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A Peculiar Deck of Cards
A Peculiar Deck of Cards
A Peculiar Deck of Cards
When four people sit down to play a game of Bridge, the dealer selects which suit is
to be the trump suit. If you find the foregoing statement startling, no doubt you have
become confused because people playing a later game derived from Bridge, the game
of Contract Bridge, often just call that game "Bridge" for short, it having so
thoroughly eclipsed that of the original (which is also known as Russian Whist). In
Contract Bridge, the process is more involved; the player who promises to win the
most tricks, should his selection of the trump suit be accepted, gets to make the
choice.
Even Bridge is an elaboration of an earlier game, Whist, in which the cards are cut to
determine which suit is the trump suit.
If you heard the announcement that a special deck of cards existed, designed to play
an earlier and simpler form of Whist in which the cards belonging to a special fifth
suit were always the trumps, would you not be interested to learn more about this
unusual deck of cards? If it were added that this deck of cards is currently available in
many bookstores, and the symbolism of the cards of the fifth suit, greater in number
than those of the other suits, conveys the teachings of an early Protestant
denomination, the Waldensians, surely the surprise would increase?
Well, perhaps not. By now, most readers will realize that I am referring to the deck of
cards used by upscale cartomancers, the Tarot cards. But what is this about the
Waldensians? Well, for example, the card known as "The High Priestess" was
originally "The Papess", and recalled a rumor which claimed that a woman in disguise
not only became a priest, but was elevated to the Papacy, being found out only when
she gave birth during a Papal procession. (The paragraph which preceded this one,
incidentally, is a parody of the introductory paragraph of the book which introduced
the notion of the Tarot deck as having serious mystical significance to the European
public.)
Before Champollion and the Rosetta Stone spoiled everyone's fun, it was claimed by
occultists that the Tarot cards embodied the lost wisdom of the ancient Egyptians. As
the great Egyptian civilization was about to crumble, the sage priests of Egypt, in a
stunning display of freedom from ethnocentricity, left behind, as their legacy to the
future, a pictorial key to the Kabbalah. (In this connection, an anecdote I once read
about harpsichordist and composer Wanda Landowska comes to mind. Yes, it's [one
of] the one[s] involving Bach.)
Etteilla was even quite specific about it: in the year 1828 after Creation, 171 years
after the flood, 3953 years prior what was presumably the year 1783, and hence in the
year 2181 B.C., seventeen illustrious Egyptian mages came together to design the
Tarot, twelve of whom were descendants of Hermes Trismestigus himself. (In
addition to the Tarot, one wonders if they left behind the minutes of the meeting at
which it was designed. Of course, were Etteilla in posession of such a document,
it would justify his extensive rearrangement of the order of the Major Arcana...) On
the other hand, if Paul Christian (Paul Pitois) is to be believed, the twenty-two keys of
the Major Arcana had long been in use in Egypt for the training of initiates.
And indeed, some of the sources for these speculations on the Tarot use the alphabet
of Cagliostro (which did pre-date him, having appeared in a book by Vigenére) to
argue that the Jews simply stole their alphabet from the Egyptians; since this notion
suffers the embarassing lack of a single papyrus in the alphabet in question, it's hard
to attribute such a notion to anything but anti-Semitism; although possibly not that of
the authors themselves, but instead a pandering to the surrounding climate.
Incidentally, though, I have recently come across the writings of Christine Payne-
Towler, from which I have learned that the account of the Major Arcana by Paul
Christian is likely based on a document from the Fratres Lucis, and that Etteilla's
ordering of the trumps reflects the Pymander.
