Bossa Dorado

Intro

 
D- B¨/D BØ/D B¨/D

                    
1

   
3 2 2 1

 
3 3 1 1 3 4 1 4 1 4 3 1 3 1
3 3 3 3

  

                       


6 6 6 6 6 6 6 6 6
7 7 7 8 8 8 8 8 9 9 9 8 8 8 8 8 8

A7b9
G7 A¨7 A7 4
2

 
2


2 2 3
2
D- B¨/D BØ/D
 
2 2
1

      
3

           
3 3
5 1

         
2 1 1 1 1 1 1 1 1 1
2 2 3 3 3 4 4 4 3 T 3

  

                       
 

3 4 5 6
6 6 6 6 6 6 6 3 4 5 5
4 5 6 6
7 7 7 8 8 8 8 8 9 9 9 8 3 4 5 5 6
5

     
D- E7

      
            
9 1 2 1

    
2 2 3 2 3 3 1 3 3 3
3 3 2 2 2 2 2 2 2

                     
  

5 6 5
6 6 6 6 6 5 5 6 6 6
7
7 7 7 7 6 6 6 6 6 6
2

4
A7 4 2


4 4


2 2 3

           

2 2 2


3 1


            
D-

3 3 3
EØ A7

1
1 1 1
13
         
3 3 4 1 4 1

  
1 1 2 1 2 1 2 3 1

                     
    1112 1112

5 5 6 6 9 9 12 12 13
6 5 5 5 6 7 8 5 5 5 5 5 8 8 11
6 6 6 6 6 9 9 12
5 5 7 5 7 5 3 3 5 5 5 5 8 8 11 11 11

     
D- E7
   
               
17 1 2 1

  
2 2 3 2 3 3 1 3 3
3 3 2 2 2 2 2 2

                   
  

5 6 5
6 6 6 6 6 5 5 6 6
7
7 7 7 7 6 6 6 6 6



D-

EØ A7
              
2 2
21 1

     
3 1 1 1 2 1 2


1 1 2 3

     3
      

 

10
6 5 5 5 6 6 8 6 5 6 8 8 10 6
7
5 5 7 7
 3

    
AØ
          
 
D7 G-7

1

     
2 4 4 4 4 1 2 1
2 1 1 1 2 1 1
25 1 2

      
1

 
2 2 1
1

 

                
 
   

8 11 11 10 8 11 11 8 11 11 10 9 10
11 10 11 10 11
11 12 11 12
11 12

A7

                
E7 0
3 3 3
EØ

          

1 1 1 1 2 1 1 1
29

2 1 1 1 3 3
1 3 3

    
2 1 3 3 2 1 3
1


1 2

3 3

fast lick based off dim arpeggio

          3        


3



7 12 12 12 10 12 10 9 12
9 11 10 11 10
7 10 12 10 9 9 12 12 12 12 9 9 9
6 9 11 14 14 14 14 11 11 11 6
5 6 7

           
D- E7
          
33 1 2 1
2

     
2 2 2 2 3 3 3 3 3

  
3 3 3 3 3 2 2 2 1 2 2 2 2

                         


5 6 5
6 6 6 6 6 6 6 5 5 6 6 6
7
7 7 7 7 7 7 6 6 6 6 6 6
4

A7 A7

    
  
                 
EØ D- 2


3 2 2
37 1 3 1

 
2 1 1 1

   
3 1
3 1 3 3 2

  
1 1 2 3

bluesy lick
D minor lick which accentuates the 6th (B natural)

    1/2
             
  

5 7 7 7 10 7 7 7
6 5 5 8 8 6 8 9 8 6 8 6 6 10
7
5 5

Solo

       
D- E7
                        

4 2 1 1 1
2

 
2 2 1 1 1 1 1 3 1 2 2
1 2 1 1 3 1 2
1 2
41

 
1 1


3

3 3

sometimes Stochelo picks the 16ths

triplets up, sometimes down and other
times two down, one up (bar 48). The
lesson to be learnt is: it really doesn't matter,
do what comes natural.

          3  
 3            


10 12 13 12 15 13 17 13 15 13 15 13 12
14 14 15 13 15 13 12 12 12 15 15 15 15 15 15 15 15 15
14 13 16 16 16 16 16 16 16 16 16
 5

  
EØ (2)

       
A7 D- A7
              
3 2

     
1 1 1
2 1 3
45
  
1 1 1
1 3 1 3 1

 
3 1 1 1 3 1 2 2 1 1 1
3


3 3 3

Easy but very effective lick from A7 to D minor.

One to practice in many keys

3
   3               

3

 

17 16 15 14
11 11 11 11 11 11 13 11 10 9 10
12 12 12 12 12 12 10 12 10 9 10 12 10 14 16 14 13 14
12
12 12

D- E7

                         
1 1 1 1 1 1 1

  
3 2 1
2 2


3 2 1 1 2 2 2


49

 
2 1 1 2


3 2 3


1 3

Stochelo's signature thirds lick. I only hear Stochelo play

3 these licks in bossas, not in swing tunes!
                      


