PAPER FOLDING MICHAEL G. LAFOSSEi ae)
ee ace
Pee ee
Ce ee ets
‘origami art from around the world. A veritable
gallery of masterpieces in paper, it displays four
engaging exhibits: Animal, Vegetable, Mineral
Play; Form and Funetion; and Masks and Figures.
Cee OS eu tec ay
Set es
Ce eta
Cee eee ans
breathtaking designs of Japan’s Akira Yoshizawa,
to the awe-inspiring abstracts of American designer
Ce cco g el ed
insects of Italy's Alfredo Giunta, more than sixty
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Half the fun of Origamid® isthe “do” aspect, and
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Michael LaFosse is recognized as one of today’s
leading origami artists and teachers. An inter-
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been exhibited in galleries and museums around
Ce nee eet een ee
‘and produced several videotapes devoted to
Se me et
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essence of etistic expression found in enduring
Seger
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See
rar a no en?Origamido
THE ART OF FOLDED PAPER MICHAEL G. LAFOSSE
uvnanocontents
Introduetion 6
Animal, Vegetable, Mineral 10
Play 42
Form and Funetion 66
Masks and Figures 34
Diagrams 120
Artist Directory
and Resources
Glossary
Index of Artists
Photo Credits
Acknowledgments
138
142
143
143
144INTRODUCTION
he Way ofRelatively shot, esy-o-remember folding sequences promoted the techniques mos
successuly passed on unt the advent of aublshed looks on origami, which greatly
factaved the preseiving and sharing of new leas worked. Gradually, organ has
becere rich wth advanced folding techniques. Consequer
y. modern agai
practhiones embraced the concept of working without ary cuting, and since adopt
ing this convent, designets have pushed themselves to tackle the big challenges.
\With so many ofthe technical ssues out of the way, there has been a growing move
‘ment to improve upon the refinement of design and the arise potential. Such
insprovements inthe art pave the way for books like this
“Mucho he ovigam art presented in this book is wer-Yolded a techniaue pioneered
and popularized ty exigami master Abita Yoshizava, Yoshizawa made the soft papers of
Japan more suitable for origami by stifening them with starch paste, pasting two
sheets backto-bock This technique is often refoed ta as backcoating # standard
technique in the Orient used to stifen paper to ake it suitable for book covers and
‘box making, This very sti paper necessary requied lite softening before folding, so
Yashizawa lghdy dampened the paper wth water, Wile Wet, the paper wos lant and
responsive Sof, rounded folds could be intraduced into the design, When the paper
hed the starch hardened and the model woul retain ts shape indefritely. Today, there
‘are many devotees to this wet flding method. The wetfelding appraach can also be
applied to sti heavy at papers, which would there be unusoble for most orig
‘Adky method that approximates wer folding she hsuefoll method, where onary
chen alumina fl Bonde to some kind of thin papet Sometimes the fs
paperel on one sd, sometimes bath The foils mallee and comeresible properties
simi the wet-folding ffect-The downsides to this technique aretha the fal stays
soft and is easly misshapen, andthe foll and mast of the adhesves ued in the bon
ing process deteriorate overtime and so theve works ae not considered petmanent
‘Mastering an Origami Model
No matter how simple or comlex ary origami model maybe, mastering ic will eure
‘several stones of efor Fist, and most obvious, you must lenn the folding Sequence.
