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Question

What are the benefits and challenges of the


EU’s film subsidy and screen quota policies?

Methodology
Comparative analysis of academic literature,
news media, and EU publications,

Framework
Political-economy
Promote Culture Preliminary Violate Free Trade

analysis

Create Jobs Unequal benefit

Necessary to compete Ineffective


S ources
Byoungkwan, L. & Hyuhn-Suhck, B. 2009, ‘The effect of screen quotas on Kelion, L. 2016. ‘Netflix and Amazon face quota or EU-made content’, BBC,
the self-sufficiency ratio in recent domestic film markets’, Journal of 25 May. Available from: http://www.bbc.com/news/technology-36378078.
Media Economics, vol. 17, no. 3, pp. 163-176. Available from: http:// [14 February 2017].
www.tandfonline.com/doi/abs/10.1207/s15327736me1703_3. [14 Keslassy, E. 2013. ‘E.U. Commission reups and expands film subsidies’,
February 2017]. Variety, 14 November. Available from http://variety.com/2013/film/global/
Duddridge, P. 2016, ‘How the British film industry could flourish outside e-u-commission-reups-and-expands-film-subsidies-1200832829/ [14
the EU’, The Guardian, 29 June. Available from: https:// February 2017].
www.theguardian.com/film/filmblog/2016/jun/29/brexit-how-the-british- Messerlin, P. & Parc, J. 2014, ‘The effect of screen quotas and subsidy
film-industry-could-flourish-outside-the-eu. [14 February 2017]. regime on cultural industry: a case study of French and Korean film
Ehlermann, C.D. & Goyette, M. 2006. ‘The interface between EU state aid industries’, Journal of International Business and Economy, vol 15, no. 2,
control and the WTO disciplines on subsidies’, European State Aid Law pp.57-73. Available from: https://www.researchgate.net/publication/
Quarterly, no. 4 pp. 695. Available from: http://heinonline.org/HOL/ 270511097_The_Effect_of_Screen_Quotas_and_Subsidy_Regime_on_Cul
LandingPage?handle=hein.journals/estal5&div=44&id=&page= [14 tural_Industry_A_Case_Study_of_French_and_Korean_Film_Industries.
February 2017] [14 February 2017].
EUROPA 2013, State aid: Commission adopts new film support rules- Pauwels, C., De Vinck, S., & Van Rompuy B. 2007. ‘Can state aid in the film
frequently asked questions. Available from http://europa.eu/rapid/press- sector stand the proof of EU and WTO liberalization efforts’, European
release_MEMO-13-993_en.htm. [14 February 2017]. Studies: A Journal of European Culture, History and Politics, vol. 24, no. 1,
EUROPE 2016, Revision of the Audiovisual Media Services Directive pp. 23-43. Available on http://www.ingentaconnect.com/content/rodopi/
(AVMSD). Available from https://ec.europa.eu/digital-single-market/en/ es/2007/00000024/00000001/art00003 [14 February 2017].
revision-audiovisual-media-services-directive-avmsd. [14 February 2017]. Roxborough, S. 2013, ‘Film Subsidies Safe as Europe Backs Co-Production
EUROPA 2017, Audiovisual and media. Available from https://europa.eu/ Friendly Regulations”, The Hollywood Reporter, 14 November. Available
european-union/topics/audiovisual-media_en. [14 February 2017]. from http://www.hollywoodreporter.com/news/film-subsidies-safe-as-
European Audiovisual Observatory 2003, ‘Distribution on the European europe-655987 [14 February 2017].
Union market: films from Central and Eastern Europe, the Mediterranean Sarikakis, K. 2005, ‘Legitimating domination: notes on the changing faces
Basin, Latin America and Asia’, Thessaloniki Conference, May 25-27. of cultural imperialism’ in Hamm, B. and Smandych, R. (eds) Cultural
Imperialism: Essays in the Political Economy of Cultural Domination, pp.
80-92. Broadview Press, Peterborough, Ontario.

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