Renacimiento

y
Barroco

by

Stefan Schyga
©2000

Guitar Studio Publishing

Feel free to copy this method for your friends, but please leave the credits intact. The method are copyrighted.
About The Author

Stefan Schyga received his Masters

Degree in Music Eduction in May of
1991. During his studies he also
taught the Beginning and Intermedi-
ate guitar classes at The University
of Texas at El Paso. Teaching these
classes and having had problems
finding a suitable method for his pri-
vate studio inspired him to write a
new and different guitar method for
the adult learner. This new method
attempts to teach the basics of clas-
sical guitar playing in a more effec-
tive and especially more interesting
manner.

“With talent and skill beyond imagination, this artist defies the laws of the underground
artist, playing classical/flamenco guitar with a flood of emotion and heart. His sprawling
and majestic work forces one to conjure up magical warm imagery. All of the songs on his
latest album were recorded live in the studio and are absolutely spectacular representations
of the beauty that still lives and breathes in music from around the world.” -December
1999, riffage.com

From 1993-1996 Stefan was the Mandolin/Electrical Guitar of Telarc Recording Artist La
Vienta.
La Vienta has released 3 albums with Telarc International. that being sold in 28 countries
around the globe
During these years La Vienta made their mark on the international music scene with their
fresh approach to acoustic guitar music. They performed from San Francisco to New York,
climbed to #17 on Billboards Contemporary Jazz charts and to #4 of Mexico City’s Jazz
Charts on Garibaldi.

Feel free to copy this method for your friends, but please leave the credits intact. The method are copyrighted.
Since the Stefan has released three successful solo albums:

A Little World Music: Solo Mandolin-Güiro and Orchestra

Spanish Soul: Featuring the Acoustic World Ensemble with Mariachi
XO & Friends: Featuring Ricky Martin & Kurt Cubain.

Stefan’s latest success is reflected in the fact that his music was chosen to be featured on the first ever
retail mp3 CD featuring Billy Wyman (Rolling Stones) This CD has World Wide distribution and will
be carried by the Walmart stores in the US. In addition he was also featured on Riffage’s 2nd MP3 CD
that was distributed with Spin Magazine.

The Computer Graphics and the Word Processing were done by Agapito Cuasimodo Pérez Pérez.
The illustrations were created by Fulgencio Nicanor Moreno Mata.

Feel free to copy this method for your friends, but please leave the credits intact. The method are copyrighted.
 Table of Contents

About the Autor 2

Table of Contents 4
Choice of Guitar 5
Main Parts of the Guitar 6
Anonynous – “Aria” 7
Anonymous – “Canzone” 8
Anonymous – “Galliarde” 9
Anonymous – “Romance” 10
Johann Sebastian Bach – “Air on a G String” 12
Johann Sebastian Bach – “Bourre” 14
Johann Sebastian Bach – “Courante” 18
Johann Sebastian Bach – “Gigue” BWV1006 21
Johann Sebastian Bach – “Menuett II” BWV1006 24
Johann Sebastian Bach – “Sleepers Awake” 26
Giuseppe Brescianello – “Partita in A” 1.Prelude 28
Giuseppe Brescianello – “Partita in A” 2. Menuet 30
Giuseppe Brescianello – “Partita in A” 3. Gavotta 32
Giuseppe Brescianello – “Partita in A” 4. Gigue 33
Robert de Visee – “Minuet” 35
Robert de Visee – “Passacaille” 36
Robert de Visee – “Sarabande from a Suite in Dm” 38
Henry Purcell – “Hornpipe” 39
Gaspar Sanz – “Canarios” 40
Dominico Scarlatti – “Gavotte” 42
Dominico Scarlatti – “Sonata in A” K78 44
Dominico Scarlatti – “Sonata” K238 46
Dominico Scarlatti – “Sonata” K322 48
Congratulations 51
 2

Choice of Guitar

There are two basic types of acoustic guitars: the classical and the Dreadnought steel string.

