? : 5 ; Q ; q ; ; VOLUME x x x § x m RO BO ONO CLASSICAL & MODERN WORKS DEE EH HE EEE OE OE OOK x 3 g & x % & i -ORCHESTRAL EXCERPTS from the Symphonic Repertoire. FOR TROMBONE AND TUBA Compiled and edited by KEITH BROWN er No. 2446 OO OOO OO ty a 8 s INTERNATIONAL MUSIC COMPANY z 509 FIFTH AVENUE NEW YORK CITY x OREO OOOO OKO OOOO Printed in US. & EEE EE EE EEE SESE SESE ME BESS SIEMENS HE SHE SNE SESE SE EEE BE SHEE BE ESE EEE OEE S\- BERLIOZ BERLIOZ BORODIN BRAHMS BRAHMS DVORAK DVORAK ELGAR HINDEMITH d'INDY LISZT LISZT MOZART PROKOFIEFF RIMSKY- KORSAKOV ROSSINI SCHUMANN SIBELIUS STRAVINSKY TCHAIKOVSKY TCHAIKOVSKY VAUGHAN- ‘WILLIAMS VERDI WEBER Contents VOLUME I Hungarian March from “The Damnation of Faust” Overture “ The Roman Carnival ” Symphony No. 2 Symphony No. 3 ‘Tragic Overture Symphony No. 4 Symphony No. 5 (“ From the New World”) Enigma Variations Konzertmusik for Strings and Brass. Symphony on a French Mountain Air Les Préludes : Piano Concerto No. 1 Requiem... Symphony No. 5 ‘Overture “ Russian Easter ” Overture “ La Gaza Ladra” Symphony No. 4 Symphony No. 2 ‘The Fire-Bird Suite Symphony No. 4 Overture “1812” ‘A London Symphony Othello Overture “ Der Freischtite” @ 7 u 3 52 36 4 32, 2 Volumes If and Ill of the Orchestral Studies for Trombone and Tuba are in the press. EMEEEEEEEEEEEEERERER, SERRE EERE REESE SES ESSE EEE EE EEE EEE SESSSYMPHONY No. 3 JOHANNES BRAHMS, Op. IV. Allegro (soli) (1833-1897) pit f sempre be eeley ! = f=] 7=—— aus Copyright 1964 by INTERNATIONAL Music COMPANY 1 division of IMC Music Corporation, New York City wuriaht Securedx (i) HUNGARIAN MARCH from *'The Damnation of Faust” HECTOR BERLIOZ, Op. 24 Allegro mareato ¢ = 88 (1803-1869) | Tebn.t | Tene ‘Trbnd‘i a _- fe oy ==Hi () TRAGIC OVERTURE | JOHANNES BRAHMS. Op 8 Allegre non troppo 2i OVERTURE “THE ROMAN CARNIVAL” "empo Allegro vivace ( ¢:=156) HECTOR BERLIOZ, Op. ‘_SYMPHONY No. 8 ANTONIN yong Op.88 (1841-1904 u “i” = ae aS _1*(u/ Bsns. Celli,Bass) epee se pe i is sf oe efAllegro ma non troppo ¢ = 116 Re ete forerea Cee erate ees ee (5b Sees ASE a ae Se sh Ss oie f Ts =e Fre 2 = = ay ay . —@— cs oe ef T 474 be Se Be i ku nl a 4h tt P a “fl a | ay b alae {! ae\ OVERTURE “LA GAZZA LADRA” \ a GIOACCHINO ROSSINI (1792-1868) FRANZ LISZT (1811-1886) LES PRELUDES x Allegro tempestoso_ I>pu Allegro maestoso “a2 az tf az Sf et — \ S SYMPHONY No. 2 ALEXANDER BORODIN Allegro MM, =92 ie (1833-1887) > = az 182 Trbns. B.Trbn, & Tuba tv z ie Animato assat d= 116 et: S