Audition

(The Fools Who Dream)

Lyrics by Music by
BENJ PASEK & JUSTIN PAUL JUSTIN HURWITZ

3  
4    
Slowly and freely

      
N.C.
Voice

3   
4
Bare foot, she smiled, leapt with out


  43   
Piano

 
In time (slowly)

      
      
4


Vo.

   

look ing, and tum bled in to the


Seine.


     

Pno.


With pedal
         
         
8

Vo.

  
The wa ter was freez ing; she spent a month

      
   





 
Pno.

 


   
    

    
12


Vo.

 
  
sneez ing, but said she would do it a gain.

    

    
   
Pno.

   

 
 

 
   
16

Vo.

      
Here's to the ones who dream,

      
     

 
  
Pno.

  
2
      
      
21

Vo.

    
fool ish as they may seem. Here's to the

  
          
    
 
Pno.




    


    
26

Vo.

        
hearts that ache; here's to the mess we

    
       
 
     
Pno.

   

   
 
Faster

    
31

Vo.

         
 
make. She cap tured a




 
3 5

        
  


Pno. 


3
       
           
34

Vo.


feel ing: the sky with no ceil ing; the sun set in

      

  
 
 

   
Pno.

  

       
    
38


Vo.

      
side a frame. She lived in her

   
      
 

    

Pno.

  

       
           
42

Vo.


liq uor, and died with a flick er; I'll al ways re

      

     
    

Pno.

  
4
        
   
46


Vo.

       
mem ber the flame. Here's to the

  
  
        
        
Pno.

  


   

50

Vo.

       
ones who dream,

  
       
   
  
   
Pno.

 

  
 
  
53

Vo.

    
fool ish as they may seem.


       
   
  
     
 
Pno.

5
    
    
56

Vo.

     
Here's to the hearts that


       
      
   
 
Pno.


   

 
59

Vo.

     
ache; here's to the

   

            
  
 
    
Pno.



24 34
 
    

62

Vo.

24   43
         
mess we make. She told me,

   
      42 4
3   
 
 
Pno.

  
accel. e cresc.

6
 
      
Moderately

  
67

Vo.

      
a bit of mad ness is key

    
3
       
       



Pno.


3 3


 
         

70

Vo.


          
to give us new col ours to

   
3
        
    
Pno.


3 3




     
73

Vo.

      
        
see. Who knows

   
      
 
   
Pno. 3

 
7
     
    
76

Vo.

       
where it will lead us? And

    

   
   
  
    
Pno. rit.


 
      

80

Vo.


     
that's why they need us. So,

     

       
   
Pno.

 
   
        
Broadening

  
83

Vo.


    
bring on the reb els, the rip ples from

 


 
        
    
 
Pno. 


8
    
 
       
  
86

Vo.


  
peb bles, the paint ers and po ets and

    

         
  
  
Pno.

  
  
    
89

Vo.

  

plays. And, here's to the

     
    rall.        
    


Pno.




     
   
92

Vo.


 

fools who dream, cra zy as

     
  
          
  
 
Pno.

   
9
  
    
   
96

Vo.


      
they may seem. Here's to the

      
          
    
   
Pno.


 
     
   
100

Vo.

 
     
hearts that break; here's to the

       
         
  
 
Pno.

  
 
 
    
   
Slower, with freedom

 
104

Vo.

  
 I

       

mess we make. trace it

  
  
  
        


  



Pno. rit. e dim.


10
   
    
108

Vo.

   
    
all back to then,

   
  
3

    
   

Pno. 3

   
      
110

Vo.

   3 
 L.H.
        
her and the snow and the

  

       


 
3


Pno.

 

 

113

Vo.

        
     
    
Seine.

  
3


       
 
Pno. 3

11
     
              
115


Vo.

  
          
Smil ing through it, she said she'd do it a

  
 
       





 
Pno.

 N.C.
  
119

Vo.

 

gain.

  
Pno.

12