User Manual

English

Contents
Chapter 1
Introduction
Introduction to set.a.light 3D® .......................... 6
The main functions...........................................6
Video-Guide......................................................6
Flash technology and light shapers.................. 7
Light simulation in real time.............................. 7
Authentic light characteristics...........................7
Real-time rendering..........................................7
Chapter 2
Before you start
Minimum system requirements........................ 9
Installing set.a.light 3D....................................... 10
Product activation............................................... 12
Chapter 3
| User Manual
Quick Start
Launching set.a.light 3D..................................... 14
Free updates.....................................................14
Chapter 4
User interface and functions
The main screen of set.a.light 3D...................... 16
Light calculation.................................................. 17
The studio area................................................... 18
Editing the studio..............................................18
Defining your own studio..................................18
The studio light dimmer....................................19
The Studio Grid ................................................19
The Dimensioning Tool......................................20
3D navigation...................................................... 21
The studio library................................................ 22
Models................................................................. 23
Placing and moving a model in the studio area 23
Animated Models NEW! (Type 1)..................24
Detailed Settings..............................................24
Mirroring poses.................................................24
Look At.............................................................25
Editing the skin tone and skin hardness...........25
2

Customize styling.............................................26
Change clothing and Colouring clothing...........26
Pose Control (Chaning Poses)...........................28
The Pose Control Window................................28
The Quick Menü
..........................................................................29
Models (Type 2)................................................29
Detailed Settings..............................................30
Posen wechseln................................................30
Mirroring poses.................................................30
Colouring clothing.............................................31
Light shapers....................................................... 32
Placing a light shaper........................................32
Add your own Flash Head.................................34
Speedlights/On-Camera Flash........................... 35
Add Your Own Speedlight.................................35
Tools..................................................................... 37
Background.......................................................37
Reflectors and Light Blockers ..........................37
Props.................................................................... 38
Picturewall* .....................................................40
Selecting multiple objects................................. 41
Duplicating objects............................................. 41
Precise movement of objects ............................ 42
Undo and Redo................................................... 43
The virtual camera.............................................. 44
Setting options..................................................44
| User Manual
Target lock.........................................................45
The black and white mode ..............................45
Generate a shot that is rendered by using the
shutter release..................................................45
Make a Snapshot..............................................46
Depth of field....................................................46
Preview camera................................................... 47
Focal points.......................................................47
Real-time histogram........................................... 48
Studio top view................................................... 49
Set list.................................................................. 49
Rename objects................................................49
Lock and unlock an object.................................50
Timeline............................................................... 52
Sorting timeline entries....................................53
Render all Snapshots........................................53
Creating a set plan.............................................. 54
.........................................................................54
Chapter 5
(Pre-)Settings
Settings................................................................ 59
Language settings............................................59
Switching Metric-Imperial.................................59
Laser Pointer on / off........................................59
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 | User Manual

Lens Flare on / off.............................................60 Global................................................................68

Quality options..................................................60 Studio Area.......................................................68
Delete User Data..............................................61 Timeline............................................................68
Studio Library....................................................68
set.a. light 3D Software...................................... 69

Chapter 6 Licensing information......................................... 70

Saving and rendering projects

Saving a shoot file.............................................. 63
Auto Save/ Crash File ........................................ 63
Saving high-resolution renderings.................... 64
Rendering all snapshots....................................64
Re-rendering photos.........................................64

Chapter 7
Shortcuts
Shortcuts for Windows....................................... 67
Menu Functions................................................67
Global................................................................67
Studio Area.......................................................67
Timeline............................................................67
Studio Library....................................................67
Shortcuts for Mac OS ........................................ 68
Menu Functions................................................68

4
Chapter 1
Introduction
Chapter 1: Introduction
The photo studio simulation
Introduction to set.a.light 3D®
Welcome to set.a.light 3D - the world’s first photo studio simula-
tion. The software lets you create lighting sets in advance on a PC
or Mac for a realistic simulation of the expected results. Smart
tools and innovative features offer a host of options for optimising
work procedures on the real set and ensure improved results -
right from the first shot.
| User Manual
The main functions
• Defining the studio through freely modifiable size and
colour specifications (wall, ceiling, floor)
• Selecting and placing lighting technology, models, props and
tools in the studio
• Authentic setup of the camera, including sharpness/depth simu-
lation and real-time histogram
• Building lighting sets with the use of authentic setting options
and real light data
• Simulating the results in real time
• High-speed rendering of the results
• Saving the images and all relevant data in a clear timeline
• Archiving shoots with straightforward access and data that can
be further modified at any time
• Exporting a PDF set plan with preview, setup layout as well as
all settings and dimensions
Video-Guide
For a quick start you can find a video guide on
elixxier.com, which shows you all the basic
features and tips & tricks.
http://www.elixxier.com/en/videomanual/index.php
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Chapter 1: Introduction | User Manual
Flash technology and light shapers, light simulation in real time

Light simulation in real time

Flash technology and light shapers
set.a.light 3D offers you a collection a studio technologies and
assorted light shapers. To let you build, test and simulate the
planned light settings. Experimenting with new settings is also
child's play.
Authentic light characteristics
For the very first time, real light data is used in software for pho-
tographers in order to simulate the realistic dispersion behaviour
of the lighting technology.
Real-time rendering
The software's complex algorithms realistically simulate the be-
haviour of the lighting technology and also enable real-time light
simulation and high-speed rendering of the generated photos.

Note: The collection of light shapers is constantly being up-
dated.
Measured real light data
In order to achieve a lifelike presenta-
tion of the light characteristics, a
procedure for measuring the flash
technology has been specially devel-
oped.

7
Chapter 2
Before you start
Chapter 2: Before you start | User Manual
Minimum system requirements

Minimum system requirements

WINDOWS MAC OS

• Microsoft® Windows® 8/ Windows® 7 / VistaTM from SP2 • Mac OS X (64-bit), version 10.8 or later
(32/64-bit) • Intel® CoreTM 2 Duo
• Intel® CoreTM 2 Duo, or equivalent AMD processor • Graphics card with 256 MB VRAM and OpenGL 3.3 (1 GB
• Graphics card with 256 MB VRAM DirectX 10.1 (1 GB VRAM VRAM recommended)
recommended) • Minimum display resolution of 1280 x 768
• Minimum display resolution of 1280 x 768 • 4 GB RAM or more
• 4 GB RAM or more • 2 GB of free hard-drive space
• 2 GB of free hard-disk space • Internet connection (for updates and add-ons)
• Internet connection (for updates and add-ons) • Mouse or tablet
• Mouse or tablet

Please ensure that your graphics card drivers are up to Please keep your system updated.
date.