This ssimitar in many mays 1 leaning. place of msi rom the frst note tothe last,
‘Along the way, you may encounter dificlty end you wil focus oh these trouble spots
ni you are accomplished at these new techniques sony after you have gotten this
for that you can begin to realize the true potenti of on origami desig,
[Many folders follow a checklist approach t tackling arigam model, folding @ model
{ence or wee and then moving on tothe nee. Thetes some meri in this approach fo
‘the beginner, uhen one fet on leaming the many inmicacies of erga technique
and sttucture But to be able to create truly Inspng work. its best fo select even just a
few otigarl models of subjects that most interest you. and make a long erm study of
the. Over the yeas you may try these designs in many papers Each paper will present
‘you with new challenges in flding the fooam origami model reveals what the folder does
1 subject If your origami of some kind of a
a or plant, you should observe these
ving subjects festhand: the next ime you Told the orga you wal sea siricant
improvement, Aditional touches ke these mark the distinction hetween agai craft
and origam’ an, and ae the source of satisfaction that make crea
ys and accomplished
felders continue to fold thre
ony folders dewelop astonishing technical proficiency in thes
ns erating wit aban
don and great enthusiasm, Reisithng ther earlar models lata in We, they mary find shat
appreciation has changed and grown andl cleply shows inthe wor, This
‘oppertuniy To change with maturity if seen in eter ants, Fam Picasso to Beethon
and is often» halimatk of serious ifelong artis
book reveal the ctnes and depth ofthe world of der ogam
»
enaginav an delightful examples othe a
showcasing some of them
oy. his is oka howto book You wil ot fl dagrams forthe
folding of many of these modes, Rather isan temarionat etibiton of
rigor in book Foun.
Attheend ofthis book the scunces for published fleing instructions toa ofthe feared
orks fe claedexce forthe few far such fermion does no ye xi. ave
0d books ond papers. hope this book wil ig these people together aswell as introduce
nino
5 od il ely result hom viewing the exqulstepeces inthis alum Soave
netted the
grams for few projects athe back ofthis book, These madls were chosen
from each section to give you taste of ieee styles ond to urbe pour nc
ne language ane proces forigan.PPAPERFOLDERS USE THEIR ART'TO TRANSLATE THE WORLD AROUND THEM, just as writers, painters actors and sculotors do,
“Tis section features masterful renditions igpied bythe natural wld. The origami model fetured here range in comply
froma single old to meds of extraceinary deal Several brian: models are compound or multiplece, constructions, uch 38
she dinosaur skeletons or Kawasaki’s Rack Crystl. These practical solutions to paperfolding challenges help dsp the myth that
the best origam pieces are akvays brought forth from a single sheet of paper.
‘One thing that these paper aris al share ia passion forthe chosen subjects. Many have spent countess hours of dedkcted
‘observation and study ofthe natural model for their subjects, feled by an intense deste to bring tole in paper.
These hummingbirds feeding an lacobina blossoms show how deren cxigar elements can be used ffectvey in a compos
ite display. The paper, made by hand, mas
med rem iridescent purple pulp on ene side (showing only on the chin ofthe
male), wile deep iidescent green-colored pulp wae screened and pressed anto the purple pulp, forming a duo-colored
paver Jacobina blossoms are often in eifferent stages of bloom—somme buelded. thers alley wi
sd-—avhich the att was
careful to ilustrate. Each bid, ea, or blossom ofthis composition isfelded from a single square of handmade paper and assem
bled on ve. The paper was made by Michael LaFosse from plant fibers of Sonora Desert origin‘Mushrooms
Vincent Floderer
L
Wet folded fom a varey of pants
Itwas Fladerer'sintention thatthe process af flding the
‘coms be expressive ia natural and organically developmental way
tat would imitate the growth and the unfaleng of fving mush
‘coms. Fladerer was inspire by, and has adapted, Paul
papercrumpling techni
cate scores of ciferem species of
musheooms. The paper was wel soaked in water at some point du~
ina the shaping, then moked and let to dey. Flodere used several
‘yes oF paper, whieh he sl
rayeekin some cases he
the types of mushvooms po
pled pn
and other siutace weatmeatsPangolin
clase
‘Approximately 22"Iong (56 crn)
Folded frarn nad inted Kraft paper.
For many, the pangdlin has been the aly gral of origami. Creating
‘he numerous scaly plates that caver this distinctive airs hide
without producing arrtued and bulky form presenis a fornvdable
technics challange, mastered hete by Eric Jos, The pangotin was
so technically demanding that 1ook several days 10 completeSamurai Helmet Beetle,
Allomyrhina dichotomusBig Brown Bat, Eptesicus fuscus
as sta place. The
stage, then lft toy
ofHappy Good-Luck Bats
Michael Lasse
Usa
foarting bats 15° 295" (@ em x Perl
fying bats 25° a" (ms 10cm)
Wet-olded from diagonally bisectes 55"
(04 cr squares of eawy art paper.
