‘MASTER SOLOS INTERMEDIATE LEVEL dled & by Daniluba intermediate lev at ve eye MASTER SOLOS by Daniel Perantoni Edited by Linda Rutherford Tce TRACK 1, Dear If You Change — Now, O Now My Needs Must Part a John Dowland wim sox. 1 ACCOMPANIMENT ONY 2 2. Come Again, Sweet Love Doth Now Invite 9 John Dowland — , CEOMPARIMENT ONY 3 3. Two Lieder n Yohannes Brahms wwii ovo 5 AELOuRARIMENT ONY é 4, Romance No. 3 4 Robert Schumann wm soto z NCCONPARIMENT Oty 3 5, Siciliano and Chorale 7 Johann Sebastian Bach wm soto 9 NECONPARIMENT Osty to 6. Two Classical Themes 20 Frang Joseph Hayén a 1 NECOMPARIMENT ONY iby 7. Introduction and Blues 4 Morgan Powell wwii soL0 rr NECOMPRRIMENT Ont ia 8. Piece for Tuba and Piano 28 Lucinda Lawrence wwii soto 15 CCOMPARIWENT ONtY Hd Pvsreerneay aur cae. gr. su, ge be arn mie eiIntroducing Me, Daniel Perantoni Throughout the brass world and farticularly among tubists, Daniel Perantoni his achieved an en¥able reputation as both a performer anda teacher. Mr Peranten is graduate of the East tan School of Music and the Cathlic University of Ameria His profesional carer includes the Sin Antonio Symphony, the United States Army Band, the Amsterdam Philharmonic Orkest a well as many performances as a guest soloist In 1968 Me, Perantoni was appointed to the faculty of the Univesity of Minis School of Music. tn addition io his teaching duties there, hae a member ofthe Iinos Faculty Brass Quintet, the Cham paign Urbana Symphony, and nume-us jazz groups. He ialso ‘consultantflinician forthe Custom Music Company. LA “This series of solos was specifically designed to conform withthe requirements of the many Solo and Ensemble Contest Festivals. They have besn chosen so that each pce wil present to the adjudicator the elements of performance so necessary toa correct evaluation. The time limitation sao a conse cation so the length of each hasbeen structed ithe two to four minute length More specifically, the material had the following objectives: 1.To present highest quality music from the Baroque, Clsial, Romantic, Impressionstic and Contemporary periods 2.To keep the tficulty of the solos within the techoical limits ofthis particular level 3. To select solos whieh could improve your artistic and technical capable, 44 To present in each piece some examples of the principal categories ofthe grading, suchas Tone ‘Quality, Intonation, Techni, Rhythm, Articulation and Interpretation. Mr, Perantoni will perform each solo on the tape. He will be accompanied by Mr. Eric Dalheim, an [Associate Professor of Musi atthe University of Iino, The fist time you'l hear both the solo and the accompaniment. On the second track only the accompaniment will be payed. You can be the soloist on this track, I can also bea study guide for your accompanist Ie is our hope that you will enjoy this innovative approach t0 music study and development, The care in preparation sof course the prime factor ina successful presentation, bopeeeraeedear If You Change- Now, O Now My Needs Must Part “Line ths bok has ben wet frm vo ‘Some af he pass we gute lng You wil ned 0 your aby play longtones: Paying heb 1 the eof mre wing tha equ on ay ster Seas imtrarents The tub cannot be expected to ve long phrases ikea person paying he Wurpet. The Namah shorn wih snl mut Swhardet The ast ue 3 rp moult ah Iemuch ier reper Therefore taker more beth See te but on the moutpisce In ober words, me wei under ster st art inhale a etcety and comforaby fing breath wi the moth sane othe “OH Now juste he ain without reson "Asthe as ing in, your whole bay from your area incling Your est — must gt ge. Then heat thrugh the pie bowing ut sane For Understanding, Rlds pie of rabeok pe ose ‘maith and after ining pope, Sw sat "sung the pape to mone say sd In ple be yo steady Steam oa ARATION 1 2 age breath (Who and cout aloud 1.23.45 Setween exch namber ep the aed onthe St begins execse sain D9 over an ve is rst seit 72 Each eck one coun. When ing ts ery wel practice with ong unt mae Alo pace hr bun 123; 124, Doig ren hat you ate nt aeesing or tig Take arg ret and coun in rma, strained vie, Sopoing thar between sh numer Coun nth you ae molt out of breath go snort yu can, Your ve as stained when you got lowe totht ast our, was? Tena exacy what wl appento your saund when ‘You pay you ty to sguete ea amount a am ‘our Tags. You ge very pt inh oy and land "ht. Vou stoi peting ih tal res when long ‘our intrament Otero wl each your tod ‘abi that wi art your oon, Your min fas toma 2 musa one on your nomen RULE" You cane 14 {the ain your uns witha hag sguees to gee Ferner of tear ou Mee pl In he ist 18 ae ‘ne exerci for developing good bathing habit otake 2g breth, count ike ote abo), and ace the aren te Go count. 