Colors

of the Wind Alan Meken &

from "Pocahontas" Stephen Schwartz

  44   
       

 = 65

  
Violin

  44 
You think I'm an ig no rant sav age and you've

 
 4      
4
Piano

    


2
               4     
 
3 poco rit.

42


been so man y plac es, I guess it must be so But still I can not see, if the

 
    42  
  


   4
               
4
5 rit.


    4
 4
sav age one is me, how can there be so much that you don't know? You don't

  
         4
    4
  4   
 4           
 = 100


8


 4     
 4
know... You think you own what ev er land you


        
  44     
     

  
              

13


  
   
land on; the earth is just a dead thing you can claim; but

 
         
  
  

 

 
                  
 

16


  
 
  
I know ev 'ry rock and tree and crea ture has a life, has a spir it, has a name. You

 
            
       
  
    
                

20

 
   
    
think the on ly peo ple who are peo ple are the peo ple who look and think like


 
         
  
   
  
2
   
          
    
23

        
  
you, but if you walk the foot steps of a strag er you'll learn


  
      
         
  
 
     
             
26


        
     
things you nev er knew you nev er knew. Have you ev er heard the wolf cry to the

   
      
    
     

  
           
   
29

 
            
blue corn moon, or asked the grin ning bob cat why he grinned? Can you

 
                  
     

    
              
  
32 poco a poco rit.

 
  
sing with all the voic es of the moun tain? Can you paint with all the col ors of the

    
        
    


3
 
         
  
35 a tempo

       
     
wind? Can you paint with all the col ors of the wind?

       
           



   
    
38 poco ac


       
               
Come

  
                
     
    

 
                   

41


                   
    
run the hid den pine trails of the for est, come taste the sun sweet ber ries of the

                   

 
          
    
44

        
           

earth; come roll in all the rich es all a round you, and for

   
                     

4
  
             
   
poco rit.


47


           
        
 
once nev er won der what they're worth. The rain storm and the riv er are my


        
        
 

  
          
   

50

the her on and the ot ter are my

          
       
broth ers; friends; and

      
              
  
  

  
                  

53


             
       
 
we are all con nect ed to each oth er in a cir cle in a hoop that nev er

                
   
    


 
       
   
56

         
 
  
   
  
ends. How high does the syc a more grow? If you

         
                    
 



3

5
   
 
         
 
59 rit.

  
              
    
cut it down, then you'll nev er know. And you'll

         
     
   
    



      
      
       

62 a tempo

for wheth er we are white or cop per

      to the             
       
        
nev er hear the wolf cry blue corn moon,


           
     
  


 
   
               
  
65

           of the


        
skinned, we need to sing with all the voic es moun tain, need to

                  
      



 
        
  
68
poco a poco rit.

                   

paint with all the col ors of the wind. You can

 
 
    




6
   
    
                 
70

 with

               
     
         

own the earth and still all you'll own is earth un til you can paint all the col ors of the


          
      
 


  
          
73


    
 
wind.


         
     
  

7
 Violin Colors of the Wind Alan Meken &
from "Pocahontas" Stephen Schwartz

4
  4    
 = 65

     
   

2
      
You think I'm an ig no rant sav age and you've

        4     
 
3 poco rit.

   4
   
been so man y plac es, I guess it must be so But still I can not see, if the

       4
 = 100

      
5 rit.

 2 
          
sav age one is me, how can there be so much that you don't know? You don't know...

     
9

 
 
        
You think you own what ev er land you land on; the

          
14

 
      
earth is just a dead thing you can claim; but I know ev 'ry rock and tree and

               
17


     
                 
crea ture has a life, has a spir it, has a name. You think the on ly peo ple who are

 
  
21

  
peo ple are the peo ple who look and think like you, but if you walk the foot steps of a

 
             
25

    
           
strag er you'll learn things you nev er knew you nev er knew. Have you

     
28

  
       

ev er heard the wolf cry to the blue corn moon, or asked the grin ning bob cat why he

   
  
31 poco a poco rit.

grinned? Can you sing with all the voic es of the moun tain? Can you
  2
                 
  
34 a tempo

   

        
paint with all the col ors of the wind? Can you paint with all the col ors of the wind?

     
40 poco accel.

 
 
                    
Come run the hid den pine trails of the for est, come

  
43

 
 
             
taste the sun sweet ber ries of the earth; come roll in all the rich es all a round you, and for

 
poco rit.


47


  
               
once nev er won der what they're worth. The rain storm and the riv er are my

       
50

the her on and the ot ter are my

       
broth ers; friends; and we are all con nect ed to each

            
54

   
      
oth er in a cir cle in a hoop that nev er ends. How high does the

        
   
58 rit.

      
             
syc a more grow? If you cut it down, then you'll nev er know. And you'll

 

62 a tempo

   
              
nev er hear the wolf cry to the blue corn moon, for wheth er we are white or cop per

   
65

 
skinned, we need to sing with all the voic es of the moun tain, need to

                
 
68 poco a poco rit.

   
      
          
paint with all the col ors of the wind. You can own the earth and still all you'll

    
71

own is earth un til you can paint with all the col ors of the wind.

2
Piano, Treble Piano Colors of the Wind Alan Meken &
from "Pocahontas"

 4
Stephen Schwartz

4 42
    
4  4
 = 65  = 100
poco rit. rit.

    
   
 4        
4 24           44  
 
            
      
 

      
   
9


   
         
     
      
  
     


     
    
     
16

          

 
   

    
   
     

          
               

22

  


      
       
         

          


 
  
      
   
   


   
28


                   
       
    
 
       
             
    
34 a tempo

         

     


       
    


          
                   
   
39 poco accel.

           

   
    

           
  
           
    
43

 
                                     
 

              
         

48

                      
      
 
           
 
 
              

    
52

                 
        
     

          
         
       
  
56

                                
     
 
 


3

2
   

     a tempo
             
                

60 rit.


                
           


 

               
         
         

64

                   
     
   



                        
        
 

68 poco a poco rit.

     
       
  


  


 
            
    
72 

   
        
         


 
