A Musical Medley SATB

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A

MUSICAL MEDLEY
Featuring songs from LITTLE SHOP OF HORRORS, GREASE, OLIVER,



LES MISERABLES, INTO THE WOODS and WICKED

 4        

 4            
 = 90 PROLOGUE 6

  
Off Stage Speech.

   44        
         
 

       
Piano

 
            
 
       
       

    
    
    
7

     
        
 
                
 
Pno.

   LITTLE SHOP OF HORRORS.


         
 

                        
15 = 169

       
15

 
              
Pno. 

   
  f  

   
             

18

S.

  
          
  
Lit tle shop lit tle shop of hor rors

A.

         
     
lit tle shop lit tle shop of hor rors


T.

           
  
Lit tle shop lit tle shop of hor rors

B.
 
         
                         
lit tle shop lit tle shop of hor rors

     

          


             
Pno.

  f    

Off Stage Speech at the begining


On the twenty-third day of the month of September
In an early year of a decade not too long before our own,
 
                  
 
21

S.

  
lit tle shop lit tle shop of ter ror call a cop lit

           
      
bop sh' bop watch 'em drop

A.


      
lit tle shop lit tle shop of ter ror call a cop lit

           
bop sh' bop watch 'em drop

 
T.

        
lit tle shop lit tle shop of ter ror call a cop lit

         
bop sh' bop watch 'em drop

B.
  

         
lit tle shop lit tle shop of ter or call a cop lit

                        


bop sh' bop watch 'em drop

              

 
              
Pno.

   
    f  

2
        
           
  
24

S.

   
                  
tle shop of hor rors no oh' oh n no

A.

       
           
tle shop of hor rors no oh' oh n no

  
T.

                  
tle shop of hor rors no oh' oh n no

   
  
B.

            
                  
      
tle shop of hor rors no oh' oh n no

     

    
   
             
Pno.

       

3

    

          
27 27

S/MG

            
   
 shing a 1ing what a cre epything to be hap pen ing

S.

 
   
shing a 1ing shing shing a 1ing thing hap pen ing

A.           

           
   
shing a ling shing shing a ling thing hap pen ing

T.

   
           
shing a 1ing shing shing a 1ing thing hap pen ing

B.

    
                 
shing a ling shing shing a ling thing hap pen ing

  
  
                  
Pno.

 

4

  
          
30

S/MG

      
 
look out look out look out look out shang a 1ang

S.

 
 
shang a 1ang shang

A.    

     
 
shang a lang shang

T.

      
shang a 1ang shang

B.

   
           
shang a 1ang shang

  
      
     
Pno.

  

5

         
       
32

S/MG

        
  
feel the strum and drang in the air ya y’ ay y‘ ay

S.

  
  
shang a lang drang air

A.       

       
  
shang a lang drang air

T.

      
    
shang a lang drang air

B.

    
                 
shang a lang drang air

     
       
              
Pno.

6

    

      
35

S/MG

       
   
sha la la stop right where you are dont you

S.


   
sha la la la stop dont

A.      

      
   
sha la la la stop don't

T.

         
sha la la la stop dont

B.

   
           
sha la la la stop dont

      
      
Pno.

    

7
  
    
37

S/MG

     
            
move a thing


S.

 
      
   
move a thing you bet ter you bet ter

A.      
    
            
move a thing yo bet ter you bet ter


T.

   
             
move a thing you bet ter you bet ter

B.

  
           
move a thing you bet ter you bet ter

            
 
                    
Pno.

8
 
                  
40

S.


       
          
te11 in you you bet ter tell your ma ma some things gon na get her

A.


                  
te11 in you you bet ter. tell your ma ma some things gon na get her

T.

   
               
te11 in you you bet ter. tell your ma ma some things gon na get her

B.


      
te11 in you you bet ter. tell your ma ma some things gon na get her

          
   
             
Pno.

   
             
43

S.

  
            
she bet ter ev ry bo dy bet ter be ware

A.

   
            
she bet ter ev ry bo dy bet ter be ware

T.

          
    
she bet ter ev ry bo dy bet ter be ware

B.


            
she bet ter ev ry bo dy bet ter be ware

              


        
  

        
Pno.

        
9
  
 
     
46

S/MG

    

ah come a come a come a

 
  
S.

   

A.

   
T.

 
  
  
B.

                  
                

g l is
s.


                    
Pno.

                

        
     
49


49

S.

