Scribd Logo
Upload

Welcome to Scribd!

  • Biblio Tentativa

    Uploaded by

    Sebastian
    94 views3 pages
    This document provides a tentative bibliography for a thesis on the works of British playwright Sarah Kane. It lists 22 primary and secondary sources referenced in the thesis, including Kane's own play scripts, critical analyses of her works, and more general texts on theatre, violence, and feminist approaches. The bibliography covers sources in both English and Spanish and ranges from book publications to journal articles and doctoral theses.

    Original Description:

    Bibliografía

    Copyright

    © © All Rights Reserved

    Available Formats

    DOCX, PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    This document provides a tentative bibliography for a thesis on the works of British playwright Sarah Kane. It lists 22 primary and secondary sources referenced in the thesis, including Kane's own play scripts, critical analyses of her works, and more general texts on theatre, violence, and feminist approaches. The bibliography covers sources in both English and Spanish and ranges from book publications to journal articles and doctoral theses.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as docx, pdf, or txt
    94 views3 pages

    Biblio Tentativa

    Uploaded by

    Sebastian
    This document provides a tentative bibliography for a thesis on the works of British playwright Sarah Kane. It lists 22 primary and secondary sources referenced in the thesis, including Kane's own play scripts, critical analyses of her works, and more general texts on theatre, violence, and feminist approaches. The bibliography covers sources in both English and Spanish and ranges from book publications to journal articles and doctoral theses.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as docx, pdf, or txt
    of 3

    Sebastian Novoa Gam

    Seminario de Titulación

    Mtro. David Pruneda Sentíes

    Bibliografía Tentativa

    Texto Principal:

    Kane, Sarah. Complete Plays. London: Methuen, 2001.

    Textos en general:

    Aristóteles. Poética. Traducción y notas de Eilhard Schlesinger.Ed: Emecé

    Editores. Argentina: Buenos Aires

    Artaud, Antonin. El Teatro y su doble. Trans.Enrique Alonso y Francisco Abelenda.

    Ed. Sudamericana. Argentina: Buenos Aires, 1983 (3rd ed.)

    Gökhan Bçer, Ahmet. Sarah Kane’s Postdramatic Strategies In Blasted, Cleansed

    And Crave. The Journal of International Social Research. Volume: 4 Issue: 17.

    Bahar, 2011

    Brncić, Carolina. Sarah Kane y el Espectáculo del Dolor.

    Universidad de Chile. Revista Chilena de Literatura, No. 69 (Nov., 2006), pp. 25-43

    Carlson, Marvin. The Haunted Stage. The Theatre as Memory Machine. Ann

    Arbor: University of Michigan Press, 2003.


    Chramosilová, Martina. Beyond the Suicidal Despair:An Analysis of Sarah Kane's

    4.48 Psychosis. Masaryk University, 2013.

    García Barrientos, José Luis. Cómo se comenta una obra de teatro. Ensayo de

    método. Ed: Síntesi. Madrid, 2001.

    Girard, René. Shakespeare. Los fuegos de la envidia. Trad: Joaquín Jordá. Ed:

    Anagrama. 2006.

    --. La violencia y lo sagrado. Trad: Joaquín Jordá. Ed: Anagrama. 2006.

    Gutscher, Lea Jasmin. Revelation or Damnation? Depictions of Violence in Sarah

    Kane’s Theatre. Hamburg. Anchor Academic Publishing, 2014.

    --. Violence in Contemporary British Drama : Sarah Kane's Play Cleansed.

    Hamburg. Grin Verlang, 2013

    Kane, Nina R. 'F- F- Felt it': Breathing Feminist, Queer and Clown Thinking into the

    Practice and Study of Sarah Kane’s Cleansed and Blasted. Doctoral thesis.

    University of Huddersfield, 2013.

    Kutluk, Ash. Images Of Violence In Sarah Kane’s 4.48 Psychosis And Mark

    Ravenhill’s Shopping And Fucking

    Saunders, Graham. Love Me or Kill Me. Sarah Kane and the Theatre of Extremes.

    Manchester: Manchester UP, 2002.

    Strnadová, Klára. Violence and Formal Challenge in the Plays of Sarah Kane and

    Martin Crimp. Univerzita Karlova v Praze. Praga, 2008.


    Sierz, Aleks. In-Yer-Face: British Drama Today. London: Faber & Faber, 2001.

    Singer, Annabelle. Don't Want to Be This: The Elusive Sarah Kane. The MIT

    Press. TDR (1988-), Vol. 48, No. 2 (Summer, 2004), pp. 139-171.

    Twomey, Jay. Blasted Hope: Theology and Violence in Sarah Kane. The Journal of

    Religion and Theatre, Vol. 6, No. 2, Fall 2007.

    Tycer, Alicia. "Victim. Perpetrator. Bystander": Melancholic Witnessing of Sarah

    Kane's "4.48 Psychosis". The Johns Hopkins University Press. Theatre Journal,

    Vol. 60, No. 1 (Mar., 2008), pp. 23-36

    Ken Urban. An Ethics of Catastrophe: The Theatre of Sarah Kane. A Journal of

    Performance and Art, Vol. 23, No. 3 (Sep., 2001), pp. 36-46

    Wallace, Clare. “Sarah Kane Experiential Theatre and the Revenant Avant-Garde.”

    Surrounding Voices. Sarah Kane in context. Editred: Graham Saunders.

    Manchester University Press. New York, 2010.

    Woodworth, Christine. Beyond brutality: A recontextualization of the work of Sarah

    Kane. ProQuest Information and Learning (Electronic Dissertation), 2006.

    You might also like