Recommendation
For the best results, the system should have a modern, high-performance graphics card with DirectX11 or OpenGL 4.x and a minimum 1GB
VRAM.

Recommended graphics chipsets: from NVIDIA® GeForce® GTX 480, ATI Radeon® HD 5000
Integrated graphics chipsets such as Intel® HD Graphics or ATI Radeon® HD 3200 are not supported.

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Chapter 2: Before you start | User Manual
Installing set.a.light 3D

Installing set.a.light 3D to begin the installation.

MAC OS—Download installation Step 4: Read and accept the licence agreement.

Step 1: Close all open applications.
Step 2: After set.a.light 3D has been downloaded from http://
www.elixxier.com/de/downloads/, double-click on the “Install
set.a.light 3D.pkg” package.
Step 5: Now follow the installation process. Enter your password
if requested to do so. To successfully complete the installation,
please click on “Finish”, or “Close”.

Step 3: When the welcome screen appears, click on “Continue”

to begin the installation..

Step 4: Read and accept the licence agreement.

Step 5: Now follow the installation process. Enter your password

if requested to do so. To successfully complete the installation,
please click on “Finish”, or “Close”.

MAC OS—DVD installation

Ins
Step 1: Close all open applications.

Step 2: Insert the installation DVD. Open the DVD and double-
click on the set.a.light 3D package.

Step 3: When the welcome screen appears, click on “Continue”

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Chapter 2: Before you start | User Manual
Installing set.a.light 3D STUDIO

WINDOWS—Download installation Step 4: Read and accept the licence agreement.

Step 1: Close all open applications. Step 5: Now follow the installation process. To successfully com-
plete the installation, please click on “Finish”, or “Close”.
Step 2: After set.a.light 3D has been downloaded from http://
www.elixxier.com/de/downloads/, double-click on “Install
set.a.light 3D .exe”.

Step 3: When the automatic installation wizard appears, follow

the instructions to begin the installation of set.a.light 3D. Now fol-
low the installation process.

Step 4: Read and accept the licence agreement.

Step 5: Now follow the installation process. To successfully com-

plete the installation, please click on “Finish”, or “Close”.

WINDOWS—DVD installation

Step 1: Close all open applications.

Step 2: Insert the installation DVD.

Step 3: When the automatic installation wizard appears, follow

the instructions to begin the installation of set.a.light 3D. Now fol-
low the installation process.

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Chapter 2: Before you start | User Manual
Product activation

Product activation Note: If you need assistance with activating your software,
please contact Support at elixxier.com.
To register your software, please proceed as follows:

Please have your product key to hand and enter it into the field
provided.

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Chapter 3
Quick Start
Chapter 3: Quick Start | User Manual
Launching set.a.light 3D

Launching set.a.light 3D Free updates

Launching the software on Windows
set.a.light 3D can be opened in the Windows operating system as
follows: First click on the »Start« button, then select »All Pro-
grams«. Now navigate to the folder »set.a.light 3D« and select
set.a.light 3D to open it.
set.a.light 3D automatically checks at launch whether any updates
are available. If an update is available, click on “Start Update” to
download it. The software automatically launches after the update
has completed. (This can take several minutes.)

Launching the software on Mac OS

In the Macintosh operating system, navigate to the »Programs«
folder. Double-click on the »set.a.light 3D« icon to open it.

Start screen
To open the program, select a room in the start screen.

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Chapter 4
User interface and
functions
Chapter 4: User interface and functions | User Manual
The main screen of set.a.light 3D

The main screen of set.a.light 3D

Detailed settings Camera settings Shutter release Real-time histogram

Preview camera

Studio top view

3D navigation

Setlist

Studio library Studio area Hide footer Timeline

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Chapter 4: User interface and functions | User Manual
Light calculation

Light calculation Rendering of the result in the photo viewer.

In the studio area
There is no real light calculation in the studio area. To build the
lighting set, a rough setting light is shown here together with
shadows and reflections.
The real light calculation, including any reflections and influencing
factors, takes place during the rendering of the result in the photo
viewer.

Preview camera
You can view the more precise effect of the light produced by the
constructed lighting setup in the preview camera. A preview light
calculation is performed here to give you direct control function
over your created lighting set.

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The studio area

The studio area

Editing the studio

To edit the studio, simply click
on an empty point in the virtual
studio (e.g. a wall) or select the
room in the set list. You can
The virtual studio area lets you quickly and easily create your now edit the dimensions and
lighting set. The simulated studio area forms your workspace. It colours of the studio in the de-
can be individually composed and edited at any time. It is located tailed settings on the left-hand
in the middle of the user interface by default and is the biggest side of the user interface.
area in the programme. The position and settings of all the ele-
ments placed here can be changed just like in a real studio. You'll
find everything that can be placed in the studio area in the studio
library.

Defining your own studio

Note: Please set the room size and the colours in set.a.light You can add and save an edited
3D according to your real-life studio. Otherwise the light calcu- room as a room template at any
lation will not correspond to the desired result (example: back time.
reflection).

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The studio area

The studio light dimmer The Studio Grid

Studio Grid activ

The studio light dimmer is at the top left of the studio area. It al-
lows the studio area to be brightened or darkened. The studio light
has no influence on the shot.
Besides the studio light dimmer you can find the Studio Grid but-
ton ( ). When activated, the grid is displayed in the studio as
positioning aid. The grid is measured in meter units.

If you move an object in the studio with activated Grid, so lengths

are displayed as a positioning aid. This makes it easier to built up a
light setup.

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The Dimensioning Tool

The Dimensioning Tool mouse button held down and pull the dimensioning line to
the object where the dimensioning shall end. The line automati-
cally locks into the middle of the object.

