Christian Winther Christensen

FOUR HYPER-REALISTIC
SONGS FOR QUINTET
for alt flute, bass clarinet, cello, harp and piano

comp. 2014-2015
 ALTO FLUTE in G
f" =
" as loud as possible. Is used with techniques where
not very much sound is generated.

–
Air. Use the notated fingering in order to obtain the right frequency.
inside Cover the entire mouthpiece with the lips.
distance The lower lip are very close to the mouthpiece.

–
–
A glissando with air. As in the previous example use the fingering
to obtain the right frequency.

+
–.
Tongue-ram (pizz.)

+
œ
Tongue pizzicato.

–. – –
. . –. –. – – –
A weak flutter-tongue simultaneously with a
... downwards glissando. Articulate this strongly.

~~~~~
œ . (u)
Bisbigliando

j
‹
Noise from the notated key.

‹ j
Make a glissando only with key-noise.
‹

.̃ Strike with a right hand fingernail on the body of the flute.

.̃
Like the previous examplebut with to diffent sounds.
.̃ Find a loud and a deep sound.
 BASS CLARINET in Bb
f"
" = as loud as possible. Is used with techniques where
not very much sound is generated.

– Air. Use the notated fingering in order to obtain the right frequency.

–
–
A glissando with air. As in the previous example use the fingering
to obtain the right frequency.

‡.
Slap-tongue.

j
‹
Noise from the notated key.

‹ j
Make a glissando only with key-noise.
‹

.̃ Strike with a right hand fingernail on the body of the flute.

.̃
.̃
Like the previous examplebut with to diffent sounds.
Find a loud and a deep sound.
 CELLO

f
" " = as loud as possible. Is used with techniques where
not very much sound is generated.
!· ·#
j
R Damp the strings lightly with the left hand a micro
second before stopping the bow.
" po

>‹ ˘
‹ Hammer on. 1) Hold fingers on the fingerboard after the action.
2) Move fingers from the fingerboard during the action.

˙.
˙.


˙.
Strike the side of the instrument
(possibly close to the chin rest since there is a good resonance there).
The notation indicates which fingering should be used.

–
R
Make a glissando with the left hand (without bow).
– Refrain from a hard attack on the first note.
Make the sounds with the fingernails.

œ.
col legno

Strike the string with the back-side of the

bow or in the cases where a pencil is used,
with the side of the pencil. The pitch is very important.

+œ
Left hand pizzicato.

– Bow on the bridge.

–.
col legno

Knock soft on the bridge with the back of the bow.

Ó Ó
j 1) Bow from sul ponticello to sul tasto.
Ó
J Ó 2) Bow from sul tasto to sul ponticello.
The stroke should be exactly perpendicular (not skew).

„. .

r
....
Lets take it over skype :-)
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œ- œ-
 !!!!!!!!
œ
J J ‰
 PIANO
f
" " = as loud as possible. Is used with techniques where
not very much sound is generated.

KEYBOARD
– This key is pre-muted with tape.

··
· Silent note. Press the key down without sounds.

‡. Don't press the keys down. Use your fingernails.

‡
R Make a glissando above the white keys.
‡ Don't press the keys down.
Use your fingernails.

‡
‡ R Like the prior example but not with specific intervals.
It's free to make the movements all places on the keyboard.

INSIDE PIANO

– Inside piano: Mute the string with you finger.

! Pizzicato.

—
Soft finger beat on the notated string.
 ! ! ! !
! ! ! ! Play as a guitar on the tape (on the the string).
Use the pads of your fingertip.

t
==
q j
–
– Scratch on the string.
J

PEDAL

j j
‰ Just to clarify the use of the sustain pedal
° *
 

j
–.

Use the pedal as a drum. Don't press the pedal down.
Percussive effect.

PREPARE THE PIANO

"
œ #
œ
ΠΠMute with tape.
œ œ
$
 The score is transposed
I
e = 144
+ + + +
& 38 ! 3 3
16 – # # 8 b – # ‰ ‰ 5
16 – # #‹ 3
8 b– # ‰ ‰ 7
inside

16
. . > >‹
Alto Flute
in G
% . .
3 ! 3 3 5 # 38 7
&8 16 # ‹ 8 ‰ 16 # ‹ ‡. bœ
‰ 16
> >
Bass Clarinet
in B b
% >‹ b œ o % ‹ o
#· O >
? 38 ! ·
3 q # # 38 q # ‰ ‰ 5 b ·q O # #‰ 3
8 ·O # ‰ ‰ 7
sul D sul A sul D sul G
O
Cello 16 16 16
%
q

3
j
– j
3 ! 3 ! 5 ! 3 – – # – –# – – # 7
j
÷ 8 – # –J # – # 16
– –
8 16 8 J J 16
"
3 – – # – – # – –# 7
j j
÷ 38 – # –j # – # 16
3 ! 3 ! 5 !
Harp

– – – 8 16 8 J 16
J J
3 3 3 – # ‰ 5 3 7
8 ! 16 ! 8 . ‰ 16 –. # ‰ . 8 ! 16
"
÷ 38 ! 3 ! 38 ‡
j
# ‡ # ‡
j
5
# 16 ! 38 ! 7
16 ‡ ‡ ‡ 16
J
"f "
38 ‡ # # ‡ # 16
j
÷ 38 ! 3 ! 5 ! 38 ! 7
Piano
‡
16 ‡ ‡ ‡
16
J J
3 ‡$ # ‰ ‰ 3 # 3 ‡$ # ‰ ‰ 7
8 16 — 8 16
° * °
"

A q = 136
+ > +
7 # # 38 – . 43 – # ‰ Œ 9
16 œ.$ # # ‰ . ‰. 6
ord.

# # ‹ Œ
6 distance

& 16 16 – –
–. ‹ –. –. –. –. . .
A.Fl.

> Ø %
[G]

7 # >‹ # ‹ 3 ! 3 9 # # ‰. ‰. 6
& 16 8 4 16 16 – – – –. –. –.
‡ > b¬. – . . .
B.Cl.
[B b]
% >‹ . ‹
> col legno Ø %
sul A · O ˘
sul D

? 16
7 # ‰ # # 38 # œ # ‰ ‰ 43 ! 9 6
sul G

16 16 # # ‰.
sul C
q
Vcl.
b· O „
"
„
%
q

7 ! 3 ! 3 ! 9 . 6
÷ 16 8 4 ã 16 ‹ # # ‰ . ‰. 16 !
"
7 ! 38 ! 43 ! 9 ! 6 !
Hp.
÷ 16 16 16
7 3 – # ‰ ‰ 3 – # ‰ Œ Œ
16 ! 8 . 4 .
–.
7 ! 38 ! ‡ j .
÷ 16 43 ‡ # ‡ # Œ Œ 9 # # ‰. ‰. 6 –
16 # # ‰ .
‡
& 16
J
%
# ‡ #Œ
j
7 ! 3 ! 3 9 6
Pno.
÷ 16 8 4 ‡
‡
Π?
16 # # ‰. ‰. 16 !
‡
J –.
7 # ‰ 3
16 — 4 –.$ # ‰
* p

3
 .– # # .̃ .̃
9 6 . .̃ .̃
7 # ‰ ‰.
16 # # ‰ . ‰. – # # – b–
11

& .̃ 16 – – – – .̃ 16
.̃ –
–. . . . .̃ –. –. –. –. –. . .
A.Fl.

p %. . p
[G]
%
. # # .̃ .̃ .̃ 9 # # ‰ . ‰. 6 . .̃ .̃ 7
& – 16 16 –. –. –. –. – # # .̃ 16 # ‰ ‰ . – – – –. b –.
.̃ –. –. .̃ –
–. . . . .
B.Cl.
[B b]
p % p %
9
. . Ó. Ó. # # 16 6
16 # # ‰. 7
. . Ó. Ó. # # 16 #‰ ‰.
Ó Ó „
Ó Ó „
Vcl.
„ „ ..

9 6 7
ã ! 16 ! 16 ! ! 16 ! !

÷ ! 9 ! 6 ! ! 7 ! !
Hp.

16 16 16
–. –.
! 9 # # ‰. ‰. 6 –. # # ‰ . ! 7 ##‰ ‰ –. # ‰ ‰.
& 16 16 16
–. –.
? # # –. # # 16
9 6 # # –. # # 16
7
Pno.
# # ‰. ‰. 16 ! ##‰ ‰ !
–. –.

B q = 142

. .̃ .̃ 2 3 .̃ 44 6 .̃ .̃
& n– # ‰ #‰ 8 –. # ‰ .̃ # ‰ Œ ##
17
.̃ 4 – – – Ó 16 .̃
.̃ –. .. . .̃ .̃
A.Fl.

p % p p
[G]

. .̃ .̃ 2 3 .̃ 44 6 .̃ .̃
& n– # ‰ .̃ 4 # ‰ – – – 8 –. # ‰ .̃ # ‰ Œ
Ó 16 .̃ ##
.̃ –. . . . .̃ .̃
B.Cl.
