List of Works and Images

References:
% La Mariée mise à nu par ses Célibataires, Broyeuse de chocolat n° 2, 1914
The list is divided into two sections: même (The Bride Stripped Bare By Her (Chocolate Grinder no. 2)
– Marcel Duchamp (including artworks made Bachelors, Even) [first perspectival drawing of Oil and lead beading on canvas
in collaboration) The Large Glass], 1913 65.4 x 54.3cm
–Other Artists Pencil on tracing cloth Philadelphia Museum of Art
The list is organized according to a 30.5 x 24.5cm The Louise and Walter Arensberg Collection,
chronological-alphabetical order. The Private collection 1950
illustration number can be found in the last (fig. 17)
line at every caption. % Erratum Musical, 1913 / 1934
All titles are mentioned in the original Reproduction of original musical % Piston de courant d’air, 1914
language first, and translations are provided score on double sheet of music paper (Draught Piston)
in between parenthesis. 48 x 38cm Gelatin silver print
All measurements are stated by height, width Collection Luisella Zignone 58.8 x 50cm
and depth (fig. 74) Private collection
Artworks signed with % are included in the (fig. 98)
exhibition. % Possible, 1913 / 1958 reproduction
Facsimile of one of Marcel % Pharmacie, 1914 / 1945 re-edition
Duchamp’s notes reproduced in Rectified readymade originally comprised
Marcel Duchamp Possible, PAB 1958 of gouache on a commercial print
32.5 x 25cm Edition of 100 as supplement to View,
Église à Blainville, 1902 
Collection Luisella Zignone V. 5, no. 1, New York, March 1945
(Church at Blainville)
(fig. 72) 22 x 15.6cm
Oil on canvas
Collection David Fleiss, Paris
61.3 x 42.9cm
% Roue de bicyclette [Bicycle Wheel], (fig. 76)
Philadelphia Museum of Art
1913 / 1964 replica
The Louise and Walter Arensberg Collection,
(Bicycle Wheel) % Porte-bouteilles ou Séchoir à bouteilles
1950
Readymade: Metal wheel [Bottle Dryer], 1914 / 1964 replica
(fig. 6)
mounted on painted wood stool (Bottle Dryer)
Edition of 8 replicas Readymade: Galvanized iron bottle dryer
Portrait ou Dulcinée, 1911
126.3 x 64.1 x 32cm Edition of 8 replicas
(Portrait [Dulcinea])
Indiana University Art Museum, Bloomington 59cm high x 36.8 diameter
Oil on canvas
Partial gift of Mrs. William H. Conroy Indiana University Art Museum, Bloomington
146.4 x 114cm
(fig. 70) Partial gift of Mrs. William H. Conroy
Philadelphia Museum of Art
(fig. 75)
The Louise and Walter Arensberg Collection,
% Box of 1914, 1913–1914
1950
Commercial cardboard photographic supply % Piston de courant d’air,
(fig. 8)
box containing photographic facsimiles of 1914 / 1965 re-edition
16 manuscript notes and the drawing Avoir (Draught Piston)
Mariée, 1912
l’apprenti dans le soleil mounted on mat Print on celluloid
(Bride)
boards, and one photographic facsimile Edition of 100 copies
Oil on canvas
of the drawing Médiocrité, unmounted 29.9 x 23.7cm
89.5 x 55.6cm
Edition of 5 plus box with original Collection Luisella Zignone
Philadelphia Museum of Art
documents
The Louise and Walter Arensberg Collection,
3.8 x 25.1 x 19.9cm % Nine Malic Moulds,
1950
Philadelphia Museum of Art 1914–1915 / 1938–1964 reproduction
(fig. 10)
Gift of Mme. Marcel Duchamp, 1991 Miniature on celluloid encased
(fig. 73) in a wooden frame
Nu descendant un escalier n° 2, 1912
16.8 x 27.3cm
(Nude Descending a Staircase no. 2)
Collection David Fleiss, Paris
Oil on canvas
% 3 stoppages étalon, 1913–1914 / 1964 replica Former collection Julien Levy
147 x 89.2cm
(3 Standard Stoppages) (fig. 99)
Philadelphia Museum of Art
Box with wood pieces
The Louise and Walter Arensberg Collection,
Edition of 8 replicas
1950
129.2 x 28cm,
(fig. 9)
119.4 x 6.1; 109.1 x 6.2; 109.8 x 6.3 each piece
Collection Luisella Zignone
(fig. 77)

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No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. ©2008FundacionProa
% Marcel Duchamp (Reconstruction by Richard
Hamilton)
Oculist Witnesses, 1914–1915 / 1968
Silvered mirror on laminated glass
with metal base
63.5 x 51cm
Philadelphia Museum of Art
Gift of Edna and Stanley C. Tuttlemann, 1994
(fig. 100)
% Marcel Duchamp (Reconstruction by Richard
Hamilton, signed “d’après Marcel Duchamp”)
Sieves, 1914–1915 / 1968 reconstruction
Screenprint on laminated glass
63.5 x 51cm
Private collection
(fig. 97)
% In Advance of the Broken Arm, 1915 /
1964 replica
Readymade: Aluminum,
sheet metal and wood
Edition of 8 replicas
121.3 x 35.2 x 8.9cm
Indiana University Art Museum, Bloomington
Partial gift of Mrs. William H. Conroy
(fig. 80)
% Marcel Duchamp (Replica by Ulf Linde, Henrik
Samuelsson, and John Stenborg)
La Mariée mise à nu par ses Célibataires,
même, 1915–1923 / 1991–1992
(The Bride Stripped Bare By Her Bachelors,
Even [The Large Glass])
Oil and lead wire on glass
321 x 204.3 x 111.7cm
Moderna Museet, Stockholm
Note: On the photograph readymades Air de
Paris, Pliant... de voyage and Fountain, also
included in the exhibition, can be seen near
The Large Glass.