 
           
lit tle shop lit tle shop a hor rors

A. 
       
     
lit tle shop lit tle shop a hor rors


T.

            
lit tle shop lit tle shop a hor rors

B.
 
                
          
         
lit tle shop lit tle shop a hor rors

g l is
s.

 
  
       
Pno.

    

10
        
     

51

S.

 
           
bop sh' bop you'll ne ver stop the ter ror

A. 
       
     
bop sh' bop you'll ne ver stop the ter ror


T.

           

bop sh' bop you'll ne ver stop the ter ror

B.
 
                  
        
bop sh' bop you'll ne ver stop the ter ror

 
 
         
Pno.

   

      
             
   
53

S.

    
              
   
lit tle shop lit tle shop of hor rors no oh, oh, n

A.

              
    
lit tle shop lit tle shop of hor rors no oh, oh, n

   
T.

         
    
   
lit tle shop lit tle shop of hor rors no oh, oh, n

    
   
B.

    
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                     
 
lit tle shop lit tle shop of hor rors no oh, oh, n

    

      
 
              
Pno.

        

11
    
               
 = 130 GREASE.

     
56

S.

     
               
no oh oh n no oh oh n no

  
A.

   
               
no oh oh n no oh oh n no

T.      

                
no oh oh n no oh oh n no

    
  
B.

              
      
           
no oh oh n no oh oh n no oh

   
    
             
 

        
   
   
Pno.

             
 

                          


            
  
60


          
  
Pno.

 
 

12
                
   
64 65

S.

   
        
      
I solve my pro lems and I see the light we got a

A.

           
       
I solve my pro lems and I see the light we got a

T.

                 
I solve my pro lems and I see the light we got a

B.
  
            
              
I solve my pro lems and I see the light we got a

 
      


  
Pno.

 
    

                    
    
67

S.

   
        
lov in' thing we got ta feed it right there ain't no dan ger we can

A.            
                    
  
lov in' thing we got ta feed it right there ain't no dan ger we can

T. 

                      
lov in' thing we got ta feed it right there ain't no dan ger we can

B.
 
                    
                  
lov in' thing we got ta feed it right there ain't no dan ger we can

 

      
     
Pno.

   
13
              
 

70

S.

 
   
go too far we start be liev in' now that we can

A.
          
             
 
go too far we start be liev in' now that we can

T.

               
go too far we start be liev in' now that we can

B.
 
              
         
go too far we start be liev in' now that we can

   

Pno.

   

          
    
72

S.

  
           
be who we are grease is the word

A.

           
  
be who we are grease is the word

T.

       
       
be who we are grease is the word

B.

         
         
be who we are grease is the word

  
     
       
   
Pno.

 
14

             
    
75 75

S.

  
they think our love is just a grow in' pain. why don't they

             
we take the pres sure and we throw a way con ven tion

A.
 

          
they think our love is just a grow in' pain. why don't they

       
we take the pres sure and we throw a way con ven tion

T.

          
they think our love is just a grow in' pain. why don't they

     
we take the pres sure and we throw a way con ven tion

B.
  

              


they think our love is just a grow in' pain. why don't they

     
we take the pres sure and we throw a way con ven tion


     

Pno.

  

15
              
  

77

S.

 
un der stand it's just a cry in' shame?

  
al i ty be longs to yes ter day

A.             

        
un der stand it's just a cry in' shame?

       
al i ty be longs to yes ter day

T. 

  
un der stand it's just a cry in' shame?

             
al i ty be longs to yes ter day

B.
 

         
un der stand it's just a cry in' shame?

           
al i ty be longs to yes ter day

   

    
    
Pno.

16
               
  
79

S.

 
their lips are ly ing. on ly real is real we stop the

         
there is a chance that we can make it so far. we start be

A.
     

              
their lips are ly ing. on ly real is real we stop the

  
there is a chance that we can make it so far. we start be

T.

              
their lips are ly ing. on ly real is real we stop the

 
there is a chance that we can make it so far. we start be

B.
 

                
their lips are ly ing. on ly real is real we stop the

        
there is a chance that we can make it so far. we start be


   

Pno.

     

17
              
   

81

S.


} grease

fight right now we got to be what we feel is the word

   
liev ing now that we can be who we are

          
 
A.

         
} grease
  
fight right now we got to be what we feel is the word

    
liev ing now that we can be who we are

T.

} grease
   
fight right now we got to be what we feel is the word

           
 
liev ing now that we can be who we are

B.
 

         
} grease
  
fight right now we got to be what we feel is the word

       
 
liev ing now that we can be who we are

 
   
   
Pno.