The bats’ angular wings ate cleanly represented by simple
fan folding, which alo helps 1 fxm he thvee-dimensional
‘bad. Wings open and they are fying —closed, they
In China the bat is revered asa symbol of good luck largely
Decause the Chinese wots for har ane goad forte are
homonyms. One often sees sya versions of bats used
‘omamerrally on ceramics, n tapestries, and in wood carv=
Ings. Five red bats ality the gaod fortune since the color
fed fs considered luckyad the number five represents the
Five Happinesses Inspited by the Chines's happy interre-
tation ofthese animals the att playfully syne this
‘liga bat, which he mast aften folds In vee paper
Compare Happy Good Luck Bos with Bly Brown Bat page
17) fora good idea of how an anst can use the versatlty af
cofigams through style diferences, to express a wide inet
pretation ofa suet.Rose
Toshikaau Kawasok
Japan
ose 25° x25" ( om cm) leaf 3°% 325" (Bem 9 em)
Rose folded for a sque of lapenese tissue aaper; each leaf tiple
folded from a square of dyed wash
‘This modetn rigan lower design exhibits none of the ha
straighetine geometry typical
ional folded: paper made Whstees most orga ren
sts acl symmetry, Kanata wisely
ions of fawvers ane fre
lt His Tose desians upon a pial twist from the
paper's center. This twat forms four radial. multlayered wells of paper that can be genthy
cosred into 3 spra-wvapped clinde
This cylinder, which resembles rosebud, is graceful formed, layer by layer ito a ly
bloomed rose, Four extensions of paper le" over fram the forming ofthe petal, neatly cross
ach other and clevetl ack the underside dosed
‘The leaf clusters are folded ftom single squares: each leat is formed from one comer af the
paper, the stem fiom the fourth camerDosen
Sea]
eo)
eee ero)
ee eee a ed
Cae en a ae ee
Se one ee etn
ee geet ee eet eee
een ce
Cea een ea ae ec
cere
De ee eo era eee
ofa classic work of nature. These crystal forms refect off each others minrred surfaces,
eee a ea ees oe
struction, a relatively modem development in origami that's ganing in populatty and
See ee ee ty
ee)‘Clown Fish and Sea Anemone ‘The clown fish ites generated by three points of gaper shat cluster in an
‘urside corner Since there ate four such se fre, ts posable to
have up to fou fsh swimming thaough the anemone,
x6" (9emx 15 em) c c when he noticed that the
idl from a 36" (9 cr square of tissue filFly
Atted
chs folded from two sheets of paper the wings were made of ransparen
rest ofthe body was made of Japanese fol paper
So tiny and detailed ae these madels that Giunta used tweezers 0 fold ther,
‘fredo isa serious student of natural subjects and his creations ae ful off
These models displayed in their handmade box have never been shown
before. Gina's method and choice of matefal is s6:convininig thet during
phy seston, it was important to alert everyone that these "es
were cut oftheir boxes and that no one was ta swat any ary such creatineThree-Headed Dragon
John Mons
USA
Approximately 5x 10°(13.emx 25cm)
Felded fom an 18" 4 cr) square of Canson ant paper,
leis ofen dificult forthe uninitiated to believe that a paper sculpture can be
created fam feding a single square of paner without he Use of scissors. In this
‘three headed dragon, the three heads and the tall ave each formed flam one of
the comers ofthe paper. making four legs ard twa wings, while allowing such
Jong extensions or each neckStegosaurus
Fumi Kawahats
Approximately 6" x 12 (15 mx 30 em
Folded forma 235" (60 cm) squate of Japanese origami
Frniaki Kewahata has witen an entite book on his gam
dinosaurs He creates the characteristic back plates of the
Stegosaurus fom an elegant series Of box pleats that reinstalled
ed
inthe esliest stages of folding, The sale ofthe pleats is
back plates ae appropriately Ferm
There are sniper methods, however, sin the case of Joseph Wu's
one-faldstagosaurus. Te cbserve tis technique fisthand, fold
quae sheet ofp
al four corners of the panerare equally spaced and ae i an ach
erin half, roughly diagonal fashion, so that
thus representing the stegasaurus ack se iustration below,Elephant and Rabbit
Joseph We
‘canada
Exch aporoximately 55° (14 ce) tall
Bephant folded ftom a denim blend pape: rat folded from acottan
Kralt and straw blend paper; bath handmade by Reg ise of Vancouver
Fully tee-dimensional bath madels feature closed backs and belies. The techniques used in each are quite
iferent,thovch. The eleahant cocks his head to one side, esting to a ttn the paperat the neck.
