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S and D-Spring 2008 PDF
S and D-Spring 2008 PDF
Search &discovery
R E S E A R C H A T M I C H I G A N
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3 Research Perspectives STEPHEN R. FORREST
VICE PRESIDENT FOR RESEARCH
funded by the School of Art & Design, the Science Faces an Uncertain Future OF THE EDUCATION AMENDMENTS OF 1972 AND
SECTION 504 OF THE REHABILITATION ACT OF
senior vice provost for academic affairs, and
businesses in the U-M Detroit Center area. 21 Research Notes 1973. THE UNIVERSITY OF MICHIGAN IS COMMIT-
TED TO A POLICY OF NONDISCRIMINATION AND
Hannah Smotrich, assistant professor of art
Human Research Program EQUAL OPPORTUNITY FOR ALL PERSONS
and design, assisted Cogswell in determining
Achieves National Accreditation REGARDLESS OF RACE, SEX, COLOR, RELIGION,
an effective composition over the set of five
CREED, NATIONAL ORIGIN OR ANCESTRY, AGE,
windows that would best integrate the text Baker Named 2008 Distinguished
MARITAL STATUS, SEXUAL ORIENTATION, GENDER
with the images. “I really enjoyed my interac- University Innovator
IDENTITY, GENDER EXPRESSION, DISABILITY, OR
tions with the people passing on the street
U-M Students Win VIETNAM-ERA VETERAN STATUS IN EMPLOYMENT,
during the week I was there installing. They
Entrepreneur Competition EDUCATIONAL PROGRAMS AND ACTIVITIES,
were wonderfully forthright in their ques-
AND ADMISSIONS. INQUIRIES OR COMPLAINTS
tions and interest—more than I get at most Nanomaterial Proves
MAY BE ADDRESSED TO THE SENIOR DIRECTOR
formal exhibition receptions—and equally per- to Have Remarkable Strength
FOR INSTITUTIONAL EQUITY AND TITLE
ceptive,” says Cogswell. Images of all five
windows appear on pages 10 and 11.
Faculty Honors IX/SECTION 504 COORDINATOR, OFFICE OF
INSTITUTIONAL EQUITY, 2072 ADMINISTRATIVE
4
...NOITCELFER
.D N I M E H T D N A E C AP S H G U O R H T
interaction of bodies with space,” explains space with the ways in which the mind The “floor plan” for the installation placed
Satoru Takahashi, assistant professor in the processes and recalls information. nine double-sided mirror surfaces on a
School of Art and Design and another grid. Images of streetscapes and aerial
collaborator on the project. This video installation took place as part of views of cities were projected from the
a two-day gathering, Arts & Minds. On two ends of the spatial arrangement.
“We saw visitors as an integral part of November 1–2, 2007, the University hosted These images reflected and distorted
this environment, interrupting and car- four interdisciplinary studios as a way through the network of mirrors, translating
rying the projections with their move- to stimulate, explore, and celebrate the
ment in the real-time experience of the dynamic relationship between people and
installation,” he continues. Visual and their arts worldwide. Leading international SCENE OF PARTICIPANTS IN A DUDERSTADT
audio stimuli travel, distort, rebound, artists, scientists, scholars, activists, and stu- CENTER STUDIO. PARTICIPANTS VIEWED IMAGES
and multiply through a network of dents attended to partake in a unique explo- OF STREETSCAPES, AERIAL PHOTOS, AND OF
reflections, linking metaphorically the ration of the interactions of art and mind. THEMSELVES ON A SERIES OF SCREENS.
ways in which the body experiences
Spring 2008
5
SOPHIA PSARRA, ASSOCIATE PROFESSOR OF
ARCHITECTURE, AND SATORU TAKAHASHI, ASSIS-
TANT PROFESSOR OF ART (LEFT), DEVELOPED AND
BUILT A GRID OF MIRRORS AND SCREENS FROM
THE PLAN AT RIGHT FOR THEIR “SPECTACLES OF THE
MIND” EXHIBITION.
rience, navigation relates to a framework concepts of space to express philosophical Proceedings of International Space Syntax
which is external and independent of the meanings was of special interest. “I became Symposium IV, University College London,
viewer's position in space—like looking interested in this because I think Borges’ June 2003.
