exhibition catalog

title: junya ishigami – how small? how vast? how architecture grows
editor: chinatsu kuma
publisher: hatje cantz
year: 2013
design: takuma hayashi
pages: 44
photos/illustrations: 140
size: 25.80 x 36.50 cm
format: hardcover
language: english, japanese
ISBN: 978-3-7757-3794-4
price: € 38.00

the art of architecture: between poetry and science

junya ishigami‘s work process is strictly methodical and oriented toward expanding
the existing boundaries between design, architecture, and geography. the aesthetics
of concentration, the transparency, and the simplicity of his ideas, models, and
buildings are based on complex creative processes. ishigami presents his holistic
search for the right proportions in a new publication: how small? how vast? how
architecture grows, edited by chinatsu kuma, with texts by junya ishigami, and
graphic design by takuma hayashi.

‘for me, as a japanese person, natural elements are also always artificial.’ explains the
39-year-old, ‘there is no authentic nature – even forests and landscapes are artificially
created.’

for junya ishigami, architecture is a world of infinite possibilities: both a

repository of knowledge and a laboratory for prospective experimentation. his
approach, which combines scientific and poetic elements, forms the basis for a
dreamlike creative process that transforms dreams into reality. he mainly draws
inspiration from nature, methodically conceptualizing his projects and always seeking
to push back their limits. though apparently simple, his work is both rich and complex.
it both contains and embraces the complexity of the worlds we live in, blurring the
frontiers between design, architecture, urbanism, landscape and geography. his
tireless quest for transparency and lightness goes beyond the minimalist aesthetic. it
is rooted in a determination to rid architecture of appearances and futility in order to
achieve perfect harmony: architecture must step aside to create a total environment
celebrating nature. the exhibition presents 56 projects via experimental models, some
large, some small, made of white or colored metal, wood or cardboard. ishigami’s work
explores issues such as density, transport, landscapes, structures, scale, and the
urban/rural dichotomy.
58 projects adorn narrow wooden boards that are neither tables nor benches. models,
miniatures, drawings, and watercolors – in orderly rows, as if placed in a sterile
laboratory.
these models make up a body of work that asks the underlying question: how can
architecture re-enchant the world? ishigami’s acute awareness of the way humans
relate to their environment and the way he calls on us to design alternative ways of
living are wonderfully reflected in this show. this “presence and absence” of
architecture cultivates a form of ambiguity at the boundaries between occupied and
empty space, architecture and nature, the artificial and the organic, resulting in
extraordinary spaces. in just a few years junya ishigami has opened the way for an
approach that is able to go beyond technical processes and build a poetic world and
inhabitable forms– from the infinitely small to the infinitely large.
the models are lined up on 8 white tables, 9.21 meters long, with a width of only 30
cm, and a 1 cm thickness
junya ishigami – how small? how vast? how architecture grows exhibition in arc en
reve – detail
the models ask the underlying question: how can architecture re-enchant the world?
exhibition detail
experimental models are made of white or colored metal, wood or cardboard
the display calls on us to consider and design alternative ways of living

excerpt from the catalog

excerpt from the catalog

at the end of the retrospective a conclusion awaits visitors in a second room: the
installation ‘little gardens’ displays a collection of tiny miniature flowers that look like
candies, placed on a round white table with three thin legs.
junya ishigami (1974) studied architecture at the tokyo national university of fine
arts and music. for him architecture is a boundless field of infinite possibilities that
affects every area of life while raising existential questions and requiring both scientific
and artistic observation. besides childhood fantasies and the power of imagination, the
winner of the golden lion at the 2010 venice biennale of architecture is also inspired
by nature. he has worked for kazuyo sejima and ryue nishizawa/SANAA. in 2004 he
set up his own firm, junya.ishigami+associates. he has made his name in our part of
the world with experimental installations that lie somewhere between furniture, art and
architecture. his first major brief was for a place for study and work at the japanese
kanagawa institute of technology. since then he has completed building projects in
japan, russia, chile, france, and the netherlands.

https://www.designboom.com/architecture/junya-ishigami-private-residence-chile-03-18-2014/