Chapter 13 Test Name _ Date % 1, Add alto and tenor as required by the figured bass. 2 2. Write in the Roman numeral analysis. RZ white 1H icKo Auhiysi5. 5. "O Mensch, bewein’ dein’ Sunde gross” (© Man, Bewail Thy Great Sins). 6. “Jesu, meine Freude” (Jesus, My Joy). 2% & Each chord above is a nondominant 7th chord in the given Key. Give the proper Roman numeral forthe chord. I the chord is resolved in a circle progression, what chord would follow? 4 Roman numeral: _____ Roman numeral of following chord Roman numeral; ____ Roman numeral of following chord __ ©. Roman numeral: Roman numeral of following chord: 4. Roman numeral Roman numeral of folowing chord: € Roman numeral: __—_ Roman numeral of following chor & Romannumeral: ____ Roman nomeral of following chond:2006 AP* MUSIC THEORY FREE-RESPONSE QUESTIONS ‘Question 5. (Suggested time—15 minutes) Realize the figured bass below in four voices, following traditional eighteenth-century voice-leading procedures, Continue logically from the spacing of the first chord, Do not add embellishments unless indicated by the figured bass, In the space below each chord, supply the Roman numeral that appropriately indicates harmonic function, © 2006 The College Board llrightsreserved ‘Visit apcentra.collegeboard.com (for AP professionals) and www.collegeboard.com/apstudents (or students and parents). GO ON TO THE NEXT PAGE.2006 AP° MUSIC THEORY FREE-RESPONSE QUESTIONS Question 6, (Suggested time—10 minutes) Write the following progression in four voices, following eighteenth-century voice-leading procedures. Continue logically from the spacing of the first chord. Do not add embellishments uniess indicated by the Roman and Arabic numerals. Use only quarter and half notes, 8 Alternate notation: (© 2006 The College Board, All ights reserved, Visit apcentralcollegeboard com (for AP professionals) and www collegcbosrd.com/apstudents (for students and parents) GO ON TO THE NEXT PAGE,Chapter 13 Test Name __ kK zy Date 1. Add alto and tenor as required by the figured bass. 2. Write in the Roman numeral analysis. Ai 5. “O Mensch, bewein’ dein’ Stinde gross” (O Man, Bewail Thy Great Sins). D: & A: Bs: bs AS 2. Bach chor above i nondominat 7th chord in the given Key. Give the proper Roman numeral or th bot, the chords ested ina cle progression, what chord ea selon? As Roman numeral: {i Roman numeral of following chord: a7 Zz Roman numerat: “fll Roman numeral of following chord: —Z7— “7 > © Roman numeral: _/ Roman numeral of following chord: _// 7 d. Roman numeral: Ad Roman numeral of following chord: y ee, - © Roman numera:_//"" _ Roman numeral of following chord: a £ Roman numer: _Z Roman numeral of following chord: 7Eeeeng) 2006 AP® MUSIC THEORY FREE-RESPONSE QUESTIONS Question 5. (Suggested time—15 minutes) Realize the figured bass below in four voices, following traditional cighteenth-century voice-leading procedures, Continue logically from the spacing of the first chord, Do not add embellishments unless indicated by the figured: bass. In the space below each chord, supply the Roman numeral that appropriately ind (© 2006 The College Board, All rights reserved Visit pcentra collegeboard com (for AP professionals) and sww.colegeboard.com/apstudents (for students and parents) GO ON TO THE NEXT PAGE.Geaint/ 2006 AP°® MUSIC THEORY FREE-RESPONSE QUESTIONS Question 6. (Suggested time— 10 minutes) Write the following progression in four voices, following eighteenth-century voice-teading procedures. Continue logically from the spacing of the first chord. Do not add embellishments unless indicated by the Roman and Arabic numerals, Use only quarter and half notes, VY a 1 1 vo ov I s—7 Altemate y$—— 2 notation: A —3 © 2006 The College Board All rights reserved Visit apcentralcollegeboard.com (for AP professionals) and www collegeboard.comvapstudents (fr students and parents) GO ON TO THE NEXT PAGE.