[B b]
p % p p
## 2 3 . . . . . #? 4 6
. . Ó. Ó. Ó.
Ó Ó 4 # ‰ 8Ó Ó Ó Ó Ó 4 # ‰ Œ Ó 16 ‰ . Ó. Ó. Ó.
„
‹
Vcl.
„
"f " >

–$
42 38 44 Π6
–
J‰ Œ
ã ! ! ! –$ – ‰ 16 !
j
&
"f "

! 2 ! 3 ! 4 – $ –J ‰ Œ –$j 6
16 – $ –j # ‰ .
Hp.
÷ 4 8 4 –‰ Œ

–.
2 . j
‡ $ j
‡$ ‰ j
& ! 4 #‰ – #‰ 3
8 ! ÷ 4
4 ‡ $
‡
‰ ‰ ‡
‰ 6
16 ‡j $ # ‰ .
‡
‡ ‡$ ‡
"f "
–. –.
J J

? –. # # 42 38 –. # 44
j
‡ $ j
6 # # b –. # #
Pno.
#‰ #‰ Œ #‰ # ÷‰ ‡
‰ ‰ ‡ ?
‰ 16
–. –. ‡ $ ‡
J ‡ $ b –.
"f "
"f " % %
44 ‡$ # ‰ —j ‡$# ‰ Ó 6
16 — # #
° *° *

4
 9
‹ ‹ ‹ 16 # # ‰. ‰. 7 .̃ .̃ .̃ # ‰ ‹ ## ‰ ‰ 8 3 .̃ .̃
# ‰ 2
22

& 16 ‹ ‹ .̃ 4
‹. ‹. ‹. ‹. ‹. ‹. ‹. ‹ ‹.
.̃
A.Fl.
p
[G]
"f " "f " p
.̃ .̃ .̃ .̃
9 # # ‰ . ‰ . 7 .̃ #‰ # # ‰ ‰ 3 .̃ # ‰ 2
& ‹ ‹ ‹ 16 ‹ 16 ‹ ‹ ‹ ‹ 8 4
.̃
B.Cl.
[B b]
‹. ‹. ‹. . p ‹. ‹. ‹. .
"f " ‹.
p
"f " arco arco

9 œ œ bœ œ œ bœ
col legno col legno

. # # ‰ . ? 16 7 ‰ Ó. Ó. Ó. . . # # ‰ ‰ ? b œ œ œ b œ b œ 38 2
Ó. Ó. Ó. Ó. 4
sul ponticello sul ponticello

b œ œ 16 œ #
Ó œ b œ $ Ó Ó œ b œ$
Vcl.
Ø
" "
! 9 ! 7 ! ! ! 3 ! 2
& 16 16 8 4

! 9 ! 7 ! ! ! 3 ! 2
Hp.
÷ 16 16 8 4

b –. b –.
! 9 b –. # # ‰ . 7 b –. # # ‰ 38
& 16 ‰. 16 ## ‰ ‰
b –.
##‰ ‰ ‰ # ‰ ‰ 42
b –. %
? 9 7 # # b –. # ‰ 38 .
42
Pno.
# # ‰. 16 ! 16 ! ! # b– # ‰
b –. b –.

+ +
q = 150
+
2 4 5 2 3 3
&4 ‹ ‹ #‰ 4 bœ$ # ‰ Œ Ó ! Œ Ó
28 inside

8 2 b– –. 8 . 4
‹ ‹. ‹. –
". .
A.Fl.

"f " .
[G]
%
B.Cl.
& 42 ‹ ‹ ‹ # ‰ 44
‡. $ # ‰ Œ Ó 85 ! 22 38 # ‰ ‰ 43
. ‹. .
[B b]
"f " ‹ " w œ
Ø
œ.
( sul C )

42 Ó. # ‰ ?b œ b œ œ œ 44 85 Œ 22 38 # ‰ ‰ 43
sul C

#‰Œ Ó ‰ ‰– –?
j
‰Œ Ó
bœ$ œ.
Vcl.

p
2 4 5 –
j
–$ 2 3 3
&4 ! 4 – $ ‰Œ –
j ‰ Œ 8 –$ ‰ ‰ ‰ – 2 ! 8 ! 4
–$
j J
–
j
–$
÷ 42 ! 44 Œ 85 Œ 22 – $ j ‰ Œ 38 ! 43
Hp.
–‰Œ –$ ‰ ‰‰
j –
–$ Ó
–
J –

b –.
2 b –. # ‰ 44 ‡ $ j
‡$ ‰ 58 ‡ ‰ ‡ $ ‰
j j
22 ‡ $ ‰ Œ 38 !
# ‰ # ‰÷ ‰ $ ‰ 43
‡ ‡
& 4 b– ‡ ‡ ‡$ ‡ ‡$ Ó
. "f " J
‡
J J
‡
J

4 ‡ $ ‰ ‡ ‰ ‡$ ‰ 5 ‡$ ‰ ‡ ‰ ‡$
j j j j
?2 2 3 ! 3
Pno.

4 ! ÷ 4 $
‡
‰ 8 ‡ ‡$ 2 ‡$ ‰Œ Ó
‡
8 4
"f " J ‡
‡ ‡
J ‡$ J
‡
J
%
44 ‡$ # ‰ —j‡$# ‰ Ó 85 ! 22 # 38 –$ # ‰ ‰ 43
— .
"f " ° *° * p

5
 +
q = 160
. .̃ .̃
3 7 # ‰ ‰. 2 #‰ 3
distance

& 4 –$ # ‰ Œ Œ b – n – # ‰
33

16 œ. – – – .̃ 4 –. 8
–. –. –. . . . . .̃ –. –. –.
A.Fl.

" p %
[G]
%
.̃ .̃
& 43 ! 7 # ‰ ‰.
16 ‡. – – – # ‰ .̃ 2 #‰
4 3
–. 8
–. –. –. –. –. . . . .̃ –. –. –.
B.Cl.
[B b]
" p %
sul D %
?3 ! 7 # ‰ ‰. . . Ó. Ó. Ó. # # 42 3
sul G

4 16 #‰ 8
„
Ó Ó „
Vcl.
„.. „
"

& 43 – $ ‰ Œ –
j ‰ 7
16 ! ! ! 42 ! 38
–
j
– $
÷ 43 Œ 7 ! ! ! 2 ! 3
Hp.

– $‰ Œ
j
– 16 4 8
–. –.
$ ‡ $‰ –. –.
÷ 43 ‡ ‰
j
‰
‡ 7 # ‰ ‰. # # Œ ! 2 #‰ #‰ 3
‡ ‡ $ ‡
& 16 4 8
% –.
J J
"f " j
‡ $‰ –. # # 42
j
÷ 43 ‡ ‰ 7 # ‰ ‰. 38
Pno.
‡
‰ ?
16 ! # ‰ !
‡ $ ‡
J ‡ $ –.
3 7
4 ‡ $# ‰ Œ Œ 16 — #‰
"f " ° *

q = 170 C q = 180
3 .̃ 38 .̃ .̃ .̃ . #‰ .̃ 5
& 8 –. # ‰ .̃ 43 # ‰ Œ Œ #‰ 43 ‹ ‹ #‰ Œ 68 –
38

– – – .̃ 8
.̃ ‹ ‹. ‹. –. –. –. . . .
A.Fl.

p p "f " . p
[G]
%
3 # ‰ .̃ .̃ 3 # ‰ Œ Œ 3 .̃ .̃ .̃
#‰ 3 #‰ Œ 6 . .̃ 5
& 8 –. 4 8 4 ‹ ‹ ‹ 8 – – – –. –. –. – # ‰ .̃ 8
.̃ . ..
B.Cl.

‹. ‹. .
[B b]
p p "f "
% p
#œ
arco

38 b œ.$# . . . . 43 . #‰? œ# œ # œ # œ$ # ‰
col legno sul ponticello col legno

38 . . . . . # ?
43 ‹ $ # ‰ Œ Œ 68 Œ . . . Ó. Ó. Ó. # 85
ÓÓÓÓÓ p
Ó ÓÓ Ó Ó ÓÓ
Vcl.
"f " > Ø
" %
3 3 –
j
3 3 –. –. 6 –. $‰ ‰ Œ . 5
&8 ! 4Œ –$ ‰ Œ 8 ! 4 Œ Œ ÷ 8 8
"f "

÷ 38 ! 3 – $– ‰ Œ
j
–$ – ‰ 3 ! 3 6 – $‰ ‰ Œ . 5
Hp.

4 J 8 4 Œ Œ
–. –. 8 . 8
–.
. .
‡ $ 38 ‡ $ ‰ ‰ & 43 b – # ‰ b – # ‰ Œ 68 #‰ – # – # ‰ ‰ 85
j j
& 38 –. # ‰ ‰ 34 ‰ ‰ ‰
‡ ‡
÷
‡ $ ‡ ‡$ ‡ . .
"f "
J J
%
? 3 ‰ ‰ –. # 3 # ‰ ÷ ‡ ‰ ‡$ ‰ ?
j .
