The document discusses the German expressionist art group Die Brücke, formed in 1905 in Dresden by four artists. It explores their expressive and abstract style using vivid colors, distorted forms, and crude techniques. It also examines Expressionism in Germany in the early 20th century and how the 1920 film The Cabinet of Dr. Caligari was directly inspired by Expressionist styles, bridging traditional art forms with the new art of cinema. While Die Brücke ended before the film, their work was still influential and the movie is considered one of the first true works of cinematic Expressionism.
Original Description:
Presentation regarding the connection of "Dr Caligari" and die Brücke
The document discusses the German expressionist art group Die Brücke, formed in 1905 in Dresden by four artists. It explores their expressive and abstract style using vivid colors, distorted forms, and crude techniques. It also examines Expressionism in Germany in the early 20th century and how the 1920 film The Cabinet of Dr. Caligari was directly inspired by Expressionist styles, bridging traditional art forms with the new art of cinema. While Die Brücke ended before the film, their work was still influential and the movie is considered one of the first true works of cinematic Expressionism.
The document discusses the German expressionist art group Die Brücke, formed in 1905 in Dresden by four artists. It explores their expressive and abstract style using vivid colors, distorted forms, and crude techniques. It also examines Expressionism in Germany in the early 20th century and how the 1920 film The Cabinet of Dr. Caligari was directly inspired by Expressionist styles, bridging traditional art forms with the new art of cinema. While Die Brücke ended before the film, their work was still influential and the movie is considered one of the first true works of cinematic Expressionism.
"WHAT IS GREAT IN MEN IS THAT HE IS A BRIDGE AND NOT A GOAL.“ Friedrich Nietzsche ,1883-92 DIE BRÜCKE (THE BRIDGE) ➤ group of German expressionist artists ➤ formed in Dresden (1905 - 1913) ➤ founding members: Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff ➤ major impact on the evolution of modern art in the 20th century and the creation of expressionism DIE BRÜCKE - ARTSTYLE ➤ extrem emotion ➤ wild spontaneity ➤ strong, brilliant colours (non- naturalistic) ➤ straight from tube on canvas (crude) ➤ distorted forms (abstraction)
➤ Oil on canvas, Linocut, Woodcarvings
EXPRESSIONISM ➤ Expressionist movement started in 1905 (Germany) and continued through and after the First World ➤ one of the long-lasting and diverse art movements the world ➤ wide range of different art ➤ heavily influenced by artists such as Vincent van Gogh ➤ aim to create more powerful reactions to their work than aesthetically pleasing pieces EXPRESSIONIST FILMS ➤ born in Germany during the 1910s ➤ quickly generated high demand due to the government’s ban on foreign films ➤ soon spreads internationally ➤ By the 1920s, many had begun to experiment with the absurd and wild aesthetics of German cinema “EVERYONE BELONGS TO US WHO DIRECTLY AND UNDIVERGENTLY TRIES TO EXPRESS THAT WHICH DRIVES THEM TO CREATE“ Die Brücke, Manifesto DR CALIGARI & DIE BRÜCKE ➤ first motion picture that feel like Art ➤ like a moving version of painting, sculpture, and woodcuts (traditional arts) ➤ distorted perspectives, canted angles of the houses, lampposts and streets ➤ comparisons to the Women in Potsdam Square by Kirchner DR CALIGARI & EXPRESSIONISM ➤ bridge between the art forms ➤ traditional arts of painting, drawing and etching and the new, modern art of cinema ➤ the only film that might truly be considered Expressionistic in the original sense of the word ➤ The Cabinet of Dr. Caligari counts as major influence ➤ German Expressionism was never heard from again CONCLUSION Overall it can be said, that the art of the movie “Das Cabinet des Dr. Caligari" is mainly inspired by Expressionism. How ever the art group “Die Brücke“ ended before the movie was made. Therefore it is more influenced by the expressionistic artwork of the 1920s. Nevertheless the work of “Die Brücke“ was a main inspiration for the making of the movie. HARVARD ILLUSTRATION LIST ➤ Barry Herbert (1983). German Expressionism, Die Brücke and der blaue Reiter. London: Jupiter Books. p1-205. ➤ Damon Griffin. (N/A). Zwanghaften Kunst: How Caligari ended German Expressionism. beverlyartcenter. N/A (N/A), p1-12. ➤ Darsa, A. (2018). An Introduction to German Expressionist Films - artnet News. [online] artnet News. Available at: https://news.artnet.com/ market/art-house-an-introduction-to-german-expressionist-films-32845 [Accessed 20 Sep. 2018] ➤ : Buckley, C. (2010). A Dictionary of Modern and Contemporary Art (2nd edition)2010133Ian Chilvers and John Glaves-Smith. A Dictionary of Modern and Contemporary Art (2nd edition). Oxford: Oxford University Press 2009. viii+776 pp., ISBN: 978 0 19 923966 5 £10.99/$19.95 Oxford Paperback Reference. Reference Reviews, 24(3), pp.44-45.