Electric guitars should not be used with this method. If you do not own a guitar yet, your best choice

would be a classical guitar. The classical guitar uses six nylon strings, with the three bass strings being

silver wound. The steel string guitar, as the name implies, is strung with six steel strings. The body of

the steel string guitar is also slightly larger than that of the classical guitar.

It is possible to use a steel string guitar with this method, but in my opinion it would be better for

a beginner to use the classical guitar, since most music presented in this method has been written for

classical guitar.

Classical guitars are available to the beginning guitarist for about 150-400 dollars. The best

guitars for their price are available in Mexico. Japanese guitars are more expensive, but they are still a

good product for their price. The best choice for a classical guitarist would still be a guitar from Spain,

which is not quite as easy to find.

When you choose a guitar make sure that it feels comfortable, and that there are no buzzing

sounds when you strum the strings. A nice full sound on the high strings is more desirable than a strong

bass string sound.

Some trustworthy brands: Japan: México: Spain:

Yamaha Jom Artesano

Takamini Gilb P. Saez

Ibanez Paracho

Feel free to copy this method for your friends, but please leave the credits intact. The method are copyrighted.
 3

Main Parts of the Guitar

Machine Heads

Low E-String (6th) High E-String (1st)

Frets

Sound Hole

Bridge

Feel free to copy this method for your friends, but please leave the credits intact. The method are copyrighted.
 Aria
Anonym (17. Century)
TablEdited by Dirk Meineke
d.meineke@web.de

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 Canzone
Anonymous
ASCII-tab by Rene Puchinger

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 Galliarde
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Andante Anonymous

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 Romance
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 Air on a G String
J.S. Bach
Transcription by Grant Floyd

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 Bourre J.S.Bach
(From Cello Suite No.3 BWV 1009)
Arr. J. Williams - TablEdited by d.Merineke

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 Courante
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Transcribed by Kevin J. Manges
Andante J.S. Bach

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V-----------------------------

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V-------------------------------------

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V---------------------------------------------------------------------------------------
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V-----------------------------------------

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The majority is played in the first position and makes extensive use of open strings.
Don't be intimidated by this book. This pieces not as difficult as it sounds. Good luck!!!
 Gigue-BWV1006
Ïj
¡ ## # 6
Transcribed by Kevin J. Manges

# Ï Ï Ï Ï Ï Ï
Andante J.S. Bach

Ï Ï Ï Ï
4

& 8 Ï Ï Ï Ï Ï
1

ä ÏÏ Ï
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3

ä ä ä
0 0
2 2

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1 1

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1 4

7 4 0 2 2 2

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1 2 2 1 2
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Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏjÏ. Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï ÏÏ
4

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2

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3 4 1

ä Î. Ï ä Ï ä
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4 4

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4 2
1
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4

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0 4

II------------------------------------------ IV-----------

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4 2

& ÏÏÏ
4 4 2
3

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2

ä
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1

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4 2

II----
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II

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& #Ï Ï nÏ Ï Ï Ï Ï Ï
4

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0 4
 II--- IV------------

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2

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IV-- IV------------------- II------------- II------------------

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4

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2 1 2

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IV---------------

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II------------------------------------ II--- II---

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IV------------- II------------------ V-------------

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2 2 2 8 2
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7

IV---------------------- II------------

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 Menuett II
¡ ####
from BWV 1006a
Andante Transcribed by Kevin J. Manges J.S. Bach

.. 34 ÏÏ Ï Ï Ï
Ï ÏÏÏ Ï ú
& ÏÏÏ Ï Ï Ï Ï Ï Ï Ï Ï
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Ü Ï
.
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0 0

. 1
2
2 1
4 2
4
4
6
6 7
1
2 4
2 1
4 2
2
1
2
2 4
2
1 3 1 4 2 1 4 4 1 4 3 1 4 2 3 4 4
2 1 2 1
3 2

IV--------------------------------

¡
II---------------------
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Ü Ï Ï Ï Ï
0 4 5 7 5 4 5 4 2