2 Take a lg rath and bow ale trough he pang ‘yond tke when lowing 2 pce paper Coun tain Your mind and replete son he thou 3, Position your tuba ~ takes argbreth (Whee) a ply 2 toe Conte to think of teeter "o" hen payne ‘Think of lowing trough the tba exerci on erent nots Notice that 2 you play ‘hore breth ie need That because ‘ouhur demanded ~s0 you ‘lume of i anderle reste ‘Your pals: Tobe a comforubl an effin 33 pro- ‘esol tseJon Bowing born in eld was an eminent tens LStompeac He bce one ofthe tents ine vice of Chives! of Egan. As an important member ‘the Engh schoo of tenis composes browse ‘out many shang, uray neste the son Dowland weste he scompanying pars assure enti Thovehamon cs ar gute modes sounding. “Tete sngs by Doman ("Oer If You Change” and "Now Now My Necsus Paton page 3nd "Come ‘pin, Sweet Love Dot nite” on age 10] were orally trite forvoie wit ecompaniment and aan fo tuba nd no, They ae separate wer in hens and ae musical term andante — ina moderately slow tempo new note Measures 1-12 “Duar If Vou Change” mast be prermed Inauolernmsnner The eeompaniment ste Sls Insta Te tube mst be ery aware of the temp and the sty: You might op your foot na ons acing Iu it ay hf ink of tapping sk yu to. ‘Sling aring oping feat n be ute sce Measures 13-18 The nite phase apes rom mesures 13 TW The younger payer or smaller person may mot ave the PREPARATION 2 ot movements, You may want oe “Dea I You Cane {Site fstpat of sso combined wah ether ofthe thes {8 the snd art. Thscombinaton woul bean exelent piece fra perfomance 3 comes Ines of he slot in tis book, yout ee metronome matkngs ke These are seston of tampa {attest you cot pl he ao atts tempo, pate Flower and oda ras the speed you lear i {hstempe to st fot you and your accompanist oper {em wel pay ea 2 ped that comfortable for both otyon lung capac olay hs praein one rath. Thre, ‘ou shuld rent moe fen nx ik manner Sreate 2 kated ine lowing reps, Think of thse eth marke aeons nasenence. You as scour of he nr rae, Su in ety, ou ae ab ‘ing Your aneroduc shuld sou ke Youre forever estingsp too ar witht aking rest, morte i {to epace thar that you have ed, This becomes ‘vious yu ae no pally able t ply te ore andre fred tooo, Your Dy wil squeeze *arop os fom your lings. Your sand then be- thin and pinched ven though you mete pa un ba, woud be eter to sound yod nde ‘ites being aware he pase. ures 19:37 Pay in the same style as eer and Uo ateon to yams indeated sical terms moderato ~ moderate speed rll (allentando) ~ gradually slower Smile n the same manner until ther sa change indicated legsero— ight Measures 38-47 Asin dynamia are of utmost impor tate fora more muse performance Thi eto re ested: iar thelist to mesure ene ep o ish {he pace The pertormer hve the pt ote ner thon ene though tight nt be inetd in the part Ths an be done este ofthe work permit ns instance Ictepemiste und wl anders mr sfc prormance, rnf-mp— medium loud the frst time; medium soft onthe repeat Now My Ns Mant Part arth igt dance Ine yal of the Renisaes er. The peor Stink 6 bt i lingo 2 Beaune a he ILLUSTRATION 1 Wes 1.8 Thecight meareintaduton by the Dans Shut be played epi” niente gh, "Sean erp res 9-16. The slo prt enters in the ame leeer> Pesntdby the acetmanimen The abst mat sore tongue tas thea sea sracticethe flowing exe reeber the pins ‘ty this ong note with a pure one. Tink of bow boron the metic and trough ARATION 3, ‘he finshed rout Liste othe tape for sistye 2 Sing ths pare usng the word "doe Make ss very conrcted. The onl separation beter the rote il ‘ete soft "dain the word "doe" Py theme sry. Note tha tt ke aayig the lange Ingur'A" The ony deen that te sdoeite” ‘eatin se he ssn: Th seston of