13
15 15 15 13 15 13 12 12 15 15 15 15 15 15 12 12 12 12 15 15 15 15
14 14 13 16 16 16 16 16 16 13 13 13 13 16 16 16 16
15 14 12 14 15

A7


 
D-
                   
EØ
 
3 2 1


53 1

     
1 1 1 1 1 1
1

 
3 3 1 1
1 3 1

  
2 2 2 1 1 1 1 3 2 3 2 3 3 1 3 3
1

3 3

Fast minor run. Usually

Lyrical phrase. Fits over played starting on the A-string
Em7b5 and G minor but here's Stochelo's fingering
starting on the E-string.

       3   3              
 

10
11 11 11 11 11 11 13 11 10 9 10 15
12 10 12 10 9 10 12 10 14
12 12 12 12 12 14 15
12 12
13 12 10 12 13
6

AØ

                      
D7
     
 
1
2 2 1
1 G-7 1 1 1 2
1 1

     
1 1 1 2 3 2 2 2 2
57 1

 
1 1 2 2 2
1 3


3

Typical Stochelo II-V-I in a minor key, especially suited to bossa nova songs.

    3
                 
  

11 10 10 11 10 9 10
13 13 11 13 11 10 10 10 13 13 13 13 13 13 13 11 10 11 10 11 10 11
12 11 14 14 14 14 14 14 14 12 11 12 11 12

       
 
2

      
2 1 1


1 1
E7
 
1 4
61
    
1 1 1
3

 
2 1 3 2 2 3 2

    
1 2 1 3 1 3 1 2

  

You gotta learn this very cool lick, it will amaze friend and foe. If they ask you where you come up with these
phrases just say that you just play what you hear in your head (yeah, right!!).

                       
 

7 13 12 13 12 12 11 12
9 15 12
7 10 13
6 9 14 13 12
5 6 7 13 11
13 11 12

        
A7

    
EØ 4 4

           
3 3 3 3
3 3
63 3 3 1 1 1


3 3 2

   
1 1 2 2
2 2

  
0 3 1 0 2 1 0 2 1

 
Another cool lick with Stochelo's sound all over it. Try to play all the 16th as even as possible.

                             


0 3 3 6 6 9 9 12 12 13 13 12 12
2 2 5 8 11 11 11
0 3 3 6 9 12 12 12
2
0 4
 7

D-
                      
 
3 3 3 3 4 4 3 3 3 3 4 4

       
1 1 1 1
65 1 1 1 1 1 1 1 1


1 1 1 1 1 1 1 1

                               


12 12 10 10 12 12 13 13 12 12 10 10 12 12 13 13
10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10

E7

               
 
4

    
1 3 3 4 3 3 1 3 3

   
1 1 2 3 1 1
1
67

 
1 1 1
2 2 2 2


3

Again a lyrical phrase which fits over

Em7b5 and G minor

                      3




12 12 13 13 15 15 13 13 12 9 10 11 12 10 12 10
12 12 12 12
13 13 13 13

EØ A7 D-

       
          
                   
3 2 1 1 1 1 1
69 2
3 2
1 1 3 1 1
3 1
1
3
3 3 3 3 3 1 3 1 1
1 1 1


1 1

3 3

           


3 3



11 13 12 11 11 13 11 10
12 11 10 9 10 12 10 9 9 12 12 12 12 12 12 12 12 10 9 10 14 16 14 13 14
11 14 14 14 14 14 14 14 14 12 11 12
8

D- E7
       
(2)

 
    
3 2 1 1 3

        
3


1 1 1 2
3

        

2 1 4
73

   
2 1 1
3 3
1 2
1
4 1 2 4 1


2 1 3 2 1 1

This is lesson 10 exercise 5 from the technique course!

                          
   
  

17 16 15 14 13 10 12 10 13 10
15 15 12 9 12 9
14 14 10 7 10 7 9 7
15 14 12 14 15 9 6 9 7

      
A7

EØ

 
77 1

           
1 3 1 2
2 3


3 2 1 1 1 1 1 3 2 1 2 1 1 3 1 1 3

3
   
3 3

In bar 78 we see a very rare example of Stochelo alternate picking a diminished arpeggio. If
you would ask him why, he would say that this is just the way he practiced this lick a long time ago.
You can try it this way or stick to Stochelo's normal picking patterns. Practice this cool phrase

  
in C-, D- (here), E- and F-

  3
   3     3        


6
8
6 9
10 9 8 9 8 7 8 7 9 7 5 5 8
8 7 5 7 5 4 7

D-



A7
             
3


(4) 3

         
(2)
79 1


1 3 1 1

 
1 2 1 1 3 1
1 2 1 3 1 1 2 1 1 3 3 3 3
1

3 3

    
         3          3



5 10
8 6 5 10 10 12 10 9 10
7 6 9 7 7 9 10
7 7
8 7 8 7 5 7 8
 9
D-

        
(4)

 
       
4 4 3 2

                   
3 1 3 1
3 3 3 3 3
81 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1


3 3 3 3 3 3

This sounds very exciting and impressive but is in fact very easy. Good stuff if you need some relaxation time in the
middle of all your double time licks without losing drivet!