(fig. 107)
% À bruit secret, 1916 / 1964 replica
(With Hidden Noise)
Assisted readymade: Ball of twine (original
version contained small unknown object
added by Walter Arensberg), brass plates,
metal, screws and paint
Edition of 8 replicas
11.4 x 13 x 13cm
Indiana University Art Museum, Bloomington
Partial gift of Mrs. William H. Conroy
(fig. 86)
Ninguna parte de este libro puede ser reproducida, escaneada o distribuida de manera impresa o electrónica sin permiso.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. ©2008FundacionProa
% Peigne, 1916 / 1964 replica
(Comb)
Readymade: Steel comb, with box
comprised of wood and felt
Edition of 8 replicas
7.9 x 18.4cm
Indiana University Art Museum, Bloomington
Partial gift of Mrs. William H. Conroy
(fig. 78)
% Pliant… de voyage, 1916 / 1964 replica
(Traveler’s Folding Item)
Readymade: Varnished cloth
Underwood typewriter cover
Edition of 8 replicas
23 x 43 x 5cm
Collection Luisella Zignone
(fig. 85)
% Ombres portées de Readymades, 1917
(Cast Shadows of the Readymades)
Vintage gelatin silver print
Photograph by Man Ray
(included in the Black Book)
6.1 x 3.9cm
Collection Luisella Zignone
(fig. 88)
% Marcel Duchamp, Beatrice Wood,
and Henri-Pierre Roché
The Blind Man, no. 2, New York, May 1917
Magazine published with an article about R.
Mutt’s Fountain and Alfred Stieglitz’s
reproduction of the urinal
28.1 x 20.5cm
Collection David Fleiss, Paris
(fig. 83)
% Apolinère Enameled, 1917 / 1964 replica
Paint and pencil on cardboard
Edition of 8 replicas
24.4 x 33.9cm
Private collection
(fig. 87)
% Fountain, 1917 / 1964 replica
Readymade: Porcelain urinal
Edition of 8 replicas
36 x 48 x 61cm
Collection Luisella Zignone
(fig. 16)
Porte-chapeau, 1917 / 1964 replica
(Hat Rack)
Readymade: Wooden hat rack
Original lost or destroyed
23.5 x 14cm
Musée National d’Art Moderne Centre
Pompidou, Paris - Centre de Création
Industrielle - Acquisition 1990
(fig. 81)
% Trébuchet, 1917 / 1964 replica
(Trap)
Readymade: Wood and metal coat rack
Edition of 8 replicas
18.9 x 100 x 12cm
Indiana University Art Museum, Bloomington
Partial gift of Mrs. William H. Conroy
(fig. 79)
% Untitled [suite of three studies for Trébuchet
for the Boîte-en-valise],
1917–1918 / 1940
One retouched photograph, including a line
drawing;
“Trébuchet” printed on gummed paper, cut
out and inserted; one proof with pochoir
coloring labeled “modèle”
Retouched photograph 19 x 26.6cm,
line drawing 7.5 x 11.2cm,
gummed paper 12 x 21.4cm (TBC);
proof 12 x 21.4cm
Succession Marcel Duchamp
Villiers-sous-Grez, France
(fig. 69)
Adieu à Florine, 1918
(Farewell to Florine)
Ink and colored pencils on paper
22.1 x 14.4cm
Philadelphia Museum of Art
Gift of Jacqueline, Paul and Peter
Matisse in memory of their mother
Alexina Duchamp, 1998
(fig. 58)
Marcel Duchamp?
Buenos Aires, Río de la Plata?, 1918
Black and white photograph
Vintage print
Succession Marcel Duchamp
Villiers-sous-Grez, France
(fig. 95)
% Photograph: Marcel Duchamp or Stéréoscopie à la main, c. 1918–1919 % L.H.O.O.Q., 1919 / 1964
Katherine Dreier (Handmade Stereopticon Slide) Pencil on printed reproduction
À regarder (l’autre côté du verre) Pencil on gelatin silver prints of Leonardo Da Vinci’s Mona Lisa; printed
d’un œil, de près, pendant presque mounted on black-paper-surface board lettering obscured in white gouache.
une heure, 1918 Image 5.7 x 5.7cm Inscribed bottom center, below printed title
(To Be Looked at [from the Other Side On cardboard 6.8 x 17.2cm La Joconde, in pencil: L.H.O.O.Q.
of the Glass] with One Eye, Close to, for The Museum of Modern Art (MoMA), Edition of 38 replicas printed to be inserted
Almost an Hour) New York. Photo Scala, Florence in Pierre de Massot’s Marcel Duchamp,
Vintage gelatin silver print (fig. 63 / 94) propos et souvenirs
7.5 x 8.8cm 30.1 x 23cm
Collection Luisella Zignone % Chèque Tzanck (dentiste), 1919 Private collection
(fig. 59 / 90) (Tzanck Check [Dentist])
Vintage gelatin silver print % Oculist Witnesses, 1920
Marcel Duchamp? Photograph by Man Ray Vintage gelatin silver print
Yvonne Chastel aboard S.S. “Crofton (included in the Black Book) Photograph by Man Ray
Hall” Norton Line, on the way to Buenos 23 x 18cm (included in the Black Book)
Aires with Marcel Duchamp, 1918 Collection Luisella Zignone 23 x 18cm
Vintage gelatin silver print (fig. 113) Collection Luisella Zignone
Succession Marcel Duchamp
Villiers-sous-Grez, France % Tonsure, 1919 % Marcel Duchamp (Replica by Per Olof Ultvedt
(fig. 65) Vintage gelatin silver print and Magnus Wibom)
Photograph by Man Ray Rotary Glass Plates (Precision Optics),
% Marcel Duchamp (Reconstruction by Jean- 8.8 x 7.8cm 1920 / 1961 reconstruction
Hubert Martin and Julio Villani) Courtesy Succession Marcel Duchamp Metal frame, motor, glass plates,
Sculpture de voyage, Villiers-sous-Grez, France paint, Plexiglas
1918 /2008 reconstruction (fig. 110) 146 x 202 x 116cm
(Sculpture for Travelling) Moderna Museet, Stockholm
Wool strong, pins, plastic bathing caps L.H.O.O.Q., 1919 / 1930 Gift from Per Olof Ultvedt, Magnus Wibom,
Dimensions variable Rectified readymade: Pencil and Pontus Hulten, 1961
Private collection on printed reproduction (fig. 121)
(fig. 89) of Leonardo Da Vinci’s Mona Lisa
61.5 x 49.5cm % Marcel Duchamp and Man Ray
À regarder (l’autre côté du verre) d’un œil, print 48 x 33cm Élevage de poussière, 1920 / 1964
de près, pendant presque une heure, Musée National d’Art Moderne Centre (Dust Breeding)
1918–1919 Pompidou, Paris - Centre de Création Gelatin silver print
(To Be Looked at [from the Other Industrielle - Dépôt du Siège national du Edition of 10 prints
Side of the Glass] with One Eye, Parti Communiste français, 2005 24 x 30.5cm
Close to, for Almost an Hour) (fig. 117) Private collection
Oil paint, silver leaf, lead wire and (fig. 101)
magnifying lens on glass (cracked), % Air de Paris, 1919 / 1939 reproduction
mounted between two panels of glass (50cc. of Paris Air) % Fresh Widow, 1920 / 1964
in a standing metal frame Glass miniature of the original, Miniature reproduction of Fresh Widow
51 x 41.2 x 3.7cm made for the Boîte-en-valise with wood stand and covered with leather
The Museum of Modern Art (MoMA), and signed by Marcel Duchamp Edition of 8 replicas
New York. Photo Scala, Florence 4 x 2.5 x 2.5cm 77.5 x 45cm
(fig. 24) Collection David Fleiss, Paris Collection Luisella Zignone
(fig. 139) (fig. 1)
% Buenos Aires Chess Pieces, 1918-19
Set of 32 wooden chess pieces % Air de Paris, 1919 / 1964 replica
Ranging from 10.3 to 6.3cm high (50cc of Paris Air)
Private collection Readymade: Glass ampoule
(fig. 61 / 62 / 92) Edition of 8 replicas
14.5 x 8.5cm
Collection Luisella Zignone

Ninguna parte de este libro puede ser reproducida, escaneada o distribuida de manera impresa o electrónica sin permiso.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. ©2008FundacionProa
% Marcel Duchamp and Man Ray
Frames from a Projected Stereoscopic Film,
1920 / 1973
Edition of a stereoscopic image with green
and red spirals on two negatives, fitted in a
wood case.