¢Ú
0 0 4 4 4 7 7 7 5
1 1 4 4
2 4 2
6 6 6 2
0 4 7 7 0
4 4 1 1 4 4 4 3 4 2
1 3 2 1
4 3 1

¡
IV----
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& ÏÏ Ï Ï Ï Ï ÏÏÏ Ï ú ÏÏ Ï Ï Ï Ï Ï #Ï Ï Ïä Ï ÎÏÏ Ï
Ü Ï Ï J
0 0

¢Ú
0 0 0 2
1 2 1 4 1 1 1 3
2 4 2 4 6 7 2 2 2 4
6 4 6 4
2
1 2 4 3 1 1 1
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2

¡
IV-----------
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3
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4
6
2
4
3
4
2
1 4
3
2
.
2
4 4 1 4
1 1 1 1
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3 1 1
¡ # ### .nÏÏ Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï #Ï Ï Ï #ÏÏ Ï Ï Ï Ï Ï
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7 4
2
1 2 1 3 1 3 4 1 1 4 1 4 4 4 4 1 1 1
1 3 4 3
3 1 3 1 1 1
4

¡ #### ä Ïj Ï Ï Ï Ï Ï Ï nÏ ä Ïj Ï Ï Ï Ï #Ïj Ï Ï ä Ïj Ï Ï
II---------------------

& #Ï Î Î Î Î Ï #Ï Î Ï ÏÏÏ Ï Ï nÏ
Ü Ï
7 4 5 4 7 4 5 2 2 4

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7 0 7 6 2 2
6 6 7 6 4 2
3 3 4 6 4 2
4
2
1 3 4 1 2 4 1 3 4 1 3 4 1 2 4 1 4 1 3 1 3
1 3 1
1 1
1
1

¡ #### ÏÏ Ï Ï Ï Ï ÏÏ Ï Ï nÏ Ï Ïj Ï Ï #ÏÏ Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï
& Ï ÏÏ ÏÏ Ï
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ä

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4 7 7 2 2
4 6 6 4 2 1
6 7 2 4
2 4 2 1 4 1 1 4 3 2 3 1 4 4 4 2 3 4 2
1 3 1 3 1 1 1
1 4 1
3 2

¡
IV--------------------------------------
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4 4
ú Ï Ï ú.
2 4
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1 3 2 1
4 5 4 7 0

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5 7 5 7 5 4 4 0 2 4 0
4
2 4 6 7 4
0 0
2
4
2
1
.
4 0
 Sleepers Awake
("Wachet auf" from Cantata no.140) J.S. Bach

1 4 UUU U U U U UUU U U P U UU U U U U
F4 U 4
U U U
U U U U U UJ
U U U
U U
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H H H
E 0 0 1 0 0 0 0 1 0
B 1 3 3 1 3 0 1 1 3 3
G 0 0 0 0
D 3 3 2 3
A 3 3 3 3 3 3 3
E 0 1 3 0

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U
U U UU P UUU UU UUUU UUUU U U U
F U
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H
0 3 3 1 0 0 1 0 0
T 1 3 0 1 3 1 3 1 0 0 1 3 3 3 1 3 (3)
A 2 0 2 0
3 2
B 3 0 3 2
1 3 0 3 1 0 3

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U #U U UUU U #U UUU UUUU
F U U U #U U #U U UU
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[
P
P H P H
0 2 (2) 3 2 3 (3) 5 8 7 5 3 2 3 2 0
T 1 0 1 1 0 1 8 3 1 0
A 2 0 2 0
0 2 4 0 4 2 0
B 3 2 0 3

#U UUUUUU U
U UU UUU U U UUUUUUU U
F U U U U U U U U U U UU . #U UU . U UUU ... UJ
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2 3 5 3 2 0 3
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0 0 0 2. 4 4. 0.
B 3 2 0 3 2 2 3 0 5 0 2.
3 0 3 3.