2. Dimensioning between an Object and any Point in

The tool palette ( ) is located in the upper left of the studio area.
The respective yellow icon indicates the active mode.
Space:
Click on an object, keep the mouse button as well as the alt
button held down and pull the dimensioning line to the point
where your dimensioning should end. Releasing the mouse button
creates the endpoint (pin needle ).

dimensioning mode Studio mode

is active is active

+ alt

If the dimensioning mode is active ( ), dimensioning may be

performed in the studio area.
View:
There are two ways of dimensioning. dimension
visible

1. Dimensioning between 2 Objects: : By using the dimensioning tool also the view is automatically acti-
(e.g. flash head - flash head, flash head - model) vated ( ). By clicking on the icon the dimensioning lines can be
hidden and shown again when you need them.
Click on the object where the dimensioning should start, keep the

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3D navigation

3D navigation Trackball
You can rotate your view in the studio by holding down
the left mouse button.

With Orbit mode activated, you can rotate the view

around the shoot area using the trackball. If Orbit mode is
inactive, you will rotate around your own axis.

Orbit mode (active) (inactive)

You can move freely around the studio area with the help of the
3D navigation. This is located at bottom right in the corner of the
studio area.
Alternatively, you can navigate in the studio area by holding
down the right mouse button + dragging.
Note: This function is active by default.
Move view
By holding down the left mouse button, you can move
the studio view up, down left or right.

Zoom magnifying glass

You can zoom in an out of the view using the magnifying
glass.

Reset view
Click on this button to return to the default view from the
front.

21
The studio library
The studio library contains everything you'll need for your shoot.
It contains a large selection of models, lighting technology,
tools and props. All of the elements can be placed very easily in
the studio area by drag & drop (or double-click).

Note: The studio library is constantly being expanded and

updated.

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Models

Models You can move or rotate the model within the room with the help
of the yellow grab elements.
The studio library offers you a selection of models. There are two
types of models you can choose in the studio library.

If a model is selected in the studio, it can be adjusted in the Detail

Settings.
Type 1 Type 2
• animated poses • static poses
• styling and character • pre-built setting op-
flexibly adaptable tions and selections

Placing and moving a model in the studio area

Click on the model in the studio library and click & drag it to the
set or place it by double clicking it. You can delete a model from the set at any time with the com-
mand “Del” (Mac: “cmd” + “”) on your keyboard or via the
“Remove from Set“ button ( ) in the model
settings.

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Models

Animated Models NEW! (Type 1) By using the "Pose Control" feature they can be brought into the
desired pose and thereby be moved seamlessly from one pose
to another.

Note: Die "Pose Control" feature is only available for the ani-
mated models!

Detailed Settings

Pose Contol

Lock Model
Mirror Pose
Look At:
When enabled, the head of the model
always moves to the camera.
Pose Contol:
opens the "Pose Control" window

Detail Settings Studio library Mirroring poses

Models that are marked as "animated", have special features:
They can be used the basis for self edited character. Thereby the
body and styling (hairstyle, clothes, character, facial expressions)
can be edited in the detail settings.
If the “Mirror pose” option is selected (   ),the
chosen pose is mirrored. If you subsequently
change the model’s pose again, the “Mirror
pose” option is retained and the new selection is
also shown mirrored.

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Chapter 4: User interface and functions | User Manual
Models

Look At Drag-Option: To change a value fluent, click with the mouse on

the respective naming and drag with the mouse to left or right.
If this function is active ( ), the model always turns its head
toward the camera.
Editing the skin tone and skin hardness

The skin tone and skin hardness of the selected model can be set
in the Detailed Settings.

Three different skin tones are available:

- a pale skin tone
 "Look At" deactivated ( )  "Look At" activated ( ) - a medium skin tone
- a dark skin tone

Transform
Change skin tone
Change the position of the model in the room. Change skin hardness

Adjust Position
X: Left / Right, Y: Next and Back,
Z: Up and Down
Direction: rotary motion
Orientation: tilting movement for-
wards and backwards
Change the height of the model  Skin tone settings

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Chapter 4: User interface and functions | User Manual
Models

The strength of the skin hardness can be set using the slider. This Edit hair color and style
will appear stronger or weaker depending on the light situation.
The hair color of a selected model can be changed in the Detailed
Settings.

 Example "change hair color"

 
Skin hardness settings
To change the hairstyle, open the options menu (see below) and
For example, the skin hardness can be used to create a wet look. choose a hairstyle.

Customize styling

You can customize the look of the model to your needs in the
"Styling" area.

Change colors (color picker opens)

Change hairstyle and hair color

Change accessories for
 Example "change hairstyle"
the face area (if available)

Change clothes of the upper body

(if available) Change clothing and Colouring clothing

Change clothes of the lower body For the animated models different clothes are available. To change
(if available)
a garment, open the menu and select a garment.
Change shoes (if available)

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Chapter 4: User interface and functions | User Manual
Models

Customize character

In the area "Character" you can change the look of the model.

Character Settings:
Here you can change the character, body and
facial expressions of the model.

Choose or combine the look of prefabricated

characters or make finer adjustments.
 Changing clothes
You can save your character as preset and
To colour a garment, open the color picker, by clicking on the reload it any time you want.
appropriate field and choose a color. Alternatively, you can also
enter a hex color value.

Character Presets:
Here you will find
your self-created and
saved Characters.

Colour a garment

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Chapter 4: User interface and functions | User Manual
Models

Pose Control (Chaning Poses)

You can bring the animated Models to the desired poses through
a flexible Pose Control.

The Pose Control Window

 Example: Chaning the depth of the face  Example: Changing the face shape
Open the The Pose Control Window by clicking on this button:
(in the Detailed Settings, or in the Quick Menu) or by using
the Shortcut: "P".

Change the
sequence speed
Look At

 Example: Aging the face  Example: Various changes

Character examples:
Mirror Pose
Select Posing Set Posing-Slider
Play Posing
sequence

Choose a Posing Set and move the Posing Slider to a position

you like. Additionally the pose can be changed with the option
"Look At" or "Mirror Pose".

2 different character examples, 2 different character examples,

one base: Basic Female one base: Basic Male

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Chapter 4: User interface and functions | User Manual
Models

A Posing Set can be played also as a sequence (   ). Use the Models (Type 2)
 Slider to change the speed. This function helps you to
check your light setting for flexibility.

The Quick Menü

The Quick Menu is visible in the studio next to the selected mo-
del.
Pose Contol:
opens the control window

Look At:
When enabled, the head of the model
always moves to the camera.

Mirror Pose
(Feature also from the detail settings
possible) All other models in the studio library belong to Type 2. Here are
Lock Model: static poses and prefabricated settings and choices available.
(Feature also from the detail settings
possible)
Position and move these Models like the Type 1 Models, with the
following differences:

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Chapter 4: User interface and functions | User Manual
Models

Detailed Settings Posen wechseln

If a model is selected in the studio, it can be adjusted in the De- To select a different pose, click inside a clothing category in the
tailed Settings. area shown below and choose from the menu that opens.

