This document provides a rubric for evaluating performances of different traditional Japanese theater forms. It assesses elements such as the type of play and characters chosen, the design of kabuki makeup, explanations of makeup choices, blocking techniques in Noh plays, distinctive gestures like the kabuki mie and bunraku mood flip, and the incorporation of stylized movements in butoh. Points are awarded based on clear and well-defended explanations, proper use of techniques, and inclusion of defining gestures.
This document provides a rubric for evaluating performances of different traditional Japanese theater forms. It assesses elements such as the type of play and characters chosen, the design of kabuki makeup, explanations of makeup choices, blocking techniques in Noh plays, distinctive gestures like the kabuki mie and bunraku mood flip, and the incorporation of stylized movements in butoh. Points are awarded based on clear and well-defended explanations, proper use of techniques, and inclusion of defining gestures.
This document provides a rubric for evaluating performances of different traditional Japanese theater forms. It assesses elements such as the type of play and characters chosen, the design of kabuki makeup, explanations of makeup choices, blocking techniques in Noh plays, distinctive gestures like the kabuki mie and bunraku mood flip, and the incorporation of stylized movements in butoh. Points are awarded based on clear and well-defended explanations, proper use of techniques, and inclusion of defining gestures.
No explanation is given for the Type of Noh Play 1 X play types is chosen and answer is type of Noh play chosen. defended. Explanation tells which character is No explanation is given for the Character Type 1 X chosen and answer is defended. type of character chosen. Design is neat looking with clear lines and Design is turned in but is not Design not turned in, or turned in Kabuki Makeup colors drawn. The colors on the design colored. Lines may be somewhat with little to no work done. Pencil 2 Design Sheet sheet match the character description neat but it is hard to tell what the only. Not complete. No telling given in the explanation paragraph. design is supposed to look like. where colors might have been. No explanation is given, or Explanation is clear in describing explanation is written, but it does Kabuki Makeup what color goes on which part of 1 X not tell why the colors were Explanation the face and how it applies to the chosen or where they go on the character. face Blocking properly uses the four corners of Noh Blocking Blocking uses the four corners Monologue has little to no the stage. Actors have made clear 2 incorrectly and monologue is not blocking completely ignoring the Movements choices in where they are standing and given to one specific point/person. pillars of Noh. looking. The mie is clear and has distinct foot, The mie is present, but arm, and eye movements. The mie is movements are muddled and it There is no mie present in the Kabuki Mie 2 done at a climactic moment in the does not come at a climactic monologue. monologue. moment. Head flip is present on a beat change. A head flip is present on a beat There is no head flip on a beat There is a distinct emotion before the change. Not clear the Bunraku Mood Flip 2 head flip that the audience has time to emotional/tactic difference before change present in the monologue. acknowledge and a distinct emotion after. and after the flip. A distinct stylized non-realism based A stylized movement is present, Butoh stylized movement is added into the gestures of but it seems more like a realism- There is no stylized slow 2 movement #1 the scene. It conveys a message to the based gesture than a stylized movements present. audience. movement. A distinct stylized non-realism based A stylized movement is present, Butoh stylized movement is added into the gestures of but it seems more like a realism- There is no stylized slow 2 movement #2 the scene. It conveys a message to the based gesture than a stylized movement present. audience. movement.