UUU U U U U U UUU U P U@ UUU U U U U U

F U U U U U U UU U U U U
[ U U U Q U
H H H
0 0 1 0 0 0 0 1 0
T 1 3 3 1 3 0 1 1 3 3
A 0 0 0
3 3 2 3
B 3 3 3 3 3 3 3
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U
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0 3 3 1 0 0 1 0 0
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5 7 (7) 8 5 7 8 (8) 10 0 6 5 3 1 0
T 6 5 6 6 5 6 3 3 1 0 1 3 1
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3 0 0 5 7 3 3 2 0
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U U U U U U U U U U U U U U U U U U U U U U U U. U U. U V CC
F U U U U U U U VV CC
U U U U U U U U U U U U V
[
0 1 0 1 3 0 1 0 0
T 3 0 1 3 1 0 1 3 1 0 1 3 1 0 0. 1 1 (1)
A 2 0 2. 0 0 (0)
0 2 3 0 2 (2)
B 2 0 0 0 2 3 3 (3)
3 3 1 0 1 3 3
 Partita in A
Giuseppe Brescianello

### 1 U U 4 U U
U U U U U U U UU UU U U U U
F 4 4
U U U U V
[ Q U U U U U U
E 0 2 4 5 0
B 0 0 0 3
G 2 2 2 2 2 2 2 2 2 1
D 0 0 2
A 0 0 0 0 4 4
E 2 2

### U U U UV . U U U UU UV . U U U UU U U U U U U U U
U U UU
F V. U U
[ V. U V. V.
0 2 5 4 5 2 0 5 4 5 0 0 2 0
T 3 2 0 2 2 3. 3 2. 2 3 3 2 0
A 2 2
0. 0 0
B 0. 0 0. 2.

### %U #U U #U VV .. U U U U U U U U U bU
U U
F VU U U U V. U
UU UU
[ U U %U U U U U %U U U U
0. 0
T 0 0 1 2 3 4 0. 3 3 2 0 2 3 2 0 0-2 0
A 2 1 2 1. 2 2 1
2 2 0 2
B 0 2 0
0 3 2 0 2 3 0 0

### U U #U U U U U U U U U
U U #U U U
F U U V. U
[ U U V V. U V. U V. U
0 0 0 0 2 4 5 4 2 0
T 2 4 2 0 4 0
A 1 2 2. 2
B 0 0 0. 0 0
0 4. 4 2.

### #U U U U U U
U U U #U #U U U U U
F V. U U U U U V
[ U U U
0 2 0 2 0 0
T 4 0 0 2 4 4 4 0 0
A
B 2. 0 2 4 0 2 2 0
4 4
 ### U U U U #U U VV .. U U U U U U U U U U
F VU .
V V U U U #U U Q
[ U Q U V
2 0 0 0 0. 0 0 0 0 0
T 2 4 0. 3 2 2 3 3
A 1.
2
B 0 2 2 4 2 1 2
0 4 2

### U U U U U U U U U UU U U U U U U
U U
F U V V
[ U U U V U
0 2 0
T 3 3 3 3 3 2 0 0 2 2 3 2 3 2 0
A 2
0
B 2 0 0 2
4 2 0

### U U U U U U U U U U
F U U U U U U
[ V. U U
V. U V U
0 0
T 0 3 2 3 3 3 2 0 2 0
A 2 1 2
2
B 2 0
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### U U U U U
U U U bU U U U U V .
F U U
[ U U U U V

T 3 2 0 2 3 2 0 0-2 0
A 2 2 1 1 2 2.
0 2
B 0 0 0
0 0
 Partita in A
2. Menuet
Giuseppe Brescianello

### 3 U U U UU UV U U U U U U U U U U V U U U U U U
F 4 U V
[ V V U U U U U U U U
E 0 2 0 5 5 4 5 0 2 0 0 0 0
B 2 3 3 2 3 2 0 (0) 2 0
G 2
D 0 0
A 0 0 0 0
E 0 0 2 4 4 2