3 # b– # ‰ 3 6 Œ. –. # 5
Pno.

8 4– 8 b– 4 ! 8 ‰ ‰ 8
. ‡$ ‡ .
"f "
J
%
3 3 —# ‰
4 ‡$ # ‰ Œ Œ 8
° *

6
 . .̃ .̃ .̃ .̃ .̃
5 # ‰ 4 3 4 5 4
–. –. 8 – # ‰ .̃ .̃ 8 # .̃ .̃ 8 # ‰ ‹ ‹ ‹ ‹ 8 ‹ # ‰ – – – –. –. –. 8
43

&8 – – – –
.
.̃ . .. .̃ . ..
A.Fl.

% p "f " . . . %
[G]

5 4 . .̃ .̃ 3 .̃ .̃ 4 .̃
&8 # ‰ – –. –. 8 – # ‰ .̃ .̃ 8 # .̃ .̃ 8 # ‰ ‹ ‹ 85 ‹ # ‰ – – – 48
.̃ – –
. ..
– . .̃ –. –. –. . . .
B.Cl.
[B b]
% p "f " ‹
. ‹. . %
arco

5 4 . . . . . #‰ 3 . . . #‰? 4 œ œ #œ œ œ # ‰ 5 4
sul ponticello col legno

8 #‰ ‰ 8 Ó ÓÓ ÓÓ 8 Ó ÓÓ 8 8 #‰ ‰ 8
„
R „
Vcl.

Ø
„ „

" %
÷ 85 ! 48 ! 38 ! 48 ! 85 ! 48

÷ 85 ! 4 ! 3 ! 4 ! 5 ! 4
Hp.

8 8 8 8 8

b –. n –. b –. b ––.
b –. n –. –. b –.
5 # # b –. # ‰ ‰ 4 # # n –. # ‰ 3 #‰ ‰ 4 # ‰ #‰ 5 # # b –. # ‰ ‰ 4
&8 8 8 8 –. 8 8
b –. n –. . b –.
? 85 48 # 38 – # – # ‰ 48 85 – # ‰ 48
Pno.

–. # ‰ ‰. ‰ b –. # ‰ ‰ ! ‰. ‰
. .

Ÿ~~~~~~
ord. +
bisbigliando

.̃ .̃ 6 œ O œ$ +
D
4 . . 4 Π3 6 5
&8 –#‰ # # # # ‰ # ‰ #‰ 4 œ$ # ‰ Œ Œ 16 ‰ . – – –
48 distance

.̃ .̃ 16 – 4 16
(__ )

.̃ – –
–. . . . œ. $ Ø
". ...
A.Fl.
p
%
[G]
" %
. .̃ .̃
& 48 – # ‰ .̃ .̃ 16 6 # # – – # # ‰ . 44 # ‡$ # ‰ #‰ # ‰ 43 ! 6 ‰.
16 5
16
.̃ –
–. . . . . ‡.$ –. –. –.
B.Cl.
[B b]
p % " œ œ$ " %
Ø col legno
sul C &
arco
.$
œ
4 . . . . . #‰ 6 ! ? 44 · · $ # ‰ # ‰ 3 6 5
Vcl. 8 ÓÓÓÓÓ 16 „ # # · ·j 4 $ #‰ Œ Œ 16 „ ### 16
p fo
„ . J „ .
p fo %
–$
–$
÷ 48 !6
16 – . & # # ‰ . 44 ! 4
3 Œ
– ‰Œ
6
16 – .
5
16
J
"f "
P P
÷ 48 ! 6 4 –$#‰ Œ 3 6 ! 5
Hp.

16 ! & 4 Ó ÷ 4 – –$j ‰ Œ – $– ‰
j
16 16
. –.
n– . b – ˘ –.
n –. b –. ‡‡‡‡‡ $ –.
& 48 # # n –. #‰ 166 # ‰. ! 44 ! 43 #‰ Œ Œ 6 # ‰.
16 5
16
b –. "f "
%
.
–
?4 n –. 6 b –. 4 3 6 # # #–
.
5
Pno.

8 b –. # ‰ ‰ # 16 n –. # # # b –. # # ‰ . 4 ! 4 ‡‡‡‡‡$ # ‰ Œ Œ 16 # –. 16
fl
44 p‡$ # ‰ Œ Ó 43 — # ‰
° *

7
 .̃ .̃ . .̃ .̃ .̃ .̃ .̃ .̃
5 28
6 3
–. # # – # #
54

& 16 .̃ –
–. . 16 .̃ .̃ .̃ 4 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹
6 6 6

.̃ % >" >‹ > >‹ > >‹ > >‹ > >‹ > >‹ > >‹ > >‹ > >‹
A.Fl.
p
[G]
"f
f
5 .̃ .̃ 2 6 . 3
& 16 –. # .̃ 8 # –. –. 16 – # # ‰ . ! 4 # ‰ Œ Œ
.̃ %
B.Cl.
[B b]
p " ‡.
'
5 . . . # # 2 6
# 16 . Ó. Ó. Ó. # # ! 3 ¬
Vcl. 16 Ó Ó Ó 8 „ „ Ó 4 Œ
f p
–$
5
& 16 # ‰. 28 ! 6
16 ! ! 43 !
Hp.
5
÷ 16 ! 28 ! 6
16 ! ! 43 !
–.
–.
5
& 16 –. # # 28 ! 6
16 ! ! 3
4 !

–.
Pno.
? 16
5 – # # –. 28 #‰ 6
16 ! ! 43 !
. –.

.̃ .̃ .̃
6 ## 5 28 6 –. # # .̃ .̃
–. # # – –. 16
59

& ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ 16 –. 16 .̃
6 6 6

‹ –. –. .
> >‹ > >‹ > >‹ > >‹ > >‹ > >‹ > >‹ > >‹ > >‹ .̃ %
A.Fl.

> p f
[G]
%
6 5 .̃ .̃ 2 6 –. # # ‰ .
& ! 16 ‰ . –. 16 –. # .̃ 8 # – –. 16
–. –. .̃ % .
B.Cl.
[B b]
% p

! 6
16 # # 5 . . . # # 28
16 6 . . . . ##
# 16
Vcl.
„ .
„ Ó Ó Ó „
„ Ó ÓÓÓ
%
–$
! 6 5 # ‰. 2 ! 6 !
& 16 – . 16 8 16
Hp. P
÷ ! 6
16 ! 5
16 ! 28 ! 6
16 !

(–. b –.
! 6 # –. ‰ . 5 b –.
‰ 2 ! 6 !
& 16 16 b –. 8 16
Pno. % b –.
? 6 – # 5 # # b –. 2 6
! 16 ‰ . #‰ !
?
&.
–. 16 –. 8 16
b –.

8
 .̃ .̃ # # ˙˙ ord.
˙˙ ˙˙ .̃ .̃
.̃ .̃ 3 # # ˙˙ ˙˙ ˙˙
3 3 3

7 6 6 5 2
! ! 16 ‰ . 16 –. #
64 distance

& .̃ .̃ 2 # ˙ nœ #˙ nœ #˙ nœ 8 8 .̃ 8
–. –. –.
A.Fl.

p
[G]

f p f p f p %
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j
‡ j j
f
" "
‡ ‡

3 4 5 2 9
Pno.

&4 " " 4 " 8 " 4 " 16

+
inside
+ + + ord.

& 16 # –. –- –- –. –- –- –. –- –- 38
9 7
# –. % ‰ ‰ 8 Œ # œ . ‹ ‹ ‹ Œ 8
6 " 78 Œ
# œ . ‹ ‹ ‹ Œ 16
9
176
A.Fl.

f $ f $f $ p $p $p
[G]

9 # 38 7 6 7Π9
& 16 # # # ‡. % ‰ ‰ 8 Œ ‹ ‹ œ . Œ 8 " 8 ‹ ‹ œ . Œ 16
3 3 3

#‹ #œ œ œ ‹ œ œ œ ‹ œ œ œ
B.Cl.

p ‹$ p ‹$
[B b]
p
$ f$
f $ colf legno
sul G '''''' '''''
j j
>‹ œ. . >‹ œ. %
col legno col legno
#· # · sul D
# œ sul G # œ
arco arco

· ·
sul D

? 9 #‹ œ . ‹ 3 ‰ ‰ 78 Œ. œ 68 7 Œ. œ 16 9
sul A sul A

16 ‹ œ ‹ 8 " 8
!
Vc.

f pP f p p P P
–. % –. % –. % –.%
no pitch

7 –%
8 – . '''''8 #‰ ‰ ‰ ‰ 8
9 " 3 6 " 7Œ ‰ ‰ ‰ 16 9
& 16
"f "
' P
8
9 3 7 ‰ Œ. Œ 68 ‰ ‰ Œ . 7 ‰ Œ. 9
Hp.