onto the space in the mind’s eye. work is meaningful to architecture, but
the field wasn’t discussing these views.” Online portfolio of Satoru Takahashi, assis-
“Our intention was to create an installation tant professor, School of Art and Design.
which worked as a metaphorical transla- Using notions like mirrors and primitive www.art-design.umich.edu/faculty/
6 tion of the egocentric and allocentric spatial topographies as allegories for lan- slideshow.php?facID=tsatoru&fullname=Sator
frames of reference describing body navi- guage, Psarra says that Borges expressed u%20Takahashi
gation from psychology and neuroscience the gap between the concept of the world
to space and narrative,” Psarra says. as infinite possibility, and the time-bound
WAVE FIELD BY MAYA LIN (1995)
Chambers also wanted the music to seem as Chambers’ interest in cemeteries and their Further Resources
if it was coming out of the earth. “I had this meaning goes back to his undergraduate days
Evan Chambers talks about cemeteries
feeling that music was rising from the grave, in Bowling Green, Ohio, where there was a
and his song cycle, The Old Burying
as they are speaking to you from under the cemetery just up the street from the school of
Ground, in an online video:
ground,” he says. music. “Honestly, I was a little overwhelmed as
www.umich.edu/news/index.html?
a freshman in college, not having any private
“The piece is non-narrative because I don’t have Releases/2007/Nov07/chambers.
space at all—living in a dormitory with the noise,
their stories,” continues Chambers. “I have an the people moving in and out, the loud music,” Online audio of Evan Chambers’
epitaph on a tombstone, these letters that are he recalls. “The cemetery for me at that time compositions:
carved into stone. You have to feel them with became a real refuge, a place where everything is www.evanchambers.net/Music.cfm
your fingers sometimes just to read them. You still. Over time, my feelings about what a ceme-
have to sit there, sometimes laying on your tery is has shifted from being a place filled with
stomach on the ground, waiting for the sun to grief to a place of great beauty and peace.”
come around so that the shadows will be cast
slightly differently on the letters and you can Those experiences came back to him when he
puzzle out what that one letter is in that one started working on The Old Burying Ground.
word to complete your sense of what is inscribed.” “I decided to make a meditation of how lives
In the end, that inscription distills that person’s appear and disappear. When you read these
life into one short poetic epigram, which tombstones and you see these stories about a
Chambers tried to capture in his songs. family who lost, for example, three children
in five years, you can imagine the tremendous
pain and grief. And yet a
cemetery is a place where all
the sufferings of human life
Spring 2008
structures than I am by what people are WORKS WITH A WIDE VARIETY OF MEDIA, INCLUDING METAL, WAX,
saying in lyrics. I get real tired of lyrics FELT, PAPER, AND MORE—USUALLY IN VARIOUS COMBINATIONS.
ebratory, then that does become part of it’s an existence. I’m very happy when I learn from them. And I’m always in school,
everyday life. And I think that in a nut- do this. For me, painting and drawing it seems like. When I’m teaching, I’m learn-
shell what I’d like to do is open the pos- are always equated with seeing and under- ing, and I think that’s one of the reasons
sibility that everyday life can be quite standing, and this justifies for me the time that I’ve been in teaching for so long—
extraordinary if someone is willing to step and energy I put into the act of making because I feel like I’m also a student. s&d
out of daily routine and do something 13
images in my studio. I strive for a syn-
that seems at first eccentric, but maybe thesis between comprehension of the
after a while you can’t live without it. May- structural integrity of my subjects and
be you can. the raw power of expressing this through
an essay in dance
T
Search & Discovery
he photos on these pages provide a glimpse Power Center for the Performing Arts on campus.
at the culmination of an artistic collabora- Amy Chavasse, assistant professor in the
tion that happens often at the University of School of Music, Theatre & Dance, collaborated
Michigan. The performance shown, “Swimming with 15 U-M dance students to create
the English Channel,” was one piece of a full “Swimming…” which was performed to five
program, entitled “Stravinsky Revisited,” pre- Stravinsky compositions. “It started when I sat
sented January 31–February 3, 2008 at the down with a giant box set of Stravinsky works.
