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Improvisation Mini Assignment
Improvisation Mini Assignment
Dr. Harrington
MUSE 351
29 October 2018
Here is a lesson that will help students develop melodic improvisation skills. For this
lesson, students will begin by learning the rhyme Green Gravel, a children’s game song. This
rhyme only uses quarter notes and half notes, all using the solfege syllable “Ta.” This rhyme is
suitable for 2nd grade students to learn via echo. I made this decision using a curriculum guide
provided from my elementary general music methods professor. The rhythms in this rhyme are
rather simple can be learned by first graders. But, the time signature is in 3/4, so this rhyme
cannot be taught to 1st graders. The melodic parameters I will be teaching this rhyme in is
pentatonic. In 2nd grade, students should be able to learn patterns using the pentatonic scale (do,
re, mi, sol, and la). The melodic parameters are also do based and starts on C. This should
attainable on all common Orff instruments. In this lesson, I will teach students the rhyme with
words via echo translation. Next, I will also use echo translation to teach them a simple melodic
pattern in a pentatonic scale. After this, students will begin to create their own improvisations.
In this lesson, students will play the rhyme and melody on their Orff instruments. Next,
they will they will play a two measure improvisation that they created. This will repeat while
smaller sections and potentially soloists play the rhyme or their creation. I will begin the
improvisation by giving students a small amount of time to doodle and play any creation they
want. Next, I will begin to add parameters to what they create. First, I will limit their creation to
two measures or 6 beats. To create a pitch center in their creation, they will have to start and end
on do or C. Because they are in 2nd grade, their rhythmic patterns will be limited to ta and ta-di
rhythms. Finally, I will ask each student to play every note at least once. However, an educator
understands that patterns of learning and development vary individually. In this lesson I will also
include strategies to help students who may be struggling and enrichment for students who are
more advanced. If a student is struggling, instead of having them play a do-sol bass line or the
melody, an educator should create parameters in which that student can succeed. For example, I
could limit their creation to only quarter notes if they are struggling with playing fast. I can also
advise them to only use do, re, and mi if they are struggling with using all notes in the scale. This
would still sound ok in a two measure pentatonic creation. There are several things I can also do
for students who are more advanced. I could provide them with an Orff instrument that has more
than one octave of the pentatonic scale and ask them to play in both octaves. I could also instruct
them to play two notes at the same time. For example, they could play their original creation, but
In this lesson, I have chosen rhythmic and melodic content that is appropriate for students
in the second grade. The lesson should be achievable yet challenging for these students. I also
included variation in my lesson for students who may be advanced or behind. It is very important
for educators to create this variation in their lessons. Educators must understand that learner’s
development varies, and we must provide appropriate content for each individual student.