NE PLAYING * VOICE-LEADING * CHROMATICISM * BEBOP SCALES
FOR ALL INSTRUMENTS
a
advance musicCD Track List
TRACK
TUNE CCINSTRUMERTS PAGE
‘Tuning Notes (A Concert}
Tuning Notes (Bb Concert}
Progression 1A. 13
Progression 1B 13
Progression 2A. 18
Progression 2B 18
Alice (version 1) 21
Alice (version 2) : eee
Spring Joy (version 1) 25
Spring Joy (version 2) 25
Afternoon In Strasbourg (version 1) 38
Afternoon In Strasbourg (version 2) 38
Hazy Birg (version 1) sod
Hazy Birg (version 2) 44
Fall Foliage 50
Is This Thing Called Love? (version V) «156
Is This Thing Called Love? (version 2) v0.56
Have You Met Miss Miller? (version 1) ..u.60
Have You Met Miss Miller? (version 2} .u...60
Great Moments (version 1) 8
Great Moments (version 2} 69
Herman ‘n You (version 1) one 9B
Herman ‘n You (version 2} 98
Very Late : 100
Demonstration 1
Demonstration 2
Demonstration 3
Demonstration 4
Demonstration 5
Demonstration 6
Demonstration 7
Demonstration 8
Demonstration 9
Demonstration 10
INSTRUMENTS PAGE
INSTRUMENTS PGEIntroduction
Adding chromatic passing tones between specific tones of the diatonic ggale is a device that musi-
Je sound harmonically right or consistent with
cians often use. This technique helps to make the sea
the chord. These scales are sometimes called bebop scales. [ think of them as jazz scales because
many of my favorite jazz players use them. Bebop, hard bop, swing, cool, avant garde, rhythm and
blues and many other jazz styles incorporate bebop scales. This book presents a clear and practical
proach to chromaticism, line playing, voice leading, and to learning and integrating bop scales
into one’s playing,