SAL RY e BERKLEE PRESS
MUTT
FURR HAAN
GAGE GTNDena
Edited by Michael Gold
800-749-4428
fe mail: snidermusic@swidermusic.com
Berklee Media Derklee Press
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Director of Content: Debbie Cavalier Writer/Editor: Susan Gedutis
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ISBN 0-b34-03b5b-4
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10-09 08 07 06 05 s4a2Contents
Introduction
What this Book Covers
How to Use this Book and CD
A Note on Range Recommendations
Acknowledgments
About the Authors:
1 Basic Information
1-1, Transposition of Instruments
1-2 Instrument Ranges and Sound Characteristics
1-3. Comparison of tnstruments’ Ranges
1-4 Low-Interval Limits
1-5 Special Effects for Wind Instruments (CD Track 1)
16 — Reharmonizing Approach Notes
1-7 Chord Scales
Tonal Context
In Tonic Major
Sn Tonic Minor
Modal Interchange Used in Major
Chord Scales for the V7 Chord (Primary Dominant Seventh)
Secondary Dominant Seventh Chord Seales
Substitute Dominant Seventh Chord Scales
Special Function Dominant Seventh Chord Scales,
Diminished Seventh Chord Scales
Modal Chord Scales
1-8 Preparing a Score
1-9 Overview of an Arrangement
Elements of Form: Intros, Interludes, and Endings
Modulation and Reharmonization
Graphing an Arrangement
1-10 Exercise
2 Unison and Octave Writing
2-1 Procedure
2-2 ‘Orchestration and Timbral Effects
2-3 High-Timbre Unison (CD Tracks 2-5}
24 Medium-Timbre Unison (CD Tracks 6-7)
2-5 Low-Timbre Unison (CD Tracks 8-10)
2-6 Octave Doubling (CD Tracks 11-15)
27 Melodic Subdivision (CD Tracks 16-18)
Abrupt Fragments
Smooth Flow
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