Of course, it could be that the Egyptian traditions and the Kabbalah simply derived
from a common source, in Atlantis, or even Lemuria. Lemuria: that lost continent,
located in the Indian Ocean, where it provided an explanation for why lemurs were
found in both Madagascar and (as fossils) in Indonesia. Doubtless my readers are all
familiar with the Philadelphia Experiment, in which the secret theories of Dr. Albert
Einstein (and perhaps the lost notebooks of Nikola Tesla, and scraps of information
gleaned from crashed flying saucers) were used in an attempt to develop a cloaking
device for U. S. naval vessels. Under somewhat less secrecy, even presented to the
public in major newspapers - but in a veiled form - Einstein also experimented with
time travel, bringing to the present a primitive man from this ancient continent; from
this research, we learned that Lemuria was originally divided into the rival kingdoms
of Lem and Mu. These rival kingdoms were eventually united, forming a civilization
so advanced that it eventually caused the entire continent to float up into the air and
settle down in the Pacific ocean. (On a smaller scale, this technology allowed the
Pyramids to be built.)
But a chunk of the continent proved a home to separatists who wanted to divide the
ancient kingdom of Lem from Lemuria, and thus they floated a chunk of the continent
to the Atlantic ocean, where it became known as Atlantis; this explains how Atlantis
and Lemuria managed to exist while blatantly contradicting the facts of plate
tectonics.
However, this story, however comical it may seem, is not entirely false. In early times
in America, many board games for children were designed with educational themes,
particularly leaning towards the religious. Our game of Snakes and Ladders is said to
be derived from a game in India that helped to expound the Hindu doctrine of
reincarnation, and in Tibet, a somewhat more complicated game is played to illustrate
the progress of souls according to Buddhist belief. And in ancient Egypt as well, the
game of Senet was meant to illustrate the difficulties of earning a good place in the
afterlife.
And this game survives, in an altered form, to the present day. We call it
backgammon, with Ludus Duodecim Scriptorum as its intermediate ancestor.
Also, as the title of Papus' book Le Tarot des Bohémiens recalls, it was believed that
the Tarot cards not only came to Europe from Egypt, but were brought there by the
Romany, known as Gypsies precisely because of their reputed Egyptian origin. As we
know now, their ancestors came from India; but then, playing cards also came to us
from India as well, after having been invented in China. But the Tarot trumps were
still a European invention.
The letters of the Hebrew alphabet are associated in the diagram with letters from our
alphabet in a traditional way which reflects the descent from the original Phoenician
alphabet of our alphabet. But while Aleph is the ancestor of the letter A, and Ayin is
the ancester of the letter O, these characters represented consonants and not vowel
sounds in ancient Hebrew. Information on the actual use of the Hebrew alphabet in
writing is given here.
The Tarot trumps have been ordered in three ways in decks designed for fortune-
telling or occult study. In the first column below, I give the ordering due to Eliphas
Lévi, which is the same as the conventional order of the trumps, except that the Fool
is placed between the 20th and 21st trumps. In the second, I give the ordering used in
the deck drawn by Pamela Coleman Smith for Arthur Edward Waite, in which the
Fool is the first of the trumps, and Justice and Strength are exchanged. In the third
column is given the ordering of the trumps used in the deck by Etteila. While several
cards in Etteila's version of the Tarot do not resemble any card in the conventional
Tarot closely, before Etteila's own deck was published, he had written a book on
fortune-telling with the Tarot cards in which he described how the cards in a
conventional deck should be renumbered; the entries depending on this source, and
not obvious from the appearance of the cards in his deck are put in parentheses. A
version of Etteila's deck first designed in Italy, the Tarocco Egizio, and more recently
reprinted in Mexico as the Tarot Egipcio, assigned the letters of the Hebrew alphabet
to the cards of that arrangement in alphabetical order, and the correspondence of those
letters to the Major Arcana in the other decks is also held to be that of the cards in
their given order with the Hebrew alphabet in its order. One might also mention an
exception to placing the Hebrew alphabet in order alongside the cards: in Liber al vel
Legis, Aleister Crowley, who otherwise used the ordering of the Rider-Waite deck
shown in the second column, maintained the ordering of the cards, but noted
that Tzaddi was not the Star, and followed through by interchanging it with Hé, the
letter associated with the Emperor. It is not recorded if that means that The Emperor is
the heart of the Major Arcana.
The fourth column gives the ordering of the Trumps in the Revived Tarot, due to a
webmaster with the username Psyche, and inspired by the work of Carlo Suárez.