### U U U UU UU U U U UU U U U U UU
3 3 3 3 3 3

U
F U U U U U U
[ U U U U U U U U U U U
0 0 0 0 0 0 0 0 0
T 0 2 0 0 2 0 3 2 0
A 1 2 2 1 2 1
0 2
B 0 0
0 2 4 4 2 0 2 4

### U U U U U U U U
1. 2.

F U U VU U U U U U V
[ U U U U V U V U
0 0 0 0 0 0
T 2 0
A 1 2 (2) 1 2 (2)
2 0
B 0 4 2 0 0 0 0
0 4 4

### U U U U
U #U U U U U U
U
U U U U U U U
F U U
[ V. V.
U U U U U U
5 4 2 0 0 2 0 0 0 0 0 0
T 2 4 0 0 0
A 1 1 2 2
B 0. 2.
0 0 0 4 4 2

### U U U U U U
UU UU U U VV ..
3 3 3 3 3 3

F U U U U U V. U U
U U U U U U
[ U U U U U U
0 0 0 0 0 0 0 2 0 0.
T 0 0 3 0.
A 1 1 2 2 1 1.
2 0
B 0 2 4 2
0 0 2 4 4 2 0 0
 ### VU . U U U U U UUU U
Q U UU U U U U U U U U U U U U U
F . V V U U
[ V U V. U U U
0 5 4 5 0 2 0 4 2 0 0 0 0
T 2. 3 2 3 2 0 0 2 0
A 2 2 1 2 2
0 0 0 2
B 0. 0 0
0. 4 2

### U U U UU UU U U U UU U U U U U
3 3 3 3 3 3

U
F U U U U U U
[ U U U U U U U U U U U
0 0 0 0 0 0 0 0 0
T 0 2 0 0 2 0 3 2 0
A 1 2 2 1 2
0 2
B 0 0
0 2 4 4 2 0 2 4

###
F U U V
[ U U U
T
A 1 2 (2)
B 0 0
0
 Partita in A
3. Gavotta
Giuseppe Brescianello

### 2 U U U U U U U
U U U U U U U U U U U
UV U
F 4
[ U U U U V U U U U
E 5 4 5 4 5 0 2 0 2 0
B 3 0 3 2 0 2 3 2
G 1 2
D 0 2 0
A 0 0 0 4 2 0
E 0

### U U U U U U U U U U U U U U
U U U U U U U U
F U UV U U
[ U U V U U U V
5 4 5 4 5 0 2 0 2 0
T 0 0 3 0 3 2 0 2
A 2 1 1 2
2 0 2 0
B 0 0 0 4
4 2 0 0

### U U U #U U U U #U U U U U U #U U
F U U UU U U U U U U U
U U U U U
[ U Q U U U U U V
0 0 0 0 2 0
T 3 2 0 4 4 4 0 2 4 (4)
A 2 2 2 1 2 1 1 2 2
0
B 2 0 0 0 2 2 4
0 0 2 4 0

### U U U U U U
U U U U #U U VV
V U U
U U U U U U
F V U U U U U U U U U
[ V V U
0 2 0 0 0 0 0 2 0
T 0 0 2 4 0 2 3 0 2 3
A 1 2
2 0 0
B 0 2 4 4 0 2 2 0 0
4 0 4

### U U U U U U U
U U UU U U U U U
F UU U U
[ U U V U Q U
5 4 5 4 5 0 2
T 0 2 0
A 1 2 2 1 1 2 (2)
2 2 0
B 0 0 0
0 0
 Partita in A
4. Gigue
Guiseppe Brescianello

### 1 UJ 6 U UJU UJ U UUU U UUUUU UJ

U U U U U U UU U U
F 8 P 8 . . U U . U . U
[ U U U U U P U. U P
H
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 Passacaille Robert de Visee ( 1686 )
TablEdited by Rolf Dannehl

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 Sarabande from Suite in D Minor
Robert deVisee
TablEdited by D.Meineke

UJ 3 U UU .. UJ U $ UU. . U U . U $U UJ UU UU .. %UJ
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 Hornpipe
Henri Purcell
Trans. Jorge Guillen

# 1 U U 3 UJ U UJ
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UJ U U U UJ U U U U U U UJ U U U UUUUUU UU
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 Canarios
Gaspar Sanz
TablEdited by D.Meineke