Position values

Adjust the Body size

General settings:
• Settings for
skin tone and skin hardness
Mirror the selected pose

Clothing category 1:
• Change available
poses
Mirroring poses
• Detailed clothing
settings: Colour

If the “Mirror pose” option is selected, the chosen pose is mir-

Clothing category 2 rored. If you subsequently change the model’s pose again, the
(settings appear upon selec- “Mirror pose” option is retained and the new selection is also
tion)
shown mirrored.

Delete model from studio area

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Chapter 4: User interface and functions | User Manual
Models

Colouring clothing settings and select the desired colour. You can delete the saved
The models’ clothing is divided into categories (e.g. leisure cloth- colour again at any time using the trash can icon ( ).
ing). If a pose is selected, the colour of the clothing can be edited
in the detailed settings (can be shown and hidden).

1. Click on the colour field to open the colour selector. The colour
can be selected or defined here.

2. You can use the “+” symbol ( ) to save your colour setting
as a template and give it a name.

3. In order to use your saved colour settings on another model,

click on the “Arrow” ( ) in the dropdown menu of the detailed

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Light shapers

Light shapers Editing a light shaper

A selected light shaper can be edited directly via the quick menu
on the selected light shaper in the set or in the detailed settings.
Positions can be entered directly via the corresponding fields and
the output set via the output slider. Various equipment options are
available for each light shaper and the power of the flash head can
also be selected.
set.a.light 3D offers you a collection of studio technologies and
various light shapers.
Main settings (such as Quick menu):
• On/Off switch
Placing a light shaper • Single mode
A light shaper is placed in the same way as the other elements • Show/hide tripod
• Adjust output
in the studio library, by drag & drop and using the grab elements.
Each light shaper is automatically connected to a flash head and
tripod when dragged into the set.
Size and angle settings:
• x-Position / y-Position
• Height
• Pitch
• Yaw
• Roll

Accessories/attachments

Flash head

Color film

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Light shapers

The quick menu Changing the flash head

Click on the On/Off switch to switch
off the flash head. To see the light effect of
an individual light shaper, select the Single
mode . If the tripod is to be shown
and hidden, select this symbol . You
can also set the power of the flash head via
the power controller.
Editing light shapers
If further attachments or coverings are available for the selected
light shaper, these can be edited in the detailed settings.
The light output of the flash
head can be selected here.
Note: If you have a 400 W
flash head, for example, se-
lect the next closest power,
in this case 500 W.
Simulating a colour film
A colour film can be simulated via the colour field (
). The selected colour is applied directly to the light shaper.

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Add your own Flash Head

Add your own Flash Head
There are two ways to add your own flash head:
Option 1:
In the menue bar, click on “Edit”, then on “Add Flash Head”
The next step is to choose the “control range” which matches
your flash head, from the dropdown menu. The last step is to
select the "power" (watt-second, Ws) in the dropdown menu on
the right side. By clicking on "Add", the created flash head is
saved and added to the list of flash heads. Here it can be selected
later. “see “Changing the flash head” on page 33

Note: For some

Abschließend kannstcontrol
du jetzt
ranges
noch the
die selection
"Leistung"of(Wattsekunden
the power is -
Ws)not
über das Dropdown
necessar, since theMenü
power rechts bestimmen.
had been already been set by
the control range and pre-selected appropriately.

A window pops up, where you can add the flash head. In the field Option 2:
“Enter Name”, you can add an individual name. Select a flash head in the studio area and then open the menu
for adding flash heads in the detail settings on the left side of the
software by clicking on the  - symbol. Then proceed as in Option
1.

Note: If you change the power from e.g. 5 to 6, the bright-

ness changes an aperture stop. An integer is always equal to
one aperture stop.

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Speedlights/ On-Camera Flash

Speedlights/On-Camera Flash
Note: The zoom area can ONLY be changed for speedlights
without light modifiers. Choose 24mm or 35mm on the real
set for speedlights with light modifiers. This zoom area is
also the basis for speedlights with light modifiers (e.g. octo-
box or transparent umbrella) in set.a.light 3D.

Choose in the studio library between a speedlight or a speedlight

with a light shaper. Add Your Own Speedlight

Quick-Menu Select one of the speedlights located in the

(Version "Speedlight without Light Modifier") studio area and open the “Add Custom Speed-
lights” menu in the detail settings by clicking
Output Controller:
on the   symbol.
The output controller lets you
control the light energy. The out-
put scale and output gradation are
modeled after real devices.

Angle:
The angle can be adjusted between
0-90°. (not possible for all light
modifiers)

Zoom Controller Now the menu for the creation of custom

Here you can set the zoom area
(mm) of your speedlight. The light
speedlights opens. To begin with, you may define the name for
characteristic changes according to your new speedlight in the field “Enter Name”.
the value.

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Speedlights/ On-Camera Flash

Select the zoom area matching your speedlight from the drop-
down menu.

To ensure that your flash features all zoom levels equivalent to

your real device later on, you should also pay attention to interme-
diate values.

3. Determine Guide Number:

1. Determine Control Range:

The guide number is the output rating of your speedlight.

Find the dropdown menu in the left area of “Control Range” and
choose the matching control range for your speedlight from there.
2. Determine Zoom Area:
Select the guide number (the available choices are already pre-
selected in accordance to your previously given information) from
the dropdown menu that matches your real device. The guide
number always refers to a certain mm specification (e.g. 35mm
or 105mm). Make sure to choose the correct value. The appropria-
te value can be found in the manufacturer’s specifications of your
device.

Clicking on “Add” saves the newly created speedlight and adds it

to the list of flash heads. Later you can choose from there.
see “Changing the flash head” on page 33

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Light shapers, tools, props

Tools
Background
The sizes and colour of the background can be
edited as required in the detailed settings and
saved as as template.

Under tools, you will find the background system/cove, various Reflectors and Light Blockers
brighteners and screens. These can be edited in the detailed set- You can adjust the size of the reflectors and
tings if necessary. the ight blockers in the detailed settings.

 
Background as paper background  
Background as cove

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Light shapers, tool, props

Props
Tip: By “mingling” various basic shapes,
objects for test images can be quickly built,
rooms changed or clothes modified.