Reproduced from Marcel Duchamp and Man
Ray’s 1920 failed stereoscopic film project
11 x 24.8 x 17cm
Collection Luisella Zignone
(fig. 93)
Belle Haleine, Eau de Voilette, 1921
Assisted readymade: Perfume bottle
16.3 x 11.2cm
Collection Yves Saint Laurent - Pierre Bergé
(fig. 118)
% Marcel Duchamp as Belle Haleine, 1921
Gelatin silver print
Photograph by Man Ray
17.5 x 12.5cm
Private Collection
(fig. 116)
% Porte-bouteilles ou Séchoir à bouteilles
[Bottle Dryer], ca. 1921
Readymade: galvanized iron bottle dryer
50cm height x 33cm diameter
Private Collection
% Why Not Sneeze Rrose Sélavy?, 1921
Semi-readymade: Thermometer,
cuttlebone, and 152 marble cubes
in the shape of sugar lumps
in a small birdcage
Edition of 8 replicas
13.5 x 24 x 18.7cm
Collection Luisella Zignone
% Why Not Sneeze Rrose Sélavy?, 1921
Vintage gelatin silver print
Photograph by Man Ray
(included in the Black Book)
23 x 18cm
Collection Luisella Zignone
(fig. 28)
% Portrait of Rrose Sélavy?, 1921 / 1924-25
Gelatin silver print with cut corners,
hand-retouched with black ink and pencil
by Marcel Duchamp
Photograph by Man Ray
13.5 x 10.7cm
Private Collection
(fig. 119)
Ninguna parte de este libro puede ser reproducida, escaneada o distribuida de manera impresa o electrónica sin permiso.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. ©2008FundacionProa
% Some French Moderns Says McBride, 1922 Tu m’ (at Katherine Dreier’s), 1918
Texts and compilation by Henry McBride. Gelatin silver print
Layout and design of three-ring bound book Photograph by Man Ray
by Marcel Duchamp for the Société Anonyme (included in the Black Book)
Format copyrighted by Rrose Sélavy Collection Luisella Zignone
30 x 25.5 x 3cm (fig. 15)
Collection Luisella Zignone
% Marcel Duchamp and Vitaly Halberstadt
% Some French Moderns Says McBride, 1922 L’Opposition et les cases conjugées sont
Texts and compilation by Henry McBride. reconciliées, Brussels, L’Échiquier, 1932
Layout and design of three-ring bound book Deluxe edition book on chess
by Marcel Duchamp for the Société Anonyme 35 x 25cm
Format copyrighted by Rrose Sélavy Private collection
30 x 25.5 x 3cm
Succession Marcel Duchamp % La Mariée mise à nu par ses Célibataires,
Villiers-sous-Grez, France même, 1934
(The Bride Stripped Bare By Her Bachelors,
Wanted / $ 2,000 Reward, 1923 / 1936 Even [known as The Green Box])
Rectified readymade: Two photographs Green-flocked cardboard box containing 93
glued onto a poster. facsimile notes, drawings, and photographs
Original lost or destroyed by Marcel Duchamp
Photograph from 1936 Deluxe edition of 20 copies bears “MD”
Succession Marcel Duchamp in copper on outside and contains one
Villiers-sous-Grez, France original note
(fig. 27) 33.2 x 28 x 2.5cm
Collection Luisella Zignone
% Obligations pour la Roulette (fig. 127)
de Monte-Carlo, 1924
(Monte Carlo Bond) % La Mariée mise à nu par ses Célibataires,
Photocollage on letterpress même, 1934
Edition 22/30 (The Bride Stripped Bare By Her Bachelors,
31.5 x 19.5cm Even [Known as The Green Box])
Private collection Green-flocked cardboard box
(fig. 112) containing 93 facsimile notes, drawings,
and photographs by Marcel Duchamp
% Rotative Demi-Sphere, 1925 Edition of 300 copies
Vintage gelatin silver print 33.2 x 28 x 2.5cm
Photograph by Man Ray Private collection
23 x 17.5cm (fig. 126 / 128)
Succession Marcel Duchamp
Villiers-sous-Grez, France Green Box Papers (Original Plates),
(fig. 123) 1934–1935
Paper on lead printing blocks
% Marcel Duchamp, Man Ray, and Marc Allégret mounted on wood
Anémic Cinéma, 1925–1926 Printing plates used to make
Film transferred to DVD, 7 minutes the facsimiles contained in The Green Box
Private collection 68 x 46 x 7.5cm
(fig. 23 / 124) Private collection
(fig. 125)
Porte, 11 rue Larrey, 1927
(Door, 11 rue Larrey) % Minotaure, vol. 2, no. 6, Paris,
Door to Marcel Duchamp’s Winter 1934-35
apartment in Paris Magazine with front and back covers
220 x 62.7cm designed by Marcel Duchamp
Succession Marcel Duchamp 32.5 x 26cm
Villiers-sous-Grez, France Collection David Fleiss, Paris
(fig. 19)
% De ou par Marcel Duchamp ou Rrose Sélavy,
[Known as the Boîte-en-valise],
1935–1941 / 1946
(Box-in-a-valise)
Boîte-en-valise series A.
