Overview Harmony and Most Common Progressions

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Overview Harmony and Most Common Progressions

Diatonic
Major [“Zone 1”]

|| I – VI | II – V | I ||
|| I – IV | III – VI | II – V | I ||

Minor [“Zone 2”]



|| I – VI | II – V | I ||
|| IV – VII | III – VI | II – V | I ||

Chromatic
Concentric
Major [“Zone 3”]
bII
|| II – bII | I || [authentic use]
|| bII || II – V | I || [plagal use]
[md]


subV

|| II – subV | I ||

#II

|| II – #II | I6 ||

#IV

|| IV – #IVo7 | dom.6/4 ||
|| #IVø – IVmd || I6 - #IVo2 || II – bII | I ||

IImd / Vmd
|| IImd – Vmd | I ||
|| IV – IImd | dom. 6/4 ||

IVmd
|| IV – IVmd | I* ||

IV min / bVIImd
|| IV – bVIImd | I ||
|| IVmin – bVIImd | I ||

*Or substitutes.

1
Minor [“Zone 4”]
bII
|| II – bII | I || [authentic use]
|| bII || II – V | I || [plagal use]

subV

|| II – subV | I ||

#IV

|| IV – #IVo7 | dom. 6/4 ||



Eccentric
Mixture [“Zone 5”]

Ipic [only in minor]
|| II – V | Ipic || [only in minor]

bIII / bVI [only in major]
|| I – (V) || bIII – bVI | II – V | I ||

Secondary Functions [“Zone 6”]



Secondary functions may occur in all sorts of unpredictable situations. A few examples:

(V)
|| I – (V) | II – V | I || [mostly in major]

(II – V)
|| I – IV | (II – V) | II – V | I || [major]

(VII)
|| I – (VII) | II – V | I || [major]

DD
|| DD | II – V | I || [mostly in major]

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