? " Π16
no pitch

ã 16 " 8 8 8
P –.% –.% –.%
&
9 # # ‰. ‰. 3 " 7 " 6 ‡‡‡ ‰ ? ‡‡ ‡‡ ‰ ‡‡‡ 7 " 9
& 16 8 8 8 ‡‡& 8 16
"f " ‡ ‡‡‡
9 3 7 6 ‡‡
‰ 78 9
Pno.

& 16 " 8 " 8 " ?

8 ‰ ‰‰ " 16
p
7 ‡% ‰ Œ . Œ 68 —%‰ ‰ Œ . 7 ‡%‰ Œ . Œ 16 9
8 8
° * °

17
 + + +
inside ord.
9 7 6 7Π15
& 16 # –. –- –- –. –- –- –. –- –- 8 Œ œ . ‹ ‹ ‹ Œ " œ. ‹ ‹ ‹Œ
181
A.Fl. 8 8 16
f $f $f $ $ p $ p
[G]

9 # # # 78 Œ ‹ # œ . Œ 68 " 78 Œ 15
& 16 ‹‹ #œ. Œ 16
3 3 3

‹‹
#‹ #œ œ œ ‹ œ œ œ ‹ œ œ œ p ‹ $
B.Cl.
[B b]

"f " $ "f " $

p $
"f " $

# · col legno ''''' '''''

col. legno
>‹ >‹
sul D sul D

œ . j j sul G
sul D sul D
# · col legno
sul G

? 9 #‹ œ . ‹ 7 #œ 6 7· #œ 15
‹ 8 · Œ. Œ.
arco arco

16 ‹ œ œ 8 " 8 œ 16
p
Vc.
! ! p
f pP f p –. % –. % –. % –. %
9 " 7 Œ ‰ ‰ ‰ 68 " 7Œ ‰ ‰ 15
‰ 16
& 16 8 8

? 16
9 78 68 78 15
Hp.
# # ‰. ‰. ‰ Œ. Œ ‰ ‰ Œ. ‰ Œ. Œ 16
–. % –. % –. % –. %
(&)
9 " 7 " 6 ‡ ‰? ‡‡ 78 15
& 16 8 8 ‡‡ ‡‡‡ ‡‡‡ &‰ " 16
‡
"f "

?9 7 6 ‰ ‡‡‡ ‰ ‰ ‡‡‡ ‰ 78 15
Pno.

16 " 8 " 8 " 16

9
16 —% # # ‰. ‰. 78 ‡ % ‰ Œ . Œ 68 — % ‰ ‰ Œ. 78 ‡ % ‰ Œ . Œ 15
16
* ° * °

+ + + + +
inside ord.
15 78 Œ ‹ Œ 68 " 78 Œ ‹ Œ 98
185
A.Fl. & 16 # –. –- –- –. –- –- –. –- –- –. –- –- –. –- –- œ. ‹‹ œ . ‹‹
f $f $f $f $ f $ $ p $p
[G]

15 # # # # # 7Π6 7Π9
& 16 8 ‹ ‹ œ. Œ 8 " 8 ‹ ‹ œ. Œ 8
3 3 3 3 3

#‹ #œ œ œ ‹ œ œ œ ‹ œ œ œ ‹ œ œ œ ‹ œ œ œ
B.Cl.

p ‹$ p ‹$
[B b]

"f " $ "f " $ "f " $ "f "$ "f "$
>‹ col. legno
>‹ œ. . >‹ '''''' ''''''
col legno col legno

œ.
arco sul D arco sul D
j j
? 15 # ‹ œ . ‹ œ . ‹ 7 6 7 9
sul G sul G

8 · Œ. 8 · Œ.
· ·
œœ " œœ
sul G sul G
Vc. 16 ‹ œ ‹ œ ‹ 8 8
f pP f pP f p ! P ! P.
–. % –. % –. % –%
15
& 16 " 78 Œ ‰ ‰ ‰ 68 " 78 Œ ‰ ‰ ‰ 98
P
? 15 7 ‰ Œ. 6 7 9
Hp.

16 # # ‰. ‰. ‰. ‰. 8 Œ 8 ‰ ‰ Œ. 8 ‰ Œ. Œ 8
–.% –. % –. % –. %
(&)
15 " 7 " 6 ‡‡ ‰ ? ‡ ‡ ‰ ‡‡ 7 " 9
& 16 8 8 ‡ ‡‡ ‡‡ & ‡ 8 8
"f " ‡ ‡
? 16
15 78 68 ‰ ‡‡ ‰ ‰ ‡‡ ‰ 78 98
Pno.
" " "
15
16 —% # # ‰. ‰. ‰. ‰. 78 ‡ % ‰ Œ . Œ 68 —%‰ ‰ Œ . 78 ‡ % ‰ Œ . Œ 98
* ° * °

18
 + + + + + x24
I inside
9 " 7Π9
‹ Œ 16 # – – – – – – – – – 6 .. # – – – – – – ..
189
A.Fl. &8 8 œ. ‹‹ . - -.- -.- - 16 . - -.- -
$p f $f $ f $ f $f $
[G]

& 98 " 78 Œ
‹‹ œ. Œ 9
16 # # # 6
16 .. # # ..
3 3 3 3 3

p ‹$ #‹ #œ œ œ ‹ œ œ œ ‹ œ œ œ #‹ #œ œ œ ‹ œ œ œ
B.Cl.
[B b]

"f " $ "f " $ "f "$ "f " $ "f " $

sul G ''''
>‹ . >‹ œ. . >‹
col legno

œ
arco

.
sul D
sul G j
?9 7 9 #‹ œ . ‹ 6 .. # œ œ. ‹ ‹ ..
8 · Œ.
·
8 " œ 16 ‹ œ ‹ 16
Vc.
œ
! . P. f pP f p P f p
– % –%
9 7Π9 6
&8 " 8 ‰ ‰ ‰ 16 " 16 .. " ..

? 9 ‰ ‰ Œ. 7 9 6
Œ. ‰ Œ. # ‰. ‰. 16 .. ..
Hp.

8 8 Π16 # "
–.% –.% –.%
(&)
‡‡‡
9 ‡‡ ‰ ? ‡ ‡ ‡ 7 9 6
& ‰ ‡‡ ‰ ‰ " " 16 .. " ..
?
&8 ‡ ‡‡ ‡‡ 8 16
‡ ‡‡
? 9 ‰ ‡‡ ‰ ‰ ‡ ‰ ‡ ‰ ‡‡ 7 9 6
16 .. ..
Pno.

8 ‡‡ & ‡ 8 " 16 " "

98 —%‰ ‰ Œ . Œ. 78 ‡%‰ Œ . Œ 9
16 —% # # ‰.
* ° *

+ + + + + + +
3 " 15 7
193
A.Fl. & # –. –- –- –. –- –- 4 16 # –. –- –- –. –- –- –. –- –- –. –- –- –. –- –- 8
f $ f $ f $ f $ f $ f $ f $
[G]

# # 3 " 15 # # # # # 78
& 4 16
3 3 3 3 3 3 3

#‹ #œ œ œ ‹ œœ œ #‹ #œ œ œ ‹ œ œ œ ‹ œœœ ‹ œœœ ‹ œœœ

B.Cl.
[B b]

"f " $ "f " $ "f " $ "f " $ "f " $ "f " $ "f " $
œ. . >‹ >‹ œ. . >‹ œ. . >‹
Vc.
? # œ œ. ‹
‹ 43 " 15 # ‹ ‹ œ œ.
16
‹
‹
œ . ‹
œ ‹ 78
P f p f p P f p P f p
" 3 " 15 " 7
& 4 16 8

? 3 15 7
Hp.
" 4 " 16 " 8

? " 3 " 15 " 7

4 16 8

43 15 78
Pno.

& " " 16 "

19
 + +
3 œ. ‹
ord. inside
x8
7 9 3 .. ..
&8 Œ œ. ‹ ‹ ‹ Œ " ‰ Œ Œ "
196

8 8 –. 4 ‹%
!>
A.Fl.
$ p >
[G]

& 78 Œ ‹ ‹ #œ. Œ 8
9 " 38 43 #‰ Œ Œ .. " ..
p ‹ $col legno œ%
B.Cl.
[B b]
Ø œ.

?7
arco
sul D
''''
œ 9
 '
3 œ- œ- - 3 (-
œ 4 œ ‰ Œ .. ..
Œ. " Œ "
sul C
j


8 8 8 œ œ
sul G
·
Vc.
· œ œ œ%
P
! !.
–. % –. % –%
7 ‰ 98 3 ‰ ‰ 43 .. ..
&8 Œ ‰ ‰ " 8 " "
P
? 78 98 38 43 .. ..
Hp.
‰ Œ. Œ ‰ ‰ Œ. ‰ ‰ " " "
–. % –.% –.
&P
?7 " 9 ‰? ‰ &‡ ‰ ? ‡‡‡ ‰ 3 " 3 .. ..
8 & 8 ‡‡ ‡ ‡ ‡‡ 8 & 4 j
‡ ‡‡ ‡‡ f
‡
" "

7 9 ‰ ‡‡‡ ‰ ‰ ‡‡ ‰ ‰ 3 3 .. ..