Deluxe edition: XIII/XX, red leather
valise containing with 69 items and one
original inscribed to Roberto Matta
41 x 38.5 x 9.8cm
Private collection
% De ou par Marcel Duchamp ou Rrose Sélavy
[Known as the Boîte-en-valise],
1935–1941 / 1966–1971
Boîte-en-valise series D.
Outside green linen, containing 68 items
Edition of 30 boxes
41.6 x 38.5 x 9.9cm
Private collection
Former collection Andy Warhol
(fig. 32 / 51 / 129 / 130 / 132 / 133)
% Rotoreliefs (Optical Disks), 1935 / 1965
Set of 6 cardboard disks (from the
1963 edition), printed on both sides
in color offset lithography, mounted on
a wooden box covered in velvet
and two circular, magnetized black frames
Edition 115/150
24.8cm diameter each disk
Private collection
(fig. 122)
% Cahiers d’Art, vol. 11, no. 1-2, Paris, 1936
Cover of the magazine showing
Cœurs volants by Marcel Duchamp
31.5 x 24.5cm
Private collection
(fig. 35)
% La Mariée, 1937 reproduction
(The Bride)
Miniature of La Mariée, 1912
Collotype reproduction on paper,
with a postage stamp signed by
Marcel Duchamp at the bottom
33.8 x 19.5cm
Collection David Fleiss, Paris
(fig. 134)
% La Mariée, 1937 reproduction
(The Bride)
Miniature of La Mariée, 1912
Collotype reproduction on paper,
varnished and attached to canvas
30.5 x 20.5cm
Collection David Fleiss, Paris
(fig. 135)
Ninguna parte de este libro puede ser reproducida, escaneada o distribuida de manera impresa o electrónica sin permiso.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. ©2008FundacionProa
% Nu descendant un escalier,
1937 reproduction
(Nude Descending a Staircase)
Miniature of Nu descendant un
escalier, 1912
Collotype reproduction on paper,
varnished and attached to canvas
34 x 20.5cm
Collection David Fleiss, Paris
(fig. 136)
% Nu descendant un escalier,
1937 reproduction
(Nude Descending a Staircase)
Brass printing plates used
to make the reproduction of
Nu descendant un escalier, 1912
29.5 x 20.5cm
Collection David Fleiss, Paris
(fig. 137)
% Transition, no. 26, New York,
Winter 1937
Cover of the magazine
by Marcel Duchamp
showing his work Peigne
21.5 x 15.5cm
Private collection
% Fountain [first cast porcelain miniature
model of urinal for the Boîte-en-valise,
inscribed R.MUTT / 1917], 1938
Glazed porcelain and paint
7.6 x 5.8 x 4.5cm
Private collection
(fig. 138)
% Photographs of Boîte-en-valise, 1941
Vintage gelatin silver print
(included in the Black Book)
23 x 18cm
Collection Luisella Zignone
(fig. 131)
% Marcel Duchamp and Georges Hugnet
Non Vouloir, no. 4, Paris, 1941
Publication including
Marcel Duchamp’s frontispiece,
mustache, and beard of L.H.O.O.Q.
Edition 2/6
9.5 x 14.6cm
Private collection
% First Papers of Surrealism,
New York, 1942
Catalogue to accompany
the First Papers of Surrealism exhibition,
cover design by Marcel Duchamp
26.6 x 18.4cm
Collection David Fleiss, Paris
(fig. 146)
% Pocket Chess Set, 1943
Rectified readymade: Leather pocket
chessboard, celluloid, pins
Without wallet 16 x 10.5cm
With wallet open 16 x 22cm
Private collection
(fig. 30)
% Untitled [Lucky Strike Box], 1943
Commercial Lucky Strike cigarette tin
filled with facsimile reproductions of
Marcel Duchamp’s notes, ephemera,
and the brochure for catalogue of
The Imagery of Chess
10.3 x 0.9 x 0.9cm
Private collection
(fig. 31)
Étant donnés: 1. La chute d’eau / 2. Le gaz
d’éclairage, 1946–1966
(Given: 1. The Waterfall / 2. The
Illuminating Gas)
Installation: wood door, bricks, velvet,
wood, branches, aluminum, steel, leather,
wigs, glass, Plexiglas, linoleum, cotton,
electric lights,
Bec Auer gas lantern, motor, etc.
242.6 x 177.8 x 124.5cm
Philadelphia Museum of Art
Gift of Cassandra Foundation, 1969
(fig. 173 / 175)
% Marcel Duchamp (Virtual reproduction
by Yukio Fujimoto and Yukihiro Hirayoshi)
Étant donnés: 1. La chute d’eau / 2. Le gaz
d’eclairage, 1946–1966 / 2004
Given: 1. The Waterfall / 2. The
Illuminating Gas)
Video and stereo pair photogram
Courtesy Philadelphia Museum of Art
Letter to Francisco Matarazzo Sobrinho,
New York, August 5, 1948
Wanda Svevo Archive,
Fundação Bienal de São Paulo.