Joseph i formed the fl body by lacking each side, The rab is closes dawn the back a up the front
These techniques are becoming more familar as designers share thelr appraaches with one anther
(Wu eres Davi il and Herman Van Goubergen (both featured in thls baok wlth pionecring the ideas of
the elephan’s construction, using the inherent tension ofthe fold to-nol, a thres-imensioal fulness wth
‘out wet folding. He designed the abit spetficaly fr 1985, the Yea af the Rabbi.Rhinoceros
Edwin Comrie
sitet
# x75 (locmx 19.0)
Joe fom an A frat
ir rectangle) of handmade paper
The folds ofthis hina use ciean dvisans ofthe 90-degree angle—675, 45, 22, et—and so they ae harmonious and
reliably generated. The line of the tack, from fase to all has an exoressve posture,
All of Core'sogem! animes posses playful personality, which is enga
‘even afew of his cations can easly pick a Core model out of @ crow His models are so wonderfull engineered that
aryane wiha fos the pattem with moderate cae wl reproduce 2 fine example af the design. To many, realizing this high
level oftfnement ard elegance isthe epitome of the at of origami design.
and often huenorous Anyone familar withDesert Scorpion and Praying Mantis
Nlchae LaFosse
na
ey Michael LaF
sans fr a month be
rigar ext
nota Desert Museum (RSD In Tucson, the a
1 paper om desert plant bers and designing oigarl renditions for his masterful
DMIs roriiood Galyin 1998. The Desert Scerion came out of tha
making
5s fom the author's back yar.Tyrannosaurus Rex Skeleton
respect for compound origami models Hs mane
is hose an the following page.Horse and Wild Boar
Designed by ise Yoshino
Horse 4" x7" (10 em x 18.cm
‘Wild Boar 3° (Bem x 15cm)
Folded fom tedyed wash by Masao HarAllosaurus Skeleton stow se rovownic races
Robert Lang
Usa
‘Approximately 385° 12" (80cm x30 em)
‘leefolde frm sbteen 138° 35 cm) squares Of elephatit Mie” paper.
“The linpressve skull ofthe Alesauus Skelavon is composed of only the pieces of paper: Lang's choice of paper adds
tothe effect: tshard, smosth surface and fssi-lite color ate quite conuncing, and the way in which Lang posed this
‘compesition conveys alifetke sense of animation that one expects to seein modern dinosaur MOA,
wsavimals ofthe North Ameti Jo that AtaPinwheels and SailboatsJumping Frog
“Tomoko Fuse
Japan
‘Approximately 4” (10 er) kong
Felded rom a "(18 ci) square of coated Kitt paper.
There ae numerous versions ofthe jumping fg that ange rom a simple, mod
‘er version best fold fom index cards tote fay complex. rational Janes
Infatabl og. wich as ben olde for huncres of years.
Ternoka Fuse’ origami eltvely simple wih stn athe deta s
good juries too. Al origami jumping fogs have one thing in common: a
concerviation of folded paper under the rump, which when presi fly at
the backedge wl sping avay ke tddjinks. For this ease, papers that oe
realy thik fr tel size should be used wien elding any jumping cage
‘mecel As, salir models general perform beter han ager onesWhirling Flower Tops
Teichivo Hesegavie
Japan
£0.65" (1Ocento 16 em) across
Folded from various duo origar papers
‘These tops ate compound madels each composed of wo aiferent folded
pieces of pape, and bath panes ae square and omnes oF
top flawer securely At inta pockets of the bese, Since Both sides ofthe apes
shosv on each folded element. there may be up ta aur colors iFeach side ofthe
‘wo papers used ae ciflrenty colored, This rigami canals be used 3s an
elegant package bow oF cnament. Terake the tore sn, place on anys
fat sslace and blow sai
equal S26 The
1 nga the center ofthe flowerPajaritaTHIS BOOK 1S DEDICATED tothe memory of Mrs. Emiko Kruckner, whose love of origami
ait energized her emissarial efforts to widen the appreciation of Yoshizawa sensel's monumental contributions.