You can also move the props freely around the room and use
them for your shoot. The sizes and colours of cones, cylinders,
balls and boxes can also be adjusted, enabling new shapes or
structures to be created.

 
Room with furniture
The basic elements can be used to quickly create a sofa, table and standard lamp.

Adjust position

Change appearance:
• Color
• Hardness

Change object dimensions

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Chapter 4: User interface and functions | User Manual
Light shapers, tools, props

 
Room with furniture  
Tabletop setup example
A complex object has been created here from
various basic shapes.

 
Tabletop setup example
3 cones of different sizes symbolise a pair of
candlesticks in this example.

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Chapter 4: User interface and functions | User Manual
Light shapers, tools, props

Picturewall*

You can find the Picturewall in the Studio Library under the tab
Props. By clicking on Picture Presets you can choose from some
image templates or you can import you own images.
Possible file formats are JPG and PNG (PNG only STUDIO Edition).
 
JPG Picture is placed on the Picturewall
With the help of the Picturewall an indoor or outdoor
background can be simulated.
* BASIC Edition:
Only JPG files can be placed
on the Picturewall. Up to 7 own
Picturewalls are possible.

Adjust position

Change appearance: Transparency with PNG file

• Color Images with transparencies appear similar to 3D objects in
• Hardness the software and also cast a shadow.

Image upload:
• new imported image appears in Note: By using PNG files with transparency you can use
the Image Presets
isolated images (e.g. a tree, pattern, person, clothing, ob-
Change object dimensions ject, etc.). Images with transparencies appear similar to 3D
objects in the software and also cast a shadow.
Remove Image Preset

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Chapter 4: User interface and functions | User Manual
Selecting multiple objects, duplicating objects

Selecting multiple objects Duplicating objects

To select multiple objects placed in the studio area, click on them
while holding down the CTRL key (Mac: cmd key). The selected
elements can now be moved around the room together or de-
leted. For example, if two light shapers are selected, their
light output can also be proportionately regulated together. To
cancel the selection, click on a empty point in the room.
You can easily duplicate individual objects, light shapers or models
within the studio area. When doing so, all previously made set-
tings will be applied.
Duplicating an object through dragging
Select an object and move it while holding down the ALT key. You
will automatically get a duplicate.

Duplicate object

PC/Mac: alt +

Selecting multiple objects

PC: ctrl + Mac: cmd +

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Chapter 4: User interface and functions | User Manual
Precise movement of objects, changing object height

Precise movement of objects

Tip: The height of the models can also be adjusted using this
An object (or group) selected in the studio can be very easily command. For example, a model can be “placed” on a cube.
moved with the arrow keys on the keyboard. The height of the
flash head can be adjusted using the Page up/down (Mac: Fn +
arrow key up/down) keys.

 
Height settings of objects
Models can be arranged on several cubes,
for example, with the aid of “Adjust object
height”.

Moving objects Changing object height

Mouse click and key H
or

PC: Page up , Page down

Mac: fn + Note: The key combination mouse click and key “H” doesn’t
apply for lights. As usual the lights can be moved and operated
with the handles.

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Chapter 4: User interface and functions | User Manual
Undo and Redo

Undo and Redo

You can undo changes (made in the studio area or actions on indi-
vidual objects) by clicking on "Edit"> "Undo" in the menue bar.
In addition, you can restore an undone action or repeat an action
by clicking on „Edit“ > „Redo“.

Info: You can undo or redo actions up to 30 times.

Shortcuts*:

Undo Redo

PC: Ctrl + Z PC: Ctrl + Shift + Z

*Right now, these shortcuts work on Windows only.

43
Chapter 4: User interface and functions | User Manual
The virtual camera

Target locked
The virtual camera Aspect ratio Shutter speed
Black and White mode
Snapshot

Chip/crop factor Lens ISO Aperture Shutter release

The virtual camera offers you all of the image-related setting op- Setting options
tions you are familiar with on your real camera. When you launch
set.a.light 3D, the camera is already in place on the set and cannot
be deleted.

You can change its position in the studio by

using the grabs. If a zoom lens is selected, a
slider for adjusting the zoom appears directly
on the camera. Portrait and landscape format
can be adjusted in the Preview camera.
Each image taken with the camera is saved in
the timeline with the related settings and can
be accessed again at any time.
In the camera bar, you can, for example, select the chip size or
set the image aspect ratio. Shutter speed, aperture and ISO
number are also variable. Decide on the lens of your choice. All
settings have a direct effect on the image, which you can see in
the Preview camera in real time.
Since the flash burning time is extremely short, the shutter speed
has no effect in the studio. Only a very bright studio lighting can
be balanced.

In the simulation, changing the shutter speed has no effect, since

the background lighting is not included.

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Chapter 4: User interface and functions | User Manual
The virtual camera

Target lock Generate a shot that is rendered by using the shutter

release
If “Target lock” is active (yellow), the camera remains aimed
at the focused object when moved around the studio area. If the Using the “Shutter release” , you can generate a shot that
button is inactive , the camera remains pointing straight ahead is rendered and displayed immediately. This creates an image that
when being moved. includes all reflections and influencing factors of the light calcula-
tion and is authentically displayed. When the shutter is released,
Tip This function is very useful for being able to quickly test the image is saved in the timeline and on the PC/Max in the folder
different perspectives. of the associated shoot.

The black and white mode

You activate the black and white mode by clicking on the „BW-
Button“ in the camerasettings. Then it is shown in the "Pre-
view Camera". Once again clicked, the "BW-mode" is deactiva-
ted.

If activated, the black and white mode is also adopted on the ex-
ported picture and the setplan.
 
Taking a photo
After clicking on the shutter release, the
captured image is immediately rendered and
displayed in the programme. The photo is auto-
matically saved in the timeline.

45
Chapter 4: User interface and functions | User Manual
Depth of field

Note You must save the shoot first in order to be able to
access the rendered images. The images are previously only
temporarily stored within the programme.
Depth of field
The camera authentically presents all settings. For example, the
depth of field is show appropriate to the selected lens, the focal
point and the selected aperture.

Make a Snapshot

If you want to save your light set in the timeline without being
shown the rendering of the result directly, click on “Snapshot”
.