(fig. 53 / 54)
Étant donnés: 1. La chute d’eau /
2. Le gaz d’eclairage, 1948–1949
(Given: 1. The Waterfall / 2. The
Illuminating Gas)
Painted leather over plaster relief,
mounted on velvet
Moderna Museet, Stockholm
(fig. 40)
5
% Feuille de vigne femelle, 1950  % Eau et gaz à tous les étages, 1958  La pendule de profil, 1964
(Female Fig Leaf) Linen-covered deluxe edition box Ink and pencil on board
Painted plaster with loose reproductions and Robert Lebel’s 28 x 22ccm
9 x 14 x 12.5cm book Sur Marcel Duchamp Private Collection
Private collection Edition of 110 copies
(fig. 156) 35 x 26.8 x 8cm % Bouche-Évier, 1964 / 1967 edition
Private collection Polished bronze sink stopper
% Moule à pièces pour “Feuille de vigne (fig. 165) Edition of 100 copies
femelle”, 1950–1951 7.5cm. diameter x 0.5 thick
(Mold in divided parts for “Female Fig Leaf”) % La Mariée mise à nu par ses Célibataires, Collection David Fleiss, Paris
Plaster mold in 5 pieces même (“Marcel Coloravit”), 1958 (fig. 161)
13.5 x 27 x 23.5cm (The Bride Stripped Bare By Her Bachelors,
Musée National d’Art Moderne Centre Even [“Marcel Coloravit”]) % Feuille de vigne femelle (Female
Pompidou, Paris - Centre de Création Hand-colored photograph in a cardboard Fig Leaf) [paper reproduction], 1966
Industrielle - Acquisition 1990 stand created by Marcel Duchamp, signed Hand-colored carton cutout
(fig. 158) 8 times at the bottom, in white ink, pencil 10.5 x 15.5cm
and red pencil, protected with glass, on two Collection Luisella Zignone
% Study for The Bride in Étant donnés: metal bases as stands
1. La chute d’eau / 2. Le gaz d’éclaraige, 30.8 x 21.2cm Manual of instructions for the assembly
1950 Private collection of Étant donnés… (Given . . . ), 1966
(Given: 1. The Waterfall / 2. The (fig. 18) Black vinyl blinder with gelatin silver
Illuminating Gas) photographs, drawings, and manuscripts
Gouache on transparent perforated % Marcel Duchamp and Mimi Parent notes in graphite and colored inks on
Plexiglas Boîte Alerte!, 1959 paper in clear vinyl sheet protectors
91.3 x 55.9cm Deluxe boxed catalogue for the 1959 29.5 x 25 x 4.5
Colección Jacqueline Matisse Monnier Exposition Internationale du Surréalisme Philadelphia Museum of Art
(fig. 172) 25 x 21cm Gift of Cassandra Foundation, 1969
Private collection (fig. 52)
% Object-dard, 1951 (fig. 171)
(Dart-Object) % À l’Infinitif [Known as The White Box], 1967
Galvanized plaster % Couple of Laundress’ Aprons, 1959 Plexiglas covered box with silkscreen of
with inlaid lead rib Two potholders (“male” and “female”) Glissière contenant un Moulin
7.5 x 20.1 x 6cm made of cloth and fur. à Eau en métaux voisins and containing
Private collection Edition of 20 incorporated into deluxe envelopes with 79 facsimile notes
(fig. 159) editions of the 1959 catalogue Boîte Alerte! dating from 1912–1923
Male 20.3 x 17.7cm Edition 117/150
% DADA: 1916-1923, 1953 Female 20.5 x 19.8cm 7.6 x 33.3 x 29.2cm
Crumpled printed paper Private collection Private collection
serving as an exhibition catalogue (fig. 160) (fig. 21)
96.5 x 63.5cm
Collection Luisella Zignone Photograph of Duchamp’s work % Mantlepiece in Cadaquès, 1968 
(fig. 42) Torture-morte, c. 1959 Two photograms mounted
Photograph: Denise Bellon on carton, and two photographs
% Coin de Chasteté, 1954 Vintage gelatin silver print composing two handmade stereopticon
(Wedge of Chastity) Les Films de l’équinoxe-Fonds slides on carboard mounts
Two part sculpture: Galvanized plaster photographique 1st. group 7 x 10.2cm. each
for the wedge and dental plastic Denise Bellon 2nd. group 23 x 18.5cm. each
for the lower part (fig. 39) Collection Luisella Zignone
Edition of 8 replicas
6 x 8.6 x 4.2cm % Black Book, 1964 % The Bec Auer, 1968
Private collection Album in black leather filled by Copper etching on Japan vellum
(fig. 157) Marcel Duchamp with photographic Edition of 30
and other documents on paper, 50.5 x 32.5cm
% Self-Portrait in Profile, 1957 / 1967 signed by Duchamp on cover Private collection
Serigraph of original collage, profile in 37 x 35 x 8cm
yellow against black ground printed on Collection Luisella Zignone
white cardboard
Sheet 29.5 x 23cm
Image 14.9 x 12.8cm
Collection David Fleiss, Paris 6
(fig. 163)
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No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. ©2008FundacionProa
 Other Artists Anonymous Anonymous
View of the Armory Show, New York, 1913 Marcel Duchamp and Yvonne Chastel
Eugène Fontaine Gelatin silver print in Buenos Aires?, c. 1918
Marcel Duchamp, c. 1890 (fig. 11) Vintage gelatin silver print
Vintage gelatin silver print Succession Marcel Duchamp
Succession Marcel Duchamp % Henri Pierre Roché Villiers-sous-Grez, France
Villiers-sous-Grez, France Untitled [Series of 7 photographs (fig. 66)
(fig. 2) of Marcel Duchamp’s studio,
33 West 67th Street, New York], 1916–1918 Anonymous
Anonymous Vintage gelatin silver prints Marcel Duchamp in Buenos Aires, 1918-19
Catherine Duchamp, Ketty Guibert, 4.2 x 6.8cm. each (Marcel Duchamp en Buenos Aires)
Raymond Duchamp-Villon, Private collection Vintage gelatin silver print
Suzanne Duchamp and Marcel Duchamp, (fig. 47 / 82 / 96) Photograph de época
Blainville or Sainte-Adresse?, 1893 16 x 18.3cm
Vintage gelatin silver print % Alfred Stieglitz Private collection
Succession Marcel Duchamp Photograph of Fountain, 1917 (fig. 91)
Villiers-sous-Grez, France Vintage gelatin silver print
(fig. 7) 23.5 x 18cm Katherine Dreier
Succession Marcel Duchamp, Marcel Duchamp in Buenos Aires?, 1919
Anonymous Villiers-sous-Grez, France Vintage gelatin silver print mounted on card,
Marcel Duchamp as a child in a (fig. 84) signed and dated
military uniform costume, Montvilliers, 1893 Succession Marcel Duchamp
Vintage gelatin silver print Anonymous Villiers-sous-Grez, France