As liaison and friend, Emike made possible for many’ a more richly rewarding life in Origamids.Winged Hearts
Francis Ow
Singapore
25°45" (Gemx IT em)
Each folds from single squares of du origami paper
Gin this case, oe side is pink and the other side magenta
‘These winged hears were made by folding tho comers tothe center
2 square piece of per so make an upside-down house shape, The
‘was then faded to becarte the hear. and the remaining two comers,
the square became the alested wings. ainging those two comers to
cemer exzosed the other side ofthe paper whichis of cferent coer
this dlighfl valentine has wings ifferntly colored than the hea.Spring into Action sicw so rouowne Pacts
Jeff Beyron
Uk
Extended & 20/a) lone: collapsed, 2S ert) In ehameter
Folded from 153 ratio rectangular sheets of caared bond gages,
An nternatonall ecoanlzed moder cats Soria into Action sa real finger.
Dister!The actual crease pattem for this mals simple enough to generates
‘eguler oid of cisgorally bisected rectangle, which con easly be plested cr
scored tothe paper The challenge isto manipulate the shee into a hei
wsted, collapsible Gfinder. Same beoiyner tke more than an hour toc this
however, practice and patlenceling rich rewards. There is nothing ike the teil
cof exercising your fst completed example ofthis excellent macel—a true fear of
folded-pape! action enginesting‘Aerogami™
Michael LaFosse
USA
Approximately (15cm)
Folded rom single sheets of origami paper
‘The elements thar go Inte making a pure origami airplane design are simple: one
sheet of paper No cutting, Ns paste, and no tape. The models should be elegant
Aan satisfying to flo, bur they must aso fly wel Pictures area few of the authors
‘personal favorites fram his oum extensive ine of orginal designs, The diagrams for
felcing the jg Fox seen here can be fo.ind on pages 130-188, Mas ot hisarpianes
festure locking folds and have user-‘iendly, adjustable fight contol surfaces such as
spoilers ans and rads which adda couch of syle to the design‘America’s Paper Cup®
ic Jose!
10" 30" B5emx 76cm)
ded fom Fie pieces of "elephart hide” paper cup body folded
froma compound sheet approximately 27x 557 Oem 140 cr
Mest of the canstruction ofthe tophy standard fan
pleating, but what pleating! The elegant shape of the
main body was tastefully fries by reversing the dvec
tion ofthe pleats—ourward for wide an inward for na
raw. The length and angle ofthese folds decerine
propotion and shape; Once all ofthe pleats have beer
installed in the see, the te oppose sdes of the paper
are broug rage and Joined, thus forming the round
shape of the cup. Fhtures, such asthe spout and che han
dle wee folded For separate pieces of pape and added
later The top was specialy created fr the America’s
Paper Gup® championshia paper boat race, the fis of
which was held during the Titel Southesstem Ongar
Festival (EOF in Chav, North Carolin
Sailing Yacht
Gérard Ty Sovan
CambociayFance
124135" @.emx34em)
des from 327" 69 cm) square of inted Kat paper
(Cera Ty Sovan’s method af designing sailing ships s
‘emlable or tre reasons his ships are among the most
realistic and elegant in the cxigam repertoire, and they
are created fom the blitzed bird base—a double layered
‘vatson of the fodng form used to create the famous
Japanese crane
Today, there ate pethaps hundieds of erga boats to
enoose from. Sore, ike this beaut sailing ach, are
sticty omamental whi
her verslons maybe lasted
Con water fora vicarious journeyTops
cororimately 2’ (5.08 cm)to (1016 em
olded from Single sheets of various papet
Ara Yoshizawa has designed scores of tops For him, each must maintain its spin fo
32 considered a successful design
simple to complex, there is great vatety of techn
n this colle
and design represented
the paper.ee“Approximately 3*x3" (Bmx em)
Fach folded fam a 6"(15 cm) quae of duo orga psp,