14
Channel
I started listening, looking for works that settled on were Leon Trotsky’s murder (“an
reflected the era they were composed in and interesting and gruesome event”), the attempted
of the right duration,” explains Chavasse. assassination of Vladimir Lenin and the inven-
Spring 2008
With about eight pieces selected, she tion of the vacuum cleaner in 1917, Gertrude
began to look into historical events from the Ederle’s swim across the English Channel (the
years each work premiered, with special atten- first ever by a woman), and the eruption of
tion on Russian history. The final five she Mt. Vesuvius.
15
an essay in dance
With the music and events in mind, own. We did a lot of improvising, and I gave the
Chavasse and the students started meeting dancers some problems to solve, too. I wanted
three times a week in September 2007 to them to have a stake in the final choreography.”
develop the dances. “We didn’t try to mime or Chavasse also felt fortunate to be able to
act out the events,” says Chavasse. “We created work with a video artist, Sue Rees of Bennington
a dance vocabulary related to the events, but College. Rees edited together archival footage
also intended that each dance stand on its from newsreels with other images to set up each
16
Channel
Suite No. 2 for Small Orchestra Adagietto (first woman to swim the
Valse (the invention of the portable English Channel)
vacuum cleaner) dancer held aloft—Samantha Stone
dancers—Stephanie Overton
and Rosario Lionudakis
And in another bit of ingenuity, the property U-M in the fall of 2006. “The environment
master looked at eBay and was able to buy a here is really great for creative work. It’s a huge
classic vacuum cleaner, even if it wasn’t from university, but a pretty intimate organism here
1917, for the dancers to incorporate into the in the dance department.” s&d
17
U-M HELPS FACULTY AND STUDENTS PUBLISH MUSICAL PERFORMANCES
audio engineers valuable experience in a percentage return on their invention Through this U-M venture, faculty license
music production. These student tech- (e.g., a recording). their recorded performance to Block M
nologists also are gaining experience in Records and retain the copyright to their
audio compression, metadata tagging, “In short,” Simoni says, “intellectual works. Also Block M Records keeps con-
and database design and management. property rights stay with the University.” trol over the recording and its production
and distribution, and the faculty member
Here is how the Block M label works: may see a greater return in royalties from
Louis Nagel, U-M professor of piano,
18 went on a performance tour about the
his or her work.
time the label was formed. His concerts
featured selected sonatas by Haydn.
Soon after the tour, Nagel recorded the
KARL PESTKA, A U-M STUDENT OF COMPOSITION
AND VIOLIN, PERFORMING ON THE ELECTRIC
James and Anne Duderstadt Center—
selected the winners. Concerts that fea-
“With the collaboration
tured the winners were presented in the
VIOLIN AT THE BLOCK M RECORDS 2006 CONCERT,
“NEW MUSIC ON THE BLOCK.” Duderstadt Center’s video studio. These on recording, producing,
works are currently being recorded in the
newly renovated audio studio, and will and distributing the work,
“I am delighted with Block M Records,” soon be released on the Block M Records
says Christopher Kendall, dean of U-M’s label and distributed through the iTunes U-M outwardly conveys
School of Music, Theatre & Dance. “It Music Store. Several of the performances
has powerful implications for our students can be viewed on the Block M Records a commitment to diver-
and faculty as a teaching tool and for the website, as well.
recognition of our School’s many outstand-
ing recordings. It will be fascinating to Karen Wolff, former dean of the U-M
sity in music making,”
watch the project develop and to see it help School of Music, helped guide the Block
—Mary Simoni
us explore the unique, complex synergy M Records initiative. Shortly after the
between music teaching and technology.” label launched, Wolff pointed out that
“listeners, potential students, alumni, and
Another example of Block M advantages
involves U-M faculty Mark Kirschenmann,
Katri Ervamaa, and Michael Gould, who
are engaged in contemporary improvisation
involving trumpet, percussion, violoncello,
and electronics. Their avant garde music is
less likely to receive a commercial record
contract. But their music is vital to U-M’s
commitment to performing and teaching
across a wide range of styles, Simoni says.
