PANORAMA OF
INDIAN PAINTING
PUBLICATIONS DIVISION
Ministry oP INFORMATION AND BROADCASTING
OVERNMENT OF INDIAFirst published In May 2988 {Vatsakha 1290)
Repelated, January 3971 (Paves 1892)
Price tBu 250
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Printed at Hooghly Printing Ge , Limited, 41, Chewelaghee Road, Catcutielé.INTRODUCTION
wr a tradition spanning two millennia, Indian painting is as
remarkable for its continuity as for the variety ofits styles.
‘The serics of National Programme talks broadcast from All Endia
Radio during September-October 1965, and brought together
here, throws light on the different aspects and phases of the long
evolution of Indian Painting.
The compilation docs not claim to be comprehensive ; it
attempts to cover, with lucidity combined with expertise, the
great epochs and the major distinctive styles of Indian painting.
In the opening talk, Dr. O. C, Gangoly makes a fascinating
collation of data from artefacts and the carliest literary strata to
Teconstruct the beginnings of the tradition, In the study of
Ajanta and Bagh, the first great efflorescence, Sri Asok Mitra has
an original contribution to make regarding the treatment of pers-
pective, In the cultural sphere, India has given bountiful gifts
to the world and assimilated aa readily intimations from abroad.
Dr. Moti Chandra studies the Indianisation of the Persian minia-
ture under the Mughals. Dr. Nihar Ranjan Ray traces the
perfect blending of Western Indian and Persian miniature
traditions in Rajput art, while Dr. Randhawa deals with the fresh-
ness and lyricism acquired by this art when transferred to the pic-
turesque valleys of the Himalayan piedmont. And lastly, Sri
Sanyal surveys the contemporary scene when the Indian painter
confronts myriad challenges represented by the dissolution of
tradition and the accelerated coming together of cultural and
Stylistic impulses from all over the world.