“ust when you tink that all ofthe good "simple“origamy madels have sready been discovered something Ike tis comes
song and reminds you to keep looking. Taking Lips a delightful combination cf two classic oigarn|categores inside-out
‘origami and action ovgar
‘These are nske-outbacaise the color ofthese ofthe paper sumed out to clo he Ips, and ation because pling
fon the comers makes he lipsepen and clove th snd eenmisson, Scon Yeung Lee's method fr fading these paper ps
isinluded on page 126.127Matrioshka Dolls
Luda Lezhneva
Russie
25° x45" 10-45" BS" G em x11 emo 11 em422 em)
Folded fom Japanese Yuzen pape's
Wooden Matroshka dels ate inexrcabl liked ta Russian folk art and cule,
50 it's appropriate that these nesting dolls were crested from the hands of @
Russian igor’ artist: Imerestinaly, the fist Maioshka dolls were made to
resemble Japenese character named Fukuuma, and were originally fromthe
island of Honshu. They appeared in Russia around 1896,
fath the top and bottom elements are flded For the same form, the preliminary
base suhich is essentially simple pleated bag or umbrela shape. The aides and
closed ends ae shaped with simple flds that also prevent the umbrella ayers
from spreading ogen. nfl form, the top fits nea into the hattom; smaller dolls
‘tint larger cnes in practical the same fashion as thek wooden counterpartsButterfly Ball
ies by thee simple fos
identically shaped elements, f
(Sem) 39
th Kawamura cred his fend Joseph R Power w
re Kaqamura a
this
regard with new possi
ater, Kawarn
polyhedra, one of wich ukimat
ruetion were the falar warerbomb base, hich Kawamura began to
as he mentally made some cannections of his own
59 series of muito
ue these possibile, develo
ibution
ast is to pul together: toss the ball
ne air and Ske
arty favor for New Year's there are tielve units. one
explode
i Butterfy Balls and grab one piece out of the ar. Each
a lferent New Year'sFORM AND FUNCTION
Se or eae ee eee oe
Te ec ee oad
found inthis section, which showcases the unjon of frm and function in organ design and features some ofthe mast exqus
eee ee ee ee ee ea)
eos
Consider Valerie Van's Magic Rose Cube an innacent-looing paper cube that when coaxed inthe ight places blooms into a
See een ee ee en
Ce ee Cc
De ee ee ee ena
cal folded paper units. One part ofa unit fis neatly into a packet of another. When the specied number of units has been prop
Bee ee eee ee eee
‘ations in paper size colar and pattem are considered and implemented. tis ao possible to fold these wreaths from si
SsCee ee
easBoxes
Tomoko Fuse
Japan
Fach 2" deep x! actoss (5 em 13 em)
fed rom 2 varey of ssc
ed Japanese Yuden panes,
Fen things show paps’ intrinsic beauty as wel as Tomoko Fuses Boxes The
‘or raring tools are niesced, Each ha ofa bors compose of several sneets of
felded paper that clvetly lock together to form a neat container.
geometry foreach boss inherent in the faking metnad no
Fivestntersecting Tetraheda roviowc»sces
uss
1¥ 28 en in dlameter
el om thity pieces of Cano art pager.
inning rhodular composion was inspite by a poster image ofa fve-nter
secting tetrahedra, a geome form composed of five four-sided intersecting
pyramids Profesor Tom Hull perceived the We teuahecha a frames that could be
Imermoven. He found the perfect solution for his rsme co
u's 60-Degree Unit's of which neaty lock together ta fon a tetshedral frame
Next, Hull had to deterine the ideal proportions ofthe paper too wide and the
frames wouldn’ weave: 00 natiow andthe woven forms would be loose
Ullmataly, ne determined thatthe units could be mast effectively fod fom
1x32" Bem x8 cm) rectangles Each reads Fame s easy to construct, but
the inteveaving ofthe ive forms presen
lengePentagon Box with Pentagonal Star Flower Tower
hs Paier
uss
fx appronirately 10125 cm) across
Flower tower approximately (20 cm across
Each flower toner folded fom a sheet ofeephant hide" paper.