Music on the Block.” Hundreds of U-M and shared beyond our campus.” rich scholarly and creative research. s&d
students submitted original music which
they composed, performed, recorded, and Block M Records is managed by the School More Information
produced. A three-judge panel—Erik of Music, Theatre & Dance with the sup-
See the Block M Records website
Santos, associate professor of music com- port and guidance of the Office of the
at www.blockmrecords.org 19
position; John Storyk, partner and co- Vice President for Research, the Office
founder of Walters-Storyk Design Group; of the Provost, the Division of Research
and John Merlin Williams, director of Development and Administration, the
the Digital Media Commons in the James and Anne Duderstadt Center,
DAEDALUS BY CHUCK GINNEVER (1977)
R
research. Unfortunately, the Administra-
esearch faces a challenging year in
tion held the National Institutes of Health Next, the executive and congressional
Washington. At the close of 2007,
(NIH) funding flat at $29.3 billion and branches will wrangle over allocations for
expected FY08 increases for the National
pegged science programs at NASA for cuts. every federal agency. Already there are
Science Foundation (NSF) and the Depart-
concerns that the tight budget climate
ment of Energy (DOE) Office of Science Following the release of the President’s may make it difficult to find additional
disappeared during the final negotiations budget proposal, the House and Senate money for research. Final decisions remain
between Congress and the White House. passed their own FY09 budget resolutions months away and may not be made until
This dealt a blow to scientific initiatives in mid-March. These annual resolutions after the presidential election —freezing
across the country. The scientific commu- provide general-spending blueprints across money for federal programs for at least a
nity now is working to recover in a polit- broad budget categories. In physical sci- few months after the end of FY08. Unfor-
ical environment largely frozen by the ences, both chambers supported the Presi- tunately this means that federally-supported
presidential campaigns. Preliminary indi- dent’s request for strong increases. For the researchers and scientists should expect
cators give reason for some hope, but real NIH, the two chambers offered more sup- once again to experience the uncertainty
challenges remain. port than shown by the executive branch. that marked the end of FY07. s&d
The Senate recommended raising the
The President’s FY09 budget request
NIH budget to $3 billion. The House —SARAH WALKLING, DIRECTOR OF FEDERAL
includes some bright spots, but also trou-
voted for additional NIH funds, but did RELATIONS FOR RESEARCH; ASSISTANT DIRECTOR,
not specify an amount. U-M WASHINGTON, DC OFFICE
research notes
endorsements were announced March campus and one each on the Dearborn and
Human Research 20 in Washington, D.C. Flint campuses.
Program Achieves “The University research community “We view accreditation as the culmination
National Accreditation worked hard for this, taking on the of an array of efforts we have put in
T he Association for the Accreditation challenges of a rigorous self-assessment place over several years, aimed at enhancing
of Human Research Protection process in order to achieve accreditation,” our human research program,” says Vice
Programs has granted full accreditation says Judy Nowack, associate vice president President for Research Stephen Forrest,
to U-M, one of 15 institutions to receive for research and director of the Human the University’s institutional official for
the group’s endorsement this year. Research Protection Program. human research.
The AAHRPP is a nonprofit organization “We are committed to striving for the AAHRPP accreditation is valid for three
that works with universities, hospitals, highest standards of ethical and regulatory years, and accredited organizations submit
and other institutions that conduct bio- compliance while supporting creative annual reports on the status of
medical, behavioral, and social sciences and scientifically sound research,” their human research pro-
research involving human participants. she says. grams. For more infor-
The group accredits institutions that mation about the
Spring 2008
demonstrate they provide participant The University has more Human Research
safeguards beyond the threshold of state than 5,000 active research Protection Pro-
and federal requirements. projects involving human gram, go to
participants. The areas www.research.
