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Empirical Paper - Final Draft
Empirical Paper - Final Draft
Empirical Paper - Final Draft
Hannah Charlesworth
March 9, 2018
2
Introduction
The goal of every publisher, editor, and writer is to help the reader have an enjoyable
experience. “Reassuring and impressing the reader keeps them coming back. It persuades them
to believe, to invest, to buy.”1 However, no human is perfect, and no book is either. Editors do
their best to catch every error, but inevitably, there will be mistakes that they somehow miss.
These errors bother readers, no matter the reader’s degree or occupation. Not only do the
errors negatively affect the experience of the reader, but they also “create misunderstandings of
the text’s meaning, and they harm the image of the writer (and possibly the organization to
which the writer belongs).”2 This is the last thing that anyone in the publishing industry, or any
industry, wants. If a reader views these errors in a negative light, that’s one less customer, and
possibly more depending on whether or not the reader complains about their experience to their
What might help publishers, editors, and writers is understanding the nature of these
errors, how they affect their readers, and at what point those readers dismiss their brand as a
Research Question
Larry Beason, in his article “Ethos and Error: How Business People React to Errors,”
looked at whether or not grammatical errors bothered business people, which errors were
considered more bothersome than others, and how this impacted his test subjects’ experiences.
He concluded that all types of errors are bothersome, especially when considering the context of
the error.
1
Saller, The Subversive Copy Editor, 5.
2
Beason, “Ethos and Error,” 48.
3
I wanted to explore this in the context of fiction. Many people read unedited fanfiction,
self-published novels, and other works despite the many grammatical errors they find within
these pieces. Other people refuse to read these pieces for the same reason. I wanted to know at
what point readers stop reading a story due to grammatical errors, and how genre plays into it. I
also wanted to know at what point readers will tolerate or forgive these grammatical errors, and
enjoy a story despite them. In order to find a concrete answer to these questions, I tested whether
grammatical errors found within the first few sentences of a text versus later in the text affects a
Methods
For this study, I handpicked ten participants who are avid readers. All of the participants
have the same ethnicity, affiliate with the Church of Jesus Christ of Latter-day Saints, and, with
the exception of Sophie, are currently enrolled in college. Although all participants vary in
personality, temperament, and life experiences, the main difference between all of the
participants is that five of them have studied English and the other five have not. My purpose in
employing this variation was to explore whether reading in an academic setting affects how a
reader views errors in fiction. Below is a table of all of the participants and any information that
is relevant to the study and may have had an impact on the data.
3
The names of all of the participants in this study have been changed in order to keep their information confidential.
4
Sammy Sammy is planning on going to graduate school to become a professor. She loves
to write poetry, and, if given the choice, she doesn’t typically choose to read
science fiction or fantasy.
William William is also planning on going to law school. He is obsessed with science
fiction and fantasy, and many of his conversations center around The Lord of the
Rings.
After picking my subjects, I created two different surveys using two excerpts from two
different science fiction stories: one from the classic, award winning novel Dune, by Frank
Herbert, and the other from an Ender’s Game fanfiction called “The Mandate of Heaven,” by an
anonymous author. In the first survey, I inserted errors into the beginning of the excerpt from
Dune, and errors into the end of the excerpt from “The Mandate of Heaven.” Then I asked the
participants whether or not they would want to continue reading each piece, which piece they
enjoyed the most, and why, and which piece they would choose to publish as is.4 In the second
survey, I did the same thing, except I put the errors at the beginning of the excerpt from “The
Mandate of Heaven” and at the end of the excerpt from Dune.5 This way there would be no
Then I carefully distributed the surveys to the ten participants. The participants who
received the first survey were Daniel, Brenna, Ginger, Chris, and William. The participants who
4
Refer to Appendix A to view survey one.
5
Refer to Appendix C to view survey two.