Chris Palmer hasadapted many of his wis forms and Nower towers to
‘rigami box design and to great effec: Hete, Palmer has ceated an
Lurwaual pertaganal bax shape: the id and the bortom are-each folded
froma since sheet of paper. nthe box is an exaeie fone of his
‘beautiful ower towers folded fom a single ten-ides sheet of paper
“These days there are hundreds of origami boxes to am about are to
fold. The viltaian,eractica side of this aree of origami is appeating in
‘any ways Far one paper isa coramon, often highly decorated material
thats eagy to work with. Also, rigam boxes make wonderful containers
for ait giving. ractialy aside, the rich invention and architectural
beauy of such atigam’ Lawes are awesome. The graceful ines and
‘dean panels of such folding have the power to elevare even the
rumbles of papers
B obicamiosMagic Rose Cube
Valerie Vann
USA
Clase, 225" fem) across open, 85° (17 er) across
Folded! rom si 5.87" (15.cm) squares of colored Kraft paper.
‘Appropiately named, the Magic Rose Cle convens from tidy cube to a rose
‘blossam in fal Boor by the gee pulling or twisting ofthe cleverly engineered
layers of paper onthe cube's surface. Tree of the faces ofthe cube open to form
thelhead of the fave, and the remaining thee faces open to form the green
leaves ofthe caly: Designed in 1985 this spectacular modular origami mode
{quickly made ts way around the world the time-honored way: by ene person
‘eihusiastially teaching ancther.Spires
Tomoko Fuse
Japan
Apprcimately (2
Folded fom single
cg ke pine trees cx mountain peaks fom some strange fractal landscape,
hese faceted, folded paper spires are commanding in ay scale. nleasing aspect
ofthis works the way in which the eye is treated tos vaying dsoayof
papers surface through light and shadow and repeated, but eiferenty sized tt
anguler paneb,
Tomoko Fuses methaid is wonderful ested
19, rarrow spe. This seat folded int a flats
ses The aager is then opened fly, fore into @
1:3 square of pape is racial
fm ane come tom a
wil inal the facet
nd each facets properly setMast ofthe be sive 1 this
musing ar ra ancient art of orga
Designing I requies per vd ample fee sie: both a
c lay pape Jere and fer peop
ouble putting thelr hands bape y ris pape, and so
ager through any challenge that orga may prop 7
Invention and Style
e would think hat even an be done with a square shee of po
done bel = do you go t find out he ;
lever fl " indo folding p orig
on a videotape, Invention often begins by modiying tl i
and possibil 7 fluency in the language oF erga the
rol Jestan more ce : i
Expert ly dove te e that often becomes obviou
a us can recogni styles in musi, pai f
ton
Techniques
the eater onaami work oft ularly included seisor cuts one multisle
clement constructions. aly practioner of the at didnt have su Y devel
Jevelop te catingBlack Forest Clock
Robert Lang
Usa
Approximately 35,
12" Gems 30cm)
Wer folded from siteen 13.8" 35 em) squares of elephant hide" paper
Sime years ago, Robert Lang st out to design an origami graneather clack wth
ticking pendulum whose swing would be actuated by gently squeezing the
lack case. Due ro numerous fled attempts, Lang decided to take another road
andl the Black Forest Clock was barn.
