleaner ‘a bejai’. But the most powerful
moment was when my name was changed by the inmates from Father Rob to Father
Robbery. Crime, not understanding – punishment, to experience life in chains. But
most important in some small way I was one of them.
From birth to death we are reminded of the gravity of our situation. It’s gravity which
brings us down to earth. To face reality. If only I could fly, a dream of the prisoner
with his clipped wings. But we all have our limitations, and yet through the limitations
of the Cross Jesus was ultimately set free. That is our saving grace. We mustn’t run
away from the reality of this world, we must embrace it, live in it, but seek glimpses of
his glory. The desert for all its arid dryness does have the occasional oasis, a desert
flower in bloom. The wilderness is a challenge and an opportunity. Not a place to
fear.
Lent is a season in which we are made aware of the need to prepare for that glorious
resurrection of Jesus Christ on Easter Day. Never let us lose sight of the fact that
Lent is Easter in disguise!
I pray that you find time perhaps in the light of this Lenten season to be drawn by the
Holy Spirit to step into someone’s shoes; enter into your wilderness and be
challenged and tested by a loving compassionate God, so you may serve him in spirit
and in truth, for the truth will set you free through Jesus Christ our Lord. Amen
Page 6 Trinitarian Holy Trinity Sloane Square
The weekend will take place between 28th – 30th of May, 2010 at
Holy Trinity Church, Sloane Street and this will come in addition to
our usual September activities, this year between 12th - 19th
September.
Also, during the May events, we will be collaborating for the first time
with a new group which specialises in performance on instruments
from Schubert’s time. The group is called the Guildhall Performance
Laboratory and is made up of teachers and advanced students from
the Guildhall School of Music and Drama in London.
The Chelsea Schubert Festival Song Competition will continue into its
second year involving students from across the country and a
Schumann day of concerts and lectures will be held to celebrate the
great composer’s 200th anniversary.
Please check our website closer to the time for more information:
www.chelseaschubertfest.co.uk
By Marc Verter
2010
Page 7 Trinitarian Holy Trinity Sloane Square
The forthcoming May/June place his finger into the but is more designed
edition of Choir & Organ wounds. What an image, as a lesson to the
Magazine will include a and an extraordinary eleven disciples
'New Music' focus on my requirement of faith, to present in the room to
latest piece, The touch in the most invasive spread the faith and to
Incredulity of Saint and private way, inside encourage the faith to
Thomas. Jesus’ flesh. spread long after they
have all passed away.
Commissioned jointly by After he has seen and
the magazine and the Having trained as an
Choir of St John's College, opera singer, I'm of the
Cambridge, I was asked to strong opinion that
set an Eastertide text for, drama should be
unsurprisingly, Choir (& encouraged within the
Organ)! I set about the choir stalls, and the
task with trepidation. To dramatic implications
begin with I find it inherent in this scene
immeasurably m ore are obvious. Just look
difficult to compose at Caravaggio's
jubilant and joyous music gruesome painting,
(haven't you seen how from where I borrowed
grumpy I can get on my title, and we get a
Sunday mornings!). So I great sense of the
set about pouring through tension and wealth of
the post-resurrection emotion in the
gospel narratives in confrontation. I
search of a more visceral devised a would-be
encounter, and was Richard Wilberforce dialogue between
delighted to recall the Image by Phil Dunlop Thomas and the Christ
confrontation between risen and in doing so,
Jesus and his doubting negated the role of the
disciple, Thomas. touched, he believes and evangelist. It was
exclaims “My Lord and my important, therefore, to
You'll remember that God!” It’s a very establish a clearly
Thomas refuses to believe advanced, credal outburst distinguishable
Christ's presence amongst of faith, to which Jesus language for each
them (he has already responds: “Blessed are character - rather in
revealed himself to other those who have not seen the same way that
disciples) unless he sees and yet have believed.” you'd recognize the
the crucifixion marks of voices of different
nails and spear in his This is not a chastisement characters in The
hands and side, and can of Thomas on Jesus’ part, Archers!
Page 9 Trinitarian Holy Trinity Sloane Square
Thomas' words are strictly repeating melody is set in 9th May at Evensong
set to a repeating cycle of obstinate oblivion to the (6.30pm) by The Choir of
eight chords. The effect of hum anis tic harm onic St John's College, and will
this sometimes fast- surround of the eight- be recorded and
moving cycle is one of chord cycle, and this broadcast on their website
restlessness, endless serves to deify and thereafter.
pacing up and down - transcend his words, as ( www.sj cc hoir .c o.uk ).
nervous and unsettled. By well as programmatically
contrast, Jesus’ music is hinting at his eventual The score will be available
an extremely simple ascension, as the phrase to download from the
descending scalic phrase rises and rises al fine. Choir & Organ website
rising by a tone at a time (www.choirandorgan.
for the duration of the The Incredulity of Saint com).
piece, closing with a final Thomas will be premiered
treble solo on a top A. This in Cambridge on Sunday
7.30pm – 8.45pm
© Ann Dent
Awareness Foundation
Director: The Revd Nadim Nassar
Awareness Foundation phone: +44 (0)20 7730 8830
Email: director@awareness-foundation.com
www.awareness-foundation.com
Morning & Evening Prayer is said daily, Monday to Friday, at 9.00am & 5.00pm
Saturday 10.30am & 4.00pm
The Eucharist is celebrated on Wednesdays at 6.30pm, and Thursdays at 1.10pm
On Sundays, the Eucharist is said at 8.45am, and Sung at 11.00am.