Professional Documents
Culture Documents
Overview Harmony and Most Common Progressions
Overview Harmony and Most Common Progressions
Overview Harmony and Most Common Progressions
Diatonic
Major [“Zone 1”]
|| I – VI | II – V | I ||
|| I – IV | III – VI | II – V | I ||
Chromatic
Concentric
Major [“Zone 3”]
bII
|| II – bII | I || [authentic use]
|| bII || II – V | I || [plagal use]
[md]
subV
|| II – subV | I ||
#II
|| II – #II | I6 ||
#IV
|| IV – #IVo7 | dom.6/4 ||
|| #IVø – IVmd || I6 - #IVo2 || II – bII | I ||
IImd / Vmd
|| IImd – Vmd | I ||
|| IV – IImd | dom. 6/4 ||
IVmd
|| IV – IVmd | I* ||
IV min / bVIImd
|| IV – bVIImd | I ||
|| IVmin – bVIImd | I ||
*Or substitutes.
1
Minor [“Zone 4”]
bII
|| II – bII | I || [authentic use]
|| bII || II – V | I || [plagal use]
subV
|| II – subV | I ||
#IV
Eccentric
Mixture [“Zone 5”]
Ipic [only in minor]
|| II – V | Ipic || [only in minor]
bIII / bVI [only in major]
|| I – (V) || bIII – bVI | II – V | I ||