Pno.

&8 " ?
8 ‡ ‡ & ‡‡ 8 " 4 " "
‡‡ ‡
"f "
7 ‡ %‰ Œ Œ. 9 ‡%‰ ‰ Œ . ‰ ‰ –. 3 –%‰ ‰
8 8 8 .
° *

+ + +
b œ. > > + +
&Œ Œ ‹ b œ. % ‰ n ‹ œ. ‰ ‰ œ. % ‰ Œ Œ ‰ œ Œ Œ "
201 ord. 3
3

$ ‹ > >‹ ‹
A.Fl.
>
[G]

&Œ Œ ‰ ‹ ‰ ‰ ‰ Œ Œ ‰ Œ Œ "
3

‡. >‹
3 3 3

‡% > ‹ ‡ ‹ ‡.# % ‡.
$ >‹ .
B.Cl.
[B b]
> >
· q O% c.l. –. ‹arco· q O ·qO
arco col legno arco

?Œ Œ b· – ‹ ‰ ‰ ‰ ‹ " ‰ Œ Œ "
sul C 3 sul A

.
Vc.

$
3 3

j
" " ÷ ¬. " "
–
&
p
?
Hp.
" " ÷ ¬. j " "
–

·· ...
inside piano keyboard
·· .
& #‰ #‰ ‰ ‰j ‰ Œ Œ ? ‰ Œ
3 3 3

j j
‡ ‡ ‡ – –%
Pno. & p
& " " " ? Œ Œ ·· ..
œ. œ. ·.
& f
–.%# ‰ Œ Œ ‰ p‡ Œ Œ —% # ‰ Œ Œ
" "

! ° *

20
 III
q = 72

÷ 42 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 3 2 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 5 2 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 7
206
A.Fl.
[G]
16 ! 4 16 ! 4 16
F
B.Cl. ÷ 4 .̃ .̃ .̃ .̃ .̃
2 ˜ .̃ .̃ .̃ .̃ 3
16 !
2 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃
4
5
16 !
2 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃
4
7
16
[B b]
F
˘‹ ˘‹ ˘ ˘ ˘ ˘‹
2 –. –. –. –. –. . . . .
–– – – – ? 3 ˘‹ ˘ . . . . . . . . .
2 – – – – – –– – – – ? 5 ‹ 2 –. –. –. –. –. ––. –. –. –. ? 7
‹
col legno

Vcl. 4 16 ‹ 4 16 ‹ 4 16
F f F f F
2 ! 3 ! 2 ! 5 ! 2 ! 7
&4 16 4 16 4 16

? 42 3 42 5 42 7
Hp.
! 16 ! ! 16 ! ! 16
–. –. –
& 42 ! 3
16 ?
. 42 ! &
5
16 "? " & –
. 42 ! 7
16
– –
p – #
– –
Pno.

? 42 ! 3 " –
16 42 ! 5
16 " – " – " 42 ! 7
16
â â

7
÷ 16 1 .̃ .̃ .̃ .̃ .̃ 2 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 5
211
A.Fl.
[G]
! 4 4 ! 16

7
÷ 16 1 .̃ .̃ .̃ .̃ .̃ 2 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 5
B.Cl.
[B b]
! 4 4 ! 16
j
˘‹ ˘ ˘ ˘ ˘‹ ˘ ˘ –
–
. . . . . - ˘‹ . . . . . . . . . . . . . . . . . . . .
œ
–
–
? 16
7 ‹ 1 – – – – – ? 42 – ‰ – – – – – –– – – – ––––––– ––––– ? 5


‹ ‹ 4 –
16
‹ ‹ –# p
–
Vcl.

F "f "
F
f
7
& 16 ! 41 ! 42 Œ –‰ ! ! 5
16
p #– .
J

?7 1 2 ‹ ~~# ‹j ‰ ÷ ‰ – 5
Hp.

16 ! 4 ! ã 4 ! ! 16
$˘ "f "
j
– – . ‡
7 – " ?– " – " 1 ! 2 ‡ ‰ Œ ! ! 5
& 16 – & – 4 4 16
"f " ‡j
–
Pno.
7 " . " – " – – 41
? 16 ! 2 5
. – 4 ‡ ‰ Œ ! ! 16

21
 # ˘œ
# ˘œ ˘ 1 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃
ord.
5
÷ 16 2 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 3 5 2
216
A.Fl.
[G]
! 4 & 16 #œ ÷ 4 16 ! 4
f F
B.Cl.
5
÷ 16 ! 42 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ &
3 " # œ ÷ 41 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃
16 5
16 ! 42
[B b]
f #œ F
˘‹ ˘ ˘ ˘ ˘‹ b ˘‹ ˘ ˘ ˘ ˘‹
? 16
5 ‹ ‹ 24 –. –. –. –. –. –. –. –. –. –. –. –. 3
16 ! 1
4 –. –. –. –. –. –. –. –. ? 5 b‹
16 ‹ 42
#‹ ‹
Vcl.

F
f f
5 ! 2 ! 3 ! 1 ! 5 ! 2
& 16 4 16 4 16 4

5 42 3 41 5 42
Hp.
÷ 16 ! ! 16 ! ! 16 !
˘
– –. ‡‡‡‡‡ ‡˘‡‡ ˘‡ b –. b–
5 2 3 ‡‡ ‡‡‡‡ 1 5
& 16 – " # –. "&
?
4 ! 16 4 ! 16 " . " & b – 42
?
–
p "f "
p b–
– – –
Pno.

? 5 " – " – " 2 ! 3 1 ! 5 " b– " – " 2

16 4 16 ‡‡ ‡‡‡‡ ‡‡‡‡‡ 4 16 4
â ‡‡‡ ‡ fl â
fl fl

# ˘œ
# ˘œ ˘
÷ 42 .̃ .̃ .̃ .̃ .̃ Œ 7 3 43 !
221
A.Fl.
[G]
16 ! 16 ! & #œ ÷

f
B.Cl. ÷ 42 .̃ .̃ .̃ .̃ .̃ Œ 7
16 !
3
16 ! & " #œ 3
4 ! ÷
[B b]
f #œ j
– œ-% œ-
–

2 –. –. –. –. –. 7 ‹ #‹ ‹ 3 œ. . 3 –
–œ- ˘‹
arco 

4 Œ
?
16 ‹ ‹ .
16 # œ œ ! 4 – # ‰
–
‹ ‹
fl fl fl fl fl fl fl –
–
p
Vcl.

F f p
"f "

3 ###### ##®" "

j j
–#
& 42 7 43 Œ
–
! 16 ! 16
‡
– # ‰ –‰
J
"f "
p –
÷ 42 7 3 3 .
4 ‹ ~~~# ‹ ‰ ÷ ‰
Hp.
! 16 ! 16 ! ! ã
j
–‰
J
–
"f "
$˘ ˘ ˘
‡‡‡‡‡ ˘
j
– – ‡‡‡‡‡ ‡‡‡‡‡
‡

& 42 ! 7
16 – " ? – " & – # –. " 16
3 ! 43 ‡ ‰ Œ Œ
–
f j
#–
Pno. " "
‡
?2 ! 7 " . " #– 3
" – – 16 ! ‡‡‡‡ 43 ‡ ‰ Œ Œ
4 16 . – ‡‡‡‡ ‡‡‡‡ ‡
‡ ‡ fl
fl fl

22
 J
÷ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 7 2 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 5 2
226
A.Fl. 16 ! 4 16 ! 4
F
[G]

B.Cl. ÷ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 7
16 !
2 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃
4
5
16 !
2
4
[B b]
F
–. –. –. –. –. – –. –. –. –. –. –. –. –. –. –. –. ? 7 #‹ ‹ 2 –. –. –. –. –. –. –. –. –. –. –. –. –. ? 5 # ‹ ‹ 2
16 ‹ ‹ ‹ 4 16 ‹ ‹ 4
#‹ ‹ #‹
Vcl.

F f F f

! 7 ! 2 ! 5 ! 2
& 16 4 16 4

7 42 5 24
Hp.
÷ ! 16 ! ! 16 !

˘– . – –.
! ? 7 " " – " – " 2 ! 5 #– " ? " 2
& 16 – & 4 16 # – . & 4
#–
p #– #–
Pno.
. # – . – –
? ! 7
16 " " # – "& 42 ! ? 5
16 " "
– – " 24
# –. â

÷ 42 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 3 4 3 ‹. 4 "‰ Œ Ó 2
230

16 ! 4 ! 8 & 4 8
‹#
A.Fl.

p
[G]

÷ 42 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 3
16 ! 44 ! 3
& 8 # "‰‰ 4
4 "‰ Œ Ó 28
‡.
B.Cl.
[B b]
j p ‡.# j
– – œ- -% - &-  ˘
–
– –– œ- œ-% œ- &-œ - ˘ 2
2 –. –. –. –. –. –. –. –. –. –. –. –. –. ? 3 ‹ 4 – – ‰ œ œ œ œ- ‹ 3 ! 4 – – ‰


4 16 b ‹ 4 – #– 8 4 – #– œ ‹ 8
‹ – p –
Vcl.