Further information see see “Render all Snapshots” on page 53

 
Rendering with set.a.light 3D
Camera settings in this shot: Full-format, 70–200mm, ISO100, f/2.8
Illumination: A reflector with honeycomb insert

46
Chapter 4: User interface and functions | User Manual
Preview camera

Preview camera The format changer lets you change between portrait and
landscape format.
The preview camera gives you active control over your planned
image. If you want to zoom in on your image in the preview window,
you can swap the position of the camera window with the studio
area using the Window changer.

Zoom controller
Focal points
Focal points In the preview camera, you can control your focus with the help of
the focal points. Click on a focal point to select it.

Window changer Format changers

Camera trackball

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Chapter 4: User interface and functions | User Manual
Real-time histogram

Real-time histogram overlap each other.

-> Yellow corresponds to the channels Red + Green
-> Magenta corresponds to the channels Red + Blue
-> Cyan corresponds to the channels Green + Blue

Over and underexposure

A histogram with a peak value at one of its ends displays a curtail-
ment of depth and light in the photo. The curtailment can lead to a
loss of image details.

The real-time histogram integrated into the software offers you

permanent and direct control of the lighting situation as well as a  
underexposed image
The left end of the histogram presents pixels with 0% luminance.
tone value distribution from the camera’s perspective. It is the key
to optimally lit shots and prevents over and underexposure during
the shoot.  
overexposed image
The right end represents pixels with 100% luminance.

A histogram shows the number of pixels in a photo for each per-

centage value of luminance. If the histogram extends from the left
side of the operating field all the way to the right side, then the
photo uses the full scale of tonal values. A histogram for which
the full range of tonal values is not used can result in an image of
low contrast.

A histogram consists of the colour levels red, green and blue.

Grey is shown when all three channels overlap each other. Yellow,  
Over and underexposed images
View of the preview camera in set.a.light 3D STUDIO
magenta and cyan are shown when two of the RGB channels

48
Chapter 4: User interface and functions
Studio top view, set list
Studio top view
The Studio top view gives you control over your set and all the
elements placed in it at all times. As in the studio area, the ele-
ments can be selected here and moved around.
Tip: If you have created a complicated lighting set and cannot
click on individual objects directly in the studio area, then the
studio top view offers you a quick remedy.
| User Manual
Set list
The Setlist is located on the user interface directly beneath the
Studio top view. Everything that is placed in the studio area is
listed here and can be selected in the list.
Rename objects
As you add objects to the studio, it’s helpful to give them names
that reflect their content.
Complete the following steps:
Double-click on the text box of the object and edit a new name.
Press Enter and the new name is shown in the setlist.
49
Chapter 4: User interface and functions | User Manual
Set list

of the selected objects and the padlock icons appear. To unlock the
objects just click again on one of the boxes.

Lock all objects:

If you want to lock all objects at once, click on the white padlock
icon to the right on the Setlist. To unlock the objects just click
again on the padlock icon.

 
Rename objects in the Setlist
Double-click on the object and edit a name
locked unlocked all objects locked

Lock and unlock an object

Objects can be locked in the set list, so accidental moves in the
studio can be prevented. When an object is locked, a padlock icon
appears to the right of the object name. Nevertheless in the de-
tailed settings other settings can be made.
Hide and Unhide an Object
Click on the eye icon ( ) next to an entry in the setlist to hide
single objects in the studio area. Click on it again to see the object
again.

Unlock an object:
Click on the box to the right of the text box. For unlocking the
object, click on the padlock icon in the box.

Lock multiple objects:

Click on an object and select by Ctrl key (Mac: cmd) other objects,
which you want to lock. Now click on one of the boxes to the right Object visible Object invisible

50
Chapter 4: User interface and functions | User Manual
Set list

Note: Invisible objects are not displayed in the Setplan, but will
be outputted still in the list below the studio overview. If you dont
want this, you must first delete the object in the studio.

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Chapter 4: User interface and functions | User Manual
Timeline

Timeline
Photo
viewer

The timeline presents your virtual shoot procedure in set.a.light

3D and contains all the images taken during a shoot. Each image
that appears in the timeline is automatically linked to the setup
and can be loaded by double-clicking again in the studio area at
any time.
View: Studio area: The setting was successfully
 
loaded from the timeline

Loading a set from the timeline

 
Double-clicking displays the image from the
timeline in the Photo viewer and the set can be
loaded into the studio again.

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Chapter 4: User interface and functions | User Manual
Sorting imeline entries, Render all Snapshots

Sorting timeline entries

Timeline entries can be dragged or re-sorted by pressing the left

mouse button to a new position. The yellow line indicates the
future position. Upon releasing the mouse button, the entry will
be stored at this position.

Render all Snapshots

With the option “Render all Snapshots”, you can

render your snapshots with a single click. Further information see see
“Make a Snapshot” on page 46

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Chapter 4: User interface and functions | User Manual
Creating a set plan

Creating a set plan

If you want to recreate a setting
in the real studio, you have the
possibility to export a PDF set
plan.

The set plan contains the cam-

era settings as well as all relevant values and dimensions for being
able to create the lighting setup in the real studio.
3. Open the Setplan Exporter
1. Open the Photo-Viewer Now click on the button "Export Setplan" in order to make
Open the Foto-Viewer by double-clicking on the image in the further adjustments. This opens the Setplan Exporter.
timeline to which you want to export a set plan.

2. Add additional data

In the Photo-Viewer you can add your own data and notes into
the Meta Data. These are automatically saved into the image in
the timeline and will later appear on the set plan. The preset titles
can be renamed and changed as required.

54
 | User Manual

4. Adjust the dimensioning grid and set the Zero Point In the menu item "Origin" you can set the Point of origin that will
be used for the export.
Onthe right side you can select in the menu item "Bounds"
Point of origin
whether the whole room is shown or if the view shall be clipped
to the utilized region.

Bounds: complete room

 
The whole room is displayed.

Bounds: Adjust automatically (default)

 
Only the effectively used setting will be displayed in the field.