18
      
           
83


83

S.


     
  
it's got a groove its got a mean ing

        
A.

     
           
it's got a groove its got a mean ing


T.

                 

it's got a groove its got a mean ing



B.

            


         
it's got a groove its got a mean ing



            
  
Pno.

    

              
   
86

S.

       
        
grease is the time, is the place is the mo tion


A.

               

grease is the time, is the place is the mo tion

T. 

                
grease is the time, is the place is the mo tion

B.
 
              
           
grease is the time, is the place is the mo tion



  
            
       
Pno.

     
19
           
          
91


89 To Coda

S.


               
grease is the way we are feel in this is a life of il lu

A.
     
  
                  
grease is the way we are feel in this is a life of il lu

T.

           
         
grease is the way we are feel in this is a life of il lu

 
       
B.

             


     
grease is the way we are feel in this is a life of il lu

  

      
       
Pno.

  

            
   
92

S.

    
       
sion wrapped up in trou bles laced with con fu

A.   
              

sion wrapped up in trou bles laced with con fu

T.

             
 
sion wrapped up in trou bles laced with con fu



B.

             
     
sion wrapped up in trou bles laced with con fu

 

    
       
Pno.

20
             
   
94 D.S. al Coda 
S.

  
             
sion. What are we do ing here? in

       
A.

    
   
sion. What are we do ing here? in

T.

           
     
sion. What are we do ing here? in


          
B.

      


   
sion. What are we do ing here? in

   

          
       
        
Pno.

 

 
         86   
  = 130 OLIVER

  
97

     
  6
   8             
     
 


Pno.

 

                 

                          

 
102

         
           
  


Pno.

21
      
           
  
106 107

S.

     
           
  
If it should chance to be we should see some hard er days

A.

     
           
  
If it should chance to be we should see some hard er days

T.

                
If it should chance to be we should see some hard er days

    
   If it should
B.

            
                   
chance to be we should see some hard er days

  
     
        
Pno.

   
                 
110

S.

      
            
Emp ty lard er days Why grouse? Al ways a

A.

   
                
Emp ty lard er days Why grouse? Al ways a

T.

                 
Emp ty lard er days Why grouse? Al ways a

B.
  
  
                 
 
       
Emp ty lard er days Why grouse? Al ways a

    
 
                  
   
 
Pno.

22
      
               
115

S.

     
               
chance we'll meet some bod y to foot the bill then the drinks are

A.

     
               
chance we'll meet some bod y to foot the bill then the drinks are

T.

           

   

chance we'll meet some bod y to foot the bill then the drinks are

B.
    
     
            
 
                
chance we'll meet some bod y to foot the bill then the drinks are

 
             
Pno.

          
    
120

S.

 
                
on the house drinks are on the house

A.

         
    
on the drinks are on the drinks are on the house

T.

              
      
on the house drinks are on the house

B.

                 
                                
on the drinks are on the drinks are on the house

    
        
         
Pno.

23
    
     
        
126 127

S.

       
        
con si der your self at home con

 
A.

   
     
        
con si der your self at home con

T.

                   
con si der your self at home con

B.
 
                   

      
                    
con si der your self at home con


      
 
 


         
   
Pno.

 
                   
131

S.

  
                 
si der your self one of the fam i ly we've tak en to you

A.

 
                  
si der your self one of the fam i ly we've tak en to you

T.

                   
si der your self one of the fam i ly we've tak en to you

B.
 
        
                          
si der your self one of the fam i ly we've tak en to you

        
 
        
                  
Pno.

24
        
  
136

S.

           
so strong it's clear we're

A.

     
   
so strong it's clear we're

T.

    
    
so strong it's clear we're

B.

   
                 
  
so strong it's clear we're

     
      
   
             
Pno.

     
            
141 143

S.

  
          
go ing to get a long con si der your self well in

A.    
  
              
go ing to get a long con si der your self well in

T.


                
go ing to get a long con si der your self well in

B.

       
       
              
     
go ing to get a long con si der your self well in

        

       
    
        
Pno.

25
  
    
           
146

S.


      
        
con si der your elf part of the fur ni ture there


A.


       
        
con si der your elf part of the fur ni ture there

T.

                
con si der your elf part of the fur ni ture there

B.
 

       
 
                     
con si der your elf part of the fur ni ture there

        
 
     
                   
Pno.

    
        
151

S.

              
is n't a lot to spare who cares

A.