F f "f " "f " p

2 3 4 Œ
j
3 4 Œ –#
‰ 28
–
&4 ! 16 ! 4 – # ‰ –J ‰ – # ‰ 8 ! 4 – ‰ –# ‰ –
j

–# –#
J
p
j
p –
j J
–

÷ 42 3 4 ‹ ~#‹j ‰ ÷ ‰ – # ‰ – ‰ –. 3 4 ‹ ~~ #‹j ‰ ÷ ‰ – – ‰ – – ‰ –. 2
Hp.
! 16 ! 4 8 ! 4 8
ã –
J
– J ã J
"f " "f "
– j j
–? . 4
‡ ‡

& 42 ! 3
16 –& 4 ‡ ‰ Œ Ó 38 ! 44 ‡ ‰ Œ Ó 28
p "f " ‡j j
‡
Pno.
?2 ! 3 ? 4 3 4 2
4 & 16 " b –# " 4 ‡ ‰ Œ Ó 8 ! 4 ‡ ‰ Œ Ó 8
b–

23
 & 28 ! 42 .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃
235
A.Fl. ÷

F
[G]

2 ! 2 .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃
B.Cl.
[B b]
&8 ÷ 4
F
?2 ! 2 –. –. –. –. –. –. –. – –. –. –. –. –. –. –. –. –. – –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. – –. –. –. –.
Vcl. 8 4
F

& 28 ! 42 ! ! ! !

÷ 28 2
Hp.

! 4 ! ! ! !

2 ! 2 ! ! ! !
&8 4

?2 2
Pno.

8 ! 4 ! ! ! !

œ̆
3
÷ .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ & 16 œ̆ ˘ 5 5 2
! 8 ‹. "‰
240
A.Fl.
œ 4 ‹#
÷ 4
p
[G]

f
÷ .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ & 3 " #œ
16 45 ! 85 ‡# " ‰ ‰ "‰ ÷ 24
.
B.Cl.
[B b]
f #œ p ‡. #
j
–
œ-% œ- &-œ œ-
–
-
œ
–. –. –. –. –. –. –. – –. –. –. –. 3 ? 5 – –
-œ% 5 2


! 4 –# ‰ !


16
–
œ- ‹ 8 4
–
–
p fl
Vcl.

"f "

3 5
j
–#
‰ 85 2
–
& ! 16 ! 4 Œ –# ‰ – ‰ –# ‰ –
j ! 4
–#
J j
p –
j.
–
3 5 5 2
Hp.

÷ 4 ‹ ~~# ‹ ‰ ÷ ‰ – – ‰ ‰ – ‰ !
j j –
! 16 ! ã –
– 8 4
J
"f "
˘
‡‡‡‡‡ ‡‡˘‡‡ ‡˘‡
j
‡
3 ‡ ‡‡‡
& ! 16 45 ‡ ‰ Œ Ó Œ 85 ! 24
"f " j
‡
? 3 5 5 2
Pno.
! 16 ‡‡ ‡‡‡‡ ‡‡‡‡‡ 4 ‡ ‰ Œ Ó Œ 8 ! 4
‡‡‡ ‡ fl
fl fl

24
 K
œ̆
˘
÷ 42 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 3 œ̆ 2 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 5 1 .̃ .̃ .̃ .̃ .̃ 3
244
A.Fl. & 16 œ ÷ 4 16 ! 4 16
f
[G]
F F
÷ 42 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ &
3 "
16 œ ÷ 24 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 5
16 ! 41 .̃ .̃ .̃ .̃ .̃ 16
3
f œ
B.Cl.
[B b]
F F
2 –. –. –. –. –. – –. –. –. –. 3 ! 2 –. –. –. –. –. – –. –. –. –. ? 5 ‹ ‹ 1 –. –. –. –. –. 3
4 16 4 16 ‹ ‹ 4 16
fl fl ‹ fl fl
Vcl.

F f fl F
2 ! 3 ! 2 ! 5 ! 1 ! 3
&4 16 4 16 4 16

÷ 42 3 2 5 1 3
Hp.
! 16 ! 4 ! 16 ! 4 ! 16

˘‡ ‡˘‡‡ ‡‡˘‡‡‡ .
2 ! 3 ‡‡‡‡ ‡‡ 2 ! 5 – "? – 1 ! 3
&4 16 4 16 "& – 4 16
–.
"f "
p
5 " – "– "
Pno.
?2 ! 3 2 ! 1 ! 3
4 16 ‡‡‡‡‡ ‡‡‡‡ ‡‡ 4 16 – – 4 16
fl fl‡ ‡‡‡ â
fl

3 2 3 2 .̃ ˜ .̃ .̃ .̃ .̃ 3 2 3
16 – " " ÷ 4 .̃ .̃ .̃ .̃ .̃ .̃ 4 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃
distance

÷ 16
249
A.Fl. ! & 8– 16 ! 16
p
[G]
F
3 2 3 2 .̃ ˜ .̃ .̃ .̃ .̃ 3 2 3
÷ 16 ! & 8 16 " " ÷ 4 .̃ .̃ .̃ .̃ .̃ .̃ 16 ! 4 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 16
– –
B.Cl.
[B b]
p F
2 –. –. –. –. –. –. –. – –. –. –. –. ? 3 b ‹ 2 –. –. –. –. –. –. –. –. –. –. –. –.
sul D

3 ! 2 œ œ œ
sul G    
œ 3 œ "" 3

? ?
16 8 œ œ œ œ 16 œ 4 16 b ‹ 4 16
fl fl b ‹
Vcl.

P F f fl F
.– –.
3 2 3 2 3 2 3
& 16 " " 8 ! 16 ! 4 " ‰ Œ 16 ! 4 ! 16
p
3 ! ? 28 3 2 3 2 3
Hp.
÷ 16 16 " " 4 ! 16 ! 4 ! 16
–. –. –.
'
b .
–
3 ( ( ( 2 ( " ‰ 3 ( ( ( 2 ( " ‰
inside piano

Π3 ? 2 ! 3
keyboard

& 16 ( ( ( 8 ( # 16 ( ( ( 4 ( # 16 4 16
b –.
&
p #
?3 2 3 2 3 "b – " 2 3
Pno.

16 ! 8 ! 16 ! 4 ! 16 b – 4 ! & 16
â
3 –# " " 28 –# " ‰
16 3 –# " " 24 – # "
16
. . . .
P
pedal

25
 b ˘œ n ˘œ
3 2 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 6 b ˘œ ˘ ˘ n ˘œ 2 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 4
ord.

÷ 16 16 ‰ . ‰.
255
A.Fl.
[G]
! 4 & bœ nœ
÷ 4 4
f F
3 2 .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 6 " # œ ÷ 42 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 44
B.Cl. ÷ 16 ! 4 16 ‰ . &" œ ‰.
[B b]
f œ #œ F
˘‹ b˘‹ b œ. .
? 3 #‹ ˘ ˘ . . . . . . . . .
2 – – – – – – – – – – ? 6 b‹˘ ˘ .
bœ œ ‰. 2 –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. 4
‰.
arco col legno
Vcl. 16 ‹ 4 16 b ‹ 4 4
p F
3 ! 2 ! 6 ! ‡
j
# #######®" " 2 ! 4
& 16 4 16 4 4
"f "
? 16
3 42 6 42 44
Hp.
! ! 16 ! ! !

˘‡ ˘ ˘
– ‡ ‡ ‡‡‡‡‡ ˘ ˘‡ ‡˘‡‡ ‡‡‡‡‡
3 – b –. ‡‡ ‡‡‡‡‡ ‡‡‡‡ ‡‡
& 16 – 42
?. ! 6 b – "&
16 ‰. 42 ! 44
b– "f "
Pno. p
3 2 6 ‰. ‡‡‡‡‡ ‡‡‡ ‡ 42 4
& 16 " # –# " 4 ! 16 " b – " ‡‡ !
? ‡‡‡‡‡
‡‡‡‡ 4
#– b– ‡‡‡ ‡
fl fl fl fl‡‡ ‡‡‡‡
fl fl

4 3 2 3 2
distance
! ! ! 16 – " "
260
A.Fl. 4 16 & 8– ÷ 4
p
[G]

4 ! ! 3 ! 2 3 " " 2
4 16 & 8 16 ÷ 4
– –
B.Cl.
[B b]
p
sul D

4 ! ! 3 ! 2œ œ œ œ 3 œ 2
16 œ " "
sul G    
?

Vcl. 4 16 8œ œ œ œ 4
–. P
4 ! ! 3 " " 2 ! 3 ! 2
&4 16 8 16 4
p
?4 3 2 3 2
Hp.

4 ! ! 16 ! 8– 16 – " " 4
–.
'. .