55

5. Display/Hide and edit the dimensioning lines
Did you already insert dimensioning lines, while working in the
virtual studio, these are also shown in the Exporter. By clicking on
the view-icon you can hide them again.
| User Manual
Add a new dimensioning line
1. Select the Dimensioning tool (   ).
2. Führe einen der folgenden Schritte durch:
a) Click on the object where the dimensioning should start,
keep the mouse button held down and pull the dimensi-
oning line to the object where the dimensioning shall end.
The line automatically locks into the middle of the object.
b) Click on an object, keep the mouse button as well as the
alt button held down and pull the dimensioning line to
the point where your dimensioning should end. Releasing the
mouse button creates the endpoint (pin needle ).
Delet a dimensioning line
1. Select the selection tool (   ).
2. Click on the dimensioning line, that you want to delete. If this
is activated, you can remove it by pressing the "Del" key (Win-
dows) or Backspace key „“(Mac OS).
6. Create and save PDF
Click on the button "Create PDF" (   ). In the
opening Explorer you can name and save the PDF.
56
 | User Manual

Overview PDF-set plan page 1 and 2:

SETPLAN simulated
Titel:
Shot-20140626-185942
Studio:
Großer Raum
Breite: 8.00 m Länge: 10.00 m Höhe: 5.00 m
result
Fotograf:

Kunde:

Space for own

notes

Set view
Setplan Shot-20140626-185942 | Seite 1 | 06/26/2014 19:04:54 |
SETPLAN Titel: Shot-20140626-185942 | Studio:
Titel: Shot-20140626-185942 | Studio: Großer Raum
Großer Raum (Breite:
(Breite: 8.00 m8.00 m 10.00
Länge: Länge: 10.005.00
m Höhe: m m)Höhe: 5.00 m)
SETPLAN

SETPLAN Titel: Shot-20140626-185942 | Studio: Großer Raum (Breite: 8.00 m Länge: 10.00 m Höhe: 5.00 m)

Studio top view

with dimensions

# Name x y h Neigung Richtung Drehung Information

1 Basis-Kamera 2.32 5.06 1.56 0.66 -0.28 82.45 70-200 mm, 200 mm, 1/125 s, ISO100, f/9.0
2 Hintergrund 2.20 0.26 2.50 0.00 0.00 0.00 Breite: 2.72m, Länge: 6.00m, Höhe: 2.50m
3 Oktaform Ø 90 cm 2.56 3.80 2.53 62.36 -5.55 0.00 Innen & Aussendiffusor, 500Ws, 9.0
4 Akzenttube Ø 10,5 cm 0.62 1.44 1.90 9.15 116.65 0.00 500Ws, 8.9
5 Striplight 30 x 160 cm 3.55 1.93 1.50 8.06 -112.85 0.00 Innen & Aussendiff + Wabe, 500Ws, 10.0
6 Reflektor L Ø 23 cm 3.27 1.69 1.61 5.18 -33.32 0.00 Wabe 1, 500Ws, 10.0
7 Tina 2.32 2.44 0.00 0.00 7.16 0.00 Körpergröße: 1.77m

# Name x y h Neigung Richtung Drehung Information

Table of all relevant 1 Basis-Kamera

2 Hintergrund
# Name
2.32
2.20
1 Basis-Kamera
5.06
0.26
1.56
x
2.50
2.32 5.06
y
0.66
0.00
1.56
-0.28

0.66
0.00
-0.28
82.45 70-200 mm, 200 mm, 1/125 s, ISO100, f/9.0
h Neigung Richtung Drehung Information
0.00 Breite: 2.72m, Länge: 6.00m, Höhe: 2.50m
82.45 70-200 mm, 200 mm, 1/125 s, ISO100, f/9.0
3 Oktaform Ø 90 cm2 Hintergrund 2.56 3.80 2.530.26 62.36 0.00-5.55 0.00 0.00 0.00Innen
Breite:& Aussendiffusor, 500Ws, 9.0

data and settings

2.20 2.50 2.72m, Länge: 6.00m, Höhe: 2.50m
4 Akzenttube Ø 10,53 cmOktaform Ø 90 0.62
cm 1.44 1.903.80
2.56 9.15
2.53 116.65-5.55 0.00
62.36 0.00500Ws, 8.9
Innen & Aussendiffusor, 500Ws, 9.0
5 Striplight 30 x 1604cm
Akzenttube Ø3.5510,5 cm 1.93 0.62
1.501.44 1.90
8.06 9.15
-112.85 116.65 0.000.00Innen
500Ws, &8.9
Aussendiff + Wabe, 500Ws, 10.0
5 Striplight 30 x 160 cm 3.55 1.93 1.50 8.06 -112.85 0.00 Innen & Aussendiff + Wabe, 500Ws, 10.0
6 Reflektor L Ø 23 cm 3.27 1.69 1.61 5.18 -33.32 0.00 Wabe 1, 500Ws, 10.0
6 Reflektor L Ø 23 cm 3.27 1.69 1.61 5.18 -33.32 0.00 Wabe 1, 500Ws, 10.0
7 Tina 7 Tina 2.32 2.44 0.002.44
2.32 0.00
0.00 0.00 7.16 7.16 0.00 0.00Körpergröße: 1.77m
Körpergröße: 1.77m

Setplan Shot-20140626-185942 | Seite 2 | 06/26/2014 19:04:54 |

Setplan Shot-20140626-185942 | Seite 2 | 06/26/2014 19:04:54 |

57
Setplan Shot-20140626-185942 | Seite 2 | 06/26/2014 19:04:54 |
Chapter 5
(Pre-)Settings
Chapter 5: (Pre-)Settings | User Manual
Settings

Settings Switching Metric-Imperial

"Settings"  "Metric (m)" or "Imperial (ft)"

The measurement system can switch between Metric and Impe-

rial. All dimensions will be specified according to your selection in
meters (m) or feet (ft).

Laser Pointer on / off

"Settings"  "Laser Pointer"

You can adjust various settings of the software under the “Set-
tings” menu in the menu bar.

Language settings

"Settings"  "Deutsch" , "English" or "Francais"

You can choose between German, English and French.

Note: When you change the language, the change is made

immediately. If a you move a light shaper in the studio, so the laser pointer
indicates the direction of the light. This helps to orient he light
sources quickly and specific.

59
Chapter 5: (Pre-)Settings | User Manual
Settings

Lens Flare on / off Quality options

"Setting"  "Lens Flare" "Settings"  "Quality Settings"

Under the menu item “Settings”, you can select the “Quality
Settings”.

You can enable or disable the glare (lens flare), that arises during
back light photos, in the settings.

These settings let you regulate the response speed of your soft-
ware.

The following options are available:

Hinweis: Note: Lens flare arises only by using hard light mo- 1. Studio quality
difiers. By using Softboxes with diffusor, the effect does not
arise.