In this system, the Major Arcana represent not twenty-two, but twenty-seven symbols,
with the fact that the final forms of five Hebrew letters are placed at the end of the
Hebrew alphabet when it is used to represent numbers being taken as important.The
same trump corresponds to the regular and final form of the five Hebrew letters with
final forms.
Also, the Comte de Mellet - and perhaps Court de Gébelin himself as well - ordered
the trumps in reverse, beginning with The World, and ending with The Magician
followed by The Fool.
There is something one must give Aleister Crowley credit for, however. He is also the
inventor of Pirate Bridge, which for a time was considered by many respected Bridge
experts to possibly be the next major advance in the Whist family of games after
Auction Bridge.
The Magician The Fool (The High Priest) The Fool The Fool
Aleph Justice Athoïm
The High Priestess The Magician The Sun The World The High
Priestess Beth The Star Beïnthin
The Empress The High Priestess The Moon The Wheel of Fortune The
Magician Ghimel The Moon Gomor
The Emperor The Empress The Star The Tower The
Empress Daleth The Empress Dinaïn
The High Priest The Emperor The World The Emperor The
Emperor Hé The Hanged Man Eni
The Lovers The High Priest (The Empress) The High Priest The High
Priest Vau The Lovers Ur
The Chariot The Lovers (The Emperor) The Lovers The
Lovers Zain The Devil Zaïn
Justice The Chariot (The High Priestess) The Chariot
Temperance Heth The Magician Heletha
The Hermit Strength Justice Strength Strength
Teth The Judgement Théla
The Wheel of Fortune The Hermit Temperance The Hermit The
Hermit Yod Death Ioïthi
Strength The Wheel of Fortune Strength The Sun The
Wheel of Fortune Caph The High Priestess Caïtha
The Hanged Man Justice (The Hanged Man) Justice Justice
Lamed The Hermit Luzain
Death The Hanged Man The Lovers The Hanged Man The
Hanged Man Mem Temperance Mataloth
Temperance Death The Devil Death Death
Nun The Tower Naïn
The Devil Temperance The Magician Temperance The
Chariot Samech The Wheel of Fortune Xirön
The Tower The Devil The Judgement The Devil The
Devil Ayin The Chariot Olélath
The Star The Tower Death The Empress The
Tower Phe The Emperor Pilôn
The Moon The Star The Hermit The Star The Star
Tzaddi The Fool Tsadi
The Sun The Moon The Tower The Moon The Moon
Quoph The World Quitolath
The Judgement The Sun The Wheel of Fortune The Magician The Sun
Resh The Sun Rasith
The Fool The Judgement The Chariot The Judgement The
Judgement Shin Strength Sichen
The World The World The Fool The High Priestess The
World Than The High Priest Thoth
The Sun
final Yod
The Hanged Man
final Mem
Death
final Nun
The Empress
final Phe
The Star
final Tzaddi
It may also be noted that the Tarot cards of the Major Arcana depicted by Papus
(Gerard Encausse) in his Le Tarot Divinatoire, following the order of Eliphas Lévi,
bear on them, in addition to Hebrew letters, Sanskrit letters and Egyptian Hieroglyphs,
symbols labelled "Archéomètre Saint-Yves". These are from a little-known
book, Archéomètre, written by the Marquis Joseph-Alexandre Saint-Yves d'Alveydre,
which contained charts giving mystical correspondences for the letters of several
different alphabets. These symbols are shown in the diagram above in the first and
second column following the Hebrew alphabet, between it and Cagliostro's Alphabet
of the Magi. The first column shows how they appeared on the Divinatory Tarot of
Papus, and the second column shows how they appeared in the actual Archéomètre; in
fairness to Papus, some of the symbols appeared in multiple forms in that work, and
some alternates are shown in that column.
Note that the interchange of the last two symbols is substantive: the correspondence
given in Archéomètre is between the characters of this primitive alphabet and the
Hebrew alphabet, not the Tarot trumps; thus, this is not due to a dispute over
whether The World should be numbered 21 or 22, although the placement of The
Fool by Papus could have been the reason for an error in associating these symbols
with the Hebrew alphabet.
