Works Cited

Cohen, Jonathan. "Trauma and repression." Psychoanalytic Inquiry 5.1 (1985): 163-189.

“Erikson's Psychosocial Stages Summary Chart.” Casa Lake County,

www.casalakecounty.com/filelibrary/S6_Eriksons_Stages_of_Psychosocial_Developmen

t_%282%29.pdf.

“Film Review.” Thompson Writing Program, Duke University, www.twp.duke.edu/sites/twp.duk

e.edu/files/file-attachments/film-review-1.original.pdf.

Godfrey, Neale. “Who Is Really Keeping Women Back In The Workplace?” Forbes, Forbes

Magazine, 4 May 2017, www.forbes.com/sites/nealegodfrey/2017/04/28/who-is-really-ke

eping-women-back-in-the-workplace/#1db0e0973627.

Good Will Hunting. Directed by Gus Van Sant, Performances by Matt Damon, Ben Affleck,

Robin Williams, Stellan Skarsgård, and Minnie Driver, Miramax, 1997.

Greenberg, Leslie S., and Elizabeth Bolger. "An emotion‐focused approach to the

overregulation of emotion and emotional pain." Journal of Clinical Psychology 57.2

(2001): 197-211.

Groff, Lauren. “Daughters of the Springs.” Oxford American, 21 July 2014, www.oxfordamerica

n.org/magazine/item/151-daughters-of-the-springs.
Jong, Erica. “Why We Still Need the ERA.” The Nation, The Nation Company, 3 Nov. 2017,

www.thenation.com/article/why-we-still-need-the-era/.

Schemmer, Julia. “The Difference Between Feminism and Sexism.” The Huffington Post,

TheHuffingtonPost.com, 3 Oct. 2014, www.huffingtonpost.com/julia-schemmer/the-diffe

rence-between-fe_b_5826636.html.

Simon, Matt. “Fantastically Wrong: The Murderous, Sometimes Sexy History of the Mermaid.”

Wired, Conde Nast, 15 Oct. 2014, www.wired.com/2014/10/fantastically-wrong-strange-

murderous-sometimes-sexy-history-mermaid/.