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Chapter 5: (Pre-)Settings | User Manual
Quality options

The “Studio quality” corresponds to the preview quality in the 3. Render resolution
studio area and in the preview camera. A lower quality setting can
significantly improve operability.
Image size: (1200 px)
In level 1, only a heavily reduced light calculation takes place that
does not take back reflections into consideration. For example, The “Render resolution” determines the image size of the photo
reflectors will not have any effect. to be calculated.

Resolution reduction Tip: Depending on the performance of your hardware, we

recommend the following settings:

Studio quality Level 3

While navigating in the studio or moving the camera, the resoluti- Render quality Level 3
on will be reduced to improve performance. Render resolution Middle setting (1200 px)

If you have an actual hardware (graphic board), you can disable *Basic Edition: Rendering with watermark, max. 1200 px size

the reduction of the resolution, thus getting a better preview.

Delete User Data
2. Render quality
"Settings"  "Clear User Data"

The "Delete User Data" option deletes all settings (e.g. own
rooms) that you made yourself in the software.

With the aid of “Render quality”, you can achieve a more precise
light calculation for a higher quality setting. However, this increase
the calculation time.

61
Chapter 6
Saving and render-
ing projects
Chapter 6: Saving and rendering projects | User Manual
Saving a shoot file, saving high-resolution renderings

Saving a shoot file Auto Save/ Crash File

You can save your shoot as a .set file under the menu item “Save Causes set.a.light 3D an error, a backup of the
project as”. All rendered shots will be saved on your computer in current file is created immediately. set.a.light 3D
a folder with the same name. always saves the file in "Documents/elixxier/".
The titling always begins with the term "Crash_"
followed by time indication, in which the file was
created (example: "Crash_2014-07-15_18-30.set
"). After restarting set.a.light 3D, the backup file can be normally
opened and re-saved under a new name.

You can see, that a backup file was created directly on the project
name in the Timeline.

Note: The files are saved by default under Documents/elixxi-

er/. (This folder must not be deleted.)
Note: After an error set.a.light 3D has always to be restarted to
ensure that there are no subsequent errors.

63
Chapter 6: Saving and rendering of projects | User Manual
Rendering all snapshots, re-rendering photos

Saving high-resolution renderings Rendering all snapshots

There are two options for saving/rendering an image in high reso-

lution:

1. If you take a photo with the aid of the shutter release, the di-
rectly rendered image will automatically be exported to the image
folder of the saved shoot.

Shot taken with shutter release :

Further informationen see chapter 4 “The virtual camera” on page 44

2. An unrendered image from the timeline can be loaded by

double-clicking in the Photo viewer, from where it can then be
rendered.
You can have the snapshots in your timeline automatically ren-
dered in sequence with the command “Render all Snapshots”.
You will find this in the submenu ( ) in the Timeline tab. Previ-
ously rendered images will be skipped.

Re-rendering photos

If you want to re-render a previously rendered photo in another

size, open the image in the Photo viewer by double-clicking in the
timeline. Click on “Re-render Shot” to re-render the image.

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Chapter 6: Saving and rendering of projects | User Manual
Rendering all snapshots, re-rendering photos

Note: You can set the size of the photo to be rendered in ad-
vance in the menu bar under Settings  Quality Options 
Render resolution

65
Chapter 7
Shortcuts
Chapter 7: Shortcuts | User Manual
Shortcuts for Windows

Shift object height | Pg up, Pg dn

Shortcuts for Windows | h + pressed left mouse button

Menu Functions Select multiple objects | Ctrl + left mouse button

New project | Ctrl + N Duplicate object | alt + pressed left mouse

Open project | Ctrl + O button

Save project | Ctrl + S Undo | Strg + Z

Save project as | Shift + Ctrl + S Redo | Strg + Shift + Z

Close program | Ctrl + Q

Global
Snap | Ctrl + Spacebar
Photo | Spacebar
Close pop-up | ESC
Timeline
Delete image from timeline | Del
Open image from timeline in preview | Enter
Load set from timeline | Ctrl + L
Scroll timeline | Mousewheel

Studio Area Studio Library

Rotate studio area | click and hold right mouse button Scroll studio library | Mousewheel
+ drag
Delete object from studio area | Del
Switch staging cam | T
Solo on/off active technology | S
On/Off active technology | Q
Show/hide tripod | W
Mirror pose | F
Open/close Pose Control | P
Move objects | Arrow keys

67
Chapter 7: Shortcuts | User Manual
Shortcuts for Mac OS

Move object height | fn + arrow keys ()

Shortcuts for Mac OS | h + pressed left mouse
from version 10.9.x
button
Menu Functions Select multiple objects | ctrl + left mouse button
New project | Cmd + N Duplicate object | alt + pressed left mouse
Open project | Cmd + O button
Save project | Cmd + S
Save project as | Shift + Ctrl + S
Timeline
Close program | Cmd + Q
Delete image from timeline | Delete- (Backspace) button
Open image from timeline in preview | Enter
Global
Load set from timeline | Cmd + L
Snap | Ctrl + Spacebar
Scroll timeline | Mousewheel
Photo | Spacebar
Close pop-up | ESC
Studio Library
Scroll studio library | Mousewheel
Studio Area
Rotate studio area | click and hold right mouse button
+ drag
Switch staging cam | T
Solo on/off active technology | S
On/Off active technology | Q
Show/hide tripod | W
Mirror pose | F
Open/close Pose Control | P
Move objects | Arrow keys

68
 | User Manual

set.a. light 3D Software

Functions

All core functions  

Room adjustments 3 room templates: large, medium, small freely adjustable and storable spaces

Flash technology 5 flash heads can be used simultaneously unlimited

File format: JPG File Formats: JPG, PNG(transparency possible)

Picture wall
7 own screens possible unlimited number of screens

Setplan-Export with watermark without watermarks

Rendering with watermarks, max. 1200 px max. 1600 px

Free Updates  
An upgrade to the STUDIO version
is available

69
elixxier Software GmbH
Hohnerstraße 25 Licensing information
70469 Stuttgart
Germany The software may be installed and activated on a main computer. A sec-
ond copy may also be installed on an additional computer (e.g. notebook)
www.elixxier.com on the condition that the software is not used on the main computer and
the additional computer simultaneously. Further details can be found in
Support: support@elixxier.com our General Terms and Conditions.

© elixxier Software GmbH

All rights reserved.

Status V.1.10 – Subject to changes and errors.