bowing beyond the mous fvmst impectane. Sections Aan were dane in are gto style. par conned) ent hin ga sea tea reais ko oi eg ‘ot; Lethe ar eseape ot nen sing te word "oe" at he dere eng nd th sgh spat, You a siply metering he se bythe orga toad nsaringeach noePy parts attention to meas 15 fr yt. The {ctompuniment hat he seth meses {ide hn menu its 6 beats ar tan 2) deo ILLUSTRATION 2 Measures 18-21 Beste to lay fort dyramies a In sure 19 watch tert crefly. The dotted Premae fora clnade ele ear 21 returns to ‘ph would beegul tothe ed nents, The si mez ot feenh oud layed hort doe to the eiph wi feos Pacize hs ryt in the flowing curse PREPARATION 4 Nov teal st mesures 28 an 24. Be ste and slow down saul Bevel not to "put the rakes on" 00Dear If You Change um. J=00) ‘esta oe t Now, O Now My Needs Must Part nd. 69) ModeratoCome Again, Sweet Love Doth Now Invite musical terms allego — quickly “antaile~ in a singing trial style dim. (diinuendo) ~ gradually softer “Came Aan Swort Love Doth Now Its in ct ‘het beatin? with he ante geting ome COUN nse he pce ot tne na tower tengo iy nero the sped ul you mie at he pope Measures 1-12 The pani shoul ply some of he her ‘ots rite nh acl nth he gt ad. Ts Slo ‘Boake payed cies ngng se Measures 13-23 The oli must ake he ego os [ed by te aceompani ae enter enact on bet 20 treo 13; stn el othe pan treasure 12. Have the pana sess the Dn the right and aring pact. {Gene sound ofthe "Dn your ex oe Bete cay nd imnaton, you mst athe pich of your st ate fre you pa the hy word stn You mig ly ‘esses 13 tough 20 one ote love ring Your ist accession tou the lant. Get the sound in your PREPARATION § ar Tha playa writin. For extra practi the upper ‘Sing the exten mse manner Sing he iter "Ep" but omit the wordt tat he wor Bel ter ithe must (Omit the wor "Sap {nother asageswhen sighs approach, but stoning the erect teh) Bur onthe mouse alone. Do not uz he ps practice witout the mouthpiece os mouth Basing witout th mouthpiece ferent andr 2g enbouture The Patng race fhe wil ferent ha nth the mute Tit) Teter ames yur mind whe bung onthe mod pire lone. You wile wsing more adn hs imply mare beh more ote! wool oR Blaving the not on the pan inthe covet ote Sh uzsng onthe mouthpiece. Itatlon sone Thebes nas lew (ay and think eter mesa rated Measures 2635 Be sue toa vr ane as tefore » Tsuen ea 2nd pe ule thoaght of though hy ar commaninsoentece ‘Eotunc or ve fom mesnre 2 tothe third beat teenie 30 Measures 36:58 The pana haste melody. The bs partinotasimporart, thor the bi shuld be it FReeven mare careful toast the pant Always ink ‘ing ieee pron with whom yo ae perormng {ound better. Therfr, you il e more aware fend tek to be aneCome Again, Sweet Love Doth Now Invite oo ‘sete ‘leroTwo Lieder musical term dolce — sweetly Jotiones Brats tone ofthe prestst masters of asi Hie bon in arg, Germany apd de in Vienna in 199, Babe beer very rosette pant log 2 publ concer in smug ote aso 14, hich nuded ‘neofhit own composts. He cena became on of ‘hemos iat compass ee Many of hs ea somes ‘rps hm to contin fw Romar 3s ewalanes by ‘dose end, Robert Schumann owe, he hot to prov ht he Chl ort mere far or exude bt pest mater Seether, an hat rer exparion ‘report Hs Fis Symphony in € Minor wa esrb te Tent, ts placing Babin in the cine om Besthoven “Thos arangoment of wo lider (nwt ‘round 863 Inhibsonp, Bans eves msl aaa {eral the sealer: The pana ssompaenen 50 ‘Sol Kit withthe melody hat bos sam ol a PREPARATION 6 The fst sang demand he ue of he rand gato tng. forthe wit Remeroe to make the rome ng. ‘hink at your tuba simply a xersion of yousee Asyou prac the flaming exec, emambe: iit {antl t lee ey steam of a ang atop the “also surat he as pombe eond income time. Ye ‘ining Think of rm ots nyse mie. Ty Yo Bt Fetng the bouche change on ach note. rate Althouse his "AbY sing the eer "AAG AG fe Now play the exe ink eter mane nour ‘The sable“ In eat tong can only be proces Tycontct ofthe inet the tong gat he ath Tis ‘Setact wil manent intraptteelw. The sean odced muschaeasotied quay sina to he sur PREPARATION 7 Measures 112 You nd your accompanist bean the fist ‘slo topter.You sould tthe ep sin yur mid nd pees st downetfapdown motion with aur inaumes