  3

    3
     3
     3

    3
    3 


13 12 10 13 12 15 14 13
10 12 10 9 10 10 12 10 9 10 10 12 10 9 10 10 12 10 9 10 10 12 10 9 10

E7

             
 
(4) 3

 
3 3


1

 
1 3 1 1 1 1 1

      
2 1 1 2
83

      
2 1 3
3 1 2 1 1 4 3 1
2


1 3 2 1 2 3 1 3 1

3 3 3 3

This is just a chromatic scale with

embellishments to connect two
licks. Good trick for when you
need to connect licks some frets
apart.
 
         3     3  3  3


12 13 15 13 12 14 12 11 13 11
15 14 13 12 15
14 13 13 16
15 14 12 12 15
15 14 12 14 12 11 11 14
14 11 12 13

EØ

               
    
2

  
2 1
3
A7
     
1 1 1 1

   
1 1
2
85 2 4 2 3

 
2 1 3

 
3 2 1 1


1 1 1 1

 
1 2 1 3 1 2 1 3

3 3

       3
                     3
  


10 12 10 12 15 13 15 13 12 13
11 13 11 10 14
12 11 10 11 10 9 10 12 10 9 12 15
12 11 11 14
13 11 12
10

D-

      
 
  
3

     
2 3 3
1 1
3 1 2 1
87
     
1
2 2

 
3 1 3


1 3 1 3

Excellent D- 6 lick. Practice in multiple keys!

                   
 

15 16 17 12 15 13 10
15 12 12 15
14 14
15 12 12 15
14 12 14

AØ

                      

D7
     
 
1
2 2 1
1 G-7 1 1 1 2
1 1
1 1 1 2 3 2 2 2 2
89 1

 
1 2 2 2

 
1 1


3


3

This second bridge (bar 89 to 95) are exactly the same as the first bridge (bar 57-63), except for bar 96 which is
Stochelo's standard lick to get back to the theme of Bossa Dorado.

    3
                 
  

11 10 10 11 10 9 10
13 13 11 13 11 10 10 10 13 13 13 13 13 13 13 11 10 11 10 11 10 11
12 11 14 14 14 14 14 14 14 12 11 12 11 12

         
 
2

 
2 1

    
1 1 1


4
93 E7 1


1 1 1
3

      
2 1 3 2 2 3 2

    
1 2 1 3 1 3 1 2



                       
 

7 13 12 13 12 12 11 12
9 15 12
7 10 13
6 9 14 13 12
5 6 7 13 11
13 11 12
 11

       
EØ A7

    
95 3 3

         
3 3 1 3 3 1

 
2 1 4 1 3 2 1

  
0 3 1 0 2 1 0 2 1 2

 

                       


0 3 3 6 6 5
2 2 5 8 5
0 3 3 6 6
2 7 6 5 5 7 8 6
0 4

Theme

           
D- E7

          
97 1 2 1

     
1 1 1 1 3 2 3 1 3 3 3

  
2 2 2 2 3 2 2 2 2 2 2 2

                         


5 6 5
6 6 6 6 6 6 6 5 5 6 6 6
7
7 7 7 7 7 7 6 6 6 6 6 6

A7

   
EØ
      
3

 
101 3


3 3


3 1 1 1

  
1 1 2

     1/2
    


6 5 5 8 8 6 8 9 8 6
5 5
12

Outro

 
D- B¨/D BØ/D B¨/D

                      
103 2 1 1 1

  
1 1 1 1 1


2 2 3 3 3 4 4 4 3 1 3 3 3

   

                      


6 6 6 6 6 6 6 6 6
7 7 7 8 8 8 8 8 9 9 9 8 8 8 8 8 8

rit.

 
D- B¨/D BØ/D B¨/D
                    
107

   
2 1 1 1 1

 
3 1 1 3 4 1 4 1 4 3 3 1 1 3
2 2 3

  

                       


6 6 6 6 6 6 6 6 6 6
7 7 7 8 8 8 8 8 9 9 9 8 8 8 8 8

4
4

      
D-


(3) D-6(11) 2

 
(3)

   
4 (4) 3

 
4 2

 
1


1 1 3 1
111
   
3

        
2 1 2 1
1


1 2 1 2 1 2 1 3 1 1


1 3 1


3


Great lick for D-, practice in C-, Bb-, A- and G- also!


                  3      



9 12 13 9 12 10 3
9 10 13 10 12 11 10 3


9 10 10 2
11 12 12 10 12 10 9 10 3
11 12 2