‘This clock s one ofthe great masterniecesofsingle-sheet,rectangle-frm oviga
ands a very demanding model to make To date, only wo display examples exis,
‘bth folded by Lang, and there are no clagrams avaliable to earh how 10 fod this
clock. This surely s ane of those olgarl meds that camp the viewer to imag
Ine how i could be done—t seems an impossibly! should be admired for ts
‘echnical biliance, but not atthe expense ofis beauty, and Lang assures that it
keeps excelent time exactly twice 2 day
Chinese Teapot and Cups so..own races
sy Chen
Chinacusa
Teanot "x 85" (10cm x22 c
ft fokles fiom Canson art paper
ups each 15" x2" (.em25 em)
‘Te teapot mactl wes designed by Sy Chen in 1996 and was one of his frst
designs 1 ful hs deeam of representing aspects of Chinese fein his art. The
jps were designed at alte date ro accompary the pat In their appearance in
Dorothy Englman’s shore fim Folding Calforma Chen's choice of paper aves
these models potterite look
|Athough the Chinese ar creed with the discovery of paper and have been
working wi felded paper design longer than anyone, Chinese folded paper
‘objects ate scarcely tepreserted in the tpertoKe, This exquite Chinese tea set
hints at what has been missing,Paper Fastening Flower and Envelope
Gay Meni Gross
Usa
ope Fastening Flower: .75'x 3 (em x Bem) folded from two
13.59 cm) squares of colored offset paper; envelope: 57" (13cm x 1 ei, folded fiom a
10" @5 cm) square of decorative Japanese paper
“Theteare many uses fr this easy, easyto-remember design Gay Merl
Gross heseif not only uses this origami made! to fasten papers and seal
eovelopes she also uses it as a button cover. The clagrams for folding this moe
appear on page 12210125,Waiting For a FriendGeometric Composition ov
han PBucky Ball ost
{ror 360 3" 8.cm) squares of oiga
Professr Tor Hull has ceated several interesting lessons and invest
rode) The same ofthe unit means you ean make a
weagonal faces. Many cif
colors expands the execie into
that no tivo unis ofthe same coor tax
n use these units to model C60 meleces, or 8
fas fa als Bucy Tubes). astevent sizes. The dlagrars fort
Cosmosphere «=
(8c) squares
uneertating vith stunning ress in modula ongar
ctioice and arangementof the aiferent
Modula origami can consist of as fey as two pieces ofp
ae ofthef
bles
architectural beauty ats eveales
9 890, matin oigam
ot even illegitimate origanFlower Tower Invitation
Cris Pakner
Usa
(Open, 75 (19 cm) across closed, 35°(9 em) in ameter
Folded from an octagonal plece of eleohant hide’ paper
To create these inatations,Chvis Palmer composed the text elements in 2 cor
puter craphics pplication 1 tint the panels of his prescribed create pattern,
He then printed each sheet cut the octagonal shape, andfolded each by hand,
‘These are the ectual invitations fom a hain of signer Davie Rocrigue’s
1999 spring collection. Many of these fashions incorporated Palmers increible
pleated designs This exciting collaboration resulted in stunning outs and
‘groundbreaking use of Palmer's techniquesFlasher Hat
Jeremy Shafer
Usa
(pen, 24° (61 cin clareter closed, 3°x 35° @cm'x 9 emt
Folded from 2.27 (69:cm) square of Wynstone Marble pape
The colopsble paper hat isa marvelous example of “Rasher” technology, fay
recent and delightful deveiapmentin folding by Jeremy Shafer and Chis Palmer.
ashes are pleated twiss shat exhibit dynamic properties. ul an apposite sices
‘of closed lasher andi wll unwind In 3 faceted splial maze: let go anit may
pul se shut again! Using ths folding method, a large sheet of paper can be
retest to a compact cinder about one-severtieth ofits gia are.SORE THAN IN THE other sections of
tural background may even be dicetible in the finished piee as masks re
mnmstakably French, and the works of its Akira Yoshizawa, Tomoko Fuse, Hojyo Takes
ang re full of the aesthetic hallmark of Japan, Rega
plexi it eto the humaness 2
wv Vashi
fo sertly bhSt. George and the Dragon
David Brit
United Kingdon
St.George: 7.8" (18.em20 em), fled fom 9 square of decorative Kot papet spear
folded fom a rectangle ofthe same paper horse folded fom an equilateral angle of
backed Unryushi paper shield folded lem a square of commeclal gam paper tat
is tedon onesie ane white on the othe.
Dragon 455 (12m «13 em) fide rom 8 squte of wash pope.
Creating 3 composition from erigambbased elements can be quit an attic
challenge. Each element must bein scale and all materials shouldbe cally
coordinated with regards to calor and texire, The style ffelding should be
consistent throughout. greater challenge stil the vital connection that each
element must appear to have with each other, so gesture and placement xe bey.
Here, St. George isintent on congueting the dragon, wn seems to have beer
successfully caught unaware while the horse ensures no chance af escape