## 1 U U 6 U U U U . U U bUU . U U U U UbU U U U . U U U U U U U U U
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D

## U U U U U bU U U UJU UJ U U U U UJU UJ
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## U U U U UJU U U U U U U
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U UJU UJ
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R
 Gavotte
Scarlatti
TableEdited by D.Meineke

;
2 UUUU 4 U U U U UUUU U
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UU UU UU U U U U U Q #VVV #UUU VV U U
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UUV U#U U U $$ V UV U U VU %U UV U U VU %U UV U U U U U U UU U U
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 V U
$$$%VVU UV U U V U UU U U V U V UU UU UU V UV U U VU %U UV U U
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3 4

$$$ VV -R Q %UU -R Q UU -R UU %VV UV U U VU %U UU U U

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$$ VU %U UU U U U U U U UU %UU V -R Q %UU -R Q UU -R -RU Q UU

F $V U Q V
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:
$$$%VV UV U U VU %U UU U U VU %U UU U U U U U U UU %UUU V %U%U U U 24 V
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 Sonata in A (K.78)
D. Scarlatti
Allegro TablEdited by. D.Meineke

U UUU UU U U
3 3

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3

UUU U U
3 3

U UUU U U U
3

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3

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3

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E 9 7 0 7 0 4 7

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B 10 10 9 9 7 5 2 2 2 5 5 9 9
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U U U U U U U U U U U U U U U U U U U U U#U U U U U
3 3 3 3 3 3 3
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H H
457 4 79 5 5 2 4 2 4
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11
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B 2 0 2
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R

UU U
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3 3

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U U U U U U U U U #U U
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H
10 9 7 5 7 4 5 4 5 4 679
T 10 9 7 6 4 7 7 6 7 6 7 6 79
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7
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 ### U U U U U #U UU U U U U %U U U U
3 3

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3 3 3

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3 3

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4 5 7 12 9 0 7 5 9 10 12 9 0 10 9
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U U U U U U U
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7 7 7 0
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0. R
 Sonata (K.238)
D. Scarlatti
TablEdited by Dirk Meineke

### 4 U UJ U U U UJ U UUU UUU U UJ U U

F 4 U U U U U
U UJ
U U U #UU U
U U U U

4
E 0 2 0 0

4
B sl 7 3 2 0 3 (3) 2 0 (0) 2
G 2 6 2 1 1 2
D 0 0 0 0 0 1 2
A 0 0 0 0 4 4 4
E

### UUUUUUU
U U
UU U U * U U P U #U U U #U U#U U U %U U U U
F U U U U U U U
U U U U U U U U U
7 0 0 0
T 10 9 10 9 7 20 2 4 2 0 4 2 4 2
A 4 6 7 6 9 7 2 3 1 2
4 6 7 6
B 5 5 7 0 0 0 0
0 4 4 2 2

### U U U U U#U U U U U
U U U U U U * U P UJ U%U UJ U U UJ U%U
U
UJ
F U #U U U %U U U U
U U U %U U U U
4 0 0 (0) 0 (0) 0
T 2 2 2 5 4 7 5 4 0 1 0 1
A 2 2 4 4 6 4
2 7 64 2 2 4
B 6 6 7 3 3 0 0
0 0 0 3 3

### U U UJU#U U U U U U U#U U U U

F U U U U U U U U U U U U U U U U U U U U U U U U U#U U U U U
#U U U U U U U U U #U U
U
(0) 0 (0) 4 2 (2) 0
T 2 4 4 4 (4) 2 0 0 2 0 0 0
A 4 2 (2) 1 2 (2) 1 1 1 2 1 (1) 2 1 2 (2) 3 (3) 3
4 4 2 4 4 4 2 1 1
B 1 1 2 2 0 2 2 4 4
0