o bes “The fat son bern wi pickups to measure I THs Sone Isvry rane you mast ly fn aging tao Iman ite sige 2 pod tb payer wil se ht the only ference the sof tongue. Note he of tengo huld move and down nt and St Ata, IRemental to faves smady sre oa fing to ae Tpewbeatng rato to ad an ex ats touch, Vibrato i the uct Inge plating ec you be, especaly on one tone “Ths tges of vratoshould by minal or your ound ‘ald bce unpleasant Each mt at spre lse Store vse omar bet Ti he place were {he sound ithe "lt Vibrato mt ot estoy Soon ‘uly Tore oul ot Be to ieare many mays to produce avira, Mos payer will Tis vibat! The iw sy opening and closing soe- mod he you py 2 ong ote, il ater the cami vibt fet, Sethe metronome 2172 and worker a steady vato ‘ith an even width, TH pts whale nt Fscesablon he centres pitch tn start your vibato flowing. This wehrqu shold be dane on ag tones at Fist edhe shuld be rally Incrprated ito yur melodie tye ILLUSTRATION 5 = a DEE S55 ARATION 5 >is persona thing and you ms did when an ow (tae Asoabt rev to sneha aehe es at ies music: You mat be fie tory the ped ‘ait msl nd af 3 pass Betta pat ow caning your ato oat mead baat ‘fe Youtmuntas ood st, tate goed performers ILLUSTRATION 4 dew r2aste? le ofthis 6/8 tonight and happy. The note played detache, but nt choppy This of sping fenithan"H"ending "TOM, TOEH, TOE, not Ur TUT Ths wl make the esanace and one 6527-36 The past ke th soy onthe 1h ote of mana 2 Te we ems ere Measures 13-27. Thesign (7) ao known 3 frmata ‘rol inate temo whch appears tobe pe Fenged. Usa the dation Joule te normale Te fermataln mesie 12 appears on bat 3 he econ iments Acta tik of tien in Ae meteor eat being te fermata Sub hs messi hk igh roses dat20, The ehh roe nese 13 go ice ‘Siac echt atin ree 1 The mba Traase 33 whan accompaniment section of apes. Kee tis ‘welgrond and ten othe elaine ane Measures 37-44. The ube take nr the tne with he pick tmeazte 37, Be suet pl the forte yumi. Flower, do not fers ~ ply mused!Two Lieder nar.) = 601 "Andante —— ree Tehy , rena Leouanorunions comonanioeamance No. 3 sical terms moderato — moderate speed 2 tempo ~ intempo, in time, return tothe tempo preceding it. {fp fortepano, play a note loudly and get immediately soft W notes "GGL aL ‘ans dep emotion demonstted by need r- Ingwith is ule dings hata obviously found ‘sie Hs composition node neo pane May this exerci atthe “orte dynamic. rode a gd ang amber work nd fur symphonic (not oc} sud: Tin of bowing beyond the ma piece and tough be ub. The Maker vou py, he emer ‘Your embouchre Ts femnes il be mre reset fe ores of your mou, Your top fp epi rears alo san arangent of “Romance No 3” eihally Die er sound, te btm for itera Your bottom 9 il for plano andaboe. {um inward wile playing higher You man nt uence Imowtpiece preston the tp i ater your sound tito stained and you si ret Sie slp mote ‘estat hiss a “AR: Lenin the“ thi cons your bottom eth Ee aaa ot oop nes ‘rita ths nae not sem o high Try to extend ‘in your tongue — "ut Rather "toh ARATIONS Troe 08 fe sth cnc neat lower aint Listen cely ear hoe ite i wil macht pay inte ier inte Tey tong te nt Ose youre eo ree ARATION 10 sano exercise op you develop the xing |. Sing he pitches sing he ete mame a one nthe touts an yur silty to nd pte, Remember to tar exec. {Simthe tree tepe ined Blow 1B. Pay his exercise on the moutpee aloe. (Think the rete names) oat Play th serie on he tub, Think the eter nares) leeMeasures 1 The piano and tuba begin the slo oper, ‘Yur scampi wil art flow wth no ou Dlnving the pase otc Be sre tone te tba foe {spell afte Some god reer, The ard contract, ano eet sare prfrmig- Or sme BB ub te {rouphost the Ah comt of mene Gand ths emp" pen note "Dam the aa fay to ne note Ty un begin onthe Sr" aF Listen to the ree N eal figuring 12. Tis wt rake the pick contd ttzves inthe plano (nd and). Be consent and emer er that gia tome eopantn tenor cet Meme 224, enema) To help indicate the beginning tempo to your accompanist, ‘ber the “h” endings of short notes. Exe bean creme Sone eaieriae ences saeepie omar secret Bie no forcing ~ ay smoothly in singing mene Notice he "fp" fre pan) whic ezrs on he Sonn 8 fen 1. The "indeed on he second ate The it mae sah