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IMAGINE THAT TOUR IMAGE IS DIVIDED IXTO NINE DQUAL SEGMENTS HY TWO VERTICAL AMD TWO HORIZONTAL LINES. TRY ‘TO POSITION THE MOST IMPORTANT ELEMENTS IN YOUR SCEME ALONG THESE LINES, OR AT THE POINTS WHERE THEY INTERSECT. DOING $0 WILL ADD BALANCE AND INTEREST TO YOUR PHOTO. PRULE s THIRDS ree vewrower wissivt trac t FLAGRG YOUR MAM SLT OFFER, AS WO TUE OF THOS, GRATES A MORE TSG Fora aoTeT MS Su Pas CAN LEAVE A VOID IN THE SCENE WHICH CAN MAME IT FEEL EMPTY. YOU SHOULD BALANCE THE "WEIGHT OF YOUR SUBIECT eae oe FY ICUNG ASETIER OE OF LSS IMPORTANCE TOL THE SPACE fe cee cs Sores" ht Miss Ta ne Bor eexyers Demet RavHeR THAN Wit WErtook Ata PHOT OUR bys NATURAEEY DRAWN alone LES. = By TubqiNe AbOUT How YOU PLACE. LINES IN YOUR COMPOSITION, YOU rey eT CAN AFFECT THE WAY WE VIEW THE IMAGE, PULLING US INTO THE PICTURE, a Seayposa rate TOWARDS ThE SUBJECT, OR OM A JOURNEY "THROUGH THE SCENE. ee a fon oown A exes tam, “reo Tr Se, Fo me See TE RMAC fe otter AT elecetane eee raat Fou a owe ar (eld witness lees et ge aft pet ee ay Foreeroty ‘ho nkckenotha, AND Tis

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