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    Zoosters Breakout Madagascar by Hanz Zimmer Cello Solo

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    mobgtr
    The document is a thematic representation of Madagascar using symbols. It depicts various aspects of Madagascar such as its landscape, people, culture and wildlife through a series of rows made up of symbols. The symbols form images, shapes and patterns that reference different elements of Madagascar without using words.

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    Zoosters Breakout Madagascar by Hanz Zimmer Cello Solo

    Uploaded by

    mobgtr
    75 views2 pages
    The document is a thematic representation of Madagascar using symbols. It depicts various aspects of Madagascar such as its landscape, people, culture and wildlife through a series of rows made up of symbols. The symbols form images, shapes and patterns that reference different elements of Madagascar without using words.

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    Zoosters Breakout Madagascar by Hanz Zimmer Cello Solo

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    The document is a thematic representation of Madagascar using symbols. It depicts various aspects of Madagascar such as its landscape, people, culture and wildlife through a series of rows made up of symbols. The symbols form images, shapes and patterns that reference different elements of Madagascar without using words.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    75 views2 pages

    Zoosters Breakout Madagascar by Hanz Zimmer Cello Solo

    Uploaded by

    mobgtr
    The document is a thematic representation of Madagascar using symbols. It depicts various aspects of Madagascar such as its landscape, people, culture and wildlife through a series of rows made up of symbols. The symbols form images, shapes and patterns that reference different elements of Madagascar without using words.

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    © All Rights Reserved
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    of 2

    madagascar

    thême

    4       


    4  
     = 120


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     

            
    6

                     


                
    11

                                             
           
    16

                                               
    3
     


    22

                                            
    3

      
    28

                               

             

                   
    33

            


          
        
    38

         


    
    43

          


    

      
    48
                     
         

        
    53

                     
      
        
    58

         


    63

            
     
    42   44              
             42
    68


     42     83 44
       38  44         83 44
      
           
    73

     44   38  44         83 2   83    42
     
              4  
    79

               

     42    83 2 3 2    44
       4     8    4 
    85


      
    91

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