### U U U U U U UU
1. 2.

#U UU
F U U UUU U U U U U U U U *V.
U UUUUUUUU *V. UUUU
U C C
5 4 2 0 0 P 0
T 1 2 H 0 2 3
A 1 1 1 1 1 2 1 1 1 2
2 2 2 4 4 4 2 4 4 2. 2 2 4 4 4 2. (2) 2
B 0 2 2
0 0
 ### U UUUUU U
U U
Q UU %UU U U U U U * U #U U U U U U U U%U U U U U U U U U
F U #U %U U U
V U U U U U U U $U
7 7 5 4 4 0 3 0 3 0 3 0
T 0 02020 (0) 2 3 20 7 (7) 6 3 (3) 2 2 2 2 2 2
A 4 0 4 3 0 0 0
2 0 0
B 2 4 4 4 4 2 1

### %U U U UU%U U U U U#UU U U U U U

U%U U U UU U U%UUU U U U U U%U U U U U UU %U U UU%U U U UU U U U#U U U
F %U U %U %U U U U #U U
U U U U U U U U
P P
3 0 3 1 1 0 2 0 0 1 0 0 0 3 (3) 1 1 0 4 5 1 4 5
T 2 2 3 3 3 3 3 3 3 3 2 3 (3) 1 1 0 0 4 5
A 0 0 2 2 2 4 4 4 0 0 2 2 4 5 (5)
3 3 0 0 7
B 0 0 0 0 0 0 6 6
4 4

UUUU UU
### U U U U U U U#U U U U U U U U #U U U U U U U U U UUUUUUU
U U U U U U U U U U U U U
F U U U U U U
U U U U U U U
0 (0) 0 0 1 1 2 10 9 7 7
T 0 2 2 3 (3) 0 2 3 3 4 4 2 3 10 7 10 0 0 0 0 5 3 2 2 3 2 3
A 1 2 7 6 6 6 6 2
7 4 0 0 0 0 7 7 2
B 0 0 7
0 0 0 2 2

UUU UU
#
## U U#U U U U U U #U U
F
U U U U U U U U U U U U U U U* U
U U U U Q
U U U
10 9 7
T 7 5 4 (4) 5 4 5 (5) 10 10 0 0 0 0 0 0
A 4 1011 2 212 6 6 6
0 7 97
B 0 4 0
4 4 0
 Sonata K.322
D. Scarlatti
TablEdited by Dirk Meineke

### 4 V V V. UU UUU U
UU U UUV U UUUUU U U U Q U
U
F 4 V V V V V
-R -R V V U. V V

4
E 5 0 4 2 0 0 5 0 0

4
B 5 5 5. 3 2 0 2 3 2 3 2 0 2
G 2 1 2
D 0 2 0 2 2
A 0 4 0 0. 0 0
E

### U U U
U U UUU U UU U Q U UUU U Q U U V U
U
U U U U QV U
F U V V #V
V V V V V V V V
HP HP
0 7 5 2 HP 0
T 3 3 353 2 2 3 3 353 2 2 0 0
A 4 2 242 1
2 0 1 2
B 0 0 0 0 0 4
4 4 0

### V U U U U U
U U UUU U V U U U U U U V U #U V U U V U
F #V V V V V V
V U V U U
2 HP 0 0 0 0 5
T 0 0 0 0 2 2
A 2 242 1 4 4 4 4 1 2 2 3 4
1 1 2 0 0
B 4 4 0 0
0 4 4

### #U U U U U U U U U U U U U U U U U U U #U U%U %U U U U *%U U

VV VV V
%V V
U
V U
V
F V V V #V V V.
V Q
7 7 7 7 7 7 0 0 0 7 0
T 5 5 7 7 9 10 10 9 7 4 0 8 8 8 8 8 98 7
A 8 8 8 8 9 9 7 9
7 7 6 10 10
B 6 7 0 2.