of study involve medical umich.edu/hrpp. 21
and health research, as
well as social and behav-
ioral sciences topics. Every
research notes
Baker Named 2008 so that more faculty research can see a ceutical therapy. Baker’s work with syn-
Distinguished University life beyond the academic realm. I am thetic lipid and polymeric nanostructures
Innovator extremely pleased he has been selected has resulted in the development of nano-
for this award. I especially value his emulsions as a new class of antimicrobial
Venture Challenge hosted by the Deming “Competitions are a great way for stu-
Center for Entrepreneurship, University dents to fine-tune business plans, hone
of Colorado at Boulder. Coached by the The winning plans are Potentia (first presentation skills, and prepare for life
faculty and staff from The Samuel Zell place), a battery replacement technology after the University — whether that is
& Robert H. Lurie Institute for Entre- for wireless devices; Forest Eye (second with a start-up or as an innovator in an
preneurial Studies, U-M teams captured place), from a team comprised of one established company,” said Tom Kinnear,
Search & Discovery
the $15,000 first prize, $5,000 third U-M student and one student from Uni- executive director of the Zell Lurie
prize, $2,000 fourth prize, and shared versity of California-Davis for software Institute. “The Institute has enjoyed
the $10,000 second prize. that enables more efficient management working with the University’s business
of forest inventory; Cymergy (third plan competition teams, and we are proud
place), which will generate energy from
cement factory waste heat emissions; and
enDep (fourth place), that has a package
22 to allow hybrid vehicles to plug in at
home. The Cleantech Venture Challenge
requires teams to present their business
research notes
pharmaceuticals formed from dendrimers, Nano-based Material Proves The Undergraduate Research Opportu-
nanometer-size polymers that serve as an to be as Strong as Steel nities Program annually recognizes five
inert bio-scaffolding. In some applications, Outstanding Research Mentors with a
therapeutic or diagnostic agents are chem-
ically attached to this scaffolding. In other E ngineering researchers in the College
of Engineering have created a trans-
parent material that is as strong as steel.
$1000 honorarium. Students nominate
the faculty mentors, then a student panel
uses, the dendrimers are modified and selects the winners. For 2007–08, they are:
serve as the precision guidance system In the Oct. 5, 2007 issue of Science, Augustin Holl, professor of anthropology,
which directs therapeutic add-ons to dis- Nicholas Kotov and his colleagues showed College of Literature, Science, and the
ease sites, while bypassing healthy tissue. that by mimicking a brick-and-mortar Arts; Catherine Keegan, assistant pro-
molecular structure found in seashells fessor of pediatrics and communicable
As applied to cancer, avidimers offer they could create a composite plastic that’s diseases, Medical School; Emile Lauzzana,
dramatically improved tumor-specific as strong as steel but lighter and trans- lecturer in architecture, A. Alfred Taubman
delivery, resulting in improvements in parent. The material is composed of College of Architecture and Urban Plan-
both efficacy and safety relative to the layers of clay nanosheets and a water- ning; Armando Matiz Reyes, D.D.S.,
corresponding untargeted drugs. Addi- soluble polymer that shares chemistry with health behavior and health education,
tionally, by incorporating an anti-cancer white glue. This research demonstrated School of Public Health; Sheryl Olson,
drug into an avidimer, the drug’s distri- for the first time that the super-strong professor of psychology, College of
bution in the body can be altered in a properties of many nanoparticles could Literature, Science, and the Arts.
controlled manner, potentially broaden- be bonded together on the macroscale
ing its spectrum of activity to include and retain the strength of the building The John Simon Guggenheim Memorial
tumor types to which the untargeted drug blocks. Kotov says that further develop- Foundation awarded 190 fellowships in
fails to show activity. ment could lead to lightweight armor for 2008, including seven to U-M faculty
soldiers or police and their vehicles or members: Geri A. Allen, associate professor
Baker joined the faculty in 1989 and aircraft. WIRED magazine named this of jazz piano and improvisation, for music
currently is professor of medicine and material one of the Top 10 Scientific composition; Sheldon Danziger, H. J.
division chief of allergy and clinical Breakthroughs of 2007. s&d Meyer Distinguished University Professor
immunology in the Department of of Public Policy, for a project on anti-
Internal Medicine. In 2001 he became poverty policies; Phoebe Gloeckner, assis-
a professor of biomedical engineering
Faculty Honors
tant professor of art and design, for a
in the School of Engineering.
T he National Academy of Engineering
elected 65 new members in February,
including two from the University of
graphic narrative; David M. Halperin,
W. H. Auden Collegiate Professor of the
History and Theory of Sexuality, for a proj-
Michigan: Dennis Assanis, Arthur F ect titled “How to be gay;” Paul Christo-
of the great work Potentia, Forest Eye, Thurnau Professor, Jon R. and Beverly S. pher Johnson, associate professor, Center
Cymergy, and enDep have done on the Holt Professor, director, W.E. Lay Auto- for Afroamerican and African Studies
national competition circuit. We look motive Laboratory, and co-director of and Department of History, for a project
forward to more great successes from the GM Engine Systems Research Labo- on religion and the purification of spir-
these promising new businesses and ratory, Department of Mechanical Engi- its; Richard Primus, professor of law,
their enthusiastic management teams.” neering, College of Engineering; and Pallab for a project on constitutional authority
Bhattacharya, Charles M. Vest Distin- in the wake of civil war; Ashutosh
guished University Professor, James R. Varshney, professor of political science,
Mellor Professor of Engineering, Depart- for a multi-country study of cities and
ment of Electrical Engineering and ethnic conflict.