5
received the second survey were Becky, Emily C., Erika, Olivia, and Sheree. I tried to split the
surveys up semi-evenly between the participants who have studied English and those who have
not. I also tried to put an equal amount of participants who have a tendency to analyze things
more critically in each group. This way the results would not be skewed by personality or by
choice of study. However, I did not take into account gender or interests, which may have
After collecting completed surveys from all of the participants, I looked over the results
and compared the reactions to the two different surveys, the reactions to errors placed in the
beginning of an excerpt compared to the end of an excerpt, and individual responses. I tried to
find correlations between the objective responses and the numbers. I looked for responses that
were more concerned with the technical errors or were more concerned with the content of the
different pieces. My goal was to look for patterns in the data and the reasons for those results.
Results6
The results of the surveys were unexpected, but informative. The experiment ended up
exploring more than just how the presence of errors affects a reader’s experience; it explored the
role of genre and bias in those reading experiences. Although seven of the ten participants
preferred the excerpts with the errors placed at the end of them for publication, seven (not the
same seven) of the ten participants enjoyed the excerpt from the fanfiction better than the excerpt
from Dune. Three of the participants recognized the passage from Dune, and one of them
thought that the fanfiction was an excerpt from Ender’s Game. All three of these participants
received survey one, which may have affected their answers. Three participants told me after
they had taken the study that the survey was painful to read, and six participants mentioned the
6
Refer to Appendix B and Appendix D to view the individual responses of each of the participants to the surveys.
6
presence of errors in their explanation of how they determined their preferences, but all of the
Discussion
Because the sampling was so small, I cannot make any concrete conclusions. If I were to
do this study again, I would find a larger sampling, use excerpts that were from the same genre
and subgenre, and take into account gender and interests when distributing the survey. However,
I do assert that readers have a tendency to forgive errors as long as what they’re reading is
something they enjoy. Even though the survey was riddled with errors, Ginger contacted me after
she had taken the survey and asked me about the excerpts on the survey. When I told her that one
of the excerpts was from a fanfiction, she asked me which one and put it on her reading list. Her
ability to enjoy the piece was based on the content, not the little technical errors.
Of course, the grammatical errors are still important and influence a reader’s experience.
For some readers, if errors are found at the beginning of a piece, they are more likely to stop
reading the piece before they can come to enjoy the story. Four of the participants, all of which
complained to me about the grammatical errors, put a one on a scale of one to five that indicated
their desire to continue reading the book after reading the excerpts with errors placed at the
beginning of them. Another participant, William, chose the fanfiction excerpt in survey one
(where the errors were placed at the beginning of the excerpt) as his favorite piece, but chose the
excerpt from Dune as the piece he would publish. Although the content of both pieces played a
larger role in his experience than the errors, the grammatical errors did affect how he felt about
This is all valuable information for editors and publishers because it directs them to know
which pieces, and where within those pieces, to focus their editing the most. Of course, the goal
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of every editor and publisher is to eliminate all of the errors found in the pieces they publish, but
money-constraints force publishers to use the terms light, medium, and heavy to guide the
amount of time and focus a copyeditor should put into a manuscript. Einsohn points out that in a
perfect world, levels of copyediting “would be based solely on an assessment of the quality of
the writing and the needs of the intended audience. But in many cases, financial considerations
and deadline pressures win out.”7 Publishers can use the information from this study to decide
which books they should assign to have a heavier or a lighter copyedit. They can determine this
by asking themselves Is this text in a genre that is more widely read? Does this author or this
book series already have a fan base? etc. When copyeditors are asked to do a light copyedit, they
can determine to focus their efforts on the beginning of the story and in the places in the story
where the content may seem slower or less interesting than the rest of the story in order to keep
There is value in knowing how different errors affect different readers, but the placement
and the context of those errors are just as important. Paying attention to these trends may not fix
all of an editor’s or a publisher’s problems, but it can guide them to know where they need to put
the most energy and how to use their time and resources wisely.
7
Einsohn, The Copyeditor’s Handbook, 13.
8
Appendix A: Survey 1
500km above the surface of the Earth, the plannet looks much the same.
Such were the thoughts of Comander Girik Singh as he looked through the bridge
viewport of IFS Agni. Nicknamed “the agony” by it’s crew, even though it has never left the
Solar system to take part in the 3rd Invasion. Built as late as it was, one didn’t cross the vast
reaches of space in the blink of an eye. Somewhere, his sister was on a colony ship to a world
that she wouldn’t see in fifty Terran years, but for her, it would seem like mere months.