%V Q U U %U U U #U V .
### U U U U * U U %U U %U
V V U %U %U U U U U V
F %V V V V VV %V V
%V V V
0 0 0 0 20 8 7 0. 0
T 3 1 10 8 7 0 1
A 0 9 8 0 0 0 0 0 1 2
7 9 0
B 0 7 7 7 3 3
3 7 0
 ### U%U * U U%U
V U U%U U U U #U U
V U U U U Q U#U U
F %VU U VU U #U %V %V V
V V
%V %V V V V
7 0 0 0 0 20 9 7 5 0 7 9 11 12
T 0 8 3 1 8 7 5
A 2 2 2 2 3 0 0 8
7
B 3 3 0 0
3 3 7 7 0

U U #U U U
### U U U U U U U U UUU U U
#U U U #U U U U U U U U U U #U U U U
F V V
V V V V V V V V V V
7 5 4 5 4 2 4 12 11 9 4 2 0 2 0 0 0 0
T 12 10 4 0 2 4 0 4 2 0
A 2 1 2 1 1 2
4
B 0 2 2 0 0
4 2 0 0 4 2 0

### UU U U U U UU U U U U
1. 2.

Q UV U V V
F VU U U VU U#U U U U V UUU V V V V V
V. Q V. Q
0 0
T HP HP 0 0 0 0 0 0 0 0 0 0 0
A 1 1 2
4 2 4 2 1 242 2 242 2 2 2 0 0 0 0
B 2 2
0. 0.

U#U %U U U U U U U
### U U U U U U QV U UV U VU U %U U U U U U U U
#U UU Q #V V %V V %V V
F V V V
9 0 0 2 7 7 7 5 0 5 0 0 5 0 0 0
T 0 2 11 8 2 3 5 7 7 7 7 7 8 7
A 3 0 0 0 0
8 4 9 7 7
B 4 4 2

### U U %U U U U U U U U U U U U
U
U U
U
U U UUUUUU
U U U U U U
F V V V V V V V V
V V
5 2 3 5 5 5 0 0 5 5 0 2 0
T 5 3 3 2 2 0 0 0 0 2 2 3 3 3 2 0
A 2 2 2
4 4 2 0 0
B 4 0 2 4
4
 ### U%V
U U U Q U%U %UV U %VU U *%U
%V U V V
U
U U U U U %V #U U Q U U%U U U
U
F U %V V V V
V -
R V
HP 0 0 0
T 1 1 1 1 1 31 0 0 3 6 3 1 0
A 121 2 0 2 2 2 2 2 2 1 2 1
2 3 3 3 0 2
B 3 3
0 0

U%U %U U
### Q U %U %UV U %VU U U V U U U U #U V U U U U
U UU %V V %V
F %V V %V V
V V
HP 0 5 0 8 5 0 0 0 0
T 1 1 1 1 1 2 3 6 3 3 3 3 4
A 242 2 0
3 3 3
B 0 0 3 3 3 3

UU UU UU U
### %U V U U U U UU UUUUU UU U U UUUU U U U
F V V V V V V V V U UU
V V V V
10 7 9 7 0 2 4 5 2 0 5 4 2
T 10 9 10 3 2 3 2 0 2 5 3 2 0 0
A 10 7 9 7 2 2 1
0 0 0 2
B 7 0 4 2 5
0 5 0

### UUUU UUUUU U U U UUUU UU

U U U U U U V. UU 3
1. 2.

U U U U U 4 V.
F V V V V V
V V V V. V.

3
2 4 5 2 0 5 4 2 0 0 0

4
HP
T 3 3 2 3 2 0 2 5 3 2 0 0 0
A 242 2 2 2 1 2. 2.
0 0 2
B 0 4 2 0 0. 0.
0
 Congratulations

Tanks to all my friends of ETA in Spain, and México on Plaza

Garibaldi (the Mariachi Oro y Plata and Penas de mi Alma), tanks for the
drinks, tequila and mezcal, this is very important in my life and my musicial
experience… tanks to my family, tanks to my teachers, tanks to my
neighboring, tanks to my dog and my cat, tanks to life, tanks to all… I love
you.

This book is dedicated to you. Good Luck

Printed in México City, july 2000 in Ediciones Ramírez. (Guitar Publishing)

Peña y Peña No. 24- B Col. Morelos (Barrio of Tepito).