      
     
is n't a lot to spare who cares

T.

       
    
is n't a lot to spare who cares

B.

      
                  

is n't a lot to spare who cares

      
           
     
        
Pno.

26
   
              
156 159

S.

 
             
what ev er we've got we share if it should chance to be

A.  

   
             
what ev er we've got we share if it should chance to be

T.

   
            
what ev er we've got we share if it should chance to be

B.
 
   
                         
what ev er we've got we share if it should chance to be

       

   
           
Pno.

    
                  

160

S.

      
          
we should see some hard er days emp ty lard er days why

A.   
  
                    
we should see some hard er days emp ty lard er days why


T.

  
                
we should see some hard er days emp ty lard er days why

 
        
B.

        
                 
we should see some hard er days emp ty lard er days why


   
  

            


Pno.

27

               
   
165

S.

   
                
grouse? al ways a chance we'll meet some bod y to foot the bill

A.

               
grouse? al ways a chance we'll meet some bod y to foot the bill

   
T.

     
         
grouse? al ways a chance we'll meet some bod y to foot the bill

B.
    
     
             
          
       
grouse? al ways a chance we'll meet some bod y to foot the bill

 
           
 
Pno.

   
        

170

S.


            
then the drinks are on the house con


A.

  
        
then the drinks are on the house con


T.

          
then the drinks are on the house con

 
 
B.


                               
        
then the drinks are on the house con

   
   
            
    
Pno.

28
 
               
175 175

S.

         
     
si der your self our mate we don't want to have


A.

    
           
si der your self our mate we don't want to have

T.

                 
si der your self our mate we don't want to have

B.

             


             
              
si der your self our mate we don't want to have

      
                  
Pno.

             
  
   
180

S.

   
             
no fuss for af ter some con si de ra tion

A.


            
no fuss for af ter some con si de ra tion

   
T.

             
no fuss for af ter some con si der ra tion

B.
    

                        
 
no fuss for af ter some con si de ra tion

   
                   
       
Pno.

29
     
     

185

S.


           

we can state con

A.

             
we can state con si der your self

T.

  
           
we can state con si der your self

B.

         
   
  
             







we can state con si der your self

 

               
    
Pno.

 

       

190

S.

    
si der your -

        
A.

    
T.


         
              
     
 
 
B.

    

         
              
Pno.

30
         4
         4
194


S.

   4
          4
one of us

 
A.

      4
          4
one of us

T. 

             44
one of us

  
 one      
B.

              4
            4
of us



      44
                   
Pno.

         

 4 
 4  
 = 60 LES MISERABLES


199

on my
S/MG

 4                            
 4            


Pno.

 
     
   
201

  
201

S/MG

                      
            
own pre tend ing he's be side me all al

   
 
Pno.

31
 
  
         
203

S/MG

       
             
one I walk with him till morn ing with

        

   
 
Pno.

  
       42   
 43

205

S/MG

              42          43
      
out him I feel his arms a round me and

   

    24  43
Pno.

 3 4
 4             4  
 
207

S/MG

  3  44 
 4 
when I lose my way I close my eyes and he has found me

 
S.

 3  44  
 4
in the

in  the
A.

 3           4       
 4       4   


  3   44 
4
Pno.

32
  
     
  
209

   
209

S.

 
    

rain the pave ment shines like sil ver. All the

    


 
A.

    


rain the pave ment shines like sil ver. All the

T.

     
oh




B.

                    
              


 
oh

   
 
Pno. 

  
   
        
211

S.

   

lights are mis ty in the riv er in the

         
A.

    

lights are mis ty in the riv er in the

     
T.


                 
B.

  
        

   
 
Pno.

33
  
 
      42   
 43

213

S.


42 
 

    43
dark ness, the trees are full of star light and

     

A.

   2     3
         
      4       4
dark ness, the trees are full of star light and

    24 
43
Pno.

  3 4
 4             4  
  
215

 
S.

 3 44  
 4      
all I see is him and me for ev er nd for ev er and I

           



A.

 3           
   
 4      4
 4        
all I see is him and me for ev er nd for ev er 
and I

  43   44   
Pno.

 
             
217

     
217

S.

  
             
know it's on ly in my mind that i'm talk ing to my self and not to

    
A.

        
know it's on ly in my mind that i'm talk ing to my self and not to

          

     
     
            
Pno. 

             
34
 
                

220

S.


              
him and al though, I know that he is blind still I

 
A.

  

him and al though, I know that he is blind still I

T.

   
 
oh


B.