omens 2ang and $i This would nat arent acento get aie the egrth te pop onthe an of beat shouldbe fect Forster conal set tong lone wi Seema Tt cr rrr ties thoupoat he ‘bean Bee ote eso ‘erate sl, Gv slight upbeat with your body tine {So your sri orton the orl woe, Make {higenura in ythmle mane. Think acotng te Measures 25-43 _ Nace he har of key in mes {tn bea (hich atl an hth ote rest). Tr ehh Inmessre 33 you hho new rythm sn eith noe tp ots 41. Inmate 5, beg your ited very wadally heme triple pene best Soy Side tebe ‘Gr your ed cunt Remember that you re the slot ee Ino te eal ars \usteATOn Seeing In menire 33 and 34 only the ast note ofthe lets fay Ky ge hymen your mind at . ILLUSTRATION 6 warren ve0 Pract the fllowing eer which ses he wipe a Friis 2 oteoiet ‘ttre yt conbiation. PREPARATION 12 en a 7 eae, eae a ee oad Pay pata atenton oes 3, nthe 4th ea, of sabi the bss it sb pare, Your second eighth ‘You pay wo ehh ots galt an eighth note ein {also the ty prt wl te acd and third let nt "he aecompanimert. Ths sso haps in measure 36 Think fon the eda Sh pas ILLUSTRATION? waren pave = 7 oe Thissame figure ocr in mere 3 Pay malar 4 and rtm to he enn fo the .C. (oda The Coda section stole played na very St In mesures 35 be eto pay the sean ots eat. ee ‘rte paying pets inthe preceding two ease, 8 fs ole te siateeth aes become pes, oeRomance No. 3 ‘notte wm. d 04) Moderato Sates ean anima comananonSiciliano and Chorale musical terms semplice — ina simple manner legato ~ smoothly connected new note Ab Johaan Sebastian chs oe of he peat mst of mse nd he mor famous esr ti ys compton Ima te hh of he Baroque er Bae’ seo mate ater nd hameny emis marl of thea ‘The fiat heme tan arangnent for ofthe “San” trom te Seced Fe Saat PREPARATION 13, drtoe 0F:06-00E oF-O-0.00E ETC. nts repration, nly he pase making gen. Honever ot micas moc inert tt bepnyed she. Sometimes arpa wine he pe mark Ings we artetaon martin Thr slo seu bo sv no ong on hp on Sa ILLUSTRATION 8 ‘The Sean isa 1Thand 18th ens dance type of Sean rg inary moderate meter Ii pie ‘wh the San io hives oken eho! azompaniment ‘ote doy hin contig Sted ry, Py this oxercie dr ee Measures 1.26. The tee menus introduction by the secarpanist seul be payed th mach warmth and ‘eri to athe maod for he since of slit Inmeasze 4. Be area pay modes tmp = sk tens tote mea ~sindate. 2108) Do nt hink in sna donen "Now, O Now My Nex aby Dowtand The slot shod aprons hs ame sisiahy Always sive to pra thi sola ndted bythe pase imag [Tink lean const or the very lt note och pre onli thet nate ‘hepa Keap the bath om stay thoughout each Dasa he nots west each oe inthe se Ianer when seking sete The tough expe asmesning or the wor tothe st,tear attention tothe gc note in meas 7 time ales ot counted nthe shyt of the bar and must nots ented a sal peo ndeate Bat ts Seoubeacted fom the note next oi ILLUSTRATION 9 $882285F bow tne wear + 2very ong pate fom mesure 1518. No Measures 27-42 The second thane rom ne of Bes ‘oul ot esl to ly the ene phe it (an reludes "Waste Au A cele hymn sune ‘ath You cold sup pha ad reste onthe rd {ahenien Bach ade sown aecmpaninert eng The mere 16 dete hen ofa 7 7 atthe reste comma binge ot in temp or thi prt in inicated ade. Tre beatin tne Use your best mas vsponet ‘meme 26 eal tn bein mere 7 ILLUSTRATION 10 ded ON 2 owing ence wl lp you prepare fo the second tampa fst nd ater nce theo lays working “thssl. Pay even and smoot ad work for fe proton. twrhythmic rene in the gr eon. Take Slow ARATION 14 see hen ina fing mane, nt hope. Thee FFF) FFF «5 mis ngrewo ityseconds tess inna 31.32, when esl haa 7 amen “ant to. On acon eto it ‘Sion witha rs hs impart fo you ‘enuresis i era aeration fhe hos sconsqveny and without Peston. You ‘tin orien ot nd the note snore I Baroque msi, ‘orate your tatan with your ingen. You Sou gerry sar elo te vpe actor You “Srey hoe hs eto emer. {teat swith he man pote snd top one man ote ‘tore conning. ta gen ance to re Wl Eph tntyscond rte aul one guar ote beat. ILLUSTRATION 11 You fish mens 42, repet te mesure 31 (0) owe the ped of he il to zonodat he urdndo he lain inthe Cod Tis me vou mast Sow She being ofthe measSiciliano and Chorale wn d<20) Hoa ee a gees eeouna mum