4 ‡‡ Œ ‡‡ Œ ‡‡‡ Œ ‡‡ Œ ‡‡ Œ ‡‡ Œ 3 ! 2 ! 3 ( ( ( 2
3 3 3 3 inside piano

&4 ‡‡- ‡‡- ‡- ‡‡- ‡‡- ‡‡- 16 8 16 ( ( ( 4

Pno. "f "

? 44 Œ 3 Œ Œ
3
Œ
3
Œ Œ
3
3
16 ! 28 ! 3
16 ! 24
‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡
‡‡- ‡‡- ‡‡- ‡‡- ‡‡- ‡‡-
3 –# "
16 " 28 – # " ‰ 3 –# " "
16 24
. . .
P
pedal

26
 L
q = 66
÷ 42 .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 3 2 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 4 3
265
A.Fl.
[G]
16 ! 4 4 ! ! & 8
F
B.Cl. ÷ 42 .̃ .̃ .̃ .̃ .̃ .̃ ˜ .̃ .̃ .̃ .̃ 3
16 ! 42 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ 44 ! ! &
38
[B b]
F ‹
2 –. –. –. –. –. –. –. – –. –. –. –. ? 3 b‹
‹ 2 –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. 4 ! ! 3
Vcl. 4 16 4 4 8
F f F
–.
2 3 2 4 3
&4 " ‰ Œ 16 ! 4 ! 4 ! ! 8

?2 3 2 4 3
Hp.

4 ! 16 ! 4 ! 4 ! ! 8

‡‡ Œ ‡‡ Œ ‡‡‡ Œ ‡‡‡ Œ ‡‡‡ Œ ‡‡‡ Œ 38

& 42 3 42 44
keyboard
! ! !
3 3 3 3

16 ‡‡- ‡‡- ‡- ‡- ‡- ‡-
"f "
?2 3 2 4 Π3 Π3
Pno.

4 ! 16 ! 4 ! 4 ΠΠΠΠ8
3 3 3

‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡
‡‡- ‡‡- ‡‡- ‡‡- ‡‡- ‡‡-
pedal 42 –.# "

w w œ. œ#
ord.

& 38 ‹ . 44 " ‰ Œ Ó ! 38 "‰ ‰

270

‹ Ø )
A.Fl.

)
[G]

w w œ. œ#
3 4 "‰Œ Ó ! 3 "‰ ‰
& 8 –. 4 8
– Ø )
B.Cl.
[B b]
)
%
sul D

3 4– Ó 3 ·. ·# " ‰ ‰
sul G

! b· ·
sul G
?
Vcl. 8 –. 4 "‰Œ 8
) Ø )
3 4 "‰Œ Ó ! ! ! 3 ! !
& 8 –. –. –. 4– 8
p .
? 38 ! 44 38 !
Hp.
! ! ! ! !

3 ! 4 ‡‡ Œ ‡‡ Œ ‡‡ Œ ‡‡ Œ ‡‡ Œ ‡‡ Œ ‡‡ Œ ‡‡ Œ 3 ! !
&8 4 ‡‡- ‡‡- ‡‡- ‡‡- ‡‡- ‡‡- ‡‡- ‡‡- 8
"f "
?3 4Π3 !
Pno.

8 ! 4 ΠΠΠΠΠΠΠ8 !
‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡
‡‡- ‡‡- ‡‡- ‡‡- ‡‡- ‡‡- ‡‡- ‡‡-
–. # " ‰ ‰
P
pedal

27
 q = 56
IV
3 2 ¬ 5 3 2
inside
" Ó ¬ Ó b¬ Ó 4 b¬ Ó "
277
A.Fl. & 16 2 – 16 2
œ. #
[G]

3 œ. 2 &‰ Œ ¬ Ó b¬ Ó 5 3 2
B.Cl.
[B b]
& 16 .œ 2 ¬ 4 Ó b¬ Œ 16 " 2
œ% #
Ø col legno œ.. % b -· ·-
arco

? 16
3 22 œ - 2
" &‰ Œ Ó " " 45 " 3
16 · 2
# $
Vc.

! œ.
t
== 3 J 2
q & 16 2
the C & D string j
move the tape from $
3
÷ 16
— 2 " " " 5 " ? 3 " 2
—. 2 4 16 2
#J
Hp.

t 3 " 22
inside piano
==
q
& 16
the C & D string –j
3 2 5 3 2
move the tape from

÷ 16 2 " " " 4 " ?

16 " 2
–.
#J
Pno.

3 2 3 2
16 ‡ % & & 2 — % & ‰ 16 –. % & & 2
° * p
$

2 Ó Ó Ó 9 b¬ Ó 3 " 7 Œ. 3
283
A.Fl.
[G]
&2 ¬ ¬ b¬ 8 % – 16 8 ¬ 16
œ.
2 9 Ó 3 œ. 7 3
B.Cl.
[B b]
&2 Ó ¬ Ó b¬ Ó ¬ 8 ¬ ‰ 16 & ‰ Œ b–.
.œ 8 16
Ø œ. % #
col legno œ. %
?2 &‰ Œ Ó " " 9 " 3 7 & ‰ Œ Œ. 3
2 ·% 8 16 " 8 16
- #
Vc.

2 " " " 9 " t 3

&2 8 ==
q
& 16
move the tape from
the C & D string j
?2 9 3 7 3
Hp.

2 " " " 8 " ÷ 16 — .

—
8 " ?
16
!'. % #J
2 9 3
pizz.

&2 &‰ Œ Ó " " 8 " t

== & 16
$ q
the C & D string j
?2 9 3 7 3
Pno. move the tape from

2 " " " 8 " ÷ 16

–
8 " ?
16
–.
# J
2 ‡ % & ‰ —% & 3 ‡ % & & 78 — % & ‰ Œ Œ . 3
2 16 16
° * ° *
$

28
 inside

3 3 3 & & 22 æ 3 & & 22 Ó

distance
"
289

& 16 2 æ. 16 16 ¬
¬ –% ¬ –%
A.Fl.
#
$ œ.
[G]

3 " 3 " 3 œ. 2 &‰ Œ Ó 3 " 2 Ó

B.Cl.
[B b]
& 16 2 16 œ. 2 16 2 b¬
œ. % #
b -· ·- Ø b -· ·-
col legno œ. %
arco arco

?3 œ- 3 &‰ Œ Ó Ó 3 2 3 œ- 2
16 · 2 ·% 16 " 2 &‰ Œ Ó 16 · 2 ·% & ‰ Œ Ó
$ - # $ -
Vc.

! œ. ! œ.
3 J 3 " t 3 J 2 "
& 16 2 == & 16 2
$ q
move the tape from
$
the C & D string j
Hp.
?3 " 3 " 3 — 2 " ? 3 " 2 "
16 2 ÷ 16 — . 2 16 2
!'. % #J !'. %
3 3 &‰ Œ 3 2
pizz. pizz.
t
& 16 " 2 Ó Ó == & 16 " 2 &‰ Œ Ó
q
$ move the tape from
the C & D string j
$
? 16
3 32 3 – 2 3 22
Pno.
" " ÷ 16 – . 2 " ?
16 " "
#J
3 – % & & 32 ‡ % & ‰ —% & ‰ Ó
16 Ó 3 ‡ % & & 22 — % & ‰ Œ Ó
16 3 – % & & 22 ‡ % & ‰ —% & ‰ Ó
16
. .
p ° * ° * p ° *
$

M q = 220
4 ‹ 3 2 4
w
&Ó Ó Ó Ó 4 (((((((((((( ‹j " "
295
A.Fl. b¬ b¬ ¬ ¬ 8 4 4
"f "
[G]

4 3 2 4
w
&¬ Ó Ó Ó Ó 4 ‹ 8 " 4 " 4
b¬ ¬ ¬ ((((((((((((
B.Cl.
[B b] j
f ‹
>‹ ˘‹
" "

˙.
sul D

˙. #˘‹ ˘ 42 # · œ · œ 44
sul G 
? 4 # ‹ 38
( arco )

" " " " 4 ‹

sul C
Vc. ˙. ‹
ƒ f p
œœ
" " " " 4 " 3 " 2 œ Œ 4
#
& 4 8 4 4
$
? 44 38 " & 42 Œ # œœ 44
Hp.
" " " " "
4 —% & ‰ Œ Ó 3 —% & ‰
4 8 #
C#

4 ‡ ((((((((((((‡j
G
w
3 2 4
keyboard

& " " " " 4 8 " 4 " 4

"f "

? 4 3 2 4
Pno.
" " " " " "
‡ ((((((((((((
& 4 ‡
j
8 4 4
44 f ‡ % & ‰ Œ Ó 38 —% & ‰ ‰ 42 " 44
° *

29
 4
w
6
( W ).
3 ‹. 3
U 4 ‹
w
3 2
&4 ‹ " 4Œ Œ Œ "
(((((((( (((((((((((((((((((( ((((((((
302
A.Fl. j 8 1 j 4 j 8 4
‹ ‹ ‹

U
"f "
( W ).