Computer Science, College of Engineering.
C.K. Prahalad, Paul and Ruth McCracken In each issue of Search & Discovery, we
Distinguished University Professor of list a few of the faculty who were recently
Strategy in the Stephen M. Ross School recognized for their outstanding achieve-
Spring 2008
of Business, was ranked No. 1 on Suntop ments in research and scholarship. Please
Media’s “Thinkers 50,” a biennial rank- send information on these achievements
ing of the top 50 management thought- to searchanddiscovery@umich.edu.
leaders worldwide.
23
FIRST-CLASS MAIL
office of U.S. POSTAGE
the vice president PAID
for research ANN ARBOR, MI
PERMIT NO. 144
4080 Fleming Building
503 Thompson Street
Ann Arbor, MI 48109-1340
contacts
Stephen R. Forrest research units administrative/ Office of Technology Transfer (OTT)
Vice President for Research Kenneth J. Nisbet, Executive Director
734/764-1185, stevefor@umich.edu Center for Human Growth
service units 734/763-0614, knisbet@umich.edu
and Development (CHGD) Center for Statistical Consultation
James A. Shayman Daniel P. Keating, Director Unit for Laboratory
and Research (CSCAR)
Associate Vice President 734/764-2443, keatingd@umich.edu Animal Medicine (ULAM)
Edward D. Rothman, Director
734/763-1290, jshayman@umich.edu Howard G. Rush, Director
734/763-2052, erothman@umich.edu
Institute for Research 734/764-0277, hgrush@umich.edu
Steven L. Ceccio
on Women and Gender (IRWG) Division of Research Development
Associate Vice President
Carol J. Boyd, Director and Administration (DRDA) Women in Science
734/763-1290, ceccio@umich.edu
734/614-6468, caroboyd@umich.edu Marvin G. Parnes, Executive Director and Engineering (WISE)
Marvin G. Parnes 734/936-3933, mgparnes@umich.edu Cinda-Sue Davis, Director
Associate Vice President and Magnetic Resonance 734/647-7012, 734/615-4455,
Executive Director for Research Imaging Facility (fMRI) Institute for Research on Labor, csdavis@umich.edu
Administration John Jonides, Co-Director Employment, and the Economy (IRLEE)
734/936-3933, mgparnes@umich.edu 734/764-0192, jjonides@umich.edu Marian J. Krzyzowski, Director incubator units
Douglas C. Noll, Co-Director 734/998-6201, mjsk@umich.edu
Judith A. Nowack 734/764-9194, dnoll@umich.edu Core Technology Alliance (CTA)
Associate Vice President Institutional Review Boards (IRBs) — of the Michigan Life Sciences Corridor
734/763-1289, jnowack@umich.edu Michigan Memorial Behav-Sci and Health George F. Vande Woude
Phoenix Energy Institute Directorship Open Interim Executive Director
Sarah K. Walkling Gary S. Was, Director IRB office: 734/936-0933, 734/615-5045, bkissel@umich.edu
Director of Federal Relations 734/763-7401, gsw@umich.edu irbhsbs@umich.edu
for Research & Assistant Director,
U-M Substance Abuse
U-M Washington Office U-M Transportation Michigan Memorial Phoenix Project Research Center (UMSARC)
734/764-1185; 202/554-0578, Research Institute (UMTRI) Steven L. Ceccio, Director John R. Traynor, Director
Curt W. Smitka Peter F. Sweatman, Director 734/763-1290, ceccio@umich.edu 734/998-6500, jtraynor@umich.edu
Director, Budget & Administration 734/764-6505, sweatman@umich.edu
734/936-2681, cwsmitka@umich.edu Office of Human Research
Compliance Review (OHRCR)
Ronald F. Maio, Director
734/647-0489, ronmaio@umich.edu