This document provides a brief biography of Eberhard von Freising, a proposed 11th century German musical theorist. Little is known about Eberhard, and his status as a theorist is uncertain. Two short treatises were published under his name in 1784 dealing with organ pipe measurements and bellfounding. However, parts of one treatise are attributed to other authors. While Eberhard may have contributed to early attempts to apply numerical proportions to organ pipes and bells, there is a lack of convincing evidence that he existed as a musical theorist.
Beethoven and The Metronome, I Author(s) : Peter Stadlen Source: Music & Letters, Vol. 48, No. 4 (Oct., 1967), Pp. 330-349 Published By: Oxford University Press Accessed: 12-08-2016 05:22 UTC
This document provides a brief biography of Eberhard von Freising, a proposed 11th century German musical theorist. Little is known about Eberhard, and his status as a theorist is uncertain. Two short treatises were published under his name in 1784 dealing with organ pipe measurements and bellfounding. However, parts of one treatise are attributed to other authors. While Eberhard may have contributed to early attempts to apply numerical proportions to organ pipes and bells, there is a lack of convincing evidence that he existed as a musical theorist.
This document provides a brief biography of Eberhard von Freising, a proposed 11th century German musical theorist. Little is known about Eberhard, and his status as a theorist is uncertain. Two short treatises were published under his name in 1784 dealing with organ pipe measurements and bellfounding. However, parts of one treatise are attributed to other authors. While Eberhard may have contributed to early attempts to apply numerical proportions to organ pipes and bells, there is a lack of convincing evidence that he existed as a musical theorist.
This document provides a brief biography of Eberhard von Freising, a proposed 11th century German musical theorist. Little is known about Eberhard, and his status as a theorist is uncertain. Two short treatises were published under his name in 1784 dealing with organ pipe measurements and bellfounding. However, parts of one treatise are attributed to other authors. While Eberhard may have contributed to early attempts to apply numerical proportions to organ pipes and bells, there is a lack of convincing evidence that he existed as a musical theorist.
(fl ?Germany, ?11th century). German ?theorist. In 1784 Martin Gerbert published two very brief treatises under Eberhard’s name (GerbertS, ii, 279–82) from one manuscript of the 12th or 13th century, now D-Mbs Clm 18914. The first treatise is a group of calculations for organ pipe measurements. Apart from the fact that nothing whatever is known about this author, caution is further indicated by the presence of about half the text in the treatise of Aribo, where part is simply designated an ‘antiqua fistularum mensura’, and part explicitly attributed by Aribo to Wilhelm of Hirsau. It is of course possible that Wilhelm borrowed from an earlier work by Eberhard, but it is just as possible that Eberhard was connected only with the drawing which is labelled with his name in the Munich manuscript. The second, much briefer work is a few sentences on bellfounding and does not appear to be directly ascribed to Eberhard in any of its four manuscript sources. Neither work is of independent interest, but both are naturally essential for the history of medieval attempts to apply the simple numerical proportions of harmonious strings to the less tractable organ pipes and bells. Eberhard should perhaps not be counted as a musical theorist until convincing evidence of his existence is produced. BIBLIOGRAPHY K.G. Fellerer: Beiträge zur Musikgeschichte Freisings (Freising, 1926) C. Mahrenholz: Die Berechnung der Orgelpfeifenmensuren vom Mittelalter bis zur Mitte des 19. Jahrhunderts (Kassel, 1938; Eng. trans., 1975) J. Smits van Waesberghe, ed.: Cymbala: Bells in the Middle Ages, MSD, i (1951) LAWRENCE GUSHEE
Beethoven and The Metronome, I Author(s) : Peter Stadlen Source: Music & Letters, Vol. 48, No. 4 (Oct., 1967), Pp. 330-349 Published By: Oxford University Press Accessed: 12-08-2016 05:22 UTC