Also of interest is the fact that of the five unrecognizable cards in the Eteilla deck, the
first four are also the cards which were temporarily replaced with the images of four
Moors in Tarot decks produced in some parts of Europe.
In Etteilla's deck, the trumps from The High Priest to The Chariot had the numbers
from 1 to 21, while The Fool had the number 78. The Minor Arcana were numbered
in reverse order, from the King down to the Ace, with the King of Wands as 22, the
King of Cups as 36, the King of Swords as 50, and the King of Coins as 64.
If the unusual ordering of the trumps of Eteilla were due to a re-ordering of the
Hebrew letters into the separate categories of double, mother, and simple letters, could
that unusual ordering conceal a more conventional ordering? One possibility thus
suggested is shown in the fifth column above.
In the seventh column are the names of the letters of Cagliostro's Alphabet of the
Magi.
The starting point for the sequences above is, of course, the order of the Trumps in the
Tarocchi deck as it was in existence for the purpose of card-playing. But that, also,
had variations:
The Fool The Fool The Fool
the first column being the sequence we are most familiar with, from the Tarot de
Marseilles and many others, and the second being that of the Tarot of Bologna. Of
course, that the subject of the page is reasonably thought of by many as being baloney
is another matter. The third column shows those portions of the forty-one trumps of
the Minchiate deck which appear to correspond to the conventional Tarots. Between
The Devil and The Star are Hell, followed by the three virtues Prudence, Faith, and
Charity, the four elements Fire, Water, Earth, and Air, and then the signs of the
Zodiac in an irregular order: Libra, Virgo, Scorpio, Aries, Capricorn, Sagittarius,
Cancer, Pisces, Aquarius, Leo, Taurus, and Gemini. Following The World is one
additional card, Fame.
The vexing question of the order of the Tarot trumps might be felt to be solved, or at
least to have taken a giant step on its way towards a solution, if there were any
authoritative source of the meanings of the 22 letters of the Hebrew alphabet. And
there is one with, at least, the weight of tradition behind it: the Sepher Yetzirah, or the
Book of Formation.
In the first column are the letters. The second gives the meanings as listed in the body
of the Sepher Yetzirah, in the order they are listed. But the meanings are not explicitly
connected to the letters, a later source which gives an explicit connection, gives a
different order, noted in the third column.
Then, at the end, the meanings assigned to the paths from 11 to 32, the first ten paths
being the Sephiroth, which we shall see below, in the essay The Thirty-Two Paths of
Wisdom by Joannes Stephanus Rittangelius in 1642 are noted.
With the Intelligence of Probation assigned to the letter Samech, being the twenty-
fifth path, this would seem to decisively favor the traditional order, where The Devil
is the fifteenth card, as opposed to the Rider-Waite order.
In that case, two possibilities suggest themselves for the 21st Arcana; Time, as a
complement to Death, or an accomplished magician, as a complement to both The
Fool on the one hand, and The Magician - generally believed to represent a neophyte -
on the other. The latter, though, is already represented by The High Priestess; while
the former ties in well to the previous suggestion of that trump being The Calendar; as
well, Time being an abstraction, it might have been difficult to properly depict,
making its card appropriate to leave out as an impediment to those unworthy of
initiation into the Mysteries.
Above is a diagram illustrating the plan of the Tarot according to a scheme given
in The Tarot of the Bohemians by Papus, and also used in The Tarot, a Contemporary
Treatise on the Quintessence of Hermetic Occultism by Mouni Sadhu.
Each triangle represents a relationship between four cards patterned after the four
letters of the Tetragrammaton, the Name of God.
Yod represents an active element, the first Hé a passive element upon which the active
element acts, Vau represents the neuter result of the action, and the second Hé the
overall system. Thus, one simple analogy to this is a father, a mother, a child, and the
family. The overall system then functions as an active element on the next plane.