                  

oh

            
  
     
               
  
Pno.

          

  
               
223 225

S.

 
               
say, there's a way for us I love him but ev ery day I'm

A.

  

say, there's a way for us 
I love him but ev ery day I'm

   
T.


         
 
B.

                  
      
      



     
Pno.

 
    

35
 
             
226

S.


             
lear ning all my life i've on ly been pre

A.

   
 
lear ning all my life i've on ly been pre

    

T.


                  
   
B.

               

    
 
Pno.

 

  
        
       42

228

S.

 
        
       42
tend ing! with out me his world will go one



A.

     42
tend ing! with 
out me his world will go one

    42

T.


              
    42
B.


       

   




42


Pno.

36
 2  
4    43             44
230

S.

2  

 4    43   44
turn ing a world that's full of happ i ness that I have nev er

         
A.

2
43  44
4 
turn ing a world that's full of happ i ness that I have nev er

  42 43  44
T.

  
2    
3     4
B.

4 4   4

  42    
43  44
 
Pno.

4   
4      
233

 
232

S/MG

 4  
4 
 I love him I

S.

4
4  
known. oh



A.

4  
4
known. oh

T.

 4  
 4
oh


 
B.

4               
4  

oh


  44  
Pno. 


37
 
              
234 rit.

S/MG

   

love him I love him but on ly on my

  
S.

 
 

A.

 
    
T.


             
                
B.


  

Pno.

 
 = 60

 
 
236
INTO THE WOODS

S/MG

 
     
own.


     
S.

   

 
A.

     
T.

 
   
    
B.

       


 

          


 
Pno.

  

38

            
239

   
239 Cinderella

S.


         
moth er can not guide you now you're on your own

 

                 


   
Pno.

    


                 
242

S.


            
on ly me be side you still, you're not a lone

    

                     


  
Pno.

     

       
     
247


246

S.

               
 
 no one is a lone tru ly no one is a lone

   

              



        
Pno.

   

           
  
 
251

S.


    
some times peo ple leave you half way through the wood.

      
 
          
    
Pno.


39
      
           
254

S.


        
oth ers may de cive you you de cide what's good


     
  
 
     
 
   
   
Pno.




                 
258 259

S.

 
     
        
you de cide a lone but no one is a lone

 

         
      
Pno.

      

  
  
      
 = 56
264
262

S.

            
 
I know 
Little Red Riding Hood

A.

  

                 
I wish

         
       

    
Pno.

  
 

40
 
            
   
266

S.

   
moth er is n't here now who knows what she'd say

    
Baker

T.


         
 wrong things right things

 

                  
  
Pno.

    

 
              
269

S.

     
no thing's quite so clear now

T.
      

          
who can say whats good do things fight things

  

                
  
Pno.

   

 
        
       
272 274

S.

  
        
feel you've lost your way? you are not a lone be




T.


      
you de cide, but you are not a lone

    




            




   
Pno.

     
41
 
      
     
275

S.

     

    
lieve me. no ones is a lone tru ly

T.
 


            
no one is a lone be lieve me.

       


    
Pno.

    
 
              
278

   
278

S.

                 
you move just a fin ger say the slight est word

T.


                
you move just a fin ger say the slight est word

 

        
 


  
Pno.

 

   
           

282

S.

               
some thing's bound to ling er be heard

T.
 


               
some thing's bound to ling er be heard no one acts a

  
 
       


   
Pno.

 
42
    
      
286


286

S.

           
peo ple make mis

T.
  

               
lone care ful no one is a lone. peo ple make mis

       




       
Pno.

   
  
           
    
290 290

S.

             
takes moth ers. peo ple make mis takes hold ing to their

 
 

 
T.


                

takes fath er's peo ple make mis takes  ing to their
hold

          

         




    
 


  
Pno.




 
      
   

  
294

S.

     

own think ing they're a lone hon or their mis

 


 
T.


               
own think ing they're a lone

           


      
Pno.

       
43
       
         
298

 
298

S.

              
takes ev 'ry bod y makes one an oth er's ter ri ble mis takes

T.
  

            
 ev 'ry bod y makes one an oth er's ter ri ble mis takes

       

          
  


 
Pno.

 
     
    
    
 
301

S.

              
witch es can be right gi ants can be good you de cide whats

  

T.

    
               
 es can be
witch right gi ants can be good you de cide whats

 

      







     
Pno.

   
  3
     
  2      

304

S.

   3
    2   
right you de cide what's good just re mem ber

T.
   