marcato assai a2 ‘Frarcato axaB.Tibn Solo Animato avsai az | fmarc. ~ = ~ | f a2II. SCHERZO Prestissimo 0 = 108 a2 Soli (162) ™f Poco animato J = 72 IV. FINALE Lento d= 65 hee 22 Lento rall.Animato a2 ENIGMA VARIATIONS Vil. EDWARD ELGAR. Op. 36 (Troyte) (1857-1934) Presto 0= 76 Lf " rf ' 162 Tebns B Trba| & Tubs> simile 4 ay f f ? pie XIV. FINALE (E.D.U,) Allegro d = 84 ten A neazn molto crese. >—|f ff | _ yates Presto 0-84 bee = ra 246yh SYMPHONY No. 4 ROBERT SCHUMANN, Op. (1810-1856) I. Vivace (4 = 92) SF ILROMANZA (.&2) Lento assai (4 = 66) 26Pid vivo tf = ‘mpmarcato ‘mp marcato : aa A StJ-19 THE FIREBIRD x (Suite) IGOR STRAVINSKY MM. J=108 soi te. 1882) 44. 4. Dance of the King Kashtey dn168 = : ie 3 id = pee) “i v 1 wy »y Ty iRy vy ry TY PS Ler mF 3 e WI / rh Soli (w/ Trumpets) Bese fies td ,PRzay —FF eee Sf Soli (w/ Trumpets) — a 1, Soli (w/t" Teumpes) pS = if ‘gliss. come prima20 inal P subito t = : Tole P subito (Tuba) (uly ale S(Tuba) ae oe eS pe = aS eee mpee i rae ‘sempre pid cresc. ee Le SYMPHONY No. 5 SERGEI PROKOFIEFF, Op. 100 I. Andante : L (1891-1953)TIT. Adagio J=60 S Giprets HanKONZERTMUSIK for sing and Brass | Erster Teil (Composed in 1930) PAUL HINDEMITH I) Missig schnell, mit Kraft (2 eiwa 92) (1895-1962)Zweiter Teil Lebhaft (4 = 144) simile Tuba \[F* mo site ‘simile }-258Y OVERTURE “RYSSIAN EASTER” NICOLAS RIMSKY-KORSAKOV, Op. 36 B] Maestoso Soli a (1844-1908) : ft dim. Ff f F— Recit. = [MI Macstoso (> =76) ——= Srp dim. P dim. ¢ smorz. @ piena voce Beesee oo (mp) (——==)_ dn poco rit. (colla parted violino solo)Allegro agitato d= 152 be b. b b 1. He 3. Tuba — sr a1 Goll) 2 bs = ofSYMPHONY No.5 (7 From th NIN DVORAK, Op. 95 Allegro molto MM J =13600 . a Sf 2446PP a2 = f ep ———= = | IV. Allegro con fuoco MM = 152 a2 B.Trbn| | 2sOTHELLO t ACT I GIUSEPPE VERDI é (0813-1901) = Te ‘or 4 Trbn. Allegro vivace (¢-= 112) ed = : i w Allegro vivace | wr Ih 7 | a833 t nee zee Et Allegro as ~. £e ——~ zis zhahe & Et soAllegro ga, = Sf 1" Allegro sostenuto ”* “t 7 3 2 Sf jo ¢ = 182 Allegro agitate , ; et 2 3 Tata ae ofAllegro sostenuto Sp 3 re Allegro agitate, t ft | f . Fee ia == iaete a —— A a 4a Allegro agitate | Presto (J=144) Solo a3. 2me Sopplo ( 580) > Dee SE SDF tutta forza Dc | LP ua forza 7 5 = = = = >t USS fe a SH tutta forza OVERTURE “1812” x PETER I. TCHAIKOVSKY, Op. 49 Adagio 4 = 60 - (1840-1893) lL. = IS +b, 2 = TubaAllegro giusto 4 = 138 sempreff sempre fys_ ee Sf erese. Allegro vivace| SYMPHONY on a French Mountain Air | VINCENT D'INDY. Op. 25 il L Modérément animé (4 =84) (1851-1931) | g Jews | : | a (berg | | 2 | ‘Tuba = wo | Pees [(Fsempre Feenpre | (Peeks | \ig2s 2 Sires marque Th. 4-54 Pe ‘4 besI EEE _ J. 41 IIL. Animé ( ¢ = 96) fete es dimin. molto Jdimin. molto dimin, molto A LONDON SYMPHONY RALPH VAUGHAN-WILLIAMS 1872-1958 L Allegro risoluto oe) . (ae > > . SSS == PP pesante ff —— ppp SS Sa PP pesante —<——= ff ——— Ppp pp —S i as —= I P= ff —— PP p — Sf vesante A on _ caeees oan NN etree ee eer eeeAnimato FoLeR bi Soli Soli a2 Poco animando es: og” f uo ogEF oN | [ | 7 ILI. SCHERZO i i 1&2 g Allegro ee Lee Solia 2 BP Solo 3. PP1. 45 —> P poco tresc. | Peres P poco fresc. F molto cresc. S mola crse. Smolto crese. Oia eesba Poco pid mosso t =—_—— p Maestoso alla marcia Spesante Soli sof Pt S pesante S pesante P = 7 oe raf pesante lng pesante rif pesante lf pesante mf pesante *pesante[Tuba solo bi48 SYMPHONY No. 2 JEAN SIBELIUS, Op. 43 (1865-1957) L.Allegretto moderato 1.82, Tho. pono f 3.Trbn a — — Poco Allegro > II.Molto Largamente yo SH SLT Some. oS oY. 7 Pit lorgamente S| IEP PAP cresc. Pap ctese. a> =tif ten. ten. = o> c aE cree =—— pms eres. = Andante sostenuto fe oxt SRS Ko te Oe ce £ et Ps 7 Spa $F 5 eres Penpe |" feonza stentan faye i DiS E SS > ; | — Psompre (senza stentando) onsS 1-99 Largamente Ee SER ES Pho f See E = Proof = pe IV.FINALE a — allargando Allegro moderato a : dim.p |) rg marcato dimp || rg marcato t dim.p af marcato te Heiter | yf marcato eco gf bey = prep, jt Sf m rif marcato aping ram Sf pesante 3.& Tuba ‘Pesante am — Sf ef 2s{51 ate largamente 5 = =. + = =| — wmpre MF. malas 2 SS rear ten. = Ph of ca — a 0, I Sef ef PIANO CONCERTO No. 1 I. Allegro maestoso anti FRANZ LISZT LT tbo. TF 27th. 3.Ttbn. LL SE IIL. Allegro marziale Sf marc. Bare. Ginare.52 SYMPHONY No. 4 i PETER I. TCHAIKOVSKY, Op. 34 Andante sostenuto (1840-1893) Tomb, 2" Tromb. 3 Tromb. (Basso) Moderato con anima , Sf 281. Moderato con anima cyt RTE Y ~~ (Tuba) (Tuba)there ee Ae eee [io a Raa Ps oe Pe ere Bae | i) Hi | | | 26 ae i | EF | apa Sas aie -eraL See Se pg ige SeSa[55 r SUraba) 8 bassa (Tuba) 9” basse LFMolto pit mosso a6I-97 (Tuba)8”* basa Il. SCHERZO246IV, FINALE Allegro con fuoco FF Taba) 8" bassa bo (Tuba) 8 basse I 59Andante(d= ) (Tuba) 8" bass(Tuba) 87 basse (Tuba) bassa (Tuba basaOVERTURE “DER FREISCHUTZ” CARL MARIA V. WEBER (1786-1826) Molto vivace = = a ge = 246REQUIEM a W. A. MOZART, K. 626 Andante (Base) 2 Trbo f) om— a (pf) (SS) © Cerese,) (Teno) gg