[G]

4 6 3 3 4 3 2
w w
&4 ‹ 8 " 1 ‹. 4Œ Œ Œ 4 ‹ 8 " 4
(((((((( (((((((((((((((((((( ((((((((
B.Cl.
[B b] j j j
‹ ‹ ‹
"f "
>‹
? 4 #‹
˙.

˙. 6 # (· . · . ·j 3 % & #‹
>‹ ˙.

˙.
w
w
w
w 3 U >‹ ˙ .
4 #‹ ˙. 3
˘‹
# ˘‹ ˘ 2
Vc. 4 ‹ ˙. 8 1 ‹ ˙. w w 4Œ Œ Œ 4 ‹ ˙. 8 ‹ 4
ƒ p f o
ƒ
œäœ ƒ U f
4
&4 %% & ‰ Œ Ó 68 œœœœ %‰ ‰ œœœœœœ% ‰ ‰ 3
1 œœœœœœ % ‰ Œ Ó " " 3
4ΠΠΠ4
4 " 3
8 " 2
4
# â â
U
%% & ‰ Œ Ó 68 .
Hp.

& 44 . 31 %‰ Œ Ó " " 43 Œ Œ Œ 44 " 38 " 24

4 ‡ %& ‰Œ Ó 3 ‡% &‰‰ 2
4 B 8 b 4
( W ). U
4 ‡((((((((‡j 6 3 ‡ . ((((((((((((((((((( ‡j 4 ‡ (((((((( ‡j
B
w w
" 3 3 2
&4 8 1 4ΠΠΠ4 8 " 4
Pno.
4 6 3
( W ).
3 U 4
"f "
3 2
" 4ΠΠΠ"
‡ (((((((( ‡ (((((((((((((((((((( ‡((((((((
&4 ‡
j
8 1 __ . ‡
j
4 ‡
j
8 4
4 ‡%&‰ Œ Ó 6 —%&‰ ‰ Œ . 3 ‡ %& ‰ Œ Ó 3
U 4 f ‡ %& ‰ Œ Ó 3 —% & ‰ ‰ 2
4 8 1 " " 4 —%& ‰Œ Œ 4 8 4
° * ° * ° *

2 5 4 ‹ 3 2 6 3
w
" " 4 (((((((((( " "
(((((((
308
j
&4 8 8 4 #–
8 4
j
¬
A.Fl.
‹
p f
[G]

2 " 5 " 4 3 " 2 6 " 3

&4 8 4 ‹ 8 4 8 4
((((((((((((((((( ‹j
j
B.Cl. –
[B b]
¬
>. . . . . . p. f
b>‹ ˙. b œ œ œ œ œ œ b œ%
˙. 2 &‰ Œ 6 (

? 2 # · œ · œ 5 # ·% & ‰ Œ . 4 ‹ 3 &‰ ‰ 3
col legno arco

4 8 4 b‹ ˙. 8 4 8 ·. · %
j 4
$
Vc.

p ƒ p. fo
œœ j
œ%
# œ
#œ

&42 Œ 85 %% & ‰ Œ . 44 Ó 38 " 42 " 6

8 &‰ ‰ t
$ $ ==
q
œ
2 5 4 Ó 3 2 6 Œ. ÷ . 3
Hp. Use a soft sponge

& 4 Œ # œœ 8 %% & ‰ Œ . 4 # œ# œ bœ 8 " 4 " 8 j 4

#œ b œ # œœ
P
œ

42 " 85 ‰ % ‡ ‰% ‡b ‰ 44 A—# % & ‰ Œ Ó 38 " 42 ‡ %& ‰ Œ 68 " 43

F D C
( w‹ ) b –% n' ‰– – %
& 42 85 44 ((((((((((((((((( 38 42 ‰ Œ 68 43
inside piano
" " ‹
j
" ‰‰
b œ¨% p n œ- œ.%
( w)
2 5 4 ‹ 3 2 6 ‰ &‰ ‰ ? 43
Pno.

" " " &‰ Œ

&4 8 4
((((((((((((((((( ‹j 8 4
P
8
2 5 –. –. –. –. 44 f ‡ % & ‰ Œ Ó 3 —%& ‰ ‰ 2 6 p‡ %& ‰ ‰ —%&‰ ‰
4 " 8 –. 8 4 " 8
p ° * ° *

30
 N
& 43 44 # ¬ 43 42 38 42 44
h
" Ó " ‹ "
((((((
314
j
#–
j j
¬
A.Fl.
[G]
p
–
f f
" "
‹
p f
h
& 43 " 44 ¬ Ó 43 " 42 38 " 42 44
"f "(((((( ‹
‹ –
j

¬
B.Cl.
[B b] j j
–
p f p f
.
col legno œ ‹ ˙
j
?3 " 4 &‰ Œ &‰ Œ 3 " 2 3 2 4
4 b œ. & ‰ Œ
( col legno )

4 4 # œ. 4 4 b‹ ˙ 8 b œ. œ. œ. œ. œ. œ. 4
‹ ˙ >
Vc.
$ $
ƒ
t 2 " 3 " 2 " 4
== & 4 8 4 4
q
j
÷ 43 " 44 " 43 ˙ . 42 " 38 " 42 " 44
œ?
Hp.

p f
3 4 3 2 4
4 —%&‰ Œ Œ 4 — %&‰ Œ — %&‰ Œ 4 ‡%&‰ Œ Œ 4 ‡%& ‰ 4
B D D# E Eb

‡
((((((
h
3 4 3 2 3 2 4
keyboard

&4 " 4 " 4 " 4 ‡

j
8 " 4 " 4
f
? 43 44 j ‰ Œ 3 Œ Œ & 42 38 42 44
Pno.
" "
" "

‡ ((((((
4 j
3

‡. ‡. ‡. ‡. # ‡. ‡ ‡
‡. ‡. ‡. ‡. . ‡.
"f " 2 f 3 2 4
4 ‡ % & ‰ Œ 8 —% & ‰ ‰ 4 " 4
° *

& 44 6 Œ. ‰ 43 44 ‹ 3 42 68
inside
w w
distance
‹ " "
320

((((((((((((( ‹
j

"f " (((((((((

j 8 j 8
#–
–. –. ¬
A.Fl.
‹
"f "
P p f
[G]

4 6 Œ. 3 4 w 3 2 6
w
&4 ‹ 8 ‰ ‰ 4 ‰Œ Œ 4 ‹ 8 " 4 8
"f " ((((((((( ‹ "f " ((((((((((((( ‹
j
–
% –. –. % ¬
B.Cl.
[B b] j j
p > >. . . . . . p. f
b‹ ˙. col legno b œ œ œ œ œ œ bœ%


˙. ·( 6 ·. ·. % ‹ ˙.

j j
? 44 ‹
˙.
œ 3
4 &‰ Œ Œ 44 b ‹ ˙ . 38 42 & ‰ Œ 68
arco

8
˙.
‹
$
Vc.

$ fo
‹
ƒ .œ % ƒ œ
j
4 " 6 Œ. &‰ ‰ 43 " 4 Ó 3 " 2 " 6
&4 8 4 8 4 8
$
? 44 68 43 " & 44 Ó 3 42 68
Hp. Use a soft sponge
" " b œ# œ 8 " "
œ # œb œ œ # œ

4 ‡%&‰ 6 — % &‰‰Œ . 4 ‡ %&‰Œ 2

4 8 4 4 ‡ %&‰ Œ
A B# Ab G

n' ‰ – 3 –% –%
‡
((((((((( 44 ‡ ((((((((((((( ‡j
w keyboard w inside piano

& 44 68 38 42 ‰ Œ 68
inside piano
‡
j
Œ. 4 ‰Œ Œ "
f p n œ- œ.% "f " œ̈ %
4 6 Œ. ‰ 3 4 3 2 & ‰ Œ 68
Pno.

4 &‰ Œ Œ "
" "

‡ (((((((((( ‡ (((((((((((((
&4 ‡
j
8 4 ‡
j
8 4
p P
4 ‡%&‰ Œ Ó 6 3 —%&‰ Œ Œ
—% &‰‰ ‡ % &‰ ‰ 4 4 f ‡ %&‰ ŒÓ 3 —%& ‰ 6
4 8 4 8 8
° * ° * ° *

31
 6 " 3 " 4 Ó 3 .̃ & ‰ Œ Œ &‰ Œ Œ " 4
326
j
&8 4 4 #–
4 4
¬ .̃
A.Fl.

p f $
[G]

6 " 3 " 4 Ó 3 .̃ & ‰ Œ Œ &‰ Œ Œ " 4

&8 4 4 j
4 4
.̃
B.Cl. –
[B b]
¬ $
p f
( # œ.
sul G

? 6 ·. · % &‰ ‰
3 " 4 &‰ Œ &‰ Œ 3 " " 4
arco col legno
j
8 j
4 4 œ 4 ¬. – 4
p fo $.
Vc.

$
.
6 œ% & ‰ ‰
&8 ?
==
$
œ . q
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33
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R. L. R. R. L. R.

34
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inside
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3 6 4 – 6
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36