Somewhere, his parents were on the blue and green marble that was Earth—key word on
“somewhere.” Last he’d heard they’d been trying to flee for Sri Lanka as Chinese forces closed
in from the north. As the Agni hovered over the Indian Ocean, he looked down at the Indian
subcontinent. From here, it looked like it always had for hundreds of thousands of years. From
space, no borders could be seen, nothing to separate India from Pakistan, Nepal, Bangladesh, or
China. To the untrained eye, India was part of one giant landmass that covered what humanity
knew as Asia, Europe, and Africa.
On a scale of one to five, how much would you desire to continue reading this book?
In the week before their departure to Arrakis, when all the final scurrying about had
reached a nearly unbearable frenzy, an old crone came to visit the mother of the boy, Paul.
It was a warm night at Castle Caladan, and the ancient pile of stone that had served the
Atreides family as home for twenty-six generations bore that cooled-sweat feeling it acquired
before a change in the weather.
The old woman was let in by the side door down the vaulted passage by Paul's room and
she was allowed a moment to peer in at him where he lay in his bed.
By the halflight of suspensor lamp, dimed and hanging near the floor, the awakened boy
sees a bulky female shape at his door, standing one-step ahead of his mother. The old woman
was a witch shadow—hair like mated spiderwebs hooded 'round darkness of features eyes like
glitering jewels.
On a scale of one to five, how much would you desire to continue reading this book?
If you had to pick one, which piece would you choose to publish as it is?
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8
For the sake of the study, I modified William’s original answers in order to prevent the data from being skewed.
However, I included the original answers and my modifications here.
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Appendix C: Survey 2
In the week before there departure to Arrakis, when all the finale scurrying about had
reached a nearly unbareable frenzy. An old croone came to visit the mother of the boy Paul.
It was a warm night at Castle Caladan, and the ancient pile of stone that had served the
Atreides family as home for twenty six generations bore that cooled-sweat feeling it accquired
before a change in the weather.
The old woman was let in by the side door down the vaulted passage by Paul's room and
she was allowed a moment to peer in at him where he lay in his bed.
By the half-light of a suspensor lamp, dimmed and hanging near the floor, the awakened
boy could see a bulky female shape at his door, standing one step ahead of his mother. The old
woman was a witch shadow—hair like matted spiderwebs, hooded 'round darkness of features,
eyes like glittering jewels.
On a scale of one to five, how much would you desire to continue reading this book?
50,000km above the surface of the earth, the planet looked much the same.
Such were the thoughts of Commander Girik Singh as he looked through the bridge
viewport of IFS Agni, nicknamed “the Agony” by its crew, even though it had never left the solar
system to take part in the Third Invasion. Built as late as it was, one didn’t cross the vast reaches
of space in the blink of an eye. Somewhere, his sister was on a colony ship to a world that she
wouldn’t see in fifty Terran years, but for her, it would seem like mere months. Somewhere, his
parents were on the blue and green marble that was Earth—key word on “somewhere.” Last he’d
heard they’d been trying to flee for Sri Lanka as Chinese forces closed in from the north. As the
Agni hovered over the Indian Ocean, he looked down at the Indian subcontinent. From here, it
looked like it always had for hundreds, if not for thousands of years. From space no border’s
could be seen, nothing to separate India from Pakistan, Nepall, Bangladesh, or China. Too the
untrained eye, India was part of one giant landmass that covered what humanity knows as Asia,
Europ, and Africa.
On a scale of one to five, how much would you desire to continue reading this book?
If you had to pick one, which piece would you choose to publish as it is?
11
Bibliography
Beason, Larry. "Ethos and error: How business people react to errors." College composition and
Einsohn, Amy. The Copyeditor’s Handbook: A Guide for Book Publishing and Corporate
Saller, Carol Fisher. The Subversive Copy Editor. Chicago: The University of Chicago Press,
2016.