cononaonvo Classical Themes sical terms poco ~ alittle ago ~ slowiy, leisurely wivace— ively Jose Haydn know he ans ofthe Gass es sth re pest mtr of te gut nd ‘ohony fe neonteable Haydn stared patel ‘Suhr and derloped thes fos to erection. He take simple mlody and wie asyahony around enon mrduced a crf ens Mota, veto he ag of seventy een 2nd an ton rarer of wars: 108 symphonies, 84 sing gure {Eat os lr san an sigs, 1 mass $2 pia Skiaut 20 connor for ers insrumen and is ter lee, ‘tthe pesents no chic challenges to he ‘se uaiy, Think ea sige te ody ifernce ‘hs tuncton of your vod chord easter to "ARATION 15 Always ay patron titan. Gondintons ‘ont ven more cries rig ove tempos. ome BOD hadi" a wi You at ne the "Ceol Be layed wih eh vale The nae ste mere suty with ae Bocas of te xt iength tubing, bt wl be morn te: One the! Sipgenion woul be to move yor ist se aecoraiy ing hat ret ush ne gt her pul au 0 nd "GR" (1-2) seein hae te tense tobe sab fs, ty uh the Saale ted of 12 Remember oth er an duet pth by “ping notes, worry canon go fr witha poling your rove au, Pay renee. "Lip” tenet and the sar Eve tthe pce whore the soundly heb wilsaund mae ape and fl nd at eter Then atch {hoped qty of tote al yur ther aoe entered note might at neces bein tue But ld work for at contre sound = ey nae thot problem nts hare a of une dat ‘gy by pling ses, sing aerate ng, supe down, sures 1-36 The acompanis sts he style and ego Dg neare natin. Thema meld begs et andi sire 2 The plas shuld rng xt ILLUSTRATION 12 1s mao i oe tan thee of he accompaninent. Fay Iga na lowing manner Tas the ane ely tha the tba wl ply ine. The aie mus lay With eae in” dyad eats lye Practice thier in alent ss Bese the ots pot ‘Cedar mak are paved sna nat tact AboPREPARATION 16 “The pi azn as version of this mainly Ihiming on messre 15 However, onthe third est of frsure 5 he tba bie with x unter mag The ‘anit shuld rng ately te more han he ‘unter or suportng melody in the tuba Measure 9 has the ub repent this beat mad fre as me, Be Se tomate ance and inmetie 3 Measures 37-111 The sand then ep in mse 31m anew tempo andstye. dinates that he tompo “ne accompanist wil estalsh the tampon mesure 37 loving ne res gure nots inthe than tthe ned ‘hace tenga The second theme shoul be payed seat (tached ns none sy Py arc atontion to Synamis nde cea to heap the selon cose Bon ly lenge when you pay safer adc era PREPARATION 17 Bacau of the ature of sar intramant we mst arte ‘leary posible ethene wir ogee You ‘mat be erie ard nt onrd e arclston. Th i ‘ake you sound umstr nd uri, Thee are afew tcl sco with ranning eighth ‘hati ake eta races ou murray tat the theron, the more somectel they Become. noth me there ses space beeen notes Ti ‘Sistuntto heat’ Do not op the nots wah tenga ven na fst Jost hk of arg the ‘he Thee fat sctanr ld be ooh at hope Pay she hy tm of aac sen on one ne. Pac Sonya aan iy old he ed the dee fumpo with sooth dean alton rte eng the artcuaors outloud (toeaoeete) na ear and tural mane, Pate the perormance paige intheTwo Classical Themes 2-103 wim J= 70) Poco Aaasroduction and Blues tsical term sub. (subit) — suddenly 1 owl i eating cntemporary compos ad has Tid prone: He wrote slo expec fore Sie arena eae Ameria frm Tes Settee ony nan se tay ese ‘exh th ato sat he aie “a ne te myth has to Be rete to Fe STRATION 13 FP oF «he elon exercise Be sur tpn the “swing” ARATION 18 so crse sg ving tye herve the prormnce wl be dl je” Thos em sng” wnt), srasicans inthe 1980 Swing ud a3 vr and spss Sib hyn meanings. (Le sn iste). Conan ents re emandd. The ston sgh rein ‘sesame are tobe layed as inde. Flow be Synamies eat an ply let Te stronger be or Samson he man beat of 30d 2. Te wener Dae Fane 2 nd ar oe ht impartn and mst be payed yn eminsogy, the wes note cae roving peg bot nt Forster Sree se es 1-7_Thesolo begins ina sinple manner Although Inowles the basic hyn, you shal ie a dow ILLUSTRATION 14 teatso your accompanist wl be abe 0 pck up he tempo. Remamter tsi sirg sy pe“Tse nore eto inthe tuba pr. Pay prt -Mtetan tomes Pay the soond eighth nate 2 “ghost nat ILLUSTRATION 15 2 ‘Think ofthis way The srogest beat she est nate Measures 818. Notice te sont ots in he tabs prt Inimessrs 8 and 10. Se