    32  
         
right you de cide what's good just re mem ber

     32    
   
Pno.

  
44
  
             
306

  
306

S.


   
     
some one is on your side our side some one else is not


A.

 
             
 our side

  
T.

       
 some one is on your side

 
our side some one else is not


Jack

B.

 
       
 our side

            

    
      


   
Pno.

 

 
                 
310

S.

 
         
while we're see ing our side our side may be we for got

A.

     
            
our side may be we for got

T.

         
while we're see ing our side our side may be we for got

B.

 
      
our side may be we for got

       
 
   
   
  
Pno.

 

45
         
      
313 poco rall.

S.


            
they are not a lone no one is a lone

A.
 
        
      
they are not a lone no one is a lone

T.

          

they are not a lone no one is a lone

B.

   
                
they are not a lone no one is a lone


           
       
Pno.

       

   
         
318 318

S.

   
  
hard to see the light now

   

T.


              
 just don't let it go

   

       
  

  
Pno.

46
   
               
322

S.

  
  
   
things wil turn out right now we can make it so some one is on

A.

     
          
 
some one is on

T.

       
things wil turn out right now we can make it so some one is on

B.


              
some one is on

         
  
 
Pno.

 

       4 
     4 
326 Moderato WICKED
326

S.

   4 

       4 
your side no one is a lone.

A.

   4  
    4
your side no one is a lone.

T.      

 4
   4 
 
your side no one is a lone

B.
      

      4

     4          
your side no one is a lone.

       
 

        44     



Pno.

    
47
     
           
333


332

S.

     
          
 no one mourns the wick ed now at last she's


A.

    
     


     
no one mourns the wick ed now at last she's


  
T.

       
    
 no one mourns the wick ed now at last she's

B.
 
         
                      
 no one mourns the wick ed now at last she's

   

       
   
Pno.

 

   
            
336

S.

            

dead and gone now at last there's joy through out the

A.
 
  
         
dead and gone now at last there's joy through out the

  

T.

   
        
dead and gone now at last ther's joy through out the

 
 
B.

             
   
      
dead and gone now at last there's joy through out the


  
    
  
  
    
Pno. 3


48
      
 
339 341

S.

      

land

A.

     
 
land

T.

      
land


 
B.

                  
       
      
land

    
    
      
    
Pno.

        

              
         

 
    
345

    

    
     
Pno.

    

49
    
   
350 freely; slower
350 Glinda

S/MG

     
     
 who can

S.

 
     
 good news  good news

A.   

 
        
 good news  good news

T.

         
 good news  good news



B.

         


                
 good news  good news

   



             
 
Pno.  

       

    

              
    
Glinda/Elphaba


355


 
S/MG

       
          
say if iv'e been changed for the bet ter? but be cause I knew you


 
         
   
Pno.

50

     3
     
360 362Glinda G/E

S/MG

      
       
be cause I knew you I have been

S.

     
       
no one mourns the wick ed

A.

     
       
 one mourns
no the wick ed

T.

          
no one mourns the wick ed

  


B.

          
     

no one mourns the wick ed

  


      
   
   
Pno.

51
      
        
allarg. 367 Dictated
365

   
S/MG

                

cha nged

S.

   
                
no one mourns the wick ed wick ed wick ed
 
A.

         
    
no one mourns the  ed
wick wick ed  ed
wick

T.

         
   
no one mourns the wick ed wick ed wick ed


 

           


B.

       
      
            
 ed  ed

  
no one mourns the wick wick ed wick

  
 
           


 
Pno.

         
 

52


  

372

 
 

S.

   

A.


  
T.

  
   
B.

  

   
Pno. 



In the INTO THE WOODS segment, the parts can be done as a quartet of the characters.

PROLOGUE AND LITTLE SHOP OF HORRORS GREASE


from the musical LITTLE SHOP OF HORRORS from the musical GREASE
music by ALLAN MENKEN music and lyrics by BARRY GIBB
lyrics by HOWARD ASHMAN


CONSIDER YOURSELF ON MY OWN
from the musical OLIVER from the musical LES MISERABLES
music and lyrics by LIONEL BART. music by ALAIN BOUBLIL and CLAUDE-MICHEL SHONBERG
lyrics by HERBERT KRETZMER.

NO ONE IS ALONE FINALE
from the musical INTO THE WOODS from the musical WICKED
music and lyrics by STEPHEN SONDHEIM music and lyrics by STEPHEN SCHWARTZ. .

53

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