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Chapter 1 Final
Chapter 1 Final
INTRODUCTION
life that it can take any form or content. For these reasons, art
definition of Art.
Art is a product of human activity, made with
internet, tries to define art. Certainly, the impetus for art could be
follow and imitate. Even before the evolution of languages, the art
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< http:www:wikipedia.org/wiki /Ar t > 18 Aug. 2007.
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patronages. In the course of this evolution of art, there emerged
ideal state. Plato argued that all art is a copy of the world of
senses, which is itself an illusion beyond which the wise man must
be trained to penetrate and that the works of art are thrice removed
from reality.2
man and also analyzed the theory of imitation and pleasure. Scores
western civilization.
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the Supreme God. Ananda Coomaraswamy, an eminent scholar on
Indian aesthetics feels, ‘Religion and art are thus names for one
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this limited context itself the soul of man will
dance and music are offered to god in the form of services. Thus,
Indian Arts.
Desi forms multiply the number of those art forms. There are
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in India. The arts that were being learnt in the traditional Guru-
subjects at both U.G. and P.G. levels. Besides this, the number of
students who opt to learn various fine arts has increased. There are
hundred ‘Sabhas’. Both the Central and the State Governments are
also organize various art festivals right from the regional level to
nations under the cultural exchange plan. All in all, Indian Arts is
said that Art has emerged as one of the major strands and guiding
that the artist draws his sustenance from the society he lives in, but
it is equally true that he breathes new life into it, invigorates it and
renders the drab life a shade better than he found it’, Dr. C.D.
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Narasimhaiah observes.5 When this is the fact, do we get
thing here is, when we talk about writers on art, they too belong to
effectively by the artists, here the writers. But the question is how
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Masti Venkatesha Iyengar's Subbanna, Dr. K. Shivarama
facets of Indian life to carve its own niche in the world literature,
[1993], Anitha Nair’s Mistress [2005] are a few titles that straight
the number of art fictions, which try to probe deep into Indian art,
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aesthetics to use it in the creative writings. They might have
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6. Agrawal, Matti. [ed.] New Perspectives on Indian English Writings.
New Delhi: Atlantic Publishers, 2007, p. 206.
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trinities of Indo-Anglian literature, hailed from the culturally rich
Guide in the year 1958, which won the Sahithya Akademy Award
study as an artist. Anita Nair, who hails from culturally rich state
The 426 – page novel Mistress was published in the year 2005.
The Asian Age has described Anita Nair’s third novel Mistress as a
English dailies and weeklies and a few literary journals too have
The two novels are selected as the benchmarks for the discussion.
space and voice their concerns towards art and aesthetics, and it is
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Mukundan, M. “When Art is a Metaphor for Mistress”, Asian Age, 27 Sept.2007. p.12.
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aspects of life. In this study, an attempt is made to analyze the
the novelists.
added value to their art, writing. The moment The Guide and
characters are set on the move by the novelist and later the
the characters may emerge as mere puppets who mouth the ideas of
presented by the novelists, who are another kind of artists and the
world in which the artist characters live, act, enjoy, suffer, lament
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further by focusing on the individual artists and investigating
to trace their path of success. If they have not then it is even more
course of life. The failure could also be the result of partial view of
harmony between life and art. The partial view results in constant
This conflict may lead to unbridged gap between life and art. The
Art versus Artist, a critical study of how art suffers or gains at the
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characters, the novelist. Probably if the artists themselves try to
write an art-fiction the above question may not arise at all because
they can write authoritatively an art and aesthetics, using their first
hand experience. But then the novel can suffer. Otherwise, the
must get the practical experience through its study to portray the
CHAPTER I - INTRODUCTION:
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This chapter attempts to make some references to important
Literature. The reasons for selecting the two art fictions for this
critical study on Art versus Artist are also discussed along with the
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Here an attempt is made to analyse and interpret the quests of the
The artistic merits of the novel Mistress are also probed in this
chapter.
CHAPTER IV –
ENTERTAINMENT versus ENLIGHTENMENT:
This chapter compares and contrasts the two novels, The Guide and
Literary and artistic merits along with the limitations of the two
chapter also scrutinizes the question how a literary text gains the
entertainment.
CHAPTER V - CONCLUSION:
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This chapter analyses the question whether art suffers or gains
when a man of letters uses another art form for his or her discourse
on the selected field of one’s choice (i.e. art fiction). The possible
changes that might have taken place in the field of art are also
could make any literary discussion on art and artist very arduous
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