Succession Marcel Duchamp Marcel Duchamp with pipe replicated (fig. 60)
Villiers-sous-Grez, France 5 times. Broadway Photo Shop,
(fig. 4) New York, October 10, 1917 % Suzanne Duchamp / Jean J. Crotti
Gelatin silver print Marcel Duchamp’s Unhappy Readymade,
H. Digard Succession Marcel Duchamp c. 1919–1920
House where Marcel Duchamp was born, Villiers-sous-Grez, France Vintage gelatin silver print
1894 (fig. 108) 11 x 7cm
Vintage gelatin silver print Philadelphia Museum of Art
Succession Marcel Duchamp % Henri Pierre Roché Gift of Virginia and William Camfield, 1983
Villiers-sous-Grez, France Untitled [Marcel Duchamp’s studio at (fig. 64)
(fig. 3) 33 West 67th Street, New York], 1917–1918
Vintage gelatin silver print % Man Ray
Anonymous 6.9 x 8.2cm Atelier Marcel Duchamp, 1920
Jacques Villon, Marcel Duchamp, Succession Marcel Duchamp (Marcel Duchamp’s Studio)
Raymond Duchamp Villon and Pipe, Villiers-sous-Grez, France Vintage gelatin silver print
the dog, Puteaux, c. 1912 12 x 10cm
Vintage gelatin silver print Anonymous Private collection
Succession Marcel Duchamp Avenida de Mayo, the public (fig. 22)
Villiers-sous-Grez, France in front of the offices of the
(fig. 5) newspaper La Prensa in Buenos Aires, % Man Ray
upon receiving news of the armistice, 1918 Marcel Duchamp with Rotary Glass Plates
Hans Hoffmann and Man Ray Vintage gelatin silver print (Precision Optics), 1920
Portrait of Marcel Duchamp with drawing Archivo General de la Nación, Buenos Aires Vintage gelatin silver print
of his Glissière contenant un Moulin à Eau (fig. 67) (included in the Black Book)
en métaux voisins overprinted, c. 1912 23.3 x 18cm
Gelatin silver print Anonymous Collection Luisella Zignone
Succession Marcel Duchamp Avenida de Mayo westward, (fig. 120)
Villiers-sous-Grez, France Buenos Aires, c. 1918
(fig. 71) Vintage gelatin silver print Man Ray
Archivo General de la Nación, Buenos Aires Marcel Duchamp and a side view of his
Anonymous (fig. 26) tonsure, c. 1920
Suzanne Duchamp, 1913 Vintage gelatin silver print
Vintage gelatin silver print Succession Marcel Duchamp
Succession Marcel Duchamp Villiers-sous-Grez, France
Villiers-sous-Grez, France (fig. 109)
(fig. 14)
7

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 Anonymous % Georges Hugnet % Denise Bellon
From left to right: Jean Crotti, Francis La septième face du dé, 1936 Installation view of the Exposition
Picabia, Suzanne Duchamp, Germaine Publication with cover by Marcel Duchamp Internationale du Surréalisme,
Everling and Marcel Duchamp, Cannes, showing Why Not Sneeze . . . ? Galerie Beaux-Arts, 1938 / 2004
c. 1922 29.3 x 21.4cm Gelatin silver print, printed later
Vintage gelatin silver print Private collection Format 24 x 30cm
Sepia photograph (fig. 36) Image 21.5 x 22.5cm
Succession Marcel Duchamp Les Films de l’équinoxe - Fonds
Villiers-sous-Grez, France % Raoul Ubac photographique Denise Bellon
(fig. 12) Mannequin surréaliste (Rrose Sélavy, (fig. 142)
mannequin dressed by Marcel Duchamp),
Man Ray 1938 % Arnold Newman
Marcel Duchamp with Suds soap at the Gelatin silver print Marcel Duchamp at the First Papers of
Hotel Istria, rue Campagne-première, 23.2 x 17.2cm Surrealism exhibition, Whitelaw Reid
Paris, 1924 Musée d’Art Moderne de la Ville de Paris Mansion, New York, 1942
Vintage gelatin silver prints Gelatin silver print
Succession Marcel Duchamp Denise Bellon 24.1 x 15.8cm
Villiers-sous-Grez, France Portrait of Marcel Duchamp with chessboard Philadelphia Museum of Art
(fig. 111) at his 11 rue Larrey studio, 1938 Gift of R. Sturgis and Marion
Gelatin silver print B. F. Ingersoll, 1945
% Man Ray Les Films de l’équinoxe - Fonds (fig. 147)
Untitled [Photograph of photographique Denise Bellon
Marcel Duchamp and Bronja Perlmutter (fig. 25) % Anonymous
as Adam and Eve in Relâche], 1924 Untitled [Kurt Seligman’s wall
Vintage gelatin silver print % Anonymous and Swiss cheese], 1942 
(included in the Black Book) Untitled [Visitors viewing works by Vintage gelatin silver prints
25.7 x 20cm flashlight at the Exposition Internationale Two photographs Marcel Duchamp used
Collection Luisella Zignone du Surréalisme], 1938 to make the cover and backside of the
(fig. 115) Gelatin silver print First Papers of Surrealism exhibition
14.6 x 10.5cm catalogue
Katherine Dreier Courtesy Zabriskie Gallery Kurrt Seligman’s wall 34 x 26cm
Marcel Duchamp in the balcony of (fig. 141) Swiss cheese 25 x 20cm
Hotel Brighton? Hotel Istria?, Paris, Collection David Fleiss, Paris
c. 1925 % Roger Schall (fig. 145)
Vintage gelatin silver print Installation views of the Exposition
Succession Marcel Duchamp Internationale du Surréalisme, % John D. Schiff
Villiers-sous-Grez, France Galerie Beaux-Arts, Paris, 1938 / c. 1950 Installation view of Exhibition First Papers
(fig. 34) Contact sheet with gelatin silver of Surrealism Showing Duchamp’s Sixteen
prints, printed later Miles of String Installation, 1942
Anonymous 30 x 40cm Gelatin silver print
Scene from René Clair’s film Entr’acte: Roger Schall Paris 19.3 x 25.4cm
Marcel Duchamp and Man Ray playing (fig. 48 / 114 / 143) Philadelphia Museum of Art
chess, Paris, 1926 Gift of Jacqueline, Paul and Peter Matisse
Anonymous vintage gelatin silver print % Denise Bellon in memory of their mother Alexina Duchamp
Succession Marcel Duchamp Installation view of the Exposition (fig. 49 / 144)
Villiers-sous-Grez, France Internationale du Surréalisme,
(fig. 29) Galerie Beaux-Arts, 1938 / 1980 % David Hare
Gelatin silver print, printed later VVV, Almanac for 1943, no. 2-3,
Walter Buschamn? Format 24 x 30cm New York, 1943
Katherine Dreier and Marcel Duchamp, Image 21.5 x 22.5cm Magazine published by David Hare
West Redding, Connecticut, 1936 Les Films de l’équinoxe - Fonds with special issue by André Breton,
Gelatin silver print photographique Denise Bellon Marcel Duchamp, and Max Ernst.