sre opny the hth notes ‘ing se Pate the Fong strato for he act {De tripet The cd moe te weak part the ‘The thd nate swonger than he van Bat wee len mene 12 5nd 13 eis. Nose tat hythmicly the writen iets ar payed reps sy, but wth "soe nates ILLUSTRATION 16 * Measures 19:37 The bs play a iaatd blow for ‘mesures 1821 The plano maa inate ts fire ne ‘ire 22. The pre opening ated vrion inmensrs 28.25, Bese to sung he toe note inmeaure 24 ILLUSTRATION 17 Sars a Wasas Pay the “Abi mesure 28s pro ile, ILLUSTRATION 18 warrenres 37-43. Beginning the third count of me ‘both ie pane and be tua ae he same yim Ibs the post notes Another way of ining! gst to convert the 34 esoe 098 ISTRATION 19 ares 43:55. Menus 43 ad 4 ae pets. The it aed before Be costnt Mesues 4847 ‘omehig nein th as part Howe, hue ILLUSTRATION 20 sendaphrane ith two writen hth ots, he ist Measures 55-77 _ Messrs 5559 havea rythm which {played long nd the cond noe shart. The second ‘Stanmony fund nse oth ears and est rst ot sytem xa toe woven Of Cf ILLUSTRATION 21 Ine musa hn of his hth ast an antici ‘The bet way tern how oa ae to isten to 0 sweat The ef the pce canine nating ne Suvomersand ata se Info inal sero "hut teen deed evar oe sea ly ‘ncn samo ete nay oerIntroduction and Blues nm. J= 102) Mor Folly Fat ™~ SS vege ing iakey ——v uwomp Pe eS e aw 2 aS 6 See ° wp eng Tom we _tace for Tuba and Piano sical terms. “Tempo | — return a the orignal tempo ofthe solo ‘ree, poco apace al fine ~ erescend lie by litle to the end ‘for Ta a Plano by LacndsLaweence wat dy wt for hs srs in he se af Bel Batok GGS1 1945 wars eng 200 cory composer remeter are cammnty found Inthe msc of modern (ns inte auc sacdon of pce, teeth ine alu ean the sao ou chang om 14, Taftimener Pate the flowing eee to tom your tosifingmetes ake s abt of lng topractce any df mye pasages 8 PARATION 19 Jeo od sures 1-67 Inthe ephtmesure introduction the [Semi should lay inary esp metal se THE ‘Minuto the yeh of te scamaninent wel rope entrance in mesure Tin ta ehh os Soe sow pay with very ean, ee soca ustcato i techni often onedone a mune cena rate grodnd wih scan (iy {edtongit "toc foloned by centred one nd ‘aly by simpy stoping hea out a of he eo Tin ofan "Henin Too fen saves iy concerned with te stack or strtng of note an else ending of note ILLUSTRATION 22 4 Beak dow th ded pasage a singe vesion of 1b. Cap yourhand to the xs hythm af te pase est yur insvuent an ay the hyn on one ‘ot Wor to the et arelon feast and 4: Face the writen pase Away star sony and val ald othe dested tempo oft. “The tip fhe tongue wi ait ie stream and sie te apn the se eng the ue et, Tink of te tipo the tong st moving up and Jown na nae ot Ime op the tare oot postion Tow in them and ot of he way. Ts il ea geting (sts embourture fo pregucs tw bz fr 3 entered ound. Stop note mth n° ening sng sera iferent tee, pte shown in the Pay lng note — esl a centred sud Count ~ 1.234 eng tes sage ot when you ay therumers~ pu the oper sce betneen he mbes a Sue syns "etd of he mbes 4. ay one ahi iar mrt ="Wen playing a roup of aca egth nates, you shuld Wert tnard every roe hving the tare la tack eg prope length Yau mart prac is techigu so tat i'sanmurd response. Concentrate on your gl of making tras ing moreatenton othe pa and et da ote. A most cine may toler, always tomate 2 od ple ILLUSTRATION 23, “There ae some ey long pases wth no res tht impossible to phy hn oe breath: You mat coor {otrenhe tat wil not the catty ofthe 9 Yat shuld rete mors of ae ha igs you can before aking rath, Remember: Ba ot Tie bottom 4a vurlurmeapacy.Alonge noe ‘els oe god ace to xe 3 qx bres In asaues 52,52, 55,56, and 60 you av a sine ote ips it des an lh ote tres egal prs ILLUSTRATION 24 Peas te 58 meter metre 62 wil bnew a you. Tis Simpy rears that thre ae 3 esto the Mees the tig str get oe bes ILLUSTRATION 25 Practice te ston rom mesures 5267 sony and ‘arty Work oat th it yt nd the 5/8 meter at ‘hoster tempo, then sped itup tothe tampa of he 0 Measures 69-100. You haves hold on mess 68 where thereat hangs 343 new ompo d =72. The zope et he ter ster hse (mes 3) ‘itoring quarter oes Ts sect epayed nt 1 2wpae 94 very exes lito se. Be sue to make tad Measures 101-123 Here te fstflowing scat sine fit ston etre Both th sla snd te Setar rivet mene 110 tothe rd with tect rece. The solo end in mesa 13 Stony aceted ateby the lo flowed by 3p hod bythe scampi.Piece for Tuba and Piano a d= 120) 3 5 ie : ikea dance rtm Leonana matin coneonsrionSlowly (Mam, d= 72) : mp eso2 sample auton form fr solo contest. Unde each teary comments ae made to show you hat 3g ht comider whe plying See he fons vary sity, you may want to ssk our disco fo show you adda form om you prt ore yo wt cones. 6. or Tine of Appeanes tay Sole Selon Fir Poor (Gensy, Contra, Character Titre, uty, Vole, Embouchrs) ‘ge wl be soning fo he ear, eh tanec ofthe imtrument He wl abo be using how wall su cont the tne in he ‘regs anda ferent dyna eves He il make eames om what you hed 9 improve oo 3 igh change In Yur et Weer the way you told yout inseurent TATION (loi Lie, Inter High and Low Regie) ian isthe abity to ayn tne, The ug wl be seningo you intonation In al esters, and ia moving em one nate to anether yin ge interaleYou soa chek your pata the compare H three my union oes withthe an, work ate MIC ACCURACY (Accents, Meter, Precio, Iteration of Rhy mi Fie) ata the jie wi be stoning for yn acura. He may make comments about the ore slo abou puter Gres the sl. He we stering thw precbly and even You play eghth not, stent nts, and le and hw steady You keep sm ouput te so. PRETATION (Phasing, Expression, Tempo, Dynami, Sve) ‘einige wil be irs in how muslly yeu pla. Ti can be deeined byhow much expresion yu show wel you understand Te atte composition bow wide 2 ange a rami lee you ea cone, and how wel You understand te consrcten af he mel sesand pre QUE (Facey, Areaatin, Figsig rething Attacks, Toren 12 jue wil baby ote abe ose specif ering ou ar hing, he cn tl Now mach agility 2 how much contra yo Fistnne to how monty and eeny you Inmate the page sav Hei sa [TION (Sitbty, Mas! Value) {ge wl omment othe stably ofthe soo taking nt casein your techni Iie too aie, may siesta net yar you choos ao that Wear and that yu choo slo which more ic ity, the occ (content ARANCE (Posture, Stage see) tenon appearance ca ave ret fect upon the ude econ you and your accompanist ae net rte and prot ftng ‘Enc, he il hk you are welrepard an orig te comer important svt. Bese your ove Ho a Yo ccm sats reuit that he sao be memorize 2 ating willbe ver Ifyou havea problem while you ate ayn te fae may ge ‘estos hat wil help you menaite more ein For stance, tay the Slat dscns tat at xa We Seo oly ‘aren. may be ease to Unie te Solo no parts thd memoritethse before puting the Slo togehe MPANIST(Acorcy, tethers tego shouldnt be consrd in you ratg ut he jade may carmen abou your compan. he dif of th accompa forthe plans, wheter apparent tat you hersed wih ech ctr, the balance between ti sian the aecomanie He bbe mention sf secons othe mac which ned ore patos which net Improve.7° RY, PY ||) PRT || eal) “PH GH-Ab agin age = aba aga E98 ee abel “é oe. BC SBP ie, f % bg ie = ie i I gs fingering chart tor Bbb luba pe _} _F « & | & Ag-Bb BSia MASTER SOLOS INTERMEDIATE LEVEL Edited & Porformed bby Danie! Perantoniano (Tuba) intermediate level MASTER SOLOS by Daniel Perantoni Edited by Linda Rutherford race TRACK Dear If You Change — Now, O Now My Needs Must Part 4 john Dowland oe WITH SOLO. 1 AELOMPARiven onty } Come Again, Sweet Love Doth Now Invite 9 John Dowland wnt sou 3 Meco eRaven ony 2 Two Lieder " Johannes Brahms wm soi 5 Neco APARIMeNT Oty é Romance No. 3 “ Robert Schumann winiso1o, z NEES Smevr sey 3 Siciliano and Chorale ” Johann Sebastian Bach wntsoo 9 AeCONARaeNr one 1b Two Classical Themes 20 Franz Joseph Haydn wm soto " XELENPASaaenr onty ib Introduction and Blues 2% Morgan Powell wm soto B NECONPA MENT Ont ii Piece for Tuba and Piano 28 Lucinda Lawrence vamusouo s NeCOnmARIMENT On Hd Pbstasseonago: ‘af ao Sense mar eesDear If You Change ous J=60) "AndanteNow, O Now My Needs Must PartCome Again, Sweet Love Doth Now InviteTwo Liederee ‘shy C7Romance No. 3 ‘seo.Siciliano and Chorale naa, d= 90) ‘Andante semplceDS. al CodeTwo Classical Themesvac (an, d:= 60) ZsIntroduction and Blues nea d= 102) aly Fast,Piece for Tuba and Piano mm. d= 120)Soy Jez) ge Ft =P ko ae eam‘ere poco 8 poco at fine