This pattern is repeated through the 22 cards of the Major Arcana; for each of the suits
of the Minor Arcana, the King, Queen, Knight (represented by N in the diagram) and
the Knave (represented by J in the diagram) represent one instance of the pattern, and
the cards from Ace to 10 represent three repetitions of the pattern. The four suits of
the Minor Arcana are ordered as they are because they also represent one instance of
the pattern. Note that the last card in the Minor Arcana, the ten of coins, represents a
transition to the Major Arcana, and the last card in the Major Arcana, The World,
represents a transition to the Major Arcana.
Also, recall that The Fool, represented by 0, is simply a placeholder for the 21st
position in the sequence - the actual card, the 79th card of the Tarot, being something
one is to discover for oneself when one is ready, according to this system of
understanding the Tarot.
The book The Tarot by Mouni Sadhu is based on the Encyclopedic Course of
Occultism by Grigory Ottonovich Mebes. While that work is referred to as
unavailable in Mouni Sadhu's book, in fact it was published in Russia in 1913.
Naturally, due to first the Great War and then the Bolshevik Revolution, it may well
not have been available until a copy turned up after the fall of the Soviet Union. There
was even another edition published in 1937 in Shanghai.
Although his day job was as a mathematics professor, and his esoteric activities were
known to but a few, he was eventually discovered and sent to a labor camp in which
he perished.
Despite this, he wrote a sequel to his earlier work, which dealt with the Minor Arcana.
Editions Pensamento, in Brazil, published a Portuguese translation of this book.
In this book, a correspondence between the pip cards of the Minor Arcana and the
Sephiroth (discussed below) is given which seems to conflict with the plan of the
Minor Arcana shown in the diagram above.
The two "red" suits - Coins (corresponding to Diamonds) and Cups (corresponding to
Hearts) correspond to the ten Sephiroth in forwards order. Swords (corresponding to
Spades) correspond to the ten Sephiroth in reverse order; Wands (corresponding to
Clubs) correspond to the ten Sephiroth in both orders together.
The traditional rulerships of
astrological signs create a
correspondence between the five
planets and two luminaries known
in antiquity, and the ancient four
elements of air, earth, water and
fire, and the twelve signs of the
Zodiac. Note that while the twelve
signs of the Zodiac correspond to
the simple letters in the Hebrew
alphabet in alphabetical order, the
order of the planets is not regular.
and 22 paths, corresponding to the letters of the Hebrew alphabet, are shown which
link them together.
The letters are arranged on these paths in a manner based on alphabetical order, thus,
each letter is accompanied by the number of its position in the Hebrew alphabet to
make this clearer.
Of course, even if this intense approach to Scriptural exegesis is suspect in the eyes of
more orthodox followers of either the Bible or the Old Testament, known as
the Tanakh (short for Torah, Nevi'im, u-Ketuvim, The Law, the Prophets, and the
Writings) to those who do not recognize it as having been updated with a supplement,
the mystics who pursued Kabbalistic study cannot be held responsible for the occult
dabblings of those who appropriated their
tradition to apply it to the Tarot cards.
To make this clear, each Hebrew letter has been accompanied by the element, planet,
or sign that was placed into correspondence with it, since those correspondences
followed this division of the letters.
In addition to a different correspondence of the letters, note that two of the diagonal
paths in the diagram are different.
But multiplying by such a number leaves all the letters in odd positions still in odd
positions, and all those in even positions still in even positions. Thus, no linear
transformation modulo 26 will bring the three "mother" letters (shown in red in the
diagram), all in odd positions (the ones with yellow backgrounds), into coincidence
with the three letters of the Tetragrammaton (shown in blue in the diagram), one in an
odd position, and two in even positions (the ones with green backgrounds).
On the other hand, if we set The Fool and the Hebrew alphabet aside, it may be
significant, and no mere coincidence, that there are 21 visibly different rolls of two
identical dice, and 56 visibly different rolls of three identical dice.
Certainly, this is highly encouraging to those who would connect the Tarot to Chess,
Checkers, board games with dice such as Backgammon, Snakes and Ladders, and
Pachisi and perhaps even Go (Wei Ch'i), Tablut, and Nine Men's Morris together in an
interconnected web of shared symbolism.