Courtesy Succession Marcel Duchamp (fig. 140) Cover by Marcel Duchamp with chicken
Villiers-sous-Grez, France wire and cardboard cut out
(fig. 103) 28.5 x 22 x 1.5cm
Collection David Fleiss, Paris

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No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. ©2008FundacionProa
% David Hare % Anonymous % Maeght Éditeur
VVV, Almanac for 1943, no. 2-3, Portrait of Marcel Duchamp Le Surréalisme en 1947, 1947 
New York, 1943 in his studio, 1945 Exhibition catalogue published by Maeght
Magazine published by David Hare Vintage gelatin silver print Éditeur, Paris; cover for deluxe edition
with special issue by André Breton, 25.3 x 20.4cm designed by Marcel Duchamp with
Marcel Duchamp and Max Ernst. Frederick and Lillian Kiesler Enrico Donati and including a foam
Cover by Marcel Duchamp with chicken Private Foundation, Viena rubber breast, painted and mounted on
wire and cardboard cut out velvet and cardboard, with back bearing
28.5 x 22 x 1.5cm % Anonymous the inscription: “Prière de toucher”
Collection Luisella Zignone Marcel Duchamp in his studio, (Please Touch)
pipe in hand, 1945 Proposed edition of 999 remained
% Charles Henri Ford Gelatin silver print incomplete
View, vol. 5, no. 1, New York, March 1945 25.2 x 18.9cm 25 x 22.8cm
Magazine with cover by Marcel Duchamp Frederick and Lillian Kiesler Private collection
30.5 x 23cm Private Foundation, Viena (fig. 154)
Private collection (fig. 46)
(fig. 43) % Denise Bellon
% Maya Deren Detail of Le Rayon vert by Marcel
% Frederick Kiesler Storefront of the Gotham Book Mart, Duchamp, Galerie Maeght, Paris, 1947
Du mirage des réseaux circomflexes en New York, 1945 Gelatin silver print
peinture, 1945 Gelatin silver print 18 x 24.5cm
Pull-out page from View magazine, 11.7 x 18.7cm Les Films de l´équinoxe-Fonds
special Marcel Duchamp issue Bibliothèque Kandinsky photographique Denise Bellon
30.5 x 22.5cm Centre de Documentation et de (fig. 151)
Frederick and Lillian Kiesler Recherche du MNAM-CCI
Private Foundation, Viena (fig. 148) Anonymous
Francisco Matarazzo Sobrinho, León Degand,
% Frederick Kiesler % Maya Deren Carlos Pinto Alves. Conference
Du mirage des réseaux circomflexes en Storefront of the Gotham Book Mart, held at the Biblioteca Municipal de São
peinture, 1945 New York. Marcel Duchamp working Paulo, March 9, 1947
Pull-out page from View magazine, for the presentation of Arcane 17, 1945 Black and white photograph
special Marcel Duchamp issue Gelatin silver print, with inscription Ana Paula Nascimento Archive, São Paulo
30.5 x 22.5cm by Marcel Duchamp “Marcel N. Y. 1945” (fig. 55)
Frederick and Lillian Kiesler 25.5 x 21cm
Private Foundation, Viena Bibliothèque Kandinsky Denise Bellon
Centre de Documentation et de Workman unpacking falsie breast
Anonymous Recherche du MNAM-CCI for cover of the catalogue for the
Dinner in honor of Aimé Césaire and his (fig. 149 / 150) Exposition Internationale du Surréalisme,
wife. Among the dinner guests: André Galerie Maeght, Paris, 1947
Breton, Yves Tanguy, Roberto Matta and % André Breton Vintage gelatin silver print
Patricia Kane Matta, Teeny Duchamp, Jackie Young Cherry Trees Secured Against Hares, Les Films de l’équinoxe - Fonds
Matisse Monnier and Marcel Duchamp, 1945 New York, 1946 photographique Denise Bellon
Vintage gelatin silver print Text by André Breton; (fig. 155)
Succession Marcel Duchamp cover and jacket design by Duchamp
Villiers-sous-Grez, France 24 x 16cm % John D Schiff
(fig. 33) Private collection Untitled [Photograph of “La Mariée mise à
(fig. 37) nu par ses Célibataires, même”], 1947
% Anonymous? Frederick Kiesler? (The Bride Stripped Bare By Her Bachelors,
Cut out of Marcel % André Breton Even [The Large Glass])
Duchamp’s hand print, 1945 Yves Tanguy par André Breton, 1946 Gelatin silver print
Photogram Book published by the Pierre Matisse 25.2 x 17.2cm
21.5 x 18cm Gallery, New York. Design and Bibliothèque Kandinsky
Frederick and Lillian Kiesler typography by Marcel Duchamp. Centre de Documentation et
Private Foundation, Viena Deluxe edition includes additional cover de Recherche du MNAM-CCI
by Marcel Duchamp (fig. 102)
35 x 22.8cm
Private collection

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No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. ©2008FundacionProa
% Willy Maywald % Victor Obsatz % Adrian Dax
Installation view of the altar Soigneur de Portrait of Marcel Duchamp, 1953 Publication de documents graphiques
gravité by Marcel Duchamp at the Gelatin silver print de caractère scientifiques, p.1 intitulée
Exposition Internationale du Surréalisme, 34.3 x 26.7cm “Aménagement”, 1959
Galerie Maeght, Paris, 1947 Private collection Manuscript letter from Adrian Dax to André
Gelatin silver print (fig. 45) Breton concerning the preparations for the
29.5 x 23.5cm 1959
Frederick and Lillian Kiesler Anonymous Exposition Internationale du Surréalisme
Private Foundation, Viena Marcel Duchamp with The Large Glass, 26.9 x 20.9cm
(fig. 153) during an interview with James Johnson Bibliothèque Kandinsky
Sweeney, Philadelphia, August 3, 1955 Centre de Documentation et de
% Willy Maywald Gelatin silver print Recherche du MNAM-CCI
Installation view of Frederick Kiesler’s Succession Marcel Duchamp (fig. 170)
Anti-Tabu with Marcel Duchamp’s Villiers-sous-Grez, France
Le Rayon vert at the Exposition (fig. 105) % Denise Bellon
Internationale du Surréalisme, Installation view of the Exposition
Galerie Maeght, Paris, 1947 Richard Lusby Internationale du Surréalisme, Galerie
Gelatin silver print Marcel Duchamp signing the Daniel Cordier, Paris, 1959 / 1980
26.8 x 23.5cm deluxe edition of Eau & Gaz, Gelatin silver print, printed later,
Frederick and Lillian Kiesler Paris, September 23, 1958 signed by Bellon on the back
Private Foundation, Viena Gelatin silver print 24 x 30cm
(fig. 152) Courtesy Succession Marcel Duchamp Les Films de l´équinoxe-Fonds
Villiers-sous-Grez, France photographique Denise Bellon
Anonymous (fig. 166) (fig. 168)
Marcel Duchamp with his work
Rotary Glass Plates (Precision Optics) % Roger Van Hecke Ugo Mulas
and his painting La Partie d’échecs, Accrochage Galerie Cordier Marcel Duchamp with Nine Malic Moulds
Yale University Gallery, New Haven, Installation view of the in 28 West 10th Street, New York, c. 1960
March 5, 1948 Exposition Internationale Gelatin silver print
Gelatin silver print du Surréalisme, 1959  Courtesy Succession Marcel Duchamp
Succession Marcel Duchamp Gelatin silver print Villiers-sous-Grez, France
Villiers-sous-Grez, France 24 x 18.3cm (fig. 104)
(fig. 178) Bibliothèque Kandinsky
Centre de Documentation et de Anonymous
Anonymous Recherche du MNAM-CCI Marcel Duchamp smoking a cigar,
A group of São Paulo society ladies visit the (fig. 50 / 167) Cadaqués, c. 1960
Do Figurativismo ao Abstracionismo Vintage gelatin silver print
exhibition, invited by Yolanda Penteado, % Pierre Faucheux Succession Marcel Duchamp
March 27, 1949 Plan of the Galerie Daniel Cordier, Villiers-sous-Grez, France
Black and white photograph Exposition Internationale (fig. 164)
Ana Paula Nascimento Archive, São Paulo du Surréalisme, 1959 
(fig. 56) Ink and color crayons on carton, Julian Wasser
with notes on the back by André Breton Marcel Duchamp with The Large Glass,
Cover of the exhibition catalogue “Premier projet de Pierre Faucheux” in his exhibition at the Pasadena Art
Do Figurativismo ao Abstracionismo. 35.2 x 66cm Museum, October - November 1963
Museu de Arte Moderna - São Paulo, 1949 Bibliothèque Kandinsky Gelatin silver print
Wanda Svevo Archive Centre de Documentation et de Courtesy Succession Marcel Duchamp
Fundação Bienal de São Paulo Recherche du MNAM-CCI Villiers-sous-Grez, France
(fig. 57) (fig. 169) (fig. 106)

Anonymous Anonymous
Marcel Duchamp and Jackie Matisse Marcel Duchamp with Bicycle wheel
Monnier during the filming of 8 x 8 by in his exhibition at the
Hans Richter, in Connecticut, May 1952 Pasadena Art Museum,
Gelatin silver print October - November 1963
Succession Marcel Duchamp Gelatin silver print
Villiers-sous-Grez, France Succession Marcel Duchamp
(fig. 179) Villiers-sous-Grez, France
(fig. 13)
10

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 Naomi Savage % William Copley
Marcel Duchamp and Man Ray, S.M.S., New York,
New Jersey, 1963 April 2, 1968
Gelatin silver print Magazine published by William Copley
Courtesy Succession Marcel Duchamp with cover of the 1968 issue
Villiers-sous-Grez, France designed by Marcel Duchamp
(fig. 44) Edition of 2500 copies
27.5 x 17.5cm
Anonymous Private collection
Teeny and Marcel Duchamp,
Cadaqués, c. 1964 James Klosty
Vintage gelatin silver print Merce Cunningham at the premiere
Succession Marcel Duchamp of the performance Walk-around Time,
Villiers-sous-Grez, France supervised by Jasper Johns and
(fig. 41) inspired by The Large Glass, Buffalo, 1968
Photograph en blanco y negro
Anonymous? Debois? Courtesy of the Archives of the
Marcel Duchamp with Fountain, Merce Cunningham Dance Company
Kestner-Gesellschaft Institute, (fig. 38)
Hanover, September 1965
Gelatin silver print Leone Sonnino
Succession Marcel Duchamp Corner of 1507 Sarmiento Street,
Villiers-sous-Grez, France one of the places where Marcel Duchamp
(fig. 176) resided during his stay in Buenos Aires,
c. 1969
Anonymous? Debois? Black and white photograph
Marcel Duchamp with Porte-bouteilles, Courtesy Leone Sonnino, Buenos Aires
Kestner-Gesellschaft Institute, With gratitude to Graciela Speranza
Hanover, September 1965 (fig. 68)
Gelatin silver print
Succession Marcel Duchamp % Shigeko Kubota
Villiers-sous-Grez, France Marcel Duchamp and John Cage, 1970
(fig. 177) Limited edition book including
a 33 1/3 phonograph, with a sound
Denise Browne Hare recording of Reunion, the 1968 chess match
Marcel and Teeny Duchamp, between Marcel Duchamp and John Cage
Figueras, 1965 22.2 x 16.3 x 2cm
Gelatin silver print Private collection
Courtesy Succession Marcel Duchamp
Villiers-sous-Grez, France
(fig. 174)

Man Ray
Marcel Duchamp and his piece
La Bagarre d’Austerlitz,
Vintage gelatin silver print
Succession Marcel Duchamp
Villiers-sous-Grez, France
(fig. 20)

Bert Stern
Marcel Duchamp holding his
Bouche-Évier, March 1967
Gelatin silver print
Courtesy Succession Marcel Duchamp
Villiers-sous-Grez, France